about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, 28.1.2026

Hello, I have made a few changes to the site. Unfortunately, I am not quite finished yet, but it should continue without interruption. I hope you find the changes useful. Stay tuned. Konrad

experimental

Columbian Exposition

Columbian Exposition
[SUB012]

Subterrestrial

“Pre-Columbian Exposition”

“Pre-Columbian Exposition” is a longform ambient/drone piece with many evolving and changing parts. It is dedicated to all indigenous peoples of Pre-Columbian North and South America.
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posted 23 January 2012

Alister Flint – Under The Surface

Alister Flint – Under The Surface
[SLNT033]

Alister Flint

“Under The Surface”

“For my own part, I have never had a thought which I could not set down in words with even more distinctness than that with which I conceived it. There is, however, a class of fancies of exquisite delicacy which are not thoughts, and to which as yet I have found it absolutely impossible to adapt to language. These fancies arise in the soul, alas how rarely. Only at epochs of most intense tranquillity, when the bodily and mental health are in perfection. And at those weird points of time, where the confines of the waking world blend with the world of dreams. And so I captured this fancy, where all that we see, or seem, is but a dream within a dream.”
Alan Parson’s Project “Tales of Mystery and Imagination”, a voice-over narration by Orson Welles
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posted 23 January 2012

D’INCISE/HENNIG/KOCHER/SCISS – D’INCISE/HENNIG/KOCHER/SCISS

D’INCISE/HENNIG/KOCHER/SCISS – D’INCISE/HENNIG/KOCHER/SCISS
[insubcdr11]

D’INCISE/HENNIG/KOCHER/SCISS

“D’INCISE/HENNIG/KOCHER/SCISS”

d’incise: objects, laptop
ludger hennig: laptop
jonas kocher: accordion
sciss: laptop

electroacoustic improv, textures in mouvement, chirugical pitches, objects versus software, a gently vibrant music.

.mp3, .flac & limited cdr.

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posted 20 January 2012

tomas gris – clarifications of the concept of object

tomas gris – clarifications of the concept of object
[pyr045]

tomas gris

“clarifications of the concept of object”

the first pyr release of 2012 is from tomas gris a free improviser based in madrid who is working on developing a sound language that combines his love of dada, art brut, and the cobra art movement with his interest in philosophy, semiotics and post-modernism. he performs alone and with ad hoc ensembles primarily playing reeds and amplified objects, but also incorporating various percussion and acoustic instruments into his pieces.

his first album for pan y rosas is a solo improvisation recorded in 2011 in which he plays alto saxophone, harps, cassette, and objects. throughout the piece he employs quietness and stillness; flutters, pops and breaths; cymbals and tones. his playing is deliberate and of the moment, without beginning or end. make sure to get it here.

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posted 19 January 2012

Winterberg – Clouds under the Bridges

Winterberg – Clouds under the Bridges
[phoke77]

Winterberg

“Clouds under the Bridges”

A cloud moving “unspectacularly beautiful”, surrounding the semicircular, close to the sickle shape, deeply glaring in the moon, pulling layers of purity in a mystical theatre of time traveling, sending the aetherical stream from India across Norway to Istanbul, in the obscure but not dark, but artificial and subtle, “both frightening and beautiful”(GH).
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posted 18 January 2012

v.a – project 4

v.a – project 4
[fnet032]

v.a

“project 4”

project 4 is the most creative and distinctive release to come out of the golden gates of faturenet recordings to date. each track has been made with the same four samples and yet the artists have managed to create a diverse array of dazzling tracks and utilise the samples to their very best.
if you are going to download one release this year, make sure it’s this one!
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posted 17 January 2012

Telegraphy – Species

Telegraphy – Species
[iono-7]

Telegraphy

“13-01-12”

Happy Friday the thirteenth. Ionosonde recordings brings you three thirteen minute tracks with one, one minute track. 13 on the 13th. Good Luck!
A bird is different from a elephant. So is a octopus from a wolverine. Species tells the difference apart from animals and insects alike, but there are similarities that persists throughout the animal kingdom. Take the eyes for instance. Have you ever seen a person or animal with only one eye? No, every living organism has two or more eyes, four extremities, one mouth, and two ears. You see, every animal on this earth, even though looks and acts differently, has similarities. This is the concept of Telegraphy’s “Species” album. Every sound is reminiscent from the previous but is eerily distinctive, just like two or more eyes and so on.

“Species” by Telegraphy, is a slow dub techno, minimal/ambient album. These beat-less tracks, transports us to a world where unknown lifeforms dwell. Unknown but not different from us. All of the tracks titles in this album, your probably wondering, sound kind of strange or desolate, thats because they are names of undiscovered species. No, you won’t find then in any scientific journal any time soon. These species are not from this earth, they are names of alien beings. Greys, Reptilians, Mothman, call them what you will. They all have two eyes, two arms, and two feet. Just like us, different but the same.
“Species” by Telegraphy, different but the same.

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posted 16 January 2012

Nick R 61 – Castaneda. The Teachings of Don Juan

Nick R 61 – Castaneda. The Teachings of Don Juan
[WT01]

Nick R 61

“Castaneda. The Teachings of Don Juan”

Artist: Nick R 61
Title: Castaneda. The Teachings of Don Juan
Label: Weed Tune
Catalog#: WT01
Style | Genre: Abstract, Broken Beat, Glitch, IDM
Duration: 00:13:56
Release Date: 01.01.2012

Tracklist:
01. The Teachings of Don Juan. Spot
02. The Teachings of Don Juan. Mescalito
03. The Teachings of Don Juan. Smoke
_

Music, artwork: Nick R 61
www.soundcloud.com/nickr61
nickr61.fusion@gmail.com

Released: Weed Tune
Preview: www.soundcloud.com/weedtune
Order: weedtune@gmail.com

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posted 07 January 2012

adrian beentjes & anton mobin – micro sounds biopsy

adrian beentjes & anton mobin – micro sounds biopsy
[zero128]

adrian beentjes & anton mobin

“micro sounds biopsy”

Artist: Anton Mobin & Deadzoo
Title: Micro Sounds Biopsy
Format: Net Release
Release Date: Jan, 2012

All sounds by Adrian Beentjes & Anton Mobin
Mixage : Anton Mobin
Mastering : Adrian Beentjes
Duration : 19 minutes 13 seconds
Production : 2011
Artwork : Darby Mullins
> http://darbychronics.blogspot.com

anton mobin
> http://antonmobin.blogspot.com
> http://h.a.k.free.fr

adrian beetjes
> www.youtube.com/nadazipp
> www.classwarkaraoke.com

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posted 05 January 2012

The Shimmer Effect – Uranometria

The Shimmer Effect – Uranometria
[bush30]

The Shimmer Effect

“Uranometria”

to kick off 2012 we are excited and proud to announce the release of the much anticipated debut album, uranometria, by the eclectic south african (sjanine steyn) / scottish (stephen mullarkey) electronic duo, the shimmer effect.

the extact style of the album is hard to pinpoint, with traces of trip-hop and idm coming through, but what stands out is that is a meticulously crafted album from start to finish, taking you on a sonic journey through valleys of deep moods and mountains teeming with hidden energy.

this is how artist put it: “the shimmer effect takes you on a fantastic journey into the unconsciousness with their first album ‘uranometria’. loaded with atmospheric rhythmes, colourful yet haunting soundscapes, and an assortment of flavors, styles and feels, this genre-bending duo delivers what most say is a unique and successful international musical collaboration.”

style: electronica, down-tempo, trip-hop, idm, glitch

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posted 05 January 2012

ASTMA – Moscow / Istanbul

ASTMA – Moscow / Istanbul
[HAK228]

ASTMA

“Moscow / Istanbul”

ASTMA – MOSCOW / ISTANBUL

01-Live in Moscow (15:33)
Recorded live in Moscow at Piligrim Studio, in 2010.
(Derbenevskaya street, 26)

02-Live in Istanbul (24:58)
Recorded Live at Spektro Fest 2009, Dog Star Club, Istanbul.
special thanks to Batur Sonmez

OLGA NOSOVA : Drums, vocals, bassline
> http://soundcloud.com/olganosova

ALEXEI BORISOV : Guitar, voice, electronics
> http://soundcloud.com/alexei-borisov

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posted 04 January 2012

Benoît Moreau & Anton Mobin – AMSW#28

Benoît Moreau & Anton Mobin – AMSW#28
[HAK227]

Benoît Moreau & Anton Mobin

“AMSW#28”

AMSW#28 – BENOÎT MOREAU & ANTON MOBIN

Performed at the Maïzing Studio-Paris, on November 18th, 2011.
Broadcasted live on KKWNE in “A Maïzing Session With…#28”
released on H.A.K. LO-FI RECORD

BENOÎT MOREAU : Piano Toy, electronics
> http://benoitmoreau.blogspot.com/

ANTON MOBIN : Cassettes, objects
> http://antonmobin.blogspot.com/

A Maïzing Session With…
> http://maizingsessions.blogspot.com/

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posted 04 January 2012

MB

MB

V.A.

“NBKF-MB”

“The World is filled with images and sounds, which are an illusive shell only. All of it is a projection of our mind onto the primordial
Emptiness. No matter what you see, no matter what you hear, no matter what you think – everything is illusion. And nothing more…” – Strepetarch
posted 04 January 2012

Ganzha – Vombat

Ganzha – Vombat
[EdP043]

Ganzha

“Vombat”

o músico electrónico cazaque, vadim ehrlich (aka ganzha), a viver na alemanha desde 2004, construiu em 1980 o seu primeiro sintetizador analógico (uma tarefa difícil na antiga urss!), moldando a sua ideia de “pintura sonora”.
no início, qual dj pioneiro, ele combinou as suas construções musicais com efeitos luminosos nas suas actuações em discotecas.
por fim, ele inventou o seu próprio estilo de música electrónica “ao vivo” chamado “quazy construções musicais”, também conhecido por “absurdismo”. a ideia principal era – tocar todos os seus instrumentos em tempo real e sem padrões pré-gravados.
todas as suas “caixas de música” (2 vco, vcf, adsr, vca) estão ritmicamente sincronizadas por um gerador de impulsos principal, enquanto o “performer” controla todos os parâmetros manualmente.gravado ao vivo em fita magnética para a rádio vombat.com e convertido para formato digital a 24/96. disponível em wave (24 bit/96 khz), flac, ogg e mp3.
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https://www.archive.org/details/edp043
http://doporto.pt.to/

posted 02 January 2012