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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: electronic

C/VVV – Gracias por nada

C/VVV – Gracias por nada
[pn144]

C/VVV

“Gracias por nada”

“C/VVV spaceship is approaching, shaking not the dust off: its pieces sewn in emptiness, fiber travelling centuries, living, learning, and, at the same time, generating an antigen to the Whole, offering Naught an enlivened realm. Steadily moving, back and forth, all to zero, growing a cultivated, singular spirit in the face of constant fluctuations, acquiring communicative competences thru countless, unknown phases, changes, headways. The ship keeps flowing, moving alongside alienating turbulences and foggy cataracts in the eyes of the object. The past is always there, a warm, embracing, profound obscurity; essential company and accomplice, wise advisor, willing to unleash the heavy load. Turning the trip into a fading-balanced map, erasing frontiers, receiving the unexpected, organic, ever-expanding-paradox, latent beat.”

Iñaki Muñoz
(Santiago, Chile. Agosto / August, 2019).

Button: by-nc-sa
posted 26 August 2019

Hana Sent – Eyes Cream

Hana Sent – Eyes Cream
[51bts057]

Hana Sent

“Eyes Cream”

“Eyes Cream” by Hana Sent open up with the syncopated percussive arpeggios of “Arctic Toys”, which introduce a slow but decisive beat, markedly eighties, before cool melodies like a gin tonic on the rocks let us enter the mood of the album. It continues with the dreamy melodic lines of the title track, which take us on a sunny Caribbean beach, complete with windblown palm trees and tortoise sunglasses. “Hanawon Nights” does the verse to a certain synth pop of the 90s, with its claps on beat and a rolling snare that charges the percussive inputs, a SID sound marimba completes the picture, assured headbanging, for the most exquisitely dancey piece of the EP. In the slow and moving body of “Body High” you find echoes of a Moby under ice, always with a splash of gin, and you can dream of a long summer sea in the west coast frequented by lovers of rollerblading. “Disco Splendydog” takes advantage of a great bass-up spin and inserts 8bit elements and fast rhythm synths, with vocal samples, fake scratches and tb303: early house, early acid, early pleasure. The EP closes with the melancholic melodies of “Kimchi Break Out”, like in dreams, which when they end leave a smile on your face but also a certain nostalgia. Thanks for the beautiful dream, Hana Sent.
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posted 18 August 2019

Weldroid – Regenerative

Weldroid – Regenerative

Weldroid

“Regenerative”

From Igloo Mag:

“Weldroid (aka Tamás Zsiros) returns with Regenerative for Kahvi Collective, and this new album is a multifaceted foray of chilled electronics that spans through ambient, synthesizer, and abstract IDM fissures.

Somehow a bit more tranquil in its approach (Zsiros noted that he “decided for a more performance-oriented approach, putting micro-editing and automation aside—and letting unpredictability and probability-based sequencing rule“) each piece admits a softer side the artists’ immense sound bank.”

Full review: igloomag.com/reviews/weldroid-regenerative-kahvi-collective

Button: by-nc-nd
posted 17 August 2019

Fondella – Adventurine EP

Fondella – Adventurine EP
[phokes115]

Fondella

“Adventurine EP”

We proudly present the phonocake debut of Fondella, serving a true adventure in beauty of sound, kind of a soundtrack of a yet to be released indie game. Put on your headphones and explore yours and Fondella’s world in a slow paced enjoyable time frame. These moments are yours, accompanied by Fondella’s tunes.
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posted 09 August 2019

Section 27 – IX​-​XIX : 2009​-​2019 Showcase

Section 27 – IX​-​XIX : 2009​-​2019 Showcase

Section 27

“IX​-​XIX : 2009​-​2019 Showcase”

10 years of material selected from the archives covering 2009-2019 and showcased in five parts. Available to stream in full or free download.
released August 1, 2019All tracks by the respective artists, remixes by respective artists.
Creative Commons Licensed BY-NC-ND 3.0

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posted 04 August 2019

Dave Wesley – Fourth Wall

Dave Wesley – Fourth Wall

Dave Wesley

“Fourth Wall”

Dave Wesley’s full length aural autobiography covering the last half of 2018, based on subconscious peripheral sonic imagery… the blurry content that selective perception ignores.

What others are saying:

“Listening to this music, I kind of feel like I am a replicant in the rain of Bladerunner, hand twitching as I search for some dry room away from the lights and the wind, knowing I am going to die soon but wanting the heat of the room just the same, just for a passing moment.”
– Steve Santineau

“Just an amazing album…I especially like Tracks 1, 9, 10, 13… (Like Controlled Bleeding meets Ryuichi Sakamoto’s OUT OF NOISE in a film by David Lynch)”.
– David Agasi

posted 30 July 2019

Sobria Ebrietus – EP

Sobria Ebrietus – EP
[PE20]

Sobria Ebrietus

“EP”

Special Netlabel Day release including three remixes of selected tracks from the original The Veil album.

“Sobria Ebrietas was born around 1995-1996 as a side-project to my
former band Absolutely Curtains, and became permanent after its split in
1999.

>From the outset, this project aimed at a research on sound, without any
other goal than creating a specific visual feeling and the wish to
generate a dark, powerful and captivating mark.

Following several albums, EPs and many sonic & visual collaborations
spanning 20 years, this search asserted itself, spawned its evil twin
Eurovision Über Alles and opened out to create a unique and unclassable
soundscape still true to its original quest: the love of Sound.”

Button: by-sa
posted 19 July 2019

V.A. – S27​-​X (II)

V.A. – S27​-​X (II)
[S27-172-2]

V.A.

“S27​-​X (II)”

released July 18, 2019

S27-X (I) available here: section27.bandcamp.com/album/s27-x-i

Marking our 10th year of underground electronics, mangling ears and brains since 2009.

Art Direction by Kounterpart.

(Almost) all tracks mastered by the respective artists.
Compiled by S27.
Cat No. [S27-172-2]

Button: by-nc-nd
posted 18 July 2019

V.A. – S27​-​X (I)

V.A. – S27​-​X (I)
[S27-172-1]

V.A.

“S27​-​X (I) “

released July 18, 2019

S27-X (II) available here: section27.bandcamp.com/album/s27-x-ii

Marking our 10th year of underground electronics, mangling ears and brains since 2009.

Art Direction by Kounterpart.
danielglaser.de

(Almost) all tracks mastered by the respective artists.
Compiled by S27.
Cat No. [S27-172-1]

Button: by-nc-nd
posted 18 July 2019

BeatMyth – Multiply EP

BeatMyth – Multiply EP

BeatMyth

“Multiply EP “

With this EP BeatMyth demonstrates their signature electro breakbeat style – an outgoing onslaught of beats, basslines, synth-stabs, and fast vocal ranting. On the flip a slower-tempo story emerges but keeps us in attentive check: deep gridning bassline, snapy snares and playful details in-between.
credits
released July 18, 2019Igor Vuk · production, recording, arrangement, mix and mastering
N’toko · vocals on Multiply
Stella Ivšek · design
Luka Prinčič · executive production

Button: by-sa
posted 18 July 2019

4T Thieves – Squares of coloured circles

4T Thieves – Squares of coloured circles
[220]

4T Thieves

“Squares of coloured circles”

For 2019’s Netlabel Day, as the strong Mahorka tradion is, again we have for you a very special collaborative/reworks release, this time by the very boss of another cult netlabel – 4T Thieves of Kahvi Collective. The album features exclusive edits/remixes by him of previously available on other releases 4T Thieves tracks (1, original available as part of his release “Wayfield Asylum” on Kahvi, and 5, done as part of the “Sketches” remix competition), fresh new originals (2, 4) and one extended version (8, “Pata Minim” edit is previously available on “Forms” VA on Kahvi), as well as remixes he’s done for aAirial (3, previously available on aAirial’s CD album “Wanderings” on Mahorka), Curious Inversions (6, exclusive), Pandacetamol (7, exclusive), Depeche Mode (9, 11, exclusive) and Captive Portal (10, exclusive).

Cover artwork by Precocious Mouse

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posted 17 July 2019

4T Thieves and Pandacetamol – She danced on the sand

4T Thieves and Pandacetamol – She danced on the sand

4T Thieves and Pandacetamol

“She danced on the sand”

Netlabel Day 2019

After the success of our previous co-op release last year, here is the latest work from both 4T Thieves and Pandacetamol. Tracks and credits:

Produced by 4T Thieves: Cricket Pit, Standalone Serenity, The Rusty Key, Waldorf Salad Along Here, Find The Shape

Produced by Pandacetamol: Cob Backwards, Industrial Incident, Nordic Harmony, She danced on the sand, Origins

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posted 15 July 2019

elAstrum Waves

elAstrum Waves
[phokes135]

elAstrum

“e-Waves”

The moment, when sound waves surprisingly appear in vacuum.
A cosmic dream symphony,
presented by a playful gravitational wave orchestra.elAstrum is a conscious electronica cosmonaut from Russia, online already known from his releases at Kahvi lately and one album earlier on Otium, as well as different spacey noise releases, that can be found at archive.org.

You can expect masterly sounding melodic electronica, sometimes playful and also sometimes referencing old soviet-russian radio sounds or songs, rising to the uber hymn, the “Epic Rise and Fall”, where all the essentials: love, longing and hope come together for the climax in the Now, heading for the tomorrow, binding you with us and all the other listeners through spacetime.

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posted 12 July 2019

xDEx – PANTA RHEI (πάντα ῥεῖ)

xDEx – PANTA RHEI (πάντα ῥεῖ)
[mhrk219]

xDEx

“PANTA RHEI (πάντα ῥεῖ)”

xDEx is a project and main scene pseudonym of Victor Prodanov. Lately, the constant accelerating societal decay and de-stricturation, the alienating aspects of the globalisation processes and the so called “common thought” became, by their unavoidability and omnipresence, a field of inspiration and cynicism for this project. Victor’s longstanding fascination with DIY digital and analog electronics has put out a solid emprunt over his sound.

The release “PANTA RHEI” is his first and hopefully not the last on Mahorka, after years of discussions, preparations, variants and waiting for the right circumstances in the right moment to come for this debut on the label. Most of the drum parts are produced with 808 and 909 clones, the non-melodic sound layers are mostly filtered spring and digital reverbs, various overdrives and distortions, feedback loops; there are extensive modular synth recordings and most of the paddy parts originate from a FM8 clone and a Waldorf Blofeld. All tracks were recorded on a multitrack at one shot, with little post-editing.

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posted 12 July 2019

Thuoom – Organism

Thuoom – Organism
[thump323]

Thuoom

“Organism”

Thuoom is back from studio hiatus with his 7th full-length album, Organism. The sounds used on this record consist 100% of glitches. More precisely, the original sounds were produced by misusing a sound card and manipulating signal live during a practice session, soundcheck, and live performance (Ambient Evening Trashure Islands, Parainen, Finland) in November 2018. For the album, these sounds were then further mutated in a true Thuoom fashion.
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posted 01 July 2019