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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

V.A – hope2.0

V.A – hope2.0
[EPV_079]

V.A

“hope2.0”

V.A – hope2.0
released 03 Oct 2011
■ EPV_079 ”hope2.0” V.A

:: bandcamp(Free Download) ::
http://elementperspective.bandcamp.com/album/hope20


■ info
01. ”I have neither knowledge, the experience nor money” by – http://freemusicarchive.org/music/-/

02.”esis” by yuki matsumura http://yukimatsumura.org/yukimatsumura/top.html

03.”Requiem for Victims of East Japan Earthquake” by sanmi
http://soundcloud.com/sanmi-sc

04.”meer” by AUCHRE
http://soundcloud.com/auchre

05.”otonowa” by Gallery Six
http://soundcloud.com/gallery-six

06.”Nagi” by pele
http://www.myspace.com/nnnnnuuuuunnnnn

07.”The Downward Spiral” by coda+e.p http://freemusicarchive.org/music/coda/

08.”may” by SHOMOMOSE
http://shomomo.web.fc2.com/

09.”bitterfly” by etc
http://freemusicarchive.org/music/etc/

10.”exit” by N-qia
http://soundcloud.com/n-qia

11.”uviol” by Arizono Kazuhiro
http://soundcloud.com/arizono-kazuhiro

12.”from dusk till dawn” by element orchestra http://freemusicarchive.org/music/element_orchestra/


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posted 19 October 2012

makoto masui – silence+

makoto masui – silence+
[EPV_102]

makoto masui

“silence+”

makoto masui – silence+
released 01 May 2012

■ EPV_102 ”silence” makoto masui

:: bandcamp(Free Download) ::
http://elementperspective04.bandcamp.com/album/silence

■ bonus item
PDF BOOK (”works” by makoto masui) &
2wallpaper for iphone (lock & home screen)

all tracks & visual by makoto masui
artwork & design by ono (elementperspective)

■ makoto masui
sound & visual artist. Born 1988.
making experimental music.

http://soundcloud.com/makotomasui
http://makotomasui.com

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posted 19 October 2012

saito koji – Helplessness Loop

saito koji – Helplessness Loop
[EPV_109]

saito koji

“Helplessness Loop”

saito koji – Helplessness Loop

released 14 September 2012

■ EPV_109 ”Helplessness Loop_01” saito koji

If you download this album at bandcamp, immediate download of album in your choice of MP3 320, FLAC, or just about any other format you could possibly desire and bonus( wallpaper for iphone ) …

:: bandcamp(Free Download) ::
http://elementperspective04.bandcamp.com/album/helplessness-loop

■ bonus item
wallpaper for iPhone 4 (lock & home screen)

track by saito koji
artwork by ono (elementperspective)

■ saito koji
Saito Koji, born December 25, 1978, is a musician currently
living in Fukushima city, Fukushima prefecture. He played in
several bands, then went solo in 2003 after being influenced
by Otomo Yoshihide’s live performances, Derek Bailey’s CDs,
and Kaoru Abe’s videos. Saito is engaged in the pursuit of
an original kind of minimalism / improvisation.

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posted 18 October 2012

Telegraphy – Deep Tape Loops

Telegraphy – Deep Tape Loops
[iono-11]

Telegraphy

“Deep Tape Loops”

Telegraphy – Deep Tape Loops
“Deep Tape Loops” is the first full length album by resident artist Telegraphy. A project put together that consists of modified cassette tape loops, laptop, vintage vacuum tube receiver, and various analog effects. “Deep Tape Loops” delves into basic minimal-techno dub using vintage techniques.

Trying to make new sounds in a analog way is mighty difficult. In the age of sophisticated audio manipulation software where the novice can created wonderful sounds with ease, it just no wounder why many artist have dropped their analog gear for virtual equipment. Telegraphy on the other hand, has taken minimal-techno back in time, where all that was available was analog.

Synth loops were provided by cassette tape loops along with various analog effects. By using these loops, a more rich sound was produced which was not obtained by traditional software based methods.

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posted 14 October 2012

Hannah Marshall – Tulse Hill

Hannah Marshall – Tulse Hill
[LOR028]

Hannah Marshall

“Tulse Hill”

Hannah Marshall – Tulse Hill
I’m very excited to present this extraordinary collection of solo acoustic cello improvisations from the British musician Hannah Marshall. Microtonal African tinged arpegiating create mesmeric circular patterns, occasionally giving way to deep drones. These are augmented by outside noises such as interactions with ventilators and field recordings, “Tulse Hill” is an engrossing listen.

Release includes a PDF booklet of notes and drawings by Hannah Marshall.

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posted 12 October 2012

Clarabella Olssen – Rosalong

Clarabella Olssen – Rosalong
[WOND001]

Clarabella Olssen

“Rosalong”

Clarabella Olssen – Rosalong
We are very happy to present you Wondermachine 001. The title of the opening EP is “Rosalong” by Clarabella Olssen, it includes a remix by Storlon.

Clarabella Olssen is the alias of Andres Marcos Revellado used for spontaneous musical structures based on improvisation, live and field recordings. The music produced under this moniker is focused on trial concepts and impulsive arrangements. Andres Marcos never liked rules, Clarabella Olssen is the perfect alibi to share his vision.

Andres Marcos and Storlon have been collaborating on several projects already so they know each other very well and have a very compatible taste in music. Storlon has developed an unique and recognizable style, his interpretation of Rosalong is an illustration of his approach.

Let’s air the dirty laundry in public!

Tracklist:

01 – Rosalong
02 – Atlantic
03 – Regulations
04 – Confluence
05 – Rosalong (Storlon Wash Up Remix)

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posted 11 October 2012

Daniel Barbiero – Not One Nor

Daniel Barbiero – Not One Nor
[zero137]

Daniel Barbiero

“Not One Nor”

Daniel Barbiero – Not One Nor
Not One Nor presents two works made of discrete events foregrounding the materiality of a large string instrument in its role as a resonating chamber. Both pieces are constructed out of a limited number of gestures and/or pitches and points on the instrument’s geography with the intention of producing an immersion in sound as material, interspersed with contrasting pauses.

Not One Nor for prepared double bass calls for shifting variations in timbre through the use of three gestures corresponding to three different regions of the instrument.

Eighteen Events for Double Bass alternates eighteen prescribed sound actions with an equal number of non-actions to create an image of the flux of aural perception.

Daniel Barbiero: composer, double bass and prepared double bass.
Composed and recorded winter into spring 2012.
Recorded in Silver Spring, Maryland USA.
Mastering by Mark Beazley.

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posted 08 October 2012

Cum Moenia – Dal Numero alla Forma

Cum Moenia – Dal Numero alla Forma
[NN_EP014_10_12]

Cum Moenia

“Dal Numero alla Forma”

Cum Moenia – Dal Numero alla Forma
The Cum Moenia, a post-rock band formed in April 2011, cultivate a passion for music in different ways: the approach and the purpose, creating its own reality and its own form. Among other experiences more ‘or less concrete, each member of the band found the right identity and the right direction to figure out which is the very favorite music. Since January 2012, the band has performed in many concerts and contests receiving a favorable response from the public. First self-produced EP is the result of a commitment and a sound research that does not stop the simple labeling of “post-rock band “, but hatchin instead an extraordinary and explicity expressive power where a veiled presence of electronic lives a polite syncretism with signs of progressive that make precious the entire musical project. “Cum moenia” where “Moenia” means “wall”, a wall in common. “Communis” means “to be with”, to create a contact. A gift to share just for create a contact without wall too high. Music really need to join in creating a small emotional barrier where inside move ideas and common intentions. It ‘s very easy to confuse the real essence of music as art, to enhance it needs respect and value-humility and “audacity” to bring in the best way that’ where and therefore believes that ‘you do’…in them and in many other cases it is the music, the only way out or only route of entry.
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posted 06 October 2012

Concrete – études

Concrete – études
[NN_LP028_10_12]

Concrete

“études”

Concrete – études
“Concrete” is a mark founded by Alessandro Farruggio (composer, musician and music therapist) and Carmelo Kint Caramagno (Dj producer). The line of thought of “Concrete” is an idea musically open; moves only with Net Labels. “Concrete” is also a mobile recording studio, does not stop only at experimentation, but follow different music genres without being prisoner of the commercial products that work immediately in the music industry. The études, releases by Nostress Netlabel, are basically experimental ambient and electronic music works and does not mean to give an artistic and definitive “line” to the Concrete project but only present ideas in costant change and develop during time, depending on the choice of the materials used for compositions and states of mind by composer during his composing and artistic essence. This net digital release has a unique composer, Alessandro Farruggio, an artist with classic recording contracts but he strong believes in the power and useful of Net Labels. Musical thought and artistic composition are open to a lot of different contamination, that’s Alessandro Farruggio thought and in this musical-historical moment he’s working on experimentation and electroacoustic music and sound; in the past rock and alternative pop too, as artistic producer.
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posted 06 October 2012

Hecrom – Sirius

Hecrom – Sirius
[ZIMMER084]

Hecrom

“Sirius”

Hecrom – Sirius
Sirius is the brightest star in the night sky. With a visual apparent magnitude of −1.46, it is almost twice as bright as Canopus, the next brightest star. The name “Sirius” is derived from the Ancient Greek: Σείριος Seirios (“glowing” or “scorcher”). The star has the Bayer designation Alpha Canis Majoris (α CMa). What the naked eye perceives as a single star is actually a binary star system, consisting of a white main sequence star of spectral type A1V, termed Sirius A, and a faint white dwarf companion of spectral type DA2, called Sirius B. The distance separating Sirius A from its companion varies between 8.1 and 31.5 AU.

Sirius appears bright because of both its intrinsic luminosity and its proximity to Earth. At a distance of 2.6 parsecs (8.6 ly), as determined by the Hipparcos astrometry satellite, the Sirius system is one of Earth’s near neighbors; for Northern-hemisphere observers between 30 degrees and 73 degrees of latitude (including almost all of Europe and North America), it is the closest star (after the Sun) that can be seen with a naked eye. Sirius is gradually moving closer to the Solar System, so it will slightly increase in brightness over the next 60,000 years. After that time its distance will begin to recede, but it will continue to be the brightest star in the Earth’s sky for the next 210,000 years.

Sirius A is about twice as massive as the Sun and has an absolute visual magnitude of 1.42. It is 25 times more luminous than the Sun but has a significantly lower luminosity than other bright stars such as Canopus or Rigel. The system is between 200 and 300 million years old. It was originally composed of two bright bluish stars. The more massive of these, Sirius B, consumed its resources and became a red giant before shedding its outer layers and collapsing into its current state as a white dwarf around 120 million years ago.

Sirius is also known colloquially as the “Dog Star”, reflecting its prominence in its constellation, Canis Major (Greater Dog). The heliacal rising of Sirius marked the flooding of the Nile in Ancient Egypt and the “dog days” of summer for the ancient Greeks, while to the Polynesians it marked winter and was an important star for navigation around the Pacific Ocean.

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posted 04 October 2012

Daniel Barbiero – Not One Nor

Daniel Barbiero – Not One Nor
[zero137]

Daniel Barbiero

“Not One Nor”

Daniel Barbiero – Not One Nor
Not One Nor presents two works made of discrete events foregrounding the materiality of a large string instrument in its role as a resonating chamber. Both pieces are constructed out of a limited number of gestures and/or pitches and points on the instrument’s geography with the intention of producing an immersion in sound as material, interspersed with contrasting pauses.

Not One Nor for prepared double bass calls for shifting variations in timbre through the use of three gestures corresponding to three different regions of the instrument.

Eighteen Events for Double Bass alternates eighteen prescribed sound actions with an equal number of non-actions to create an image of the flux of aural perception.

Daniel Barbiero: composer, double bass and prepared double bass.
Composed and recorded winter into spring 2012.
Recorded in Silver Spring, Maryland USA.
Mastering by Mark Beazley.

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posted 03 October 2012

tsone – Pattern Recognition

tsone – Pattern Recognition
[at056]

tsone

“Pattern Recognition”

tsone – Pattern Recognition
Its always a pleasure to have an artist to release twice or more in the same catalogue, now is the time of Tony Obr (tsone) whose work was released a while back in this very label with that wonderful piece called A Sea Beyond Reckoning. It is worthwhile to take a listen to that very album and then confront this new instalment, pattern recognition.

Both works certainly have many nodes and connections, tsone has been able to deliver a canvas where he presents his own language, if in A Sea Beyond Reckoning it was already confirmed that effectively, tsone sounded like tsone, now we get back a new tweak on his way to understand composition, structure and timber palette. So, knowing this one can find comfort on knowing what are you about to listen.

Pattern Recognition is a tour-de-force in which Tony Obr delivers a perfectly crafted ambient music album, a piece that passes by slowly and evolves on a continuous succession of still images framed in sound. Truly a very gentle listening experience suitable for many ears and tastes.

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posted 03 October 2012

Ix Prospectum – Once Remember You EP

Ix Prospectum – Once Remember You EP

 

[DAST052]

Ix Prospectum

“Once Remember You EP”

Ix Prospectum – Once Remember You EP
Next great drill‘n bass number comes from Italy, for lovers of the early works of Richard D. James, this EP is definitely a feast for the ears. …we hope you like it!Artist….: Ix Prospectum
Title….: Once Remember You EP
Label….: DAST Net Recordings
Catalog#….: DAST052
Medium….: 5 x File / EP
Playtime….: 33min 57sec
Format….: WAVE
Quality….: (1411 kBit/s)
Mastering…: Mèrge Audio Works
Country….: Italy
Artwork….: taken from the original artwork “Zeitgeist” by Sandro Ihling
Release.date….: 30 Sep 2012
Genre….: Electronic
Style….: Abstract, Experimental, Drill`n Bass, Dub

TRACKLIST
01 Dirty0Luna
02 Lilith
03 Lithium
04 Twenty One
05 West Est

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posted 02 October 2012

julia a. miller – solo variations

julia a. miller – solo variations
[pyr062]

julia a. miller

“solo variations”

julia a. miller – solo variations
julia a. miller is a sound artist, guitarist, improvisor, composer, visual artist, curator and educator. a founding member of the chicago scratch orchestra, julia performs frequently as a guitarist with the electroacoustic trio auris, the group gmlet eye, and as a frequent soloist and collaborator in experimental and avant garde chamber music and free improvisation. julia is a faculty member at the music institute of chicago and an adjunct assistant professor in sound at the school of the art institute in chicago.

her first album for pyr, solo variations, is a live recording of guitar improvisations captured at one of the sunday solos series at the experimental sound studio in chicago. shred feedback electronics. guitar as multiple instruments. percussive drone. pure tone barrage. spider fingers. liquid rips through space. bent time.

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posted 02 October 2012

V.A. – VKRS Purespace Vol.07 Escaigne

V.A. – VKRS Purespace Vol.07 Escaigne
[vkrsnl040]

V.A.

“VKRS Purespace Vol.07 Escaigne”

V.A. – VKRS Purespace Vol.07 Escaigne
VKRS are pleased to present this massive 18 track release on our netlabel. Featuring artists from the VKRS netlabel with previously unreleased tracks. Contributing artists include Candlegravity, Miranda Shvangiradze, Morandi Experiment, Slowdazzle, Stizreth, Soft Wasp, coLEmanmusicproject, Ishtar, Rotorro, Cyra Morgan, Monsieur Electronic, Matt Hyde and introducing Masaya Sasaki and Zefora , two artists who are new to the VKRS netlabel.

We hope you enjoy the journey through the musical minds of the artists involved and would urge you to show support to those artists.

VKRS would like to thank all involved with this release and in particular Sean Crownover ( aka Candlegravity ) for his time and commitment to this release.

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posted 02 October 2012

sanefiftyfour – Our Time in the Invisible Wars

sanefiftyfour – Our Time in the Invisible Wars
[NN_LP026_09_12]

sanefiftyfour

“Our Time in the Invisible Wars”

sanefiftyfour – Our Time in the Invisible Wars
sanefiftyfour is an anonymous musician/writer who lives in Kansas (USA). Initially motivated by the same impulses that lead others to a bohemian/rock lifestyle, he eventually realized that music was a way for him to conduct social research, and that tenures in bands playing radically different genres of music would enable him to gain valuable insights into the myriad conflicting American subcultures. His twenty-first century recordings, while largely computer -based, inevitably reflect the experience and misadventure that follow from that sort of attitude, and he considers himself a sort of American primitive, aligned with a (very) small group of “redneck” heartland artists.

“Our Time in the Invisible Wars” is a series of timbre experiments, ranging from noise to dark ambient. They were either variations on material from the early-to-mid twentieth century by various Anglo (USA, UK) composers (in which case the source midi has been cut up and reversed to the point where it is unrecognizable), or they were the outcome of aleatory/chance exercises. The goal, for about half of the pieces, was to try for as much sonic variety as possible; the goal for the other half is stasis. A smirk at Krautrock pervades throughout.

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posted 20 September 2012

Projekt Luty – Nurt

Projekt Luty – Nurt
[UPL 043]

Projekt Luty

“Nurt”

Projekt Luty – Nurt
Projekt Luty presents another new old record, full of psueoindustrial beats, heavy guitars, catchy riffs, psychodelic noises as well as some melody from time to time. Punk, singing, screaming, squeals, casio percussion, amateur passion collide in a traditionally pleasantly chaotic mixture.
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posted 19 September 2012