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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

Humanfobia x Mean Flow – ▼👻░░░

Humanfobia x Mean Flow – ▼👻░░░

Humanfobia x Mean Flow

“▼👻░░░”

Compilation album with collaborations tracks between Humanfobia duo from Chile & Mean Flow from Greece.

All tracks composed by Mean Flow & Humanfobia.
artwork collage, vocals only in track 7: Sábila Orbe.
model in artwork, vocals in tracks 1, 5 & 9: Mist Spectra.

Mean Flow is an experimental, minimalistic, noise composer from Thessaloniki, Greece. links:
https://meanflow.bandcamp.com/
https://www.youtube.com/@teotsteo

Humanfobia is a dark experimental, witch house duo from Rancagua, Chile. links:
https://humanfobia-official.bandcamp.com/
https://archive.org/details/fav-mist_spectra

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posted 10 December 2022

Holy Fanda & The Reverends – I Will Go II.

Holy Fanda & The Reverends – I Will Go II.

Holy Fanda & The Reverends

“I Will Go II.”

released December 2, 2022

The Reverends:
Martin Rejmíš (tpts), Jarda Svoboda (harm, v), Nick Jennings (dr, bjo, shkrs, v), Holy Fanda (bass, el.& ac. gtrs, autoharp, v). Special guests: Tommy Levechia & Jakub Schmid (tpts), David Babka (pedal steel gtr), Živé kvety (Juro Mironov, Lucia Piussi, Peter Bálik & Ágnes Lovecká) on vocals & the audience from the Malostranská beseda show on Dec 5th 2017 where we recorded the “choir“ part.
Recorded by Vojta Noha & Martin Tvrdý in 2019-22.
Mixed and produced by Martin Tvrdý.
Master GAEX. Artwork Can of Water Design.
Layout Jan Holeček.
Label Polí 5, 2022 EPP 209–1.
Music/Lyrics: Holy Fanda/Holy Fanda with Johnny Feelings
Thanks to Jíří Berdich for the 12str. guitar

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posted 07 December 2022

ignaigna – Prolongando lo inevitable

ignaigna – Prolongando lo inevitable

ignaigna

“Prolongando lo inevitable”

¿Qué cambiaría si la percepción del tiempo fuera diferente?
¿Qué cambiaría si la muerte no fuese inminente?
¿Qué cambiaría si los sueños no acabasen?

“La vida nos ofrece estos momentos de alegría a pesar de todo”

released December 5, 2022

W&P por Ignacio Fernández aka ignaigna
Producción adicional en Caducifolio por Agustín Altamirano aka Hemu
Producción adicional en Realimentación por Yni Liz aka Blxssxmy
Fotos por Mica Zeni
Diseño de tapa por Pau Lee (www.instagram.com/sheispaulee/)

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posted 07 December 2022

REfugEEs From Beyond – reFUGeeS Welcome

REfugEEs From Beyond – reFUGeeS Welcome

[Malaysia]

[LCNLP157]

REfugEEs From Beyond

“reFUGeeS Welcome”

The Necrophile Hummingbird netlabel presents reFUGeeS Welcome by REfugEEs From Beyond. It’s the first release of the dark abstract hip-hop duo made by the malaysian MC PeliK & the turntablist Yoshiwaku.

“Refugees Music for Stateless People”

Everybody knows about the climate disaster consequences, pushing so many people to the exile, instead to try to fix the pollution problem the guilty countries are strengthening their borders. The world of tomorrow seems not different of yesterday world except this awful smile about the climate genocide.

Recorded live the 10th november 2022.
MC PeliK : Voice & Guitar
Yoshiwaku : Turntable & Kaossilator & Rhythms

Dedicated to all the migrants who died because of borders.

Special thanks to Alizé for the design of the project name.

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posted 01 December 2022

O Colecionador de Sons – A Voz do Mundo II (parte 1)

O Colecionador de Sons – A Voz do Mundo II (parte 1)
[emissão 102]

O Colecionador de Sons

“A Voz do Mundo II (parte 1)”

A emissão 102 d’O Colecionador de Sons apresenta pela primeira vez, depois do evento “Dar a Ouvir. Paisagens Sonoras da Cidade”, que entre julho e agosto marcou a programação cultural do Convento São Francisco, em Coimbra, em torno do universo da arte sonora, a 1ª parte da instalação sonora “A Voz do Mundo II”, com curadoria deste Colecionador de Sons, composta por 3 horas de duração com contributos da netlabel portuguesa Green Field Recordings (www.greenfieldrecordings.yolasite.com), da plataforma Audiotalaia, do artista sonoro espanhol Edu Comelles (http://www.audiotalaia.net) e também do mapa sonoro à escala mundial Cities & Memory, da responsabilidade do artista sonoro inglês Stuart Fowkes (https://citiesandmemory.com).

Para esta 1ª parte, apresentamos a composição sonora da responsabilidade da Green Field Recordings, seguindo-se nas emissões seguintes as duas restantes peças, antes da sua edição online, lá para o final do ano, na GFR.

Bem-vindos!

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posted 27 November 2022

Broken Machine Films – Broken Machine Films presents​.​.​. Porn Cult Club TV, Episode 23. [LIVE w_ Jay Good]

Broken Machine Films – Broken Machine Films presents​.​.​. Porn Cult Club TV, Episode 23. [LIVE w_ Jay Good]
[VSS135]

Broken Machine Films

“Broken Machine Films presents​.​.​. Porn Cult Club TV, Episode 23. [LIVE w_ Jay Good]”

Recorded live in Asheville NC cerca 2016.
Samples are from thrift store found cassettes. Remixed, chopped and deconstructed by Broken Machine Films accompanied with Jay Good’s magical drum kit.
all rights reserved
posted 27 November 2022

Pagalve – Universe

Pagalve – Universe
[KNOB004]

Pagalve

“Universe”

Usually a lover of a harder techno sound, Pagalve probably suprised himself after he made this special release for Knobs netlabel. Why “Universe”? Well, when your speakers will start to play this beauty, you’ll understand that is all about. Really deep tech stuff! Containing tracks built of TB-909 drums, beautiful stabs, lightly distorted basslines, clicks & cuts, various string structures together with stomping beats are doing a great job to make a feeling like you are somewhere in the universe…
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posted 27 November 2022

tim susa – 1982

tim susa – 1982
[144]

tim susa

“1982”

Tim Susa’s sound on his recent album is as personal as its title, which marks the year of Tim Susa’s birth. His debut album 1982 seem to be no less than a monument, dedicated to his very personal journey through techno history. It is unmistakable that Tim’s heart beats especially for the heyday of dark shuffled techno throughout the 90s. Produced on a mix of analog and digital devices, the tracks revel in the sound of dancefloor legends like Dave Clarke, whose Red series seems to reminisce more than once on the album, Luke Slater or Gez Varley. The latter’s minimalist proto-anthem „Quo Vadis“ seems to resonate again and again, too. Like Tim, the tracks seem to feel most at home on dark, foggy and strobe lighted dancefloors. Moments of deepness keep popping up though, as tracks like “A Feather” show, that reach already out into the current millennium. In a similar vein, the wonderfully industrial-tinged electro beats of „Leaf Blower“ spread a lot of industrial dancefloor confusion without having to resort to a straight bass drum. In between retrofuturism, history lessons and techno old school, 1982 always manages to simultaneously look ahead and make you want to go back in time.

Release-Date: 23.Juni 2022

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posted 27 November 2022

Philippe Neau – A Quiet Place

Philippe Neau – A Quiet Place
[mhrk325]

Philippe Neau

“A Quiet Place”

“”A quiet place” is an album where we are immersed in the imaginary and sound vision of a motionless traveller. This trip was built from field recordings recorded in real places, inside or outside. To these sounds are added analog ambient sounds. This sound mass is worked, mixed, kneaded, “sculpted” to create a “new landscape”, stratified and polyphonic. This vision took shape during more or less dreamy encounters and walks with the elements of the landscapes. The sounds mingled and overlapped, as did the places, gradually in my memory. From layer to layer, I let the “sound material do” in order to prolong its meditative states. I followed the vibrations. The sound material has thickened to give shape to a long reverie in one/several imagined/invented places, sort of separate spaces …. non-places? My thoughts and sounds are thus fixed around the trees, the clouds, the light, the movements of the sun, the sea, the water, the birds, the night, the wind, the little secret noises, the displacements. Of the fullness of the landscape, of the perception of the landscape, of the impressions. From the sound of my mind. From the presence…”

Released November 26, 2022 as free (cc) download and beautiful limited edition cassette

Composed and produced by Philippe Neau

Photo and painting by Philippe Neau

Cover design by Angel Draganov

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posted 27 November 2022

BRITNEY25 – forget mi note

BRITNEY25 – forget mi note
[LCNLP156]

BRITNEY25

“forget mi note”

English Translation Below)
Le netlabel le Colibri Nécrophile présente forget mi note par Britney25
“Unforgettable Music for the Forgotten People”

Quelles que soient les vagues, elles reviennent toujours à la plage, aussi surement que le bras d’un tourne-disque, même si celle-ci a disparu depuis longtemps sous les détritus, eux même recouverts d’algues vertes potentiellement mortelles.

Si un esprit punk existe, ce n’est pas un truc de poseur, mais bien viscéral, genre la rencontre de l’urgence du futur présent et de l’écorché vif qui refuse de se laisser broyer par la machine du système.
Exhibition d’une sensibilité à fleur de peau, l’écho de nos cauchemars, partagés, dans une orgie de son. La résistance face à la souffrance. Porteuse d’espoir : même pas mal.
Résistance à l’oubli, du sel sur les plaies et au milieu du vomi, du trop-plein d’émotion, des caillots de sang qui n’ont pas de prix.
Oscillant à la frontière du grotesque, révolutionnaire ? Seule l’authenticité change la donne et nous donne envie de hurler nous aussi.
On est toutes et tous nés pour crever. Alors autant s’éclater avec la grâce de celles et ceux qui n’ont rien à perdre. Même pas mort encore. N’oublie pas, n’oublie rien.

Il semble que la musique horsnorme ait toujours été trop punk pour le public de la musique expérimentale et trop expérimentale pour le public punk. La musique de Britney25 est horsnorme, sans place attitrée, toujours en mouvement, jamais là où on l’attend, vivante jusqu’au dernier instant… et au-delà.
C’est une joie d’accueillir le dernier rejeton de cette voyageuse apatride qui refuse de rentrer dans sa niche à la société du spectacle.

Au passage, un gros doigt à l’État français qui expérimente le R.S.A avec travail forcé pour faire disparaitre un peu plus celles et ceux qui créent dans les marges.

(Traduction française au-dessus)
The Necrophile Hummingbird netlabel presents forget mi notte by Britney25.
“Unforgettable Music for the Forgotten People”

Whatever the waves, they always come back to the beach, as surely as the arm of a record player, even if it disappeared long ago under the rubbish, themselves covered with potentially fatal green algae.

If a punk spirit exists, it’s not a poser thing, but a visceral one, like the meeting of the urgency of the now future and the living skinned who refuses to let oneself be crushed by the machine of the system. Exhibition of skin-deep sensitivity, the echo of our shared nightmares, in an orgy of sound. Resistance to suffering. Bearer of hope, not even hurt !
Resistance to oblivion, salt on the wounds and in the middle of the vomit, the overflow of emotion, blood clots that are priceless. Oscillating on the border of the sublime and the grotesque, revolutionary ? Only authenticity changes the game and makes us want to scream too. We are all born to die. So might as well have fun with the grace of those who have nothing to lose. Not even dead yet. Don’t forget, don’t forget anything.

It seems that horsnorme music has always been too punk for experimental music audiences and too experimental for punk audiences. Britney25’s music is horsnorme, with no assigned place, always on the move, never where you expect it, alive until the last moment… and beyond. It is a joy to welcome the latest offspring of this stateless traveler who refuses to return to her niche in the society of the spectacle.

By the way, a big fuck to the French State which is experimenting a new RSA (the french solidarity allowance) with forced labor to make those who create on the margins disappear a little more… in the hands of the firms.

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posted 26 November 2022

Alejandro Albornoz – La Lumiere Artificielle

Alejandro Albornoz – La Lumiere Artificielle
[pncd12]

Alejandro Albornoz

“La Lumiere Artificielle”

The cycle La lumière artificielle

This is an acousmatic octophonic cycle which was composed as part of my PhD Thesis portfolio (Albornoz 2018) between 2015 and 2018 at the University of Sheffield Sound Studios, UK. In this album you can listen to the five pieces of the cycle in stereo binaural versions. The original eight channel version and a coming soon special 5.1 version of the cycle can be downloaded using the link provided by Pueblo Nuevo netlabel.

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posted 25 November 2022

Gi Ahumada – Azar Objetivo

Gi Ahumada – Azar Objetivo

Gi Ahumada

“Azar Objetivo”

Influenciado por la sincronía y el ludismo, Azar objetivo explora un mundo de sonoridades que atraviesan y expanden los límites de la canción pop.
Los climas que van recorriendo las cinco canciones de este disco de pop experimental, se van transformando e influenciando por sonoridades del rock y el underground con bases electrónicas y sintetizadas.
credits
released November 21, 2022

Todas las canciones están compuestas por Gi Ahumada.
youtube.com/channel/UCzhIH1q4uR1gm8JX6lIXDDg
giahumada.bandcamp.com/album/la-r-a-2
soundcloud.com/gisella-natalia-ahumada

Producción y mezcla por Berenice Llorens.
berenicellorens.com www.instagram.com/berenicellorens/

Editado y masterizado por Ismael Verde en Kriptonîa.

Arte de tapa por Paula Cabero.
instagram.com/snac.the?igshid=MTg0ZDhmNDA=

Videoclip “Ice cream”
Pau Cabero y Alex Niu
adoptada.inc
Link: youtu.be/ezPXyzxPqlU

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posted 23 November 2022

Grosso Gadgetto – Come With Me

Grosso Gadgetto – Come With Me
[mhrk323]

Grosso Gadgetto

“Come With Me”

Since 2002, far away from the classic formats, Grosso Gadgetto puts his mark in contemporary indie hip-hop, the music of movies, contemporary shows and video games. He voluntarily destabilizes the listener by these sound deluges, under a fire nourished of scary atmospheres, drone layers, pervert breakbeats, metal guitars and catchy and addicting melodies, perfect soundtracks for a sick and claustrophobic science fiction movie that John Carpenter would probably not deny.

20 years on in Grosso Gadgetto’s extraordinary artistic endeavours, we are delighted and proud to present his Mahorka debut “Come with me”, coming out also as beautiful limited edition cassette, as a notable addition to his impressive discography.

Released November 19, 2022

Written, recorded and mixed by Grosso Gadgetto in Villeurbanne, France during June 2022

Mastered by Stazma the Junglechrist

Cover photo by Max Guy-Joseph

Sleeve design by Angel Draganov

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posted 23 November 2022

joseph – Utopie 13

joseph – Utopie 13
[1]

joseph

“Utopie 13”

Utopie 13 – A quel monde les adultes de demain rêvent-ils ?

Deux adolescents de 13 ans ont participé à cette création sonore. Durant un entretien improvisé, dans le sous-sol de leur lieu de villégiature estival, loin des autres adultes, sans consigne, sans censure, sans limite, les deux adolescents se plongent dans leurs fantaisies pour mettre les utopies issues de leur imagination à l’épreuve des expériences sensibles qu’ils ont vécues.

Comment se construit l’imaginaire des adultes en devenir ? L’utopie survivra-t-elle au récit qui en est fait ? La matière du rêve peut-elle être explorée, dite, partagée ? Peut-on la mettre à l’épreuve du vécu, des valeurs, des récits et de l’expérience que les adolescents ont acquis au cours de leur début de vie ? L’utopie est-elle amenée à advenir ?

Les mondes imaginaires des deux collégiens laissent deviner les préoccupations et les inquiétudes qui les habitent, mais aussi leurs espérances et leurs espoirs.

Utopie 13, une création sonore de joseph enregistrée en août 2022 au Havre (Seine-Maritime), production, réalisation, mixage en novembre 2022 à Gennevilliers (Hauts-de-Seine).

Toutes les illustrations musicales et visuelles ont été composées, interprétées et dessinées par joseph, explorateur sonore, musicien.

_______________________
The imaginary worlds of the two teenagers reveal the concerns and worries that inhabit them, but also their hopes and expectations.

Utopie 13, a sound creation by joseph recorded in August 2022 in Le Havre (Seine-Maritime), production, production, mixing in November 2022 in Gennevilliers (Hauts-de-Seine).

Domaine public, distribuez et diffusez librement
Public domain, please reuse and broadcast

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posted 22 November 2022

Asshole Galaxy – Irreparable Damage

Asshole Galaxy – Irreparable Damage
[mhrk324]

Asshole Galaxy

“Irreparable Damage”

“Irreparable Damage” is the debut album of Asshole Galaxy – a band of two angry artists really mad at all the assholes ruining the world, channelling some music through.

“You’re wrong […] I said quietly. “I’d love to have access to all this shit you believe. I’d love to be able to summon someone who’s responsible for this fuck-up of a creation. Because then I’d be able to kill them. Slowly.”
–Richard Morgan

Angry artist #1: Weldroid. The 8-bit emulation of an electrical engineer, a cgi artist and a coffee connoisseur merged into one person and left alone in the middle of a forest in the middle of a forgotten peninsula built of discarded and ancient electronic devices and lots of copper wire. Those little robotic things living in the forest tend to like the noises he makes…

Angry artist #2: Jeremy Rice. Boston-area lover of synthesizers and synth music, striving to make his own electronic music with a curious sense of introspection and mystery. As Abdicant and Curious Inversions he has notable releases on Kahvi Collective and Mahorka. Also in Cognition Delay with Paul Alexander (Pandacetamol, Fluffy Inside) on Rednetic and in The Hive Projectwith Anthony Paul Kerby (The Circular Ruins) on DataObscura.

“When you feel terrible about the unnecessary loss of life, value and sanity: get together with a friend, establish a band, make some noise. Somehow turn that murderous frustration into waveforms. […] not the last time you hear from us.” –Weldroid

Released 22.11.22 as free (cc) download and special digipak CD edition.

Composed and produced by Abdicant and Weldroid
Cover artwork graphics by Weldroid

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posted 22 November 2022