A system created to analyze reality and perception got its inputs removed because it was going out of control. This fix damaged the reality by feedbacking the system on its repercussions causing incorrect analysis until the dream of reality became a stream of negative numbers. The resistance against the system was initiated to prevent it from corrupting the perception of reality, even though, it was already shaping the perception the way it wanted to, because the reality did not favour the system.
Broken and syncopated stream of percussive attack, punching through disharmonic leftovers in reverberation, not welcoming you at all by constantly reminding of its continuously corrupting state.
“The daily world exists only because we know how to hold its images.” – Carlos Castaneda ©
This album was written over a two-year period with a great amount of effort and psychological experiences, inner turmoil – I understood that I was falling into an abyss with no bottom… no bottom…
“Replika” offers many doors to other dimensions, to other universes, and to other worlds. This is the starting point of an endless journey through the secrets of the universe, where each track is a separate journey through different worlds.
This album was recorded using analog and digital synthesis with instruments such as KORG PROPHESY, KORG M3, and KORG-Z1.
Live from the Non-Convenience Center
for on the edge audiophiles,
we stream the real time,
of the hottest Munich duo to date.
The duo MOC presents a release that they worked on for five years. The resulting quality of this long process can be heard accordingly. Details about their process and many more interesting facts can be found in the big MOC interview on their artist page.
Project made by polish, Warsaw based anonymous artist.
The sound of юродивый is closely related to the emotional side of everyday life in a modern world. Acoustic piano recordings combined with electronic instruments and samples are the main components of the atmosphere of this project.
The name юродивый means the fool for Christ which was one of the main models of the sanctity in the Russian orthodox catholic church. Foolishness, emotions and disappointment are the three elements which gave life to the “Fallen expectations” – debut release of this project.
The three productions were recorded during one night studio session in winter 2018/19.
released September 16, 2019
Riajuu best album is here! Nichijou-kei breakcore from Sweden. Focused on selected his previous pastoral bits. Highly recommended!!
Compiled by Haruo Ishihara.
Artwork by Yamamoto Shigetomo.
“nonowa” is Riajuu and Vixenvy.
auteur compositeur
Simon Carbonnel
Simon Carbonnel & Marion Gaume pour le Déclin de la bête feat Mesparrow
Visuel : photo orignelle CSZ Photographie,
logo Martin ROULET
l’ingé son : François Kerjan
mastering : Léonard Lelièvre
For its 41st release, Da ! Heard It Records is receiving a weak signal…
Everything starts with a faraway sound, a buzzing growing more and more present. A light pulse then discretely joins in with a wave that intensifies little by little. The radars turn to find where it’s originating from. The matter gets bigger and announced a compact sonorous mass. A slow, crushed rhythm settles in and supports this mysterious form. In stationary flight for a part of the album, the strange apparatus gives sort of the impression that it is scanning a presence, passing through the listener, frozen in this obscure sci-fi décor. Coded messages, percussive morse code, LFOs of all kinds, and sonic twitches still attempt a first contact, as if it were trying to coldly grasp the substance of our world. From one speaker to the next, the chirpings interact while in the background, a purring wanders now and then in the landscape, fragmented by the flow’s power.
So listen to this tape whose handmade wrapping with technological titles invites us to take it all with a sense of humor. Onboard the engine where rhythm boxes and machines of all sorts sweep through space without ever landing, a facetious parisian duo turns the knobs of a complex dashboard…
Right now, you’re wandering distractly through this album, thinking that perhaps you haven’t understood a word of this text. You’re just passing (through) À Travers.
Poborsk makes his Crazy-Language debut with a very special sensory release for us the listeners and to the producer himself. These seven crisp constantly shifting artefacts are the result of a multitude of live tracks, reworked here for cozy home listening, from when the producer opened a gig in Lyon for the legendary Autechre. The giddy excitement is palpable on the craftsmanship present on each song, not only recollecting the Manchester based duo’s latest atonal journeys but with the rhythmic balance and jiggly synth work, trademark of Poborsk’s varied discography. It’s hard not to get up and start contorting your body onto odd angles with bangers such as Docteur Flanger or Collapse.
As is tradition with Crazy-Language’s latest outputs, this release contains 3 very methodical video pieces that seem to clash perfectly with the pristine nature of the audio journey. These glitched, heavily erratic pieces are the contrast needed to bring everything full circle. Or in Poborsk’s case full Euclidean. (FG)
