Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”
update, February 1st, 2026
Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you!
Konrad from clongclongmoo
This album is more tan just samples over my stuff or a big mashup… It’s more an hommage to a certain kind of experimentalism that happened after WWII, a sort of re-interpretation of the psychedelic experience. We know who are the masters: The Doors, Zappa, Captain Beefheart, Stockhausen, Can and the German scence, even Aphex Twin… all were making true psychedelic music. I’m not talking about the new psy, even if I like some stuff (psychill mostly). It’s more towards rock music. But you can still dance on it. Some tracks are more suitable for home listening than others. I would say the first half is really made for home listening whereas the second part has a more Club appeal. Hope you’ll enjoy this one, maybe one of my best, put lots of effort into it. It’s made so that you have to listen to it from start to finish.
Released on recycledmusic.wordpress.com credits released 11 January 2013 Illegal Narcotic Ride – Sample List
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# Intro Captain Beefheart & His Magic Band – Fallin’ Ditch
# The Genius Of The Crowd Charles Bukowski – The Genius Of The Crowd Leonard Cohen – You Know Who I Am Mandrake Berimbau – Bongo (Re-Edit) Agitation Free – Haunted Island
# E.B.E. Agitation Free – Haunted Island Miles Davis – In A Silent Way (stretched) Karlheinz Stockhausen – Struktur XII/XVID Squarepusher – Bubble Life
# So Many Stars / Riders The Doors – Riders On The Storm (unknown break)
# Lizard King (Dub) Aphex Twin – Acrid Avid James Alan Stivell – An Dro Four Tet – My Angel Rocks Back and Forth Joe Tex – Papa Was Too An Triskell – Tron Doue
# Vapour Organic Beauty Various field recordings (buses, steam sounds, woosh, crowds, metro)
# Lush – Sweetness and Light (Remix) Lush – Sweetness and Light (at 33RPM instead of 45RPM) Lush – Desirelines / Ladykiller Mahavishnu Orchestra – One World Can – You Doo Right / Mother Sky Captain Beefheart & His Magic Band – Pena Boards Of Canada – Dayvan Cowboy Stars Of The Lid – Apreludes (in C Sharp Major)
# They, All Of Them Know Charles Bukowski – They, All Of Them Know
# Give Me Some Time Daft Punk – Revolution909 Jack Lee – Give Me Some Time
# Edge Of The World Acid Mother Temple & The Melting Paraiso U.F.O. – Theme from Violence Jack Johnson / Helen Buddah / Miss Condom X Film: Mr. Nobody (entropy speech)
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■ EPV_116
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track by Saito Koji
artwork by ono (elementperspective)
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■ Saito Koji
Saito Koji, born December 25, 1978, is a musician currently
living in Fukushima city, Fukushima prefecture. He played in
several bands, then went solo in 2003 after being influenced
by Otomo Yoshihide’s live performances, Derek Bailey’s CDs,
and Kaoru Abe’s videos. Saito is engaged in the pursuit of
an original kind of minimalism / improvisation.
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■ EPV_115
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■ bonus item
wallpaper for iPhone 4 & 5 (lock & home screen) ,
wallpaper for PC (1920 × 1200pixel & 2560 × 1440pixel )
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all tracks & artwork by Dust Breeding
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■ Dust Breeding
no synthesizer, no computer, no insturuments, no overdub.
all sound by hand made electronics, metal junk, effects
Extatic Continuum is about transcoding mystical experiences into music because no words could tell what it is exactly … The music has the power to communicate what is unspeakable ; and so here it’s about entheogenic experiences and Akashic visions of the goddess… This is about going beyond ego and History …
Genre: psychedelic, electronica, idm, ambient
Tracks:
1.Amethyste
2. Moonlight
3.Magic is the science of the jungle
4.Pour aller ou?
5. Akh
6.Starting Heart
7.Psychic Flaw
8.Kaleidoscope Harmonium
9.Archetype
10.Orphan Lotus
Darkness, as polar to brightness, is understood to be an absence of visible light. It is also the appearance of black in a color space. Humans are unable to distinguish color when either light or darkness predominate. In the absence of light, perception is achromatic and ultimately, black. The emotional response to darkness has metaphorical connotations in many cultures.
In terms of physics, an object is said to be dark when it absorbs photons, causing it to appear dim compared to other objects. For example, a matte black paint does not reflect much visible light and appears dark, whereas white paint reflects much light and appears bright. For more information see color
román ramón consists of agnès pe, po poy and lucía c. pino, who have backgrounds in both the plastic and sonic art worlds and who collaborate over long-distances and in person whenever the opportunity arises. their primary instrument is a computer that they use to manipulate recordings of them creating other sounds as well as field recordings. they then modify the recordings with simple programming.
nombradía pt.1: en desuso is approximately fifteen minutes of structured sample manipulations and raw electronics. a sort of travelogue. noise over background of real life. electronics blip by. pleasant strum guitar. throat singing carnival. tap. reed stream glitch. mescalin mix growl beats. organ stab reverb. sampladelics. heaven vocals.
?alos is musician/experimental performer stefania pedretti’s solo project that began in 2003. her performances blur the lines between performance art, experimental music, improvisation, video art and force the audience to actively participate. the feminine figure and its role in history and contemporary society is at the heart of her performances.
?alos’ third album for pan y rosas acts as a bridge between what ?alos was and what it is becoming. the first two songs are new versions of old songs; re-played and resung in a way that is closer to ?alos’ live sound. her voice is more aggressive and the guitar more abrasive. the third song, panas, will appear again on ?alos’ next album, era, but it appears here remixed by kawabata makoto of acid mother temple who transferred ?alos’ original recording to an analogue tape and then added layers of his own guitar, tambura, and sitar to it.
yomi, l’oscura terra dei morti was originally released by bar la muerte records in 2010. this is the third of three ?alos reissues.
atelier o divino is mysterious and resides in brasil. he paints, publishes, creates web art, video and recorded sound. he aims to construct atmospheres and imaginary landscapes rather than melodies and focuses on reprocessed sound.
on trevas redux, his first album for pan y rosas, o divino reprocesses the sound of his saxophone and adds intermittent percussion and electronics to create a dark dream world. black lodge jazz club silencio action. a ship at sea. wood under duress. riverbed percussion. low throb of the old ones. glacial pack ice friction. radio transmissions to and from.
minimal vT: cinque sberle sonore in occasione di un’esposizione vittiana [0kbps017]
01 – Jimi Hendrix plays “Ma ‘ndo Hawaii”
02 – Vitti Tivvi
03 – Ogni Artista
04 – Vitti sintitoli
05 – E adesso sorridimi! Ma…
These tracks are part of the net.futurist sculpture “Stramberia di stellarità polverizzata + intrusione estroversa e metasonorità” (Marco Zappa, Antonio Saccoccio, Stefano Balice), exposed during an event in honor of Monica Vitti.
“This compilation compiles a total of 35 unreleased tracks from my first grand cycle (2007-2012),
experiments into electroacoustic sound that can be called post psychedelic electronica, or forestelektro as I like to call it.
The first CD is kind of a lost Thuoom album, a compilation of pieces that fit together sonically.
The second CD is more of a mix bag of pieces, includes more curiosities and live tracks, but also some familiar themes.
A long time ago…
The band of the name of ”Veronika Decides to Die” existed.
This EP is a small story related to it…
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■ bonus item
wallpaper for iPhone 4 & 5 (lock & home screen) ,
wallpaper for PC, PDF BOOK (10p) & more
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basic track by mitsuru shimizu (from EPV_105 ili) elementperspective04.bandcamp.com/album/ili
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re:contruction by SHOMOMOSE
design by SHOMOMOSE / mitsuru shimizu / ono
photo by mitsuru shimizu
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trailer sounds & special thanks…ベロニカは死ぬことにした
vimeo.com/55441877
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■ SHOMOMOSE
:: soundcloud :: soundcloud.com/sho-m
1. what now (6:47)
2. hypocrisy (7:11)
3. how it all had been (almost) (5:34)
4. the safe haven (4:58)
5. suppressing thoughts (2:46)
6. i am you (wind of changes) (11:37)
7. p.s. (0:16)
Hello friends! At the turn of the year DAST will burn. The program starts with an old friend, Mirko Edelmann`s “Dirty Things” is a techno-album in its purest manifestation. Dirty, hard, pounding, brain-fucking horny, marching forward! More Questions? No, well then let’s go!
If the Archive#2 is published that close of the Archive#1 it’s because we thought crucial by this release to signifie the evolution and the work accomplished by the orchestra during its 2nd residency in the summer 2012. This one has indeed allowed to establish a much more defined direction, both easthetic and strategic, for the IMO’s near futur. After experimenting a large range of conductions type, IMO made the choice to work on and build a specific way to improvise in a large group, based on collective actions, on certain sounds, on volume controle, etc.
Line 1 is along drone, where each musician integrates it regarding its capacity to hold a continuous tone, slowly develloping the sonic mass’s timbre and spectrum. Line 2 is an improvisation where the orchestra explores a serie of matters, in strongly coherent blocs, naturally passing by various densities and colours.
~
IMO is a large improvisors ensemble, founded in september 2010, It gathers about 45 musicians from all Switzerland and beyond. It is born from the INSUBORDINATIONS label and assocciation nebula that publishes and promotes the twisted forms of experimental improvisation since 2006.
The orchestra seek to devellop collective listening and playing, it creates sonic microclimats, subtles layering, looking for a single sound, generated by a common thought, carried by the impressive amount of musicians forming the core of it. With over 20 concerts and two residency, IMO has found his own and surprising path.
IMO goes in the direction of a practice where instruments loose their classical function – and sound – to become abstract sounding artefacts, establishing then a non-hierarchical relation between them.
Experimental Schizo Noir Trip Hop. The Fucked Up Beat. A sound project by Eddie Palmer of New York, NY and Brett Zehner of San Diego, CA created in October 2011. Songs are recorded through e-mail using keyboards, experimental percussion and field recordings. Beats/Field Recordings by B.Zehner. Sounds/Instruments by E.Palmer.
“We have been chased by schizophrenic wolves in the forest and we still are not tired. We traveled to the far ends of a nuclear winter. We slept in the shit and vomit of our ancestors. We felt the fear and went to the telephone. Like Bogart, searching for desperate positions. We find solace in your regret, happiness in your sorrow, and a place to bury ideas. On a boat, there is no lighthouse on the seas, death comes fast and the whale will kill us all. If I should die at the end of the world, will fight the ocean and sink her ship with a thousand harpoons.”
The Fucked Up Beat
Improvisational dubtechno from Telegraphy. Using a field recordings from inside of a moving car traveling down a major highway in Detroit during a heavy rain storm and various other recordings. The hypnotic rushing sounds of cars passing by and the phasing effects of near by objects, plus the radio static noise of one of Telegraphy’s vintage vacuum tube communications receiver was chosen as a back drop for this sporadic production.
This new four track EP is a based around the theme of cycles. Three of the tracks are brand new, including the nearly twenty minute title track. Cicadas (Originally titled Outer) is a track that came out of the session that produced the 2011 X:F System – Microvast rework album, Microcosm. This release keeps with the melodic Off Land style but it is decidedly more experimental and at times brooding. The result is an expression in repetition, time, rhythm, and flow… Off Land has works released at the ever excellent labels Resting Bell and Kikapu among other respectful labels of the internets.
Get prepared for playful feelings and fine man vocal in the airy heart performed by interesting Swedih project. Let´s start the winter time with our release „My story“. But you don´t need your winter clothes, because Delayliniken together with the great remixes by Balkansky, Nev.Era, Foolk & Kallin embody the sunshine now.
His works were influenced by and also created in ambient-downtempo style, but the new products contain soundbits from various styles. He tries to mix the musical taste he likes, and create fresh soundings, compose new panels. Combined by these soundbits he introduces the audience a new exciting world of music.
Among his influences we can find polish jazz music from the 60-70′s, scenes from the past century’s italian horror movies and giallos, ambient, minimal techno, and also trip-hop.
Seyðisfjörður (Iceland) is the northest latitude where I have ever been on Earth (October 2012). A permanent drone of blue noise covers everything at every moment due to hundreds torrents conducting water from glaciers to the sea. The always changing weather destroys whatever humans try to build there, converting old fishing industries into oxidated landscapes. Underwater field recordings, sound improvisations with found objects and Icelandic language conformed the sonic architecture of the work, articulated into a number of proposed scenes where listeners will be self-located through their aural imagination.
Der Hirsch des Wahnsinns is one of the verses of "Al Infierno" ("To Hell") by the Spanish poet Leopoldo María Panero. This poem and some others by Rainer María Rilke, Rafael Alberti and John Milton were used at a soundwalk commissioned in 2010 for the gardens surrounding a famous statue of the Fallen Angel in Madrid. Updating some of those sound materials (in binaural format) with some new others (in ambisonic format) I propose you the listening of an acousmatic composition inspired by the Fallen Angels, understanding them as those who, though created as good beings, freely chose the wrong way..
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