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”hope3.0” is the new free compilation of element perspective.
Final edition of the series, which lasted three times.
This album is made up of 18 artists, who fight on their own effort in the Japanese music scene.
We hope that this great work will be sent to people all over the world.
“Visions Blinking in and out of Desire and Un-Desire”
The canadian psycho folk singer Dora Bleu performs with russian electro acoustic artists Alexei Borisovand Olga Nosova on a special live concert on August 24, 2009 at Genialistude Klubi in Tartu (Estonia), where songs follow their own inner sense of narrative time. The songs follow their own inner sense of narrative time. The guitar playing is sparse, tense, suggestively melodic, sometimes dissonant. The vocals contribute to uneven compositions filled with stark silences. The songs intend to violate the concept of genre, to infuse storytelling and text with trauma, vulnerability and the raw and unprotected and intensely emotional. The lyrics explore the darker caverns of the psyche, in the places of experience where the capitalist war state replenishes itself.
■ bonus item
PDF BOOK (7p / Japanese & English version) &
wallpaper for iPhone 4 (lock & home screen)
–
all tracks & texts by N-qia
artwork by Nozomi (N-qia)
–
■ N-qia
Eclectic electronic Duo by
Nozomi(vocal)&Takma(programming)
from Tokyo.
Hypnotic voice,electro-acoustic tracks,
arranges are changing rapidly
beyond many categories
If you download this album at bandcamp, immediate download of album in your choice of MP3 320, FLAC, or just about any other format you could possibly desire and bonus( wallpaper for iphone ) …
■ Oshimi Rika
24 Years Old. Yokohama Birth.
The Work Of The Illustration Is Produced.
It Positively Participates In The Event Of
An Electronic Sound And The Art.
● Desigh Festa 29.30 Exhibition In 2009
● Pepper’s Special Program Artists’ Xmassin 2009
● Media Art Exhibition By The North Shinagawa Fleece Pace
Young Man Creator In 2010
● Sweets Exhibition Group Exhibition Of Gallery Mayanchimittsu
In 2010
● K Gallery Improvisation Space Live Paint In 2011
● Loop-Line Simplycity Group Exhibition & Live In 2011
● Complexity Group Exhibition & Live In 2011
Not One Nor presents two works made of discrete events foregrounding the materiality of a large string instrument in its role as a resonating chamber. Both pieces are constructed out of a limited number of gestures and/or pitches and points on the instrument’s geography with the intention of producing an immersion in sound as material, interspersed with contrasting pauses.
Not One Nor for prepared double bass calls for shifting variations in timbre through the use of three gestures corresponding to three different regions of the instrument.
Eighteen Events for Double Bass alternates eighteen prescribed sound actions with an equal number of non-actions to create an image of the flux of aural perception.
Daniel Barbiero: composer, double bass and prepared double bass.
Composed and recorded winter into spring 2012.
Recorded in Silver Spring, Maryland USA.
Mastering by Mark Beazley.
Not One Nor presents two works made of discrete events foregrounding the materiality of a large string instrument in its role as a resonating chamber. Both pieces are constructed out of a limited number of gestures and/or pitches and points on the instrument’s geography with the intention of producing an immersion in sound as material, interspersed with contrasting pauses.
Not One Nor for prepared double bass calls for shifting variations in timbre through the use of three gestures corresponding to three different regions of the instrument.
Eighteen Events for Double Bass alternates eighteen prescribed sound actions with an equal number of non-actions to create an image of the flux of aural perception.
Daniel Barbiero: composer, double bass and prepared double bass.
Composed and recorded winter into spring 2012.
Recorded in Silver Spring, Maryland USA.
Mastering by Mark Beazley.
“All It Takes” is the third album by Multi-Panel, the solo project of Ludo Maas. Native to the Netherlands, Ludo has been perfecting his style of loop based electronic music pared with vocals and acoustic guitar. On “All It Takes”, Maas blends Lo-fi IDM with Americana, creating a decidedly cinematic experience. Each track blends to the next like scenes in a movie. Nostalgic guitar rifts become the canvas for the synthetic flourishes and expressive synth work. Drum beats and vocals, come and go, on a tidal schedule. The end result is a rich and complex suite of songs that demands to be listened to from start to finish, like a good film. The album was inspired by Maas’ new found love for the cinema, and accompanying soundtracks. Notable inspirations include Tangerine Dream’s Risky Business, Howard Shore’s After Hours, Jon Brion’s Eternal Sunshine of the Spotless Mind, Patrick Leonard’s At Close Range, Ennio Morricone’s Days of Heaven, and Jon Hopkins’ Monsters. Maas’ musical influences include Nick Drake, Sufjan Stevens, Múm, Colleen, Fennesz, Boards of Canada, Neil Young, Four Tet, and Postal Service. Support the artist further by purchasing this release through Multi-Panel’s Bandcamp Page. http://multi-panel.bandcamp.com/album/all-it-takes
The Gateless Gate is the ambient music project of a Canadian singer-songwriter when he doesn’t want to write songs. Inspirations are ethnic music, Krautrock, avant garde, psychedelic music and various ambient music forms.
01.- Fantasmas (Demo 2006)
02.- Fiesta Funebre (2011)
03.- Ni La Cuarta Parte (2006)
04.- Maldita (Demo 2005)
05.- Mal Hábito (Acústico 2011)
06.- Distancia (Ensayo Junio 2007)
07.- Hurgar (2010)
08.- Revolución En Mis Días (2010)
09.- Noches De Marzo (2010)
10.- Pajaros Con Mirada De Gato (Ensayo 2009)
11.- 5:45 pm (2007)
12.- 10 Años Después (Demo 2006)
Art and music by Ruth Barrientos.
Mastered by C.N.Morgan.
Published by m.i.s.t. records
“The tension of the strings” is a set of 7 free improvisations or, as I like better: 7 compositions in real time for classical guitar solo with some extended techniques and a little of everything in terms of textures, styles, harmonic, rhythmic and melodic explorations.”
The grandfathers of ’23 Seconds Netlabel’ are back with a long-awaited and absolutely astounding EP. “A Thousand Ways EP” is our eight release by the mighty Azoora from London.
For years the band has been creating music on its own terms, which has resulted in a unique and very personal sound, often combining a lot of different genres like indie, post-rock, singer songwriter, trip-hop and a dose of experimental ideas.
Azoora consists today of singer and songwriter Paul Loader, producer, composer and multi instrumentalist John Purcell, drummer Ben Cochrane, and backing vocalist Trudi Lawrence. It was more than two years ago since the full band released something together and the result surpasses all expectations, comparable to the band’s best work. Perhaps the atmosphere is a little bit darker today and the music not so experimental, but the core of the music is the same as before, and the concept where the EP contains two alternative takes of each of their tracks.
So sit down, make yourself comfortable, listen, and be carried away by our flagship and most important artist: Azoora!
[MotNiM] (short for Mystery of the Ninth Morning) is a new EP of music by dmyra. At only three songs, these are some of dmyra’s longest and deepest tracks to date. As the album and track titles suggest, this musical work is shrouded in mystery. Each minute is just as cryptic as the last. The final track, a complete epic, will still leave you wanting more. More music and more answers. dmyra told me that “interpretation is everything.” Perhaps that is the key to the meanings within. “goodbye parks and gardens…”
Here is the Return of Adam Radmall (aka PlusPlus), Plantman’s guitarist (WHO HAVE A NEW ALBUM COMING OUT ON ARLEN RECORD IN EARLY 2013).
After the extraordinary album “Evils” released in March 2011 by La bel netlabel, here is eight new electro-acoustic tracks with a subtle melancholy that characterizes the PlusPlus’s compositions.
Also available in limited CD edition with four extra bonus tracks.
08:30, Alvorada com Zés Pereiras, Cabeçudos e Gigantones.
Só a partir de 1893 é que Zabumbas e Zés Pereiras, assim como os Gigantones e Cabeçudos, entram na Romaria da Agonia.
Na Praça da República, uma centena de Bombos de matreca em riste – bumba que bumba e zabumba – inundam de som os romeiros…
“My ear were literally staggered as soon as the first notes of this disk” La Grosse Radio Rock
“An album you can taste listening after listening” NetMusic Life
“An interesting and pleasing album” iThink magazine
Nylon and Turtle was recorded after that, while he was watching jazz pianist Brad Mehldau, Sergi boal, guitarist and composer, had a revelation: the necessity to create his own music. This necessity led him few months later to record this CD. There are 9 songs, most of them recorded in one or two takes, so it’s almost a live recording. It is an organic and intimate album, in which the guitarist tries to make a little travel. As in Ice Voice, where it can be appreciated the Nordic influences of Jose Gonzalez, or Yorke, where we can hear echoes of Radiohead. Fukushima is a tribute to the victims of the tsunami in Japan, in where it mixes anger and calm; The incident of the Bell features great tecnique and sounds with a mixture of pop and grunge music, all with the same nylon guitar. In Frontera, the flamenco sounds in his fingers, and take us to Orecchio di Dioniso, and then we get carried away through the last song of the album, “Is anybody out there?”, a composition that borrows the title from Pink Floyd, ending with a question. This album is the starting point of this guitarrist of Barcelona, who decided one day to make his own music with the guitar. Sit back and listen … is anybody out there?
(this album is a joint release with the No-source netlabel)
While preparing material for the new album, it appeared that between the previous album “Gdybym Umiał Mówić” and the present enough nice songs were created to be issued on a separate record. What sticks out on “Most” are three versions of the title songs, in very different arrangements. As always poj.wlkp tries to avoid obvious solutions and reaches for surprising stylistic and rhythmic measures, keeping in touch with the lyrical melodicism and intimate, somewhat dark atmosphere.
No-Source Netlabel is pleased to bring you the re-release of Background Radiation’s debut EP. The amusingly titled “False Start” was originally released in 2008 on Jog/Shuttle. The 2012 version has been recently remastered and contains a previously unreleased bonus track. This new track, titled “Recovery Basin,” is based upon elements from their 2010 track “Discovery Basin.” “Discovery Basin” can be found on No-Source’s debut compilation “Hey You, Choose Your Own Adventure.” Like Background Radiation’s second EP, “Moot Point,” “False Start” combines acoustic instruments with downtempo electro-pop experimentalism.
Impossible Roncea is one of the side projects of Nicolas J. Roncea, a musician who plays also with Fuh and Io monade stanca. Because of a problem with his left hand, in the beginning of 2010, he was forced to stop his musical activity for some months and he decided to make some experiments with home recording, voices, loops and guitar open tunings. So this is “Impossible roncea”, the first 5 tracks ep, out in free download on Yo! netlabel.
Gardening is a collection of solo acoustic guitar improvisations, performed and recorded by Steve Moyes in the back garden at his home in Gillingham, Kent, England, during the Spring of 2012.
Equipment used: 2 acoustic guitars (one of which is broken), baby knife, hand-held mini fan, 45 rpm record (A Chill At Dawn by Barney Bigard and his Orchestra). Occasionally both guitars were played at once (one with each hand).
“I don’t consider myself either an acoustic guitarist or a gardener. When Richard Sanderson suggested I record an acoustic guitar album for Linear Obsessional, I came up with the idea of recording outdoors, in an attempt to inject a greater variety of sounds into the recordings. It also gave me an excuse to be out in my garden, which I like, but not have to feel that I should be lawnmowing, weeding, or pruning, which I don’t. Thank you Richard.
Also, thanks to Alan Clark of Alan Clark Joinery for providing some of the more interesting ambient sounds on the recordings. More interesting, at least, than the pigeons. Sometimes I wish the pigeons would just shut up.” – Steve Moyes
Download comes with 12 page A5 booklet of photographs and notes.
The VKRS Netlabel are pleased to present Ishtar with the debut release on VKRS Ombre. Songs that are simple yet evocative and are filled with deep ambient influence and acoustic sounds. We hope you enjoy this latest release on the VKRS Netlabel.
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