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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: abstract

BOOL – I eat phantom

BOOL – I eat phantom
[BS080]

BOOL

“I eat phantom”

BOOL – I eat phantom
“Style of this album is a Poem core.
Based on the impact of the Japanese sub-culture (anime, music, comedy, game, radio) it was created in a room of small dark home.
It is said to emerge from the magnificent strain of day-to-day trivial matters.
In this album, abstract language has been used in addition to the Japanese.
Even a man speaking in Japanese when listening will not understand half.
I believe that there is value in that kind of chaos.” – BOOL

01 – after dark
02 – cloud of heaven
03 – Ancient city emerge
04 – tacon÷tacon
05 – vivi

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http://blacksquarenetlabel.blogspot.com/2013/06/bs080-bool-i-eat-phantom.html
http://blacksquarenetlabel.blogspot.com/
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posted 18 June 2013

Marsh and May – Falling, More Slowly

Marsh and May – Falling, More Slowly
[LOR042]

Marsh and May

“Falling, More Slowly”

Marsh and May – Falling, More Slowly
Linear Obsessional is delighted to present this collection of edited improvisations by British musicians Peter Marsh and Paul May. Exquisitely recorded with an unusual and fascinating use of field recordings “Falling, More Slowly” is an intricately structured and rather beautiful collection…Composed and decomposed by Peter Marsh and Paul May.

Paul May – drums etc
Peter Marsh – other instruments, field recordings, computer.

Available as a limited, numbered edition CDR with inserts, and a free/name you

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http://linearobsessional.bandcamp.com/album/falling-more-slowly
http://linearobsessional.weebly.com
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posted 10 June 2013

Greg Reinfeld – Album, Overrated

Greg Reinfeld – Album, Overrated
[RVR026]

Greg Reinfeld

“Album, Overrated”

Greg Reinfeld – Album, Overrated
Pornographic Secretary
Cool Maximum
Echo Blues
Kalimba
Robot Solstice Party
Career Paths a Millennium Hence
Pliny the Gangsta
Suburbia v. Ridiculo Yarmuve
It’s a Bean Sprout
William Taft on Horseback circa 1905
Funky Me Eating a Pear
Sexy Translator Honeymoon
Talented Playground
Halo Eyes
Sexual Awakening of Queen Tut
Inveterate Shaker of Hot Butt
http://gregreinfeld.com/albums/RVR026/RVR02605.mp3
http://gregreinfeld.com/jukebox.htm#album
http://raptorvenom.com
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posted 27 May 2013

Mario Guida – FlussoSottile

Mario Guida – FlussoSottile
[BN_LP005_05_13]

Mario Guida

“FlussoSottile”

Mario Guida – FlussoSottile
Musician and electrical engineer, Mario Guida is an italian sound works composer from Bologna, exclusively electronic templates, tools and technology languages user. His own sound language basically is formed by a connection between improvisation and real-time manipulation of sounds and analog and digital algorithmics musical structures as introspective environment. Since 2009, Mario Guida collaborates with the “Collective Imaginary” theater artists group, producing opera soundtracks that allow him to explore relationship between text, dance and real-time manipulation of sound materials. He works as Creative Coder overseeing the hardware and software implementation for multimedia art installations, and, as teacher, training courses for learning art languages, technologies and multimedia interactive. “FlussoSottile” is an electronic music work composed with the intention to tell an imaginary story with the evolution marked by starting, ending points and the five title tracks. As the listeners are free to imagine and to build own mind narrative way, the composer/performer, in every performance, transforms and shapes the sound material just building musical architecture impro for the “FlussoSottile” project that moves on a limit-range imaginary track between “History of the Sounds” and “Sounds of Story”, unpredictable and completely non-linear.
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http://www.batenimnetlabel.net/BN_LP005_05_13.html
http://www.batenimnetlabel.net
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posted 27 May 2013

10Konekt vs MIXolive – 10Kolive 2

10Konekt vs MIXolive – 10Kolive 2
[00]

10Konekt vs MIXolive

“10Kolive 2”

10Konekt vs MIXolive – 10Kolive 2
10KoLIVe 2 is the second collaboration between 10Konekt & MIXOLIVE.
All tracks recorded live in november 2012.
10Konekt: duo of sonic manipulators and circuit benders.
MIXOLIVE: experimental solo project based on looped guitars and various sonic materials.
credits
released 21 May 2013
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http://10konekt.bandcamp.com/album/10kolive-2
http://10konekt.bandcamp.com/
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posted 25 May 2013

NOS project – ex it

NOS project – ex it
[0kbps032]

NOS project

“ex it”

NOS project – ex it

NOS project

ex it [0kbps032]

01 – ex
02 – it
03 – ex it
04 – .

Chris Silver T : drums, electronics

Matthias Boss : electric violin on ex it
Michael Parque : guitars on ex it
Mauro Sambo : electronics, gong, double bass on ex it

Photo by Peter Solf
Graphic design by neta

All tracks by Chris Silver T
except ex it by Matthias, Michael, Mauro and Chris.

MAV [0kbps] Records, May 2013

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http://archive.org/details/0kbps032
http://mavrecords.webs.com
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posted 19 May 2013

Música para Khaos – Otro Viaje con Jacques Cousteau

Música para Khaos – Otro Viaje con Jacques Cousteau
[brhnet27]

Música para Khaos

“Otro Viaje con Jacques Cousteau”

Música para Khaos – Otro Viaje con Jacques Cousteau
Sitting in the dark cockpit, only the hundred of controls and indicators shine on mildly the face of the captain…
The blue: become more and more intense…
The great darkness: the main landscape through the large frontal window…
The feeling: emptyness…
But the captain know that only leaving behind this blackness, only diving deep and deep, only beyond the far abyss we can discover the great peace…
After the end there is ever a beginning, a world of posibilities and answers, Jacques knows that quite well…Música para Khaos has captured this feelings, he invite us to submerge in a last trip with Jacques Cousteau. Synthetic underwater currents and vibrants particules of plankton flows to the beat of the engine room, an excellent work of elusive evocation.Dream, travel and enjoy…

Ángel Galán (Add Sensor).

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http://breathecompilations.org/musica-para-khaos-otro-viaje-con-jacques-cousteau/
http://breathecompilations.org
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posted 05 May 2013

V.A. – Infinite Drone Vol. I

V.A. – Infinite Drone Vol. I
[ID001]

V.A.

“Infinite Drone Vol. I”

V.A. – Infinite Drone Vol. I

Tracklist:

1. Vanth – Unsaved
2. Covolux – Infinite Drone
3. Ars Sonor – Hypocrisy Never Ends
4. Senselessness – Disenchantment
5. Body 13 – Where Fear Is
6. Abre Ojos – Sinus Medii
7. Pioggia D’ambra – Frequencies From Ancient Worlds
8. Onewayness – 19’57” [Marsynth]
9. King Wynter – The Eighth House
10. Kevin Lyons – Leviathan
11. Hectic Head – 3 Lighters
12. Ou Où – Maidan (Ambient)
13. The Implicit Order – Lonely Like a Highway (Toynbee Tile)
14. Foresight – You Won’t Be Forgotten
15. Свобода Солнечного Мышления – Thoughtdrone
16. Octoecho – Dark Energy
17. Arcane Waves – The Sanitarium’s Deepest Corridors
18. Greyscape – ATU XI: Lust
19. Kanellos – Worthless
20. Mount Analogue – Drone-Kick Me Jesus, Through the Goalposts of Life
21. L’espoir D’août – Entre les Ténèbres et L’illumination
22. Qwzczcciizxc – Qwzczcciizxc
23. Antethic – District Heating
24. Sven Meyer – Coldness SC
25. Tommaso Busatto – Allo Stanzino Per la Masturbazione
26. Illuminoscillate – Untitled
27. Barnaby Oliver – Flying Ant Day
28. Now – Electric Guitars Drone
29. Grove of Whispers (Featuring Jeff Sampson) – An Arrangement of Chromosomes
30. Vziel Projet – Unildrone01
31. Master Taurus – VoiceGuitarKorg
32. Bedawang – The Dire Nebula
33. Karl Ray – Occipital
34. Cullllt – Gan
35. T.R.I.v.M. – Dreamons
36. Undreds – Gallium Flow
37. Karl Ostinsky – Talking Picture
38. Total E.T. – Insideep
39. Pollux – Dishonor

https://archive.org/details/ID001
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posted 03 May 2013

Black Square Cloudcast – back to Avant-Garde IX

Black Square Cloudcast – back to Avant-Garde IX
[BS078]

Black Square Cloudcast

“back to Avant-Garde IX”

Black Square Cloudcast – back to Avant-Garde IX
“He who has cast off the world has linked it to yellow dust
Your body is like unto a wound, and you are like unto a madman.
This entire world is a yellow arrow which has pierced you through
The yellow arrow is the train on which you ride towards a ruined bridge” – Victor Pelevin “The Yellow Arrow”00:00 Aram Saroyan – Crickets [recorded in the wind-off grooves of side two] (1965)
01:55 Dariush Dolat-Shahi – Shabistan (Sehtar and Electronic) (1985)
08:18 Alexander Mossolov – Zavod, Symphony Of Machines (1926-28)
11:14 John Cage – Imaginary Landscape No.1 (1939)
18:43 Lawrence Weiner – Nothing to Lose, Side 1 (1976)
34:38 Walter Steding – Entry (1980)
36:59 Remko Scha – Guitar Mural 1 (featuring The Machines), Side A (1981)
46:22 Victor Pelevin – The Yellow Arrow (1993)
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http://blacksquarenetlabel.blogspot.com/2013/05/bs078-black-square-cloudcast-back-to.html
http://blacksquarenetlabel.blogspot.com/
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posted 02 May 2013

A Day Without Speaking – 6 Sonatine

A Day Without Speaking – 6 Sonatine
[DLR034]

A Day Without Speaking

“6 Sonatine”

A Day Without Speaking – 6 Sonatine
A Day Without Speaking is a solo project by Edoardo Casali, Bassoon student at the Bologna Conservatory.
All tracks recorded at A Day Without Speaking Studios.
Produced by A Day Without Speaking.All the tracks written and performed by A Day Without Speaking except for track 5
written by A Day Without Speaking and Carlo Boccaccini,
inspired directly from the Étude S.140 in G sharp min. No.3 by Franz Listz, “La Campanella”.

A Day Without Speaking is: Edoardo Casali (production, bass, keyboards, piano)

This CD is a compilation of little sonatas written between January and April 2013.

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https://archive.org/details/DLR034
http://deeplakerecords.weebly.com
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posted 16 April 2013

JASON KAHN – FOR ANGEL

JASON KAHN – FOR ANGEL
[48L09]

JASON KAHN

“FOR ANGEL”

JASON KAHN – FOR ANGEL
‘For Angel’ was my last performance with a set-up I had been touring around the world for many years. This always involved amplified percussion (snare drum, floor tom or bass drum) and electronics (at first computer, later analog synthesizer). But whatever the configuration of the instruments used, in these performances I always felt the main instrument I was playing was the concert space, using the resonance of my percussion to explore the sonic properties of the different rooms I played in. I essentially used feedback from a microphones placed over and under a drum to ‘sound out’ a space. With electronics I was able to hone in on certain frequencies, emphasizing some or canceling others out, stretching the acoustics of a space like a sculpture works with clay or stone. This concert took place in the chapel of the monestary La Cartuja de Cazalla, a space rich in acoustical possibilites. Much like in surfing, I ride out the sound waves in these concerts, pushing and pulling with the space as, much like the Pacific Ocean where I grew up, the sound surges around me, at times nearly knocking me off my balance or hurling me headlong to crash. ‘For Angel’ didn’t end in a crash, but slowly blended out into the evening, hanging above La Cartuja de Cazalla like a starry cloak.
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http://www.48laws.org/release.php?id=10
http://www.48laws.org
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posted 15 April 2013

weinberger – seasons in the attic

weinberger – seasons in the attic
[NN_LP039_04_13]

weinberger

“seasons in the attic”

weinberger – seasons in the attic
Johannes Leo Weinberger from Vienna explores the horrors of being human since 1975. The project “seasons in the attic” is a collection of electroacoustic noise poems, full of sound and word sketches of inner processes and mental images. The tracks of this album also consist of voice, instruments, field recordings and digital synthesizers, processed on a computer
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http://www.nostressnetlabel.net/NN_LP039_04_13.html
http://www.nostressnetlabel.net
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posted 08 April 2013

Андрей Субботин – Святой Демон

Андрей Субботин – Святой Демон
[GT601]

Андрей Субботин

“Святой Демон”

Андрей Субботин – Святой Демон
We’re surrounded by music everywhere. In cafes, in malls, in taxis. But in most cases it do not reach your soul remaining an obtrusive thought which we sometimes irresistibly want to get rid of.
But what if to add rhythmic verses with reflections upon absolutely various themes to constantly transforming, politonous music? This was a very idea, which started recording of “Svyatoy Demon” album by Andrey Subbotin, with Joseph as a composer.
You will hear both “drum roll bursts” in “Триумф” (Triumph) and gratitude to “classics and philosophers in “Книги” (Books).
http://archive.org/details/GT601
http://genetic-trance.jimdo.com
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posted 01 April 2013

ARÍN DODÓ – ¿ES VD. ARÍN DODÓ?

ARÍN DODÓ – ¿ES VD. ARÍN DODÓ?
[LGN022]

ARÍN DODÓ

“¿ES VD. ARÍN DODÓ?”

ARÍN DODÓ – ¿ES VD. ARÍN DODÓ?

El primer disco de Arí­n Dodó con La Gramola Netlabel consta de seis temas de una duración total de poco más de media hora. Es un trabajo que exige a quien lo escucha y no válido para oídos cómodos, pero realmente fascinante y que merece el esfuerzo de entrar en él.

Este trabajo está dedicado a Alberto Dí­az Dí­az, miembro y fundador de Arí­n Dodó.

La portada es una foto de Ana Pérez y el logo es de Enrique Cordero

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http://gramolanetlabel.blogspot.com.es/2011/10/arin-dodo-es-vd-arin-dodo-o-el-enigma.html
http://gramolanetlabel.blogspot.com
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posted 21 March 2013

Snowfeeder – Not Until The Last One’s Gone

Snowfeeder – Not Until The Last One’s Gone
[DLR028]

Snowfeeder

“Not Until The Last One’s Gone”

Snowfeeder – Not Until The Last One’s Gone
Somewhere in the West, in a day like any other day, at a time when no one could tell the time, there was no hope. During the Nuclear Winter of 2013, which we are still in the process of, you just don’t know it yet, a factory stood well was buried underground. Inside was a giant computer system and this was the only known recording of the infamous last days when fish still swam and didn’t walk on land. It’s also a story about how the Goddess was found and what was done to here afterwords. May Dogma help you all.
Button: by-sa
https://archive.org/details/DLR028
http://deeplakerecords.weebly.com/
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posted 18 March 2013

Pioggia d’ambra – Manipolazioni casuali della realtà

Pioggia d’ambra – Manipolazioni casuali della realtà
[0kbps026]

Pioggia d’ambra

“Manipolazioni casuali della realtà”

Pioggia d’ambra – Manipolazioni casuali della realtà

Pioggia d’ambra

Manipolazioni casuali della realtà [0kbps026]

01 – Campanelli
02 – Chitarra acustica
03 – Legno su chitarra acustica
04 – Legno
05 – Microfono su superfici varie
06 – Voci
07 – Il silenzio non esiste

http://soundcloud.com/pioggiadambra
http://pioggiadambra.bandcamp.com
http://musickforghosts.blogspot.it

MAV [0kbps] Records, March 2013

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http://archive.org/details/0kbps026
http://mavrecords.webs.com
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posted 17 March 2013

Uros Tosic – Principles of Cosmicism

Uros Tosic – Principles of Cosmicism
[ZIMMER097]

Uros Tosic

“Principles of Cosmicism”

Uros Tosic – Principles of Cosmicism
The philosophy of cosmicism states that there is no recognizable divine presence, such as God, in the universe, and that humans are particularly insignificant in the larger scheme of intergalactic existence, and perhaps are just a small species projecting their own mental idolatries onto the vast cosmos, ever susceptible to being wiped from existence at any moment. This also suggested that the majority of undiscerning humanity are creatures with the same significance as insects in a much greater struggle between greater forces which, due to humanity’s small, visionless and unimportant nature, it does not recognize.
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http://www.zimmer-records.org/?p=1663
http://www.zimmer-records.org
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posted 15 March 2013