Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”
For the first release of 2013, Linear Obsessional is delighted to present a radical new EP by Jude Cowan Montague.
“Winter Hill Sings” is a collection of short multi-tracked vocal works informed by folk singing and hill walking. The accompanying PDF booklet includes new texts, poetry and artwork by Jude.
credits
Recorded by Brian O’Shaughnessy at Bark Studios, Walthamstow in 2012.
Jude Cowan Montague: Voice and instruments
(double bass, phono-fiddle, percussion)
All songs by Jude Cowan Montague & Trad.
A limited edition CDR version of this mini-album will be released on January 26th 2013- frosted clamshell case with working compass, sugar paper insert with map drawn by Jude Cowan Montague and a hand coloured map. For details please visit the Linear Obsessional Homepage
“Parabola Discendente” is a musical project by Paolino Canzoneri. This first batenim netlabel release was created with a specific mode of composition that uses computer generative programs music wich have been created projects and logical constructs that start musical paths in a mainly automatic way. This EP is constitued by a long track of experimental ambient music from dark and intense atmospheres and obesessive and long oniric journeys without a clear and accurate perception of where the music is going to
01-Maximalist(3:14)
02-Pellabo Monk(2:49)
03-Long Long Long(1:25)
04-Day(1:26)
05-Rta2(2:20)
06-Bat Song For Men(5:32)
07-Terrible Joke(3:00)
08-Rachat Bybych (feat. King Imagine)(4:00)
Brooding, subterranean, bass heavy poison!
A twisted experimental dark drone ambient affair…
Enjoy this black as ink collaboration album!Excursions & Exorcisms in the depths of your own mind…
The journey continues… But how to find your way back?
“parede que me toca” reunites three works:
“mirrita”: From the sound of the machine, other sounds are perceived as organic. They are not, but the machine is built by man. The silence interrupts the machine. The animal deflagrates. It challenges it but it is not freed from it. The machine is there. So is the human;
“comoção”: It begins with a blow that turns into a wave of noise. Another comes. The noise reveals itself human and makes us feel something;
“cauterização”: Reflection on the voracity of human relationships.
Music and photography by pato cós.01 – ignaro (i)
02 – ignaro (ii)
03 – sem título
04 – ousa
05 – comoção (i)
06 – comoção (ii)
07 – cauterização (i)
08 – cauterização (ii)
09 – cauterização (iii)
10 – cauterização (iv)
Artist : The Inner Shore
Title : Mental Landscapes
Catalog # : TXR032
Duration : 39:39
Date of release : January 16, 2013
Genres : dark ambient, drone
Format : digital (FLAC and MP3)
Free download link : http://textural-rec.com/mental-landscapes/As all previous releases, the Inner Shore music is a mix of random composition, trippy sounds and dissolution of all these sounds into disturbing spaces.
The goal is to express the man’s concern regarding his inner.
The first release in 2013 is the relaunch of the EP “Bim” by the greek artist aris_h. This EP guaranteed a ride in ambient spheres and bass frequencies, accompanied by glitchy drum sequences. Absolute tip for the head and mind. Welcome to the trip in the sound universe.All files are in a quality of 320 kbit/s and are ready for the (free) download.
MP3s, Cover and “all inclusive” ZIP-package are available here or on:
Stefano Balice starts manipulating sounds in 2007, under the name of isteronproject. Member of Net.Futurist network and MAV – Vaporized Art Movement, co-founder of MAV [0kbps] Records, today operates in networking, sound and visual poetry, mail art, circuit bending and cultural terrorism.
“gashes” is a lo-fi noisy suite for monotron, tapes, microcassette, different circuit bent keyboards (SK1, SA65, EK001) and various bent toys.
Tracklist:
nx011_01 NX302_Score01a-2012-11-03_05_29_11 (2’15”)
nx011_02 NX003_Score01a-2012-12-09_03_27_46 (3’00”)
nx011_03 NX304_Score01a-2012-12-01_04_46_42 (1’19”)
nx011_04 NX301_Score01a-2012-11-03_00_55_16 (3’30”)
nx011_05 NXPiano001_Score01a-2012-12-23_03_36_01 (2’25”)
Tech:
Every track is a livecoding semideterministic improvisation. Every improvisation is recorded on a function. Every function, when iterates, makes a different composition.
Abdul Moimême: two prepared guitars, objects Cyril Bondi: bass drum, objects d’incise:laptops, objects The helvetico-portugese trio, formely known as “diatribes & abdul moimême”, founded in 2009, abandons the ego in favor of a tight, homogeneous, construction, where human gestures and mechanical interchanged without distinction nor reasons. His music is dense and horizontal, more rustling than noisy, it is not an imaginary landscape but a materialized presence. The rubbed/breath, metallic rattles, resonances, meditative feedback, electrical crackling , micropulsation and repetitions, all this amalgams to form the Quexias song between post-industrial “saudade” , electroacoustic and reductionism.
Abdul Moimême: Fender Stratocaster and a self made solid body electric guitar, both amplified separately and prepared with small and large objects. In track #2, prepared Gibson Les Paul and a Rickenbacker lap guitar inside a grand piano. Musician from Lisbon, he elaborated during the previous years a specific set-up based on two prepared electric guitars and a bunch of objects as springs, metalic bars and plates, etc. He create a music full of mecanic and industrial images, straight out of his double instrument, without any other electronic devices.
Lone producer & DJ emerged from the mists of the Montseny massif, tireless walker, woods and riversides lover, Watcher of the Skies day or night… he and his two white dogs. Ecclectic tastes, non ortodox mixing techniques, found sounds and losts dialogs creating atmospheres, sonic adventures & cosmic journeys from hidden departments of his mind. Begins at 18 as a radio DJ in his village, founder member of a disappeared trip-hop group during 2000’s, sporadic DJ appearances on free parties private chill-outs. Ambient freaky, house lover, trance addict, minimal user, techno abuser, and so on.. in a thousand would be times in a thousand would be worlds.
This album is more tan just samples over my stuff or a big mashup… It’s more an hommage to a certain kind of experimentalism that happened after WWII, a sort of re-interpretation of the psychedelic experience. We know who are the masters: The Doors, Zappa, Captain Beefheart, Stockhausen, Can and the German scence, even Aphex Twin… all were making true psychedelic music. I’m not talking about the new psy, even if I like some stuff (psychill mostly). It’s more towards rock music. But you can still dance on it. Some tracks are more suitable for home listening than others. I would say the first half is really made for home listening whereas the second part has a more Club appeal. Hope you’ll enjoy this one, maybe one of my best, put lots of effort into it. It’s made so that you have to listen to it from start to finish.
Released on recycledmusic.wordpress.com credits released 11 January 2013 Illegal Narcotic Ride – Sample List
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# Intro Captain Beefheart & His Magic Band – Fallin’ Ditch
# The Genius Of The Crowd Charles Bukowski – The Genius Of The Crowd Leonard Cohen – You Know Who I Am Mandrake Berimbau – Bongo (Re-Edit) Agitation Free – Haunted Island
# E.B.E. Agitation Free – Haunted Island Miles Davis – In A Silent Way (stretched) Karlheinz Stockhausen – Struktur XII/XVID Squarepusher – Bubble Life
# So Many Stars / Riders The Doors – Riders On The Storm (unknown break)
# Lizard King (Dub) Aphex Twin – Acrid Avid James Alan Stivell – An Dro Four Tet – My Angel Rocks Back and Forth Joe Tex – Papa Was Too An Triskell – Tron Doue
# Vapour Organic Beauty Various field recordings (buses, steam sounds, woosh, crowds, metro)
# Lush – Sweetness and Light (Remix) Lush – Sweetness and Light (at 33RPM instead of 45RPM) Lush – Desirelines / Ladykiller Mahavishnu Orchestra – One World Can – You Doo Right / Mother Sky Captain Beefheart & His Magic Band – Pena Boards Of Canada – Dayvan Cowboy Stars Of The Lid – Apreludes (in C Sharp Major)
# They, All Of Them Know Charles Bukowski – They, All Of Them Know
# Give Me Some Time Daft Punk – Revolution909 Jack Lee – Give Me Some Time
# Edge Of The World Acid Mother Temple & The Melting Paraiso U.F.O. – Theme from Violence Jack Johnson / Helen Buddah / Miss Condom X Film: Mr. Nobody (entropy speech)
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■ EPV_116
–
track by Saito Koji
artwork by ono (elementperspective)
–
■ Saito Koji
Saito Koji, born December 25, 1978, is a musician currently
living in Fukushima city, Fukushima prefecture. He played in
several bands, then went solo in 2003 after being influenced
by Otomo Yoshihide’s live performances, Derek Bailey’s CDs,
and Kaoru Abe’s videos. Saito is engaged in the pursuit of
an original kind of minimalism / improvisation.
–
■ EPV_115
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■ bonus item
wallpaper for iPhone 4 & 5 (lock & home screen) ,
wallpaper for PC (1920 × 1200pixel & 2560 × 1440pixel )
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all tracks & artwork by Dust Breeding
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■ Dust Breeding
no synthesizer, no computer, no insturuments, no overdub.
all sound by hand made electronics, metal junk, effects
Extatic Continuum is about transcoding mystical experiences into music because no words could tell what it is exactly … The music has the power to communicate what is unspeakable ; and so here it’s about entheogenic experiences and Akashic visions of the goddess… This is about going beyond ego and History …
Genre: psychedelic, electronica, idm, ambient
Tracks:
1.Amethyste
2. Moonlight
3.Magic is the science of the jungle
4.Pour aller ou?
5. Akh
6.Starting Heart
7.Psychic Flaw
8.Kaleidoscope Harmonium
9.Archetype
10.Orphan Lotus
Darkness, as polar to brightness, is understood to be an absence of visible light. It is also the appearance of black in a color space. Humans are unable to distinguish color when either light or darkness predominate. In the absence of light, perception is achromatic and ultimately, black. The emotional response to darkness has metaphorical connotations in many cultures.
In terms of physics, an object is said to be dark when it absorbs photons, causing it to appear dim compared to other objects. For example, a matte black paint does not reflect much visible light and appears dark, whereas white paint reflects much light and appears bright. For more information see color
román ramón consists of agnès pe, po poy and lucía c. pino, who have backgrounds in both the plastic and sonic art worlds and who collaborate over long-distances and in person whenever the opportunity arises. their primary instrument is a computer that they use to manipulate recordings of them creating other sounds as well as field recordings. they then modify the recordings with simple programming.
nombradía pt.1: en desuso is approximately fifteen minutes of structured sample manipulations and raw electronics. a sort of travelogue. noise over background of real life. electronics blip by. pleasant strum guitar. throat singing carnival. tap. reed stream glitch. mescalin mix growl beats. organ stab reverb. sampladelics. heaven vocals.
?alos is musician/experimental performer stefania pedretti’s solo project that began in 2003. her performances blur the lines between performance art, experimental music, improvisation, video art and force the audience to actively participate. the feminine figure and its role in history and contemporary society is at the heart of her performances.
?alos’ third album for pan y rosas acts as a bridge between what ?alos was and what it is becoming. the first two songs are new versions of old songs; re-played and resung in a way that is closer to ?alos’ live sound. her voice is more aggressive and the guitar more abrasive. the third song, panas, will appear again on ?alos’ next album, era, but it appears here remixed by kawabata makoto of acid mother temple who transferred ?alos’ original recording to an analogue tape and then added layers of his own guitar, tambura, and sitar to it.
yomi, l’oscura terra dei morti was originally released by bar la muerte records in 2010. this is the third of three ?alos reissues.
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