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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: dub

Talweg – Heads Toward Earth EP

Talweg – Heads Toward Earth EP

Talweg

“Heads Toward Earth EP”

Talweg – Heads Toward Earth EP

Talweg, the new alias of Colombian artist Mateo Callejas, makes a striking debut with Heads Toward Earth EP—a hypnotic journey into the depths of Dub Techno.

With this release, Talweg crafts immersive soundscapes where echoes, granular textures, and drifting chords merge seamlessly with slow, enveloping rhythms. The result is a deeply introspective experience that evokes vast, mist-filled atmospheres—rooted in dub techno tradition yet marked by a distinctive identity that points toward fresh creative directions.

The EP is enriched by three reinterpretations that expand the original track’s sonic universe. Stereotape highlights spatial dimension with an elegant, minimalist approach, where each delay becomes part of a refined sonic architecture. Douglas Fugazi intensifies rhythmic density and dub modulations, reshaping the piece into a deeper, resonant pulse. Finally, Athan delivers an ethereal, cinematic perspective, with atmospheres that slowly unfold and dissolve into contemplative landscapes.

Together, these works form a cohesive and immersive release that naturally aligns with the forward-thinking electronic explorations defining the spirit of Monofónicos Netlabel.

Productor: Mateo Callejas – soundcloud.com/soft_collision
Mastering: Pheek’s Mixdown and Mastering – audioservices.studio

Producido para Monofónicos Netlabel. Medellín, Colombia. 2026

posted 20 March 2026

DF90 – Forgotten Moments

DF90 – Forgotten Moments

DF90

“Forgotten Moments”

DF90 – Forgotten Moments

The signal arrived without warning—Forgotten Moments by DF90, drifting through deep space like a memory that refused to fade.
Each track unlocked a layer of the ship’s consciousness. Frequency Drop dimmed the lights as gravity pulsed in slow dub chords. In Infinite Loop, time fractured, repeating corridors and footsteps that echoed into nothing. Inner Space revealed thoughts not my own—soft, melodic, endless.
By Passing Dub, I realized the ship was alive, speaking through delay and reverb. Retrograde reversed my memories, unspooling them into static. Then came System Error—a rupture, silence swallowing rhythm.
Only Winter Echoes remained, cold and distant, whispering across the void.
I was no longer piloting.
I was being played.

Insectorama225
all tracks by DF90
Mastering & Artwork by Markus Masuhr

posted 20 March 2026

Wahn – Echo Mist Light

Wahn – Echo Mist Light

Wahn

“Echo Mist Light”

Wahn – Echo Mist Light

Wahn is an electronic music producer based in Rennes, France, whose work explores the blurred edges between techno, ambient, and bass-driven sound design. His music is built around texture, weight, and duration – where rhythm exists as pressure rather than propulsion, and sound unfolds in slow, immersive layers.

The Drifted series marked a defining phase in his work: a body of releases rooted in rhythmless and slow-motion ambient music, shaped by heavy sub-bass, grain, and cinematic restraint. Each volume is released on a different label and in a different country, turning the series into an ongoing journey beyond comfort zones and algorithmic habits.

Across his releases, Wahn develops a deeply physical approach to sound. Sub-bass is central – not as impact, but as presence – while drones, echoes, and organic textures shape spaces that feel both intimate and unsettled. Melodic elements, often sparse and fragile, offer moments of breath and quiet clarity within darker emotional landscapes.

Whether working in ambient forms or moving toward more rhythmic territories – techno, dub-inflected structures, or hypnotic repetition – his music remains introspective and tactile. Wahn’s sound is less about narrative than sensation: a suspended state where tension, melancholy, and faint light coexist, resonating long after the music fades.

Echo Mist Light unfolds as a dense, inward form of techno – heavy, blurred, and suspended in echo. The music moves through foggy territories where rhythm is present but never dominant, shaped by pressure, repetition, and the slow accumulation of texture. Dub-inflected delays stretch time, while ambient drones linger beneath the surface, anchoring the listener in a space that feels both physical and psychological.

There is a constant tension throughout the album: unease without collapse, weight without aggression. Sub-bass plays a central role – not only as sound, but as sensation – pressing against the body, grounding the mind, reinforcing a feeling of persistence rather than momentum. The tracks seem to circle their own gravity, caught in loops, phases, and residual motion.

Yet Echo Mist Light is not closed or entirely dark. Within the mist, moments of clarity appear. Melodic fragments and restrained harmonies surface quietly, carrying a fragile sense of openness and release. Light does not arrive as resolution, but as something that holds – brief, subtle, and necessary. A glow rather than a breakthrough.

Balancing techno, ambient, and dub aesthetics, the album inhabits a liminal space where repetition becomes introspective and intensity turns inward. Echo Mist Light is music for suspended states – where pressure, doubt, and calm coexist, and where something continues to resonate long after the sound fades.

Composed, produced and mastered by Wahn
Artwork by Erwan Charier

posted 23 February 2026

Submersion – Inhering

Submersion – Inhering

Submersion

“Inhering”

Submersion – Inhering

On the ocean-planet Inhering, the research vessel Submersion drifted through endless cobalt fog.

Inhering I began as a low horizon—distant mountains breathing dub chords into the mist.
Inhering II unfolded in tidal plains of glass, where echoes circled like slow satellites.
Inhering III pulsed beneath submerged forests, each chord a lighthouse flicker in liquid dusk.
Inhering IV rose last—vast, starless skies trembling with atmospheric resonance.

The crew realized the planet wasn’t silent; it was composing. Landscapes spoke in reverb, valleys hummed in delay.

They did not land.

They listened—
and became part of the echo.

posted 20 February 2026

R cord – Distant Pressure

R cord – Distant Pressure

R cord

“Distant Pressure”

R cord – Distant Pressure
In Distant Pressure, R cord broadcasts from a city that hums itself to sleep. Echoes ripple through concrete, guiding a lone driver on a neon Night Drive. Beneath the streets, the Subharmonic Field breathes, bending time. The air tightens—Distant Pressure—then breaks into Waves of memory. Deep In (I a-b Reedit) sinks the listener below signal and thought, with Fingers in the Noise tuning reality by touch. At dawn, Distant Echoes – the Radiant Edit fades, and the city remembers it was alive.
posted 31 January 2026

KYO – Outtemporary

KYO – Outtemporary
[Insectorama221]

KYO

“Outtemporary”

KYO – Outtemporary

In the orbital city of KYO, a new dubtechno signal dropped: Outtemporary. Static Flow powered the reactors, a steady pulse holding time in suspension. Along the Driftline, ships slid without thrust, guided by bass and delay. At the Peripher, shadows listened as Echoform folded memories into sound. When systems failed, Aftershape emerged—residual rhythms rebuilding the future from reverberation. The city survived by looping forward, forever out of time.
credits
released January 16, 2026

Insectorama221
all tracks by KYO
Mastering & Artwork by Markus Masuhr

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posted 20 January 2026

Autonomаton – Collected not lost 2015-2025 vol.1: drone and teknoiz

Autonomаton – Collected not lost 2015-2025 vol.1: drone and teknoiz
[mhrk476]

Autonomаton

“Collected not lost 2015-2025 vol.1: drone and teknoiz”

Autonomаton – Collected not lost 2015-2025 vol.1: drone and teknoiz

“Collected not lost” is a decade of Autonomaton’s work, outside of LPs and EPs, collected. The music was released in the period from 2015 to the end of 2025. It’s done mostly through dubbing and overdubbing sound approaches. Both computer and hardware were used. Programmed or live. The tracks included have been released mostly on VA collections of works, through various online labels from around the globe: Animal Breaks (BE); Treetrunk (USA); DIGITAL DIZZY (UK) – dismissed; EcoSci (BG); eden.deeply (AU); Linear Obsessional Recordings (UK); Petroglyph Music (NOR); Studio 4632 (USA) – dismissed; Cian Orbe (CL); We are all ghosts (UK); Cousin Silas Emporium (UK); Doomcore Records (DE); L.O.T.R (FR); Attenuation Circuit (DE); Mahorka (BG); and couple of self-released entities. Included are various (re)mixes, versions and rebuilds for different artists like Cousin Silas, Passenger of Shit, Mystfied, Emerge!, Protuberance, Teeth of Divine and couple others. These three albums will take you mostly through 3 aspects of Autonomatons sound – teknoiz, ambient drone and dub breakz, reflected also in the title of each volume. The music on the albums will follow this trajectory, starting with noises and drones, then turning to more fluffy ambient and in the final chapter entering the zone of dub and breakz.

All music couresty of Nikolay Stanchev a.k.a. Autonomaton

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posted 20 January 2026

Various Artists – CHORDS AND ECHOES – TWO

Various Artists – CHORDS AND ECHOES – TWO

Various Artists

“CHORDS AND ECHOES – TWO”

Various Artists – CHORDS AND ECHOES – TWO
Chords and Echoes is the big year-end compilation. This is episode 2 of 2 with the last 23 tracks by dubtechno artists from all over the world. Many thanks to all artists who make this compilation something very special with their track. 170 minutes of echoes and delays that will take you on a journey into the deepest dub valleys. Relax and enjoy these timeless tracks fit for the cold season.
Button: https://creativecommons.org/licenses/by-nc-nd/4.0/
posted 12 December 2025

Neosintetico – La voz de la energía

Neosintetico – La voz de la energía
[pn247]

Neosintetico

“La voz de la energía”

Neosintetico – La voz de la energía

Electronic reggae with vocals, tambourines, and guitars sets the tone for “La voz de la energía”, an album that fits seamlessly into the Pueblo Nuevo catalog thanks to its exploratory drive and sharp aesthetic vision. Here, glitch emerges as a kind of Jamaican spiritual force — deep rhythms and dense atmospheres converge with analog basslines that roar like rocket launches, a playful nod to Kraftwerk, bursts of jazz trumpet, modulated frequencies, and reversed beats.

Each track unfolds as an immersive experience where styles blur and intertwine — dub, breakbeat, glitch, among others — enriched by a vivid tapestry of samples that expand the listening field. The result is a diverse, restless, and consistently surprising sonic journey that keeps the listener attuned to the vibrant creative energy of Neosintetico.

Review by Felipe Baradit (@felipebaradit)
(Concón, Chile. November 2025)

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posted 14 November 2025

dESUS – Pomalo

dESUS – Pomalo

dESUS

“Pomalo”

dESUS – Pomalo
In a fog-drenched city, “POMALO” echoed through abandoned warehouses and midnight alleys. dESUS had woven roots and rhythm into steel and smoke — dubtechno pulsing with heartbeat bass, whispers of ancient drums beneath digital rain. Each track felt like memory reborn: the hum of machines meeting the warmth of earth. People didn’t dance; they drifted — lost between echoes, caught in the timeless loop of roots and reverb. When the last note faded, silence carried the groove, as if the city itself kept breathing POMALO.
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posted 30 October 2025

Mas&Delayer – Books and Dubs

Mas&Delayer – Books and Dubs
[mhrk457]

Mas&Delayer

“Books and Dubs”

Mas&Delayer – Books and Dubs

released August 23, 2025

Mas&Delayer is Massimo Solari, born 1984 in Genova. In 1996 he got into what totally changed his life – hip hop music. In 1997 he met Crx of Casino Royale who opened him to London Sound and electronic music. This perfected his approach to music. After years of careful listening, he is composing and producing his own music for passion and… “because I need that…”. Notable releases of his have come out on Deep Lake Records, Type Connection, Ephedrina and Jonic Noise Records.

On Mahorka Mas&Delayer debuted with the beautiful chillout electronic EP “She Cleans My Soul” in 2014. The collaboration with the label continued and he produced two spectacular remixes for a Captive Portal reworks album and contributed solo tracks to the “Music for Elevators” compilation series. 2018 saw the release of his second EP on Mahorka – “Broad Shoulders” and 2022 – the debut on the label of their duo project with Basssound, Bass&Delayer with “The Way Out”. In 2023 Mas&Delayer remixed Virtually J for a reworks release and most recently he collaborated with BedouinDrone and Abu Ama, reworking their ideas for a track on the “Making Things Happen” special Mahorka collaborations compilation released for the occasion of 10th Netlabel Day.

His new EP on Mahorka, “Books and Dubs”, steers quite away from the chill and romantic vibes of his previous solo works on the label and brings in a set of powerful tracks that nod back to all his musical roots and yet have quite the futuristic sound. This release also contains as integral part the aforementioned collaboration track with Abu Ama and BedouinDrone, and the whole EP has been mastered by his collaborator (in Bass&Delayer) Angelino Basssound.

“I created this EP inspired by my favorite writers and books read in the last year, every one has contributed in its own way to creating the atmospheres of the sound.
The trips to the East did the rest …”
–Mas&Delayer

All tracks composed and produced by Mas&Delayer
except Track 6 – w/ Abu Ama, Bedouindrone

Mixed and mastered by Angelino Bassound

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posted 23 August 2025

FAF2 – The Lipsian Cave

FAF2 – The Lipsian Cave

FAF2

“The Lipsian Cave”

FAF2 – The Lipsian Cave
In the endless dusk of planet FAF2, The Lipsian Cave hums with low frequencies, echoing ancient rhythms beneath crystalline strata. Formed by sonic erosion, its corridors pulse with dubtechno reverberations—tones not made, but discovered. Seismic basslines sculpt chambers of resonance, each beat shifting tectonic plates of memory and time. No life dwells here, yet the cave listens, records, transforms. A natural archive of vibrations, its atmosphere distorts space, drawing satellites into rhythmic orbit. “The Lipsian Cave” is less a place than a phenomenon—an ambient relic of sound, looping forever, untouched by beings, yet alive with pure frequency and geological groove.
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posted 11 July 2025

Markus Masuhr – Natural Lifeforms

Markus Masuhr – Natural Lifeforms

Markus Masuhr

“Natural Lifeforms”

Markus Masuhr – Natural Lifeforms
Requiem for Natural LifeformsIn stillness, Subaqueous Bloom unfurls,
A silent hymn beneath the swirls.
Photosynthetic Drift ascends with grace,
Light-born breath in time’s embrace.

Echoes of Lichen speak in green,
Ancient tongues, quiet and unseen.
The ground heaves with Tectonic Pulse,
Earth’s deep memory, slow and convulse.

Bioluminescent Veins ignite the dark,
Living stars with nature’s spark.
We Respire in Fog, unseen, alive,
In vapor’s hush, we drift and thrive.

A Moss Signal, faint, begins to weep—
Calling to those the soil keeps.
Under the Nocturnal Canopy, we lay,
Returning to life’s silent decay.

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posted 20 May 2025

REfugEEs From Beyond – Weird Real Freestyle

REfugEEs From Beyond – Weird Real Freestyle
[LCNLP210]

REfugEEs From Beyond

“Weird Real Freestyle”

REfugEEs From Beyond – Weird Real Freestyle

Improvisation recorded live* Thursday 9th May 2024 (afternoon) at the Cave Heaven in Foucherans.

Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku

Thanks to Gregg Araki & Timothy Leary for the titles inspiration.

Video Art Clip https://www.youtube.com/watch?v=LovKdytoo68

*What you are listening is a spontaneous improvisation, nothing prepared, no overdub, no mix, no edit except the last track very end which is including a computer bug at various speed…

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posted 05 May 2025

A Symbiotic Experience – Original Silence

A Symbiotic Experience – Original Silence
[LCNLP208]

A Symbiotic Experience

“Original Silence”

A Symbiotic Experience – Original Silence

HAMFUGGI Records and The Necrophile Hummingbird netlabel present Original Silence by A Symbiotic Experience.
The last part of a trilogie began with Oneiric Sound and Open Source.

« Subliminal Music for Surreal People »

What is natural evolution? Something ripples across the surface of the mind, merging life forms that aspire to bloom. Fractal flowers escape from our skulls, unable to contain our thoughts.

Deaf Flower, for example, is a kind of calling—to release and breathe. Somehow, life is like… life? I mean, we assume that the ordinary things of everyday life will always be there, but they shrink, disappear, or something happens, and everything changes. Like a certain idea of democracy*—it can vanish if nobody struggles for it.

I’m still that kind of Peter Pan who finds serious adults terrifying because they are often made of lies and so are turning this world into a nightmare. I always thought I wouldn’t live past seventeen—or at most, twenty. Many lives later, now at 47, standing at the threshold of the beyond, after losing many souls returned to dust, I realized that, perhaps, at some point, I will become deaf and blind—if no accident claims me first. We live with the idea that things will stay the same until the grave, but sometimes, they disappear.

That’s okay. Just knowing this helps me appreciate each day I can still see clearly and listen to music.

The death of music? A joke—not a very funny one, perhaps, but mostly a way to say that forms are changing. The only way to kill music would be to replace it with a leurre—and that’s exactly what the mainstream has done. Fortunately, the underground is still alive. I’m not afraid. Anything can be a tool to shape dreams ouside of our minds. Using AI to select elements and mix them with others isn’t so different from experimenting with sampling, cut-ups, mash-ups—any technique, really. As long as you remain the driver, you are still the dreamer.

What happens to the ghost?

No need to dig the concept mind to decipher the title. The best way is to feel it. Music is about feeling.

Nothing rational, indeed. Avoiding the end is irrelevant, because it is the best way to begin a new cycle.

Our entire journey with A Symbiotic Experience is about letting go, letting it flow, letting it be. Symbiosis should not be seen as a mere interaction—it is more like two extremities of the same thread, knowing each other. And when you become aware of this, perhaps things start to feel… too quantum.

I always keep in mind this shamanic advice: complexity is just a decoy, a way to hide the simplest truth of the universe—the Alpha and the Omega: Love.

Back to the roots of the dreamers.
As above, so below.
Thee eternal spring.

Recorded between Buenos Aires (Argentina) and Foucherans (France)
Special Thanks to Serge Kolesnikoff for his sculpture inside the artwork sleeve.

Dedicated to everyone who feel the light of love and share it freely with the world.

* I am an utopian, so called democracy are not enough for me, I would a kind of open source society : mutual aid instead of competition, more share of resources, less frontiers, etc.
—You see what I mean ?

Well of course no centralized power and no representatives politicians…—did I say direct democracy ?

( Video Art Clip soon here https://archive.org/details/a-symbiotic-experience-timelapse )

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posted 28 March 2025

Crapivva – [Pertin-nce 106] Crapivva – Punkture

Crapivva – [Pertin-nce 106] Crapivva – Punkture

Crapivva

“[Pertin-nce 106] Crapivva – Punkture”

Crapivva – [Pertin-nce 106] Crapivva – Punkture
…”I could describe Crapivva’s ”Punkture” ep as a second part of their previous release ”Wick” (2024). Cool experimental techno improvisations mostly (if not completely) done with hardware, machines, etc”…

about Crapivva:
Dance duo of two young electronic musicians,
an engineer-physicist and an architect from Moscow.
The project combines genres in one way or another related with the groove.

crapivva.bandcamp.com
soundcloud.com/crapivva
instagram.com/crap.vibes/
songwhip.com/crapivva

more music:
the-end-is-near.bandcamp.com
soundcloud.com/pertin-nce
archive.org/details/@bleupulp

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posted 07 February 2025

Various Artists – Kosmische Edits by Dubree

Various Artists – Kosmische Edits by Dubree

Various Artists

“Kosmische Edits by Dubree”

Various Artists – Kosmische Edits by Dubree
Insectorama 200th Release – Various Artists (Dubree – Kosmische Edits)

Insectorama proudly celebrates its milestone 200th release with a special Various Artists compilation that embodies the label’s deep commitment to dub techno. This landmark edition brings together eight exceptional tracks from a roster of visionary producers: Dubtrak, Depthbarhat, Markus Masuhr, Davor Tosovic, Leopoldolll, Lotech_Hijack, and Narcotic303 (Roman Ridder Remix).

Marking this occasion with a fresh perspective, each track has been reinterpreted and reshaped by Dubree into a set of exclusive edits that breathe new life into the originals. The result is a cohesive yet diverse sonic journey, where atmospheric textures, deep grooves, and hypnotic rhythms merge into a timeless dub techno experience.

A tribute to 200 releases of innovation and underground sound, this special compilation stands as a testament to Insectorama’s enduring dedication to the genre—a deep, meditative space where echoes and reverberations sculpt the future of dub techno.

Dive into the sound and celebrate with us!

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posted 07 February 2025

PATATATTAK – ETHNOFONIK 2024 ORCHESTRA – Nardanina (PATATATTAK Dub Remix)

PATATATTAK – ETHNOFONIK 2024 ORCHESTRA – Nardanina (PATATATTAK Dub Remix)

PATATATTAK

“ETHNOFONIK 2024 ORCHESTRA – Nardanina (PATATATTAK Dub Remix)”

PATATATTAK – ETHNOFONIK 2024 ORCHESTRA – Nardanina (PATATATTAK Dub Remix)

Dub remix of a track played by ETHNOFONIK 2024 ORCHESTRA @ Théâtre de l’Agora (Evry, France) in november 2024.

Nardanina is a traditional song from Georgia.

all rights reserved
posted 28 November 2024

Various Artists – Seasons of Chords – One

Various Artists – Seasons of Chords – One

Various Artists

“Seasons of Chords – One”

Various Artists – Seasons of Chords – One
„Seasons of Chords – One“ is a mesmerizing dubtechno compilation that explores the genre’s diverse dimensions through 23 tracks crafted by artists from around the globe. This sonic journey delves into the rich tapestry of dubtechno, offering a kaleidoscope of atmospheric textures, hypnotic rhythms, and immersive soundscapes. Each track is a unique expression of this electronic subgenre, showcasing the artists’ mastery in creating ethereal and dub-infused compositions. Dive in and let the waves of dub wash over you.

Many thanks to all artists who make this compilation something very special with their track.

In the symphony of a distant world, seasons were played in chords.
Spring arrived as a light, gentle hum, its notes shimmering through
the air like a distant echo. Summer roared with vibrant,
esonant chords, filling the sky with heat and harmony.
Autumn fell in rich, slow minor scales, leaves swirling
in its fading echoes. Winter, a quiet, hollow hum,
pulsed through frozen air, each note sharp and distant.
The planet turned, its seasons woven in endless cycles
of sound—chords stretching through time, echoes bouncing
softly across the horizon, never fading completely.

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posted 06 November 2024

V.A – [Pertin-nce 103] V.A – Cerveau Massage

V.A – [Pertin-nce 103] V.A – Cerveau Massage

V.A

“[Pertin-nce 103] V.A – Cerveau Massage”

V.A – [Pertin-nce 103] V.A – Cerveau Massage
[Pertin-nce 103] Various Artists – Cerveau Massage

1- Adria Duch – Wanna Know You
2- LLLIT – Zapaipilla Para Zombis
3- Bleupulp – Sa Koule Partout (Boom-Tech)
4- Chokan – Desamour
5- Crapivva – Vig

links:
Crapivva:
crapivva.bandcamp.com/music
songwhip.com/crapivva

Chokan:
soundcloud.com/chokan19

Adria Duch:
soundcloud.com/adriaduch
adriaduch.bandcamp.com

LLLIT:
soundcloud.com/lllit_3
lllit3.bandcamp.com

Bleupulp:
soundcloud.com/pertin-nce
bleupulp.bandcamp.com
instagram.com/mtandjaded

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posted 01 September 2024