Mixed, composed, artwork collage by Sábila Orbe.
model, photography by Mist Spectra
track 1: Nous sommes une légende stems by Sona Nyl. Original track:
dialatedmusicproductions.bandcamp.com/album/chroniques-de-vampires-vourdalaks-et-autres-non-morts
// stems provided by the self artist.-
track 2: Stems by Innocent but Guilty, provided via cyberdoom remix album:
apocalypsesounds.bandcamp.com/album/cyberdoom
track 3 & 4: exclusive Humanfobia tracks for this compilation.-
tracks 5 & 6: stems provided by Cosmic Disruption Orchestra:
cosmicdisruptionorchestra.bandcamp.com/album/shadows-and-like-grains-of-sand-remixes (originally remixed under Filmy Ghost project)
Near, yet far – clear, yet tar. Square choruses roundly abound, whilst reaching angels fail to see. Grasp this – that explorations are manifold, within and without.
Featuring clarinet and effects.
Japanese project ish10 yow1r0 presents Jude EP, a three-track release that draws listeners into a world of shadowed tones and quiet intensity. Known for cultivating a melancholic atmosphere reminiscent of film noir soundtracks, the project delivers music that is both haunting and cinematic.
This EP carries a distinct cinematic quality, with each piece unfolding like a scene from an untold story. Subtle layers of mood and texture create an immersive experience, where silence and sound blur into moments of solitude and reflection.
With Jude EP, ish10 yow1r0 continues to shape music that resonates deeply—evocative, atmospheric, and cinematic in scope.
Prior to performance, preparation is peremptory. Scalar approaches, diatonic and chromatic, essentially apply. Yet strange resonances also insert – and are just as necessary.
Featuring synthesizers and percussion.
The Necrophile Hummingbird netlabel presents Art of Sabotage by reFUGeeS From Beyond.
“Subversive Music for Activists”
Improvisation recorded the 27th August 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed only electronic devices) : Yoshiwaku Mushotoku
Like Dadacore Insane Explosion this is a double album under the same title. I mean, different tracks for two album with the same title, if this sabotage is more clear. This one is the “nocturne” one.
Dedicated to the saboters, especially those fighting against work slavery and antidemocratic gov like in france.
For the english speakers there is an article on openculture with the CIA link to view it. www.openculture.com/2024/11/the-cias-simple-sabotage-field-manual.html
Compilation release with Filmy Ghost collaborations and some solo tracks. From different v/a compilations.-
Filmy Ghost is a dark experimental project from Chile.
for more Filmy Ghost works visit:
freemusicarchive.org/music/Filmy_Ghost/
filmyghost-humanfobia-doppelganger.bandcamp.com/
Composed only by Filmy Ghost: tracks 1 & 5.-
cover artwork collage by Filmy Ghost.-
tracks 2 & 8: remixes of original track by Innocent Darkness.-
track 3: collaboration with noxpox.
track 4: collaboration with Wilfried Hanrath & fourthousandblackbirds.
track 6: collaboration with Geomant.
track 7: remix of original track by Insatiable Void.
track 9: collaboration with {AN} Eel
track 10: remix of original track by Axis Project.-
collaborators links:
– innocent darkness: open.spotify.com/intl-es/artist/6SdV65mqXg69ZmE3S9TU8o
– noxpox: noxpox.bandcamp.com/
– Wilfried Hanrath: wilfriedhanrath.bandcamp.com/
– fourthousandblackbirds: fourthousandblackbirds.bandcamp.com/
– Geomant: soundcloud.com/geomant-ii
– Insatiable Void: insatiablevoid.bandcamp.com/
– {AN} Eel: panpanpanaviandistresscall.bandcamp.com/
– Axis Project: www.axisproject.net/
Daniela Fischer, Franz Fjödor, Stroblak, Reni Hofmüller, Sascha Neudeck, Luca Pagani, kauders, Kristi Allik, Bryce Beverlin II, Irina Karamarković, urkuma, Mädchenmord, Boban Ristevski, Andrea Gabriele, Opcion
The original invitation for this project:
“Choose an acoustic instrument (preferably a traditional one of your region or one that is used in your area’s traditional music) that you have not learned to play. The more alien it is to you the better. You are not allowed to play any instrument you feel comfortable with.
Make a piece for it that does not use any electronics. It must be exclusively acoustic (it must be possible to play it in a place where there is no electricity).
You can use a computer to record the piece and even for multitrack recording (the piece could still be performed without electricity if there were enough musicians).
Just remember the two main guidelines: “Make it as hard for yourself as possible and try all the things you usually avoid” and “the piece must be performable without electricity”.
Tracklist:
Daniela Fischer – komposition für kaputtes piccolocello mit nur 2 darmsaiten und volleyballtraining in madrid
Franz Fjödor – Waanideeën
stroblak – pluto_war_ein_zwergplanet
reni hofmüller – von_a-nach_B
sascha neudeck – 4violinen
luca pagani – come tu me NUOVA_mixdown
kauders – dei ane detschn
Kristi Allik – Blow
bryce beverlin II – wealth slag
irina karamarković – Etüde für Wood Blocks und Instrumente deren Namen mir völlig unbekannt sind
urkuma – burning piano1-3
mädchenmord – tHREEfORTYfOUR
boban ristevski – dancing on another ground
andrea gabriele – chf
This is a free download but….
If you enjoyed listening to the music or if you want to support musicians, go to concerts in your area, pay for them and buy music directly from the artists if possible.
Thanks!
composition, re-mastering, photos and design by EMERGE
originally released by OOO! SOUND in 2013
remastered in 2025
EMERGE is also & always der Bund des dritten Auges
Unsound Sounds of Porto is a compilation dedicated to experimental music produced in the city of Porto, bringing together artists working in the realms of noise, improvisation, minimalism, and other non-conventional sonic practices. Rather than offering a unified or institutional vision, this collection seeks to open a window onto an underground scene that remains active and constantly shifting, often existing at the margins of established circuits.
It encompasses a wide range of practices — from structured compositions and studio pieces to digital collages, analog and hybrid experimentation, as well as recordings captured in real time. This plurality results in a palette where lo-fi recordings coexist with more refined productions, exploring both the raw materiality of sound and the possibilities of digital manipulation.
As a document, Unsound Sounds of Porto registers a community in transformation; as a listening experience, it proposes a fragmented yet coherent and narrative journey through the many forms of sonic inventiveness inhabiting the city’s interstices.
Curated by: Paulo Couto / ETIKÆTIKETA
“Afectos del Desastre” (Affects of Disaster) was an immersive performance installation created in 2023 by DESARTES, the Arts and Disasters Unit of CIGIDEN (Research Center for Integrated Disaster Risk Management, Chile). Its objective was to delve into the emotional dimension of the human experience in the face of socio-environmental disasters related to economic practices. The installation combined live performance with new media elements to convey the experiences of three disasters that occurred in Chile, based on social research conducted by CIGIDEN: the fires in Santa Olga (consequence of the practices of the timber industry), the pollution in Puchuncaví, and the drought in Quillagua (both consequences of the mining industry’s practices). Each event was explored through a specific tunnel within the installation, offering a unique perspective on the performance. A quadraphonic acousmatic composition related to the addressed case was presented in each tunnel (which interacted with the performance), along with texts of testimonies from those who experienced these disasters firsthand. The music’s structure included a random distribution of some materials, allowing different versions to emerge each time. This album is, therefore, one of the many possible versions of the work.
From outside the installation, one could hear the three quadraphonic environments interweaving into a 12-channel sonic whole, an experience I attempted to replicate in the final track of this album, titled “Afectos del Desastre” (Affects of Disaster).
The papers related with the research carried out by CIGIDEN mentioned above are the following:
1) Puchuncaví: Tironi, M. (2018). Hypo-interventions: Intimate activism in toxic environments. Social Studies of Science, 48(3), 438-455.
2) Quillagua: Acuña, V., & Tironi, M. (2022). Extractivist droughts: Indigenous hydrosocial endurance in Quillagua, Chile. The Extractive Industries and Society, 9, 101027.
3) Santa Olga: González Gálvez, M., Gallegos, F., & Turén, V. (2021). Unfinished extinction and the velocities of capitalist sacrifices in the woodlands of central Chile. Tapuya: Latin American Science, Technology and Society, 4(1), 1939491.
José Miguel Candela
(Santiago, Chile. Septiembre / September 2025)
The Necrophile Hummingbird netlabel presents Colonoscopy Without Anesthesia by Yoshiwaku.
“Shit Music for Scatology lovers”
When you live fully in present time…
Life is full of surprise, it’s up to you to enjoy them.
So do I. Monday 14th April 2025 a colonoscope dove into me.
Here is the story in music.
Dedicated to all explorers who do not colonize the lands they discover.
Symmetry is not always obvious. Something can be symmetrical across more than one dimension – odd, but still beautiful.
Featuring synthesizers, percussion, electric guitar, arpeggiator, and Hammond B3 organ.
Chipmunk! Chipmunk!
Featuring cajon, synthesizer, shaker, flute, water bottle, and vox.
It’s another debut in the MiMi Records catalog. From the Japanese capital, we receive “Structure Out”, an album by Tiger A that is truly a work of art, where piano improvisation and the blend of ambient sounds go hand in hand, creating a unique auditory experience.
The fusion of flowing melodies with ethereal sonic textures induces a state of contemplation, where the boundaries between music and visuals fade away. The production is subtle yet impactful, inviting deep immersion.
This album is a testament to Tiger A’s ability to tell emotional, transcendent stories through his piano. An album to be listened to without any reservations.
Sleep tcfsr.bandcamp.com/album/sleep
Submarine tcfsr.bandcamp.com/album/submarine
Night tcfsr.bandcamp.com/album/night
She also has three releases on her own label ‘Trixie Delight For Charity’ where the proceeds are donated to the charity ‘Phone Credit for Refugees’. trixiedelightforcharity.bandcamp.com
As part of our 40th anniversary year Trixie has finalised her new album.
To get you in the mood here is an album length EP of remixes of a track from the album, entitled Brittle.
released August 23, 2025
Mas&Delayer is Massimo Solari, born 1984 in Genova. In 1996 he got into what totally changed his life – hip hop music. In 1997 he met Crx of Casino Royale who opened him to London Sound and electronic music. This perfected his approach to music. After years of careful listening, he is composing and producing his own music for passion and… “because I need that…”. Notable releases of his have come out on Deep Lake Records, Type Connection, Ephedrina and Jonic Noise Records.
On Mahorka Mas&Delayer debuted with the beautiful chillout electronic EP “She Cleans My Soul” in 2014. The collaboration with the label continued and he produced two spectacular remixes for a Captive Portal reworks album and contributed solo tracks to the “Music for Elevators” compilation series. 2018 saw the release of his second EP on Mahorka – “Broad Shoulders” and 2022 – the debut on the label of their duo project with Basssound, Bass&Delayer with “The Way Out”. In 2023 Mas&Delayer remixed Virtually J for a reworks release and most recently he collaborated with BedouinDrone and Abu Ama, reworking their ideas for a track on the “Making Things Happen” special Mahorka collaborations compilation released for the occasion of 10th Netlabel Day.
His new EP on Mahorka, “Books and Dubs”, steers quite away from the chill and romantic vibes of his previous solo works on the label and brings in a set of powerful tracks that nod back to all his musical roots and yet have quite the futuristic sound. This release also contains as integral part the aforementioned collaboration track with Abu Ama and BedouinDrone, and the whole EP has been mastered by his collaborator (in Bass&Delayer) Angelino Basssound.
“I created this EP inspired by my favorite writers and books read in the last year, every one has contributed in its own way to creating the atmospheres of the sound.
The trips to the East did the rest …”
–Mas&Delayer
All tracks composed and produced by Mas&Delayer
except Track 6 – w/ Abu Ama, Bedouindrone
Mixed and mastered by Angelino Bassound
The necrophile hummingbird netlabel presents Backyard Chromatic Puzzle by Studio112.
“Unexpected Music for People Expecting Nothing”
Our inner child lives in the garden of our dreams.
Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / MK-Ultra
