Culture Horn Sound System is a weighty and heavyweight Russian dub sound system from the town of Kremenki in the Kaluga region in Russia. Built in year 2012, it managed to gather at least a dozen of musicians are around it, forming a big musical family from all over Russia. Armed with dubplates from local and international artists produced exclusively for CHSS, their sound is constantly being improved. Culture Horn Sound System plays a very important role in the local sound system culture and scene of Russia, not only playing uncompromising roots reggae and heavyweight steppers, but also releasing their own reggae and dub compositions on vinyl.
On their first release on Dubophonic, Cullture Horn collaborate with Madi Simmons, hailing from the USA and Dubophonic resident artist Med Dred, representing the likkle island of Cyprus. Madi has been performing and recording music for the last 20 years, going through lots of blood, sweat and tears in the music industry. Having toured the Pacific Northwest, Hawaii, California and the Midwest and being just recently voted as BEST MALE INDIE REGGAE ARTIST of 2018, Madi had a lots of ups and downs, nevertheless loving every minute of it and enjoying not following the rules of reggae music (whatever they are).
The EP includes all together 6 tracks: The first one is done ina dubplate style followed by a melodica version by Jahpapu and an uncompromising CHSS-dub. The second one is the title track, followed by a special melodica dubmix by Med Dred and a heavyweight dub by CHSS, demonstrating the uncompromising style of the artists. Culture Horn Sound System is coming to shake your town!
Appearing through the thick foliage with determination in it’s body. This being of ultimate mind and spirit, maneuvers around fallen plant-life as if it’s floating on air. Searching for the one place to call it’s own. Secret sanctuary as you will. A zone of comfort from this all to sensory deluged universe. Having traveled vast distances as a ghost. No other being had knowledge of it’s journey but for every step, it gained more and more understanding of the world we had thought was our own. For this simple creature shared the same vast unlimited ancient wisdom of the sky above and all the way down into the deeps of spirit. The “all seeing eye” ? Perhaps the embodiment of the reincarnated Buddha? It might be hard to believe that this powerful mind of incredible comprehension of all pleasure and pain, could cure all of our worldly woes. That is if we only could listen to it’s observations? Yes, the great enlightened one. No wounder the ancient Egyptians worshiped it.
insectorama presents the 80. Release and we say hello to a new artist on insectorama. his name is Antias and he bring us 2 perfect dubtechno tracks for the cold days. pure rhythm with chords , delays and echoes.i found no more words for this fantastic sound. listen and understand dubtechno!!!!!!!!
Tedium Swing adalah keisengan dari Zainal Arifin yang ingin tetap produktif di waktu luangnya. Tedium Swing memainkan musik lo-fi, atau swing, dan juga chillhop. Tak disangka keisengannya membuat musik sejak Juli 2017 hingga jadilah 18 lagu yang ia kemas dalam “Reflection”.
Jogja beberapa hari ini diguyur hujan tanpa ampun dari pagi hingga pagi keesokannya. Bahkan tidak memberikan jeda untuk sekedar menjemur pakaian; tidak memberikan kesempatan untuk berjalan ke warung burjo yang jaraknya hanya beberapa meter saja dari rumah tanpa kebasahan. Tapi kawan..masih ada payung jika tidak mau kebasahan. Atau kalau tidak mau basah-basah kehujanan kalian bisa hanya berdiam diri di rumah dan mendengarkan “Reflection”. Coba rasakan ‘percakapan ombak’ atau ‘reflection’ atau ‘saturdate’ yang kelabu. Atau track ‘doa minggu pagi’ dengan suara-suara oldiesnya membuat ingin bernostalgia.
DJ Illiad Mendel merupakan proyek bermusik bergenre
DJ-elektronik yang terbentuk sejak tahun 2016. Tahun 2016, DJ Illiad merilis
single berjudul “Underground Dance
Clubs” di bandcamp. Setelah itu di awal tahun 2017 ikut dalam CD kompilasi “Bhinneka Tungal Ika” besutan dari PROGANIZER
x ERMUSIC RCRDS.
We are starting a new series of releases, exploring and re-discovering Springline Records, one of the most underrated reggae and dub labels. It has been operational from 2003 until 2012, releasing music on vinyl, on audio tapes and later in digital format. With artists coming mainly coming from the UK underground, the style of the label was strongly influenced by the Jamaican roots music of the 70s with a sound very kin to that of Lee ‘Scratch’ Perry’s Black Ark studio.
But the resemblance to Black Ark studio goes far more than just the sound and the music. After 10 years of operation, two vinyl releases and many tapes and digital releases the label stopped its operations. All releases were discontinued in 2013 & all master recordings were lost or destroyed or on purpose deleted/thrown away, with the owner of the label deciding to put an end to that musical adventure. What is left nowadays are some articles and reviews on the internet, reminding the era of a great label, which unfortunately did not get the recognition it deserved.
All this happened at the time when Dubophonic was just starting its own musical adventure in 2013. We don’t know if it was meant to be, if a higher force controls everything and connects everything together, but thanks to Gibsy Rhodes, owner of Springline Records, we got our hands on some crucial tunes found forgotten on a hard disc, which was saved from destruction. Ruff takes, dubplates, alternative cuts, demos and a few unreleased works; a true treasure to our ears!
From our new series entitled The lost archive of Springline Records comes Sky Warrior Dub. It was never released before, until today! Foshan Roots was formed as a studio band by Thomas Dewey and Brad Turner in the summer of 2012 in the UK, working together on various projects (Roots, Reggae, Dub). Being able to establish a great connection and to overstand each other telepathically, the musical workings just started flowing. The name of their band reflects the vibes of their music.
All recordings & mixes were done in their own studio (CAF Studios) named after a very inspirational roots album. Brad & Tom play all the instruments themselves, shared out equally, so to give a different feel each time. Sky Warrior Dub consists of nine dubwise tracks in a deep rootikal style, reflecting the mystical vibes of the band! Welcome to Foshan Roots, the peaceful ZEN-warriors. Enjoy the journey to Jah music!
Fingerflood is an electronic music project born as a part of the many musical extensions of Gaetano Fontanazza.
What we have in this debut release, named “Beats and Stabs and Kick in Four,” is the strong intent to basically dive into the fat obscure electronic moods of dub techno, somehow near to the Berlin scene if you like. The release has an ideal split in the middle of its playlist, switching from dub techno to more dub idm-oriented tracks.
He who is in his late thirties, stares out into the open vast waters of northern lake Michigan. Blue sky above him reminds him of past wilderness adventures, hiking, camping, enjoying the company of no-one else but his solitude. As the ferry boat rocks ever so gently with each wave, his stare becomes hypnotic in the anticipation of traveling to a different world then he’s used to. From the cluttered exhausted saturated air of the motor city to the crisp clean everything of those islands in the middle of this lake. Traveling on a whim, spontaneous plans of going to meet and shake hands with his fears are all in the back of his mind. “You can plan for everything under the sun. But you’ll never plan for that banana peel you’ll slip on” he recalls from reading mystic literature. “I know I’ll make it” saying to himself in a reassuring vibe. Carefully planning every spot, step and strategy to get to a small island by kayak for months now. “Just remember the banana peel!”
It was around 2,600 years ago when a Judean teenager was taken captive by the rapidly ascending Babylonian Empire, a force of unstoppable military strength, great wealth and technological advancement. Normally such an event would lead to a life in misery as a slave … but God had something else in mind for this young man named Daniel.
Daniel, The teenager who had been taken captive, came to realize that God was miraculously working with him … but not only to preserve his life. God was revealing through him some major prophecies of future world-ruling empires. As a resident of the world’s premier capital city and AS an honored wise man in King Nebuchadnezzar’s court, Daniel demonstrated God’s superiority over the pagan gods of Babylon and left a legacy of faithful obedience to God in spite of grave trials and tribulations.
Inspired by the Old Testament book, Italian producer Orlando La Montagna adapts the story of Daniel and transforms it into a dub adventure, introducing different variations of the same riddim just like the different chapters of the book. Each track has a deep spiritual ambience; starting with “Induction in Babylon” where Daniel is introduced in the hard Babylonian system through a stepper-techno beat and ending with “Life Giver”, which sends the final message to our permissive society of power-hungry people … to a nation without God. Daniel’s situation in Babylon sounds quite a bit like our own, doesn’t it?
A new artist comes to Kahvi now, Circa State appeared in my inbox recently with a nice chilled selection in the form of a demo which grabbed my attention from the start. A blend of ambient and emotional sounds, with more acoustic inspired elements, taking you on a journey through a summer field with the grass sweeping in the breeze. RnB beats threaten to blow away the gentle vibes, but never too overpowering.
A great introduction to the hot summer months by Circa State.
For its 34th release, Da ! Heard It Records is warming up the machines to trace some new paths.
Impendulo is C_C’s new cassette.
Packaged in quasi-monochrome illustrations with quasi-absurd architectural tendencies, the visuals emphasize the kinetic art and foreshadow what one is about to hear: chain reactions and strange angles; it all moves and it all hits.
This cassette is an absolute beat garage!
Think of a little place where things are done by hand, geared towards total customization, fine-tuning; truly without concession and C_C is the boss. He’s the one with his nose under the hood and adjusting everything by ear. In total contrast with factory and chain-work sound, C_C knows how to use a system as Low-Cost as Low-Fi. Not afraid of getting his hands dirty!
The electronic sound is played from the fingertips, and it’s audible: the patterns aren’t dull and the rhythms brilliant.
It also plays with codes, and plays with them in a laid-back way, arm hanging out the window, headlights fully on. It advances tirelessly, entertaining without using, definitely more auto-reverse than auto-stop. Natural born bottom-of-time, C_C plays it in four-wheel drive, for all terrains, and completely versatile in all respects. He alternates straight hitting lines, feedback turns, and reverb drifts, and allows himself to ride right in the middle, his kick as pressed as the pedal, larsen melodies comfortably settled in the backseat.
At full speed, it’s blinking from all sides, counterpoint at every corner. With always one ear on the rearview mirror, and the GPS evidently out of order… drifting away from the roots is inevitable. In Impendulo, one is thus neither here nor there, but rather on unknown territory with no markers, never safe, but always sound. Welcome to the fourth (rid)dimension, this four-track game that summons hormones and neurons, active listening, and active dancing.
The drum is electronic and its skin is unbreakable, and in a thousand miles, it will still be playing, unfettered. One hit up, one hit down, the rhythmics spar without any low hits and most importantly without the rotundity that fishing for sound can bring. With C_C, it’s refined and chiseled by ear on the mixing side. The composition is stripped of anything superfluous, reduced to the bones, and you feel it in your bones: trans, love it or leave it.
Impendulo, the 34th release of Da ! Heard It Records is distributed under a Creative Commons BY_NC_ND license.
The album is fully listenable and downloadable at the following address: http://www.daheardit-records.net/en/discography/dhr-34
Four years ago, back in 2013, the Argentinian dubbers Negritage made their first appearance on the label with Guetto Roots of Dub Vol. 1, an album recorded in “Cuca Roots” and in “El Fuerte Dub Foundation” studios, exploring the Jamaican roots and culture dub tradition. Their analogue style and their authentic sound was greatly appreciated by the listeners and the album remains until today the most downloaded release ever made by Dubophonic, with more than 25.000 downloads and still rising.
Fast forward today and the long awaited Vol. 2 is finally out. “Greetings from Planet Dub” stays true to the same roots and culture background with 6 vocal tracks and 11 dubs. Nevertheless new elements are incorporated in their style, in which eastern melodies blend into the Jamaican vibes and the melodica meets the mandolin and the lyre like in a musical playground, were the singers and players of instruments playfully communicate through their music.
Big up all the artists from all four corners of the world, who collaborated with Negritage and made this release possible: the original roots defender dub activist Jam York (USA), the mighty Sammy Gold (UK), the wise Ibel Campbell (JAM) delivering solid and conscious messages, the dub poet and writer Haji Mike (CY), the studio wizard and dub creator Med Dred (CY), sister Yuuri Bamboo (JPN) blazing those melodica vibes, Christina Polycarpou (CY) doing her magic on the lyre, the humble Mandlion (ITA), flute master Eter Dub (ARG) and the lyrical messenger Zion Irie (FR). All tracks mixed by Negritage in Argentina and mastered by Med Dred in Cyprus. Cover artwork by Negritage. Distributed by Dubophonic for free download.
A “quipu”, was a method used by the Incas and other ancient Andean cultures to keep records and communicate information. In the ancient Quechua language of the Andes, “quipu” means “knot”. A Quipu is in fact a set of knotted loops, tied by a thicker rope supporting them.
Quipu is also a project created by Atome Primitf, a collective of musicians and “dreamers” from Europe, a project inspired by that same method of knots, stringing artistic ties and new collaborations, through cross-genre musical interpretations and audio-visual concepts.
In fact Quipu was born as an audio-visual concept. The four tracks of the EP started as original compositions of Atome Primitif, with the elements of voice, violin and acoustic guitar modeling an unplugged sound. Quipu traveled all around Europe, involving artists from different countries, each one adding their own personal knot, inspired by the compositions of Clelia Patrono.
Andrea Presicce aka No Finger Nails adds his own musical knot through his musical experience, ranging from Electronica to Dub. The EP consists of four remixed tracks, offering a very dub-ambient and mystical alternative, using the original organic sounds. The project expands also audio-visually, with videos and visuals being produced, on that same quipu idea. Dubophonic is very proud and honored to be part of this, tying its own knot in this continuously evolving project!
Downbeat is a project that mutates, changes with the time, transforms itself with life, without limits and without borders. Their second album takes the sound a step further towards experimentation. Downbeat look at their interior and connect themselves with genres they always got inspired from: Dub, Dubtronica, Jazz and Fusion.
“Introspección” is the beating of their heart, each heartbeat navigated by a different state of mind. Looking at oneself is like a magical journey within, guided by the mystical power of the ancestral plants.
The dub sounds are present throughout the album with atmospheric musical landscapes. This is not the typical dub album, trying to look like its coming out from an island … this is the dub of the mountain … the dub of the Andes … the dub of the Aconcagua … the dub of Las Heras. That’s why it’s hard, dark, cold and different. That is why it has power, hypnotism, strength and a sound of its own.
Let us navigate within ourselves, with the heart pulsating on each beat. Heavy Dub, experimental Dub, dedicated to the universe and its infinite power. A triangle for all to travel (SOUND-LIGHT-SHAPE)!
The silent world of night beholds the bearers of the slumbering animals. As most of them meditate collectively in alterative realities guided by deep thought, a few of us work the midnight oil till the dawn hour where by the rising Taurus believes all was a dream. Restless and weary, the hours after 4 am calls the end of our nightly duty. No one sees nor can relate to works of hands on the floors of reality as many forgets day’s past events in love, anger or neutrality. These streets empty, dark, and sometimes inhabitant by floating spirits conversing with cold sub zero winds, are gently painted in white light equally erased by deep darkness. Store front buildings undercover by this darkness are reveled by second floor apartment lights, assuring their vacantness to the world. Silhouettes in the windows, we can only hope there living. Silhouettes in the windows, living is our only hope
Our first release of 2017 and the second one on the label by the Russian social anthropologist and ethnomusicologist Sergey Gabbasov and his project Dubrajah is coming your way. You already know his release from year 2014 entitled “Enkang”, though which we discovered the artist’s ability to fuse a deep digital dub style with organic sounds, traditional African melodies and chants from the people of Maasai, Datooga, Hadza, Pemba and Zanzibar tribes.
The new album entitled “Reprise” uses the same musical recipe, but with different ingredients. It was recorded last year in Russia, Nepal and India and includes 8 new tracks by the Russian artist. By this album Dubrajah delivers his returning to the start and principal point of his researches – to Asia. Using sampled sounds from India, Sri Lanka, Thailand and Mongolia, we are led into a magnificent dub journey through Asia. New sounds and vibrations, new destinations and inspirations!
All tracks recorded in Jaisalmer (India), Sauraha (Nepal) and Moscow (Russia) in March/November 2016. Photography by Sergey Gabbasov.
“The album ‘Neko‘ [pn115] from ‘Cafeina Kid‘, the psuedonym of the musician from Concepción Pablo Cornejo, consists of 12 instrumental songs spun into an assemblage that above all resumes coherence in continuity with the treatment of sound, composition, and style with which he has managed to effectively express the legacy of electronic music from the beginning of 2000 to date.
His compositions imbibe of various styles, mainly ‘Electronic Dub’ and ‘Downtempo’, with touches of ‘glitch’ that have been amalgamated with the use of the sampler, a resource with which he takes clips of audio from diverse sources, though mainly of himself. ‘Cafeina Kid‘ presents us with a record in which he looks and listens to himself, collecting sounds and stretches of previous compositions, placing them in an exercise that allows him to re-signify them. It is an exercise in memory, an act that Pablo tranfers in a fluid way and that he has realized since I’ve known him, a very long ago time when we exchanged with Mika Martini – since Ud. No! -, extensive chains of emails, reflexive writings on style, aesthetics, history and anecdotes that did nothing more than connect our work with the true sense of pondering music.
Today we hear the echo of these dialogues in a concrete result, a new album of ‘Cafeina Kid‘ that acts as a happy reminder at the same time as a focus towards what may come with his next creations. This, because ‘Neko‘ [pn115] presents itself as a solid disk with sufficient potential for expecting a possible future discography with the quality of what is left here, a disc in which he references styles that he supports with an undeniable personal imprint, through which he demonstrates timid warmth, a well-developed melodic instinct and a grand tact for presenting, every time you listen to his music, several possible and impossible worlds simultaneously.”
(Santiago, Chile. Diciembre / December 2016)
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