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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

various artist – ✂ Fashion Show ✂

various artist – ✂ Fashion Show ✂

various artist

“✂ Fashion Show ✂”

Compiled, cover collage by Sábila Orbe.

✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂

released by Internet Daemon & Skull Triangle Skull netlabels.

Each track composed by the respective artist. Links:

– zxz: zxz242.bandcamp.com/ * original track “True Blue” released by Aural Sects: auralsects.bandcamp.com/album/paris
– Humanfobia: humanfobia-official.bandcamp.com/
– Snacks Latrine: https://soundcloud.com/snacks_latrine
– 后气: kumocommunication.bandcamp.com/album/post-inferno
– killerapps: https://soundcloud.com/killerapps
– Kurt Nimmo: archive.org/details/KurtNimmoExpressions
– Toby Key: https://soundcloud.com/tobykey/tracks
– yunghannibal: yunghannibal.bandcamp.com/
– EFECTO MEZCALINA: https://soundcloud.com/efectomezcalina
– Filmy Ghost: filmyghost-humanfobia-doppelganger.bandcamp.com/
– Vona Wolf: https://soundcloud.com/vonna-wolf
– the Beige Channel: archive.org/search.php?query=creator%3A%22the+Beige+Channel%22
– witch in the west: https://soundcloud.com/witchinthewest
– Galaxima: https://soundcloud.com/galaxima/tracks
– this number: https://soundcloud.com/th_sn_mb_r
– Vain Girls: https://soundcloud.com/vaingirls
– iamglossedup: –

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posted 28 February 2022

Kora et le Mechanix – Le Pôle Nord

Kora et le Mechanix – Le Pôle Nord

Kora et le Mechanix

“Le Pôle Nord”

released February 26, 2022

Filip Homola:
syntezátory, elektronika,
loops, piano, sampler

Michal Kořán:
syntezátory, elektronika,
loops, terénní nahrávky

Hudba k představení Divadla Drak v Hradci Králové s názvem Expedice, má láska!

Bílý ostrov září. Ztracený uprostřed ledového oceánu vydává světlo, přestože to nikdo nevidí. Právě teď, když sedím ve Stockholmu a píšu tyto řádky, obklopuje Bílý ostrov záře.

Nikdo to nevidí. Ale ostrov září dál.

Inscenace vychází z knihy Expedice: Můj milostný příběh švédské autorky Bey Uusmy. Vydává se po stopách tříčlenné pionýrské expedice inženýra Andréeho z roku 1897, která se neúspěšně pokusila dobýt severní pól s pomocí horkovzdušného balónu. Tento dobrodružný příběh se dočkal řady zpracování včetně toho filmového ve snímku Let Orla, který byl nominovaný na Oscara. Na českých jevištích se však objevuje vůbec poprvé. Skrývá v sobě romantického ducha objevování a objevitelství, tragiku lidských osudů, které se předčasně završily kdesi v polární pustině, nenaplněnou osudovou lásku i řadu úsměvných, groteskních momentů souvisejících se samotným záměrem expedice.

Nahráno v Liberci, v Praze a v Hradci Králové, 2021–2022
Mix: Filip Homola
Mastering: Michal Kořán, Moon studio, Praha
Cover: Amonit Sharpei
Produkce: Filip Homola a Michal Kořán
EPP 213-4

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posted 27 February 2022

Wals – These Are The Good Days

Wals – These Are The Good Days
[BSOG0114]

Wals

“These Are The Good Days”

Back in 2019, when Wals dropped “Sheesh”, you probably bumped that and wished for more, because it was so good, right? When he dropped the single “Alone”, it was probably a tease, too, yeah? Well, here ya go… “These Are The Good Days” is eleven songs deep and it won’t leave you feeling like you need more… unless you’re greedy! Seriously, though, these are some fantastic new Hip-Hop/R&B joints. Featuring collaborations with Mia, The Hamiltones, A.Moss and produced by Blu Majic Beat Co., this is an album that you really should not sleep on. Download and enjoy the vibes.

Wals, thank you for releasing this dope new album here at blocSonic! Oh… Moss… I’m pretty sure that this feature’s got fans open for another release! Hint hint… yup.

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

s3.wasabisys.com/blocsonic/releases/originals/bsog0114/01-Ping_192kb.mp3

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posted 26 February 2022

KRIS T REEDER – NOISE JAZZ D 7823

KRIS T REEDER – NOISE JAZZ D 7823
[earS107]

KRIS T REEDER

“NOISE JAZZ D 7823”

New release from KRIS T REEDER
Welcome to K T Reeder on earsheltering with “NOISE JAZZ D 7823” amazing release.
Enjoy !

K T Reeder has been recognised as ‘one of 25 of the artists who have engineered the cultural transformation of British jazz over the past four decades’ in a seminal book on British Jazz by David Burke (Giant Steps: Diverse Journeys in British Jazz – 2021)

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posted 26 February 2022

Various Artist – JUKEしようや ~ There will be OMOIDE everywhere in JUKE ~

Various Artist – JUKEしようや ~ There will be OMOIDE everywhere in JUKE ~
[OMOIDE 241]

Various Artist

“JUKEしようや ~ There will be OMOIDE everywhere in JUKE ~”

Executive Producer

YZOX (@yzox_jpn)
twitter.com/yzox

Supervised by

HYRADIANCE a.k.a Hiroki Yamamura (@Hironeyyyyyyy)
twitter.com/hironeyyyyyyy

Artwork

松傘 (@matsukasa_)
twitter.com/matsukasa_

English title

CRZKNY (@CRZKNY_JP)
twitter.com/crzkny_jp
credits
released February 25, 2022

57 Track Album
Cover Design by 松傘
Produced by YZOX
Supervised by HYRADIANCE a.k.a Hiroki Yamamura
English title by CRZKNY

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posted 25 February 2022

Lovers’ Loving Love – Getting Myself Ready For Another Day In Heaven

Lovers' Loving Love – Getting Myself Ready For Another Day In Heaven
[BFTG_141]

Lovers’ Loving Love

“Getting Myself Ready For Another Day In Heaven”

Forgetting one’s fear
Ascending in truth
To be pure like a child
with Love as its root

Awakening from shadow
of a long night’s dream
and gaining great courage
To know the Drill
~ LLL

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posted 24 February 2022

Sevensy – Reinvention Of The Sacred

Sevensy – Reinvention Of The Sacred
[mhrk300]

Sevensy

“Reinvention Of The Sacred”

“Reinvention of the Sacred” is a musical consideration of the after-effects of the ‘god is dead’ idea on Western society. Nothing has replaced the ideals represented in the best of spiritual thought, and our behaviours have changed as a result. For some, there is no longer any reason to behave in an ethical manner, nothing to live up to. The vacuum left by the decline in the perceived importance of the spiritual search calls for a reevaluation of what has meaning, what is important.

The music that comprises “Reinvention of the Sacred” is very minimalistic, almost ‘not here’ at times. This approach was taken in an attempt to aurally depict a non-dual continuum, wherein there is no separation between matter and Spirit, profane and divine.

released February 22, 2022

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posted 24 February 2022

Various Artist – Samsin Els

Various Artist – Samsin Els
[pn201]

Various Artist

“Samsin Els”

[To read with your own voice]

Behold, I have put my words in your mouth.
(Jeremiah 1:9)

The process of language formation, understood as a vertical, generational transfer, repeated and replicated with fidelity and precision, has evolved into the recognition of a horizontal, public reservoir, shared and in constant de/re/construction: inexhaustible, continuous, simultaneously giving and receiving, taking what already exists and giving it back, reformulated, recombined, reconfigured. Almost like a loop.

The media for storing information lost their static, inflexible and canonical character with digitalia, becoming malleable, like clay, and susceptible to multiple variations and articulations. The institutions of analog archiving, which may be understood almost like a cemetery, were disrupted by this oxymoron, this new plane of coexistence or cohabitation between conservation and re-elaboration. “Writing on electronic platform is not only writing but doubles as archiving,” says visual artist, DJ, non-creative writer, and amateur archivist Kenneth Goldsmith; «Both processes have become inseparable.»

In the same way, if we think of remixes as speaking with someone else’s words, we find ourselves in the middle of a fluid and incessant conversation, where each sound finds new containers and is reproduced according to the circumstantial emphases of those who emit them: first, as in early childhood, they are reiterated and repeated, to the beat of other rhythms and tempi; with more age, we concentrate on some and discard others; when youth arrives, we pervert them in frank confrontation or embrace and defend them in full identification; at the time we present final papers in higher education, they become the starting point for completely new discourses. What this mini album offers are, precisely, fully autonomous reworks of some pieces of mine, by new and active generations:

Orquesta Pandroginia rejoices recomposing “instant records” 4 and 5 and “instant album” #1, reflecting on the process in the previous text. Emilio Adasme chooses revisiting #soloshow, multiplying it by three and compacting it into eight minutes and more. Groovestastik, on the other hand, plays with sources as disparate as the fifth episode of Voltajes Aleatorios podcast, “Tsonaramps” radio play, and “Almost Automatic Remicc #0”, which came to light thanks to the invitation of Cristóbal Cornejo, who is always in our hearts. All this is braided by one of the passes that Seiten Wall made through Planderfonia five years ago, taken from a still unpublished call, shared through historic radio program Perdidos en el espacio (Lost in space). And concerning the cover art, the self-portrait shared by Leonor unconsciously dialogues with the poster for the film “Les hautes solitudes”, by French director Philippe Garrel.

The selection of works was random, as a result of an online dialogue, intensified during the first year of the pandemic; the carte to approach them, absolutely blanche. As results arrived, the country was trembling until reviving the plebiscite of 1988, with a new victory for the People. It is powerfully striking that, this time, the face and body of hope were the same people leading the student revolt during their university years a decade ago.

What else to do but to celebrate that the words said before, almost whispered, resonate in those who choose to share their creative expression from this corner of the globe. And more than happy with the role to play now: paving their way and cheering their arrival.

Gerardo Figueroa Rodríguez
(Santiago, Chile. Febrero / February 2022)

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posted 23 February 2022

Dental Drill Slips – 22222

Dental Drill Slips – 22222

Dental Drill Slips

“22222”

I’m probably not alone in deciding to create a release for 22 February this year. Frustratingly, I spent a month or more chiselling away bits of sound and moulding bits on to sound elsewhere but achieving nothing satisfactory. I sort of gave up.
Late last week I had an idea and was able to try it out on Friday and… EUREKA the dam burst and ideas came flooding through.
I was about two thirds of the way through creating 22222 when I had and idea to create a second track that is 22:22 long and (hopefully) sounds the same played in the traditional fashion or back to front. The trouble was that it was Saturday and I was committed to travelling half way across England to watch a non-league football match!
It wasn’t a case of just knocking up an 11:11 long track, duplicating it and flipping it for the second half. Some of the parts in Completely Contrary Composition run the entire length of the track and do not repeat (go figure).
A couple of very late nights (until 6.45 am on Sunday into Monday) and I completed this release with five and a half hours to spare. :)

An advantage of running the label is that I can put out releases at very short notice, although I had to suspend the “euphoria rule” – we give ourselves 14 days to be sure that a creation is as good as we thought it was when finished it.

Thank you for check this out. I hope that you find it interesting.

Dental Drill
credits
released February 22, 2022

Field recordings (it’s a pill box being shaken, not the sea breaking on a stony beach), composition, mixing, mastering and artwork: Dental Drill

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posted 22 February 2022

Yung Ethereal – with black darkness as your veil is drawn. And in this special chamber of this underground, the light of his light shines with equal and greater force than is possible for humans to see.

Yung Ethereal – with black darkness as your veil is drawn. And in this special chamber of this underground, the light of his light shines with equal and greater force than is possible for humans to see.
[gen009]

Yung Ethereal

“with black darkness as your veil is drawn. And in this special chamber of this underground, the light of his light shines with equal and greater force than is possible for humans to see.”

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posted 21 February 2022

Kill Bill: The Rapper – Snowglobe Theory

Kill Bill: The Rapper – Snowglobe Theory

Kill Bill: The Rapper

“Snowglobe Theory”

You look like you’ve seen a…GHOST!

It hasn’t stopped snowing. We’re going to the moon.
credits
released November 26, 2021

1. Glass (Produced by Kill Bill: The Rapper) [Featuring vocals by Jessica Jacobs]
2. DoNotDisturb (Produced by Kunouii) [Featuring Scuare and Rav]
3. Cigarettes (Produced by Kill Bill: The Rapper)
4. A While (Produced by Tajima Hal)
5. What to Say (Produced by Kill Bill: The Rapper x FrankJavCee)
6. Ring Ring (Produced by Kill Bill: The Rapper)
7. snowdancer (Produced by Kill Bill: The Rapper)
8. Pearl (Produced by Kill Bill: The Rapper)
9. Poltergeist (The Boy Who Broke The Glass) (Produced by Kill Bill: The Rapper) [Featuring Airospace]
10. Destiny Bond (Produced by Flowers in Narnia)
11. ib (Produced by Kill Bill: The Rapper)
12. SPACEMAN (Produced by styn.)

Mixed and Mastered by Kill Bill: The Rapper
Recorded at the Aqualounge somewhere deep in the swamps of South Carolina.
Album art by @Pyawakit

exociety.

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posted 21 February 2022

Fryvolic Art – Afternoon on Boo’ya Moon

Fryvolic Art – Afternoon on Boo'ya Moon
[BM02R22]

Fryvolic Art

“Afternoon on Boo’ya Moon”

New Fryvolic Art’s album called “Afternoon on Boo’ya Moon” is strongly inspired by Stephen King’s novel “Lisey’s Story”. After 5 years Fryvolic Art is coming back with “soundtracky” material full of alternative-rock and cold-wave moods. Enjoy!

bonimedia.pl/samples/sample_booya_moon.mp3

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posted 21 February 2022

Brainquake + Sven Phalanx – From The Oblivion Lounge

Brainquake + Sven Phalanx – From The Oblivion Lounge
[mhrk299]

Brainquake + Sven Phalanx

“From The Oblivion Lounge”

Mahorka is more than a label, it is also a place where artists meet and collaborate. Sven Lemke (Sven Phalanx, Andreas Davids + Sven Phalanx, Schattenspiel, Schwarzwald) and Marc Ceulemans (Brainquake, Zonevreemd, Toxic Derwish, Psych Krist Kastrator) have both had already outstanding contributions to the catalog when Marc was invited to remix Sven’s “Klangtherapie” for the special remix album (mahorka.org/release/288) and they got to know and meet each other. Since they had many similarities in background and musical preference, they decided to compose and produce something together. This collaboration worked just perfectly and soon they suprised the label with the ten tracks of “From The Oblivion Lounge” album as presented here. From desolate ambient and rough rhythmic experimental to technoid industrial, they made this all sound very different but coherent. We can hear a lot of both of them here, but also something completely different, befitting the harshness of today’s society.

released February 20, 2022

cover artwork: Marc Ceulemans

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posted 20 February 2022