Finally a brand new Deep Diversity compilation. Vol. 6 is again filled with a diversity of genres. With a variety of amazing artists this compilation is yet again a must for every listener, collector, fans and followers.
Artwork created by Jeroen
Mastering by Rosto
credits
released December 13, 2019
芽田ぱに子(@meda_panic) | Twitter twitter.com/meda_panic
Remix
DJ.DAI (@daidayo222) | Twitter twitter.com/daidayo222
Mtell (@Mtteeellll) | Twitter twitter.com/Mtteeellll
filmiiz (@spmagnet8) | Twitter twitter.com/spmagnet8
M4tt (@xM4Ty) | Twitter twitter.com/xM4Ty
Star Jaxx (@starjaxx_eden) | Twitter twitter.com/starjaxx_eden
Technical staff
YZOX (@yzox_jpn) | Twitter twitter.com/yzox_jpn
credits
released January 4, 2020
01. PHILIPPE NEAU – oOnhe 10:45
02. SOUND_00 – Metal Kratovo 10:59
03. WALTER FINI – Echoes 09:30
04. BR – A sto ako ti kazam deka ovoj svet e samo obid, verba i cekorenje kon podobroto 10:40
05. THE SUBAQUATIC BULLETIN SERVICES BUREAU – Recent Transmissions 08:31
cover art by Claus Poulsen
design by EMERGE
“Stand Alone Complex” contains music that goes from drone-like structures (“A Structural Point”), through more IDM tracks (“Riding the Noise”) to techno (“Der Inner Geist”, a direct translation of the inner ghost), to more industrial and post rave expressions (“The Harshness Factor” and “TGVBKJGFC”), until the last track (“Surveillance”), which speaks about the issue of surveillance though sounds that are more electronic and less structured by genre labels.
This disc originated with an approximately 20-minute recorded session made in 2014 (https://vimeo.com/105399073) and this subsequently laid the groundwork for a new interpretation of the books of Donna J. Haraway (Simians, Cyborgs and Women: The Reinvention of Nature, 1991) and Kim Toffoletti (Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body, 2007).
It was mixed in FBK studios in Barcelona by Jose Jünemann and Joan Lavandeira and mastered by Jose Jünemann (2019).
Joan Lavanderia aka randomVOLT
(Bercelona, España / Spain, diciembre / December 2019)
Phonocake-Artist Drehton moves the knobs and keys to the next experimental level. With references to trance, IDM, techno and now and then dub, he shapes the sound of a hyperworld: full of jumps, speed, variety, intensity, clear superabundance. This is where the control takes place, this is where the chips glow. Full of details this HiTekk Electronica purrs full of longing in the metropolis of chip design sound.
The 21st century replaces any category concept of ours. The concepts blur and exceed conventions through freer expression. Freed from any category corset, Drehton presents new experiments in tempo, arpeggio & melody, in its very own sound and recognizable style. Partly the stuff is insanely experimental, especially the first tracks. They tempt us to brain explosions that dissolve Koan like. From song 8 it gets a bit straigther.
Track Listing:
01. agomi – make.believe (feat. braincoat)
02. agomi – character.creator
03. agomi – world.building
04. agomi – creation.core
Music by agomi.
“make.believe” by agomi + braincoat.
Artwork by 13aht.
Design by Occupied Territories.
MASEraaaN(@maseDTM) | Twitter twitter.com/maseDTM
ARTWORK
クマコ(@Yelwsbmrn) | Twitter twitter.com/Yelwsbmrn
higma (@pai_dareka)さん | Twitter twitter.com/pai_dareka
It is with great pleasure that eerik inpuj sound presents ᏕคᏁᎶᎧ, by the secretive and anonymous project ♡u∫agi幻覚∀∁lᙌ✬.
♡u∫agi幻覚∀∁lᙌ✬’s art and music are merged with the purpose of healing the earth and humans, leading them to an extraordinary space experience through this fusion. Usagi collects material from the earth, fuse dynamic lines, and use unconventional materials and music for artistic experiments. You can enter their world through social networks.
“Sango” means ‘coral’ in Japanese. The work expresses mysterious elements of the deep sea, the colorful colors of the corals, and the heartbeat of life symbolized by water.
This story is about how we got the opportunity to assess the level of moral decay of the Internet society first hand. The soundtrack for the show, which you will watch a second before the neutron burst turns your body into a shadow.
All that remains after you is just irrational hate in anonymous posts, stingy playlists and collections of saves.
You will see pictures of the decaying and self-destructive mass culture of the future, in which our creative process, like mold, is patiently growing and gaining critical mass
Эта история о том, как мы получили возможность с первых рядов оценить уровень морального разложения интернет общества. Саундтрек для шоу, которое вы будете смотреть за секунду до того, как нейтронная вспышка превратит ваше тело в тень.
Всё что останется после вас — лишь иррациональный хейт в анонимных постах, скупые плейлисты и коллекции сохранёнок.
Вы увидите картины гниющей и саморазрушающейся массовой культуры будущего, в которых наш творческий процесс, подобно плесени, терпеливо растёт и набирает критическую массу
Coltan Major Harmonics is a two tracks 7’’ by Manu Louis, which also features in an interactive Installation by Escif at MIMA Brussels.
On track A, Coltan and his catchy bass line features a cocktail of London singer Heidi Heidelberg and Manu’s voice in a groovy and outrageous song about the precious mineral. The music uses only the original material composed by Manu for Escif’s interactive installation.
Escif is a street artist based in Valencia , Spain. His imaginative works have captured a large audience that follows his work progress. He sees the painting as an exercise of reflection that can be shared with people. He does not look for decorative paintings, he mostly tries to wake up viewers’ minds.
In October 2019, Bansky and Escif made a collaboration with about a hand made tool with a happy ending makes a fine decorative companion to the fireside or radiator.
