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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Ars Sonor & Meklabor – At The Edge of Abyss

Ars Sonor & Meklabor – At The Edge of Abyss
[ER066]

Ars Sonor & Meklabor

“At The Edge of Abyss”

Ars Sonor & Meklabor – At The Edge of Abyss
What did those poor men and women think when it dawned on them that the labyrinthine passageways they moved through were actually the domicile of the restless Minotaur. What did you think when you looked out that window and in your utopia saw the dark and dreary corridors of this selfsame doomed wandering. What miracle braught this magnificent expression to us. Here on Effluvia, we celebrate the second collaboration between Ars Sonor & Meklabor. These two were meant to collaborate. Both have the strong ability of making incredibly well put together and philosophically teeming work that is entertaining, thoughtful, mystical, and at the same time challenging and bizarre. The two both utilize whatever sounds compliment one another so that the album feels like one focused vision. The strings of this web are quite fine indeed, and free of pesky spiders, oh and replace the flies with the night sky. I won’t even try to express through my feeble words how these tracks can make you feel, so i’ll simply quote a poet I fancy, Jorge Luis Borges: “Now, after so many troubling years of wandering beneath the wavering moon, I ask myself what accident of fortune handed to me this terror of all mirrors”.
posted 08 April 2012

Palsekam – Line Fluctuation

Palsekam – Line Fluctuation
[PICPACK131]

Palsekam

“Line Fluctuation”

Palsekam – Line Fluctuation
01-1999(3:48)
02-Arika(5:46)
03-Citro(3:56)
04-Enzim(2:32)
05-F4(7:01)
06-Liner(7:43)
07-Love you(5:41)
08-Q82001(5:14)
09-Q82002(3:59)
10-Quagea(5:33)
11-Verso(3:32)
12-Winter sun(7:13)

 

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posted 06 April 2012

Honoré Feraille – au sud,

Honoré Feraille  – au sud,

Honoré Feraille

“au sud,”

Honoré Feraille  – au sud,
Honoré Feraille is another new artist moniker for Geneva, Switzerland based experimental noise artist Laurent Peter. He records under a collection of different aliases and through several different projects including Diatribes, Heu{s-k}ach, Karst and perhaps the more familiar solo production pseudonym D’incise.

The first official excursion for this new project from an already well established artist is Au Sud, presented here on Audio Gourmet.
Here, the work of Honoré Feraille delves through the sorts of deep, dark and dense drone tapestries that have won the artist so much acclaim via the likes of D’Incise and his other collaborative projects.
As you would expect, the detail and sounds that comprise Au Sud, are meticulously constructed and unfurl carefully over the short duration of this two piece EP. Little more is specified as the artist allows the sounds to wander without purpose, free from order, structure and design

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posted 31 March 2012

Wings of an Angel – Requiem For An Anonymous Genius (The Breath Of Life, Carnal Annihilation And Miraculous Resurrection Of The Job Of Art)

Wings of an Angel – Requiem For An Anonymous Genius (The Breath Of Life, Carnal Annihilation And Miraculous Resurrection Of The Job Of Art)
[PL009]

Wings of an Angel

“Requiem For An Anonymous Genius (The Breath Of Life, Carnal Annihilation And Miraculous Resurrection Of The Job Of Art)”

Wings of an Angel – Requiem For An Anonymous Genius (The Breath Of Life, Carnal Annihilation And Miraculous Resurrection Of The Job Of Art)
“This exceptional album blends world music, hip-hop. electronica, and new age into a full package of sound experiences guaranteed to alter your mind. The artist manages to combine jazz with middle eastern sounds in an album that celebrates both. I do not think I’ve heard anyone do this as successfully since Pharoah Sanders. While often sounding dark and atmospheric. it maintain a spiritual essence that stays with you long after the last track. This unique listening experience is bought to you by the Paralucid netlabel…””Wings of an Angel’s music explores deepness and darkness in a mystic mood. Nobody on earth does the same music as he does…”

 

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posted 30 March 2012

Visciera – Six Bits Of Black Broken Glass

Visciera – Six Bits Of Black Broken Glass
[hpcd097]

Visciera

“Six Bits Of Black Broken Glass”

Visciera – Six Bits Of Black Broken Glass
This thing – nobody knows what it was or where it came from – fell down right in front of me and broke. Now the pieces reflect what’s around …

There is a tree and me,
things afire while others aspire,
carbon and pain,
concrete and gain,
life and death and relentlessness.

http://www.Visciera.com

http://www.soundcloud.com/visciera

Visciera is Florian Cziesla
All tracks written, produced and mixed by Florian Cziesla
All tracks mastered by Cem Oral at Jammin Masters
Artwork by Victoria Kure-Wu

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posted 28 March 2012

v4w.enko & d’incise – 27.08.2011

v4w.enko & d’incise – 27.08.2011
[RB105]

v4w.enko & d’incise

“27.08.2011”

v4w.enko & d’incise – 27.08.2011
“27.08.2011” is a live recording done by two great artists v4w.enko & d’incise.
The release consists of two tracks, 20 and 35 minute long, recorded on August 27th, 2011 at Tivoli 16, Geneva. The basis of this work is made with v4w.enko’s algorithmic forms which are confronted to concret gestures by d’incise. The result is a sublime piece of improvisational work, combining deep drones and soundscapes with live treatments of various objects & contact mics.

v4w.enko is a project of Evgeniy Vaschenko, based in Kyiv, Ukraine and started 2007 as live electronics, working with sound and visual streams. Sound and video streams are being realised in real time by manipulation of self programmed algorithms. Parts of algorithms have simple forms and are correlated one with another by simple rules.

d’incise, born in 1983, is member of the Audioactivity music & visual collective founded in 2000 in Geneva (CH). In 2002 he starded to arranges hybrids of electronic music, from dub to electronica, dangerously sliding to the electroacoustic more experimental ways. His world is made with sound fractures, nevralgic crepitations, melancolic atmospheres and a non-dissimulated fascination for rust and faded rhythms.

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posted 28 March 2012

Wings of an Angel – Paragon Black

Wings of an Angel – Paragon Black
[DWK010]

Wings of an Angel

“Paragon Black”

Wings of an Angel – Paragon Black
“Built in 3 years, little step by little step like a soul elevation and mellow and strong like the universe, “Paragon Black” is a diamond release for Dusted Wax Kingdom. Oceans of ancient knowledge and emotions meet spiritual poetic wisdom and bring into the world a mysterious touching to divine. This can’t be expressed with words…”
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posted 25 March 2012

Wings of an Angel – Satsangs In The Dark

Wings of an Angel – Satsangs In The Dark
[PL012]

Wings of an Angel

“Satsangs In The Dark”

Wings of an Angel – Satsangs In The Dark
‘Satsangs In The Dark’ brings together the majestic black splendor of sound, seditious spoken-word and thought-provoking poetry – to create a transcendental mind and life altering experience. Satsang (in Sanskrit, sat = true, sanga = company) is an Indian philosophy that involves (1) the company of the “highest truth,” (2) the company of a guru, or (3) company with an assembly of persons who listen to, talk about, and assimilate the truth. This typically involves listening to or reading texts, reflecting on, discussing and assimilating their meaning, meditating on the source of these words, and bringing their meaning into one’s daily life. This project marks an inspiring step further unto the most dangerous terrains and inner-landscapes of one’s obscure existential reflections…

Needless to say that ‘Satsangs In The Dark’ is a paradoxical title. As an experienced and highly passionate critical thinker, my humble words of wisdom to y’all are: Don’t trust gurus, artists, psychologists, professors and others who (manipulatively) guide you how to (supposedly) live and conduct your life. Execute your critical instincts and don’t believe the hype. Romanticism is alluring – but it rarely holds any sustainable promises. Beware of those claiming to represent The Truth or any so-called Truths. Don’t turn off your defenses and DO NOT fall in the trap of those calling you to be less judgmental and (allegedly) open to new experiences. People tend to have a hot spot for charisma and sugar-coated nonsense – let that be known.

‘Satsangs In The Dark’ is all about late night journeys to non-specific destinations, in the context of a perfectly equal intellectual/emotional relationship. ‘Satsangs In The Dark’ is all about crossbreeding information and mutual sharing of knowledge via dialogue. ‘Satsangs In The Dark’ is all about promoting intelligent nonconformism and iconoclasm. ‘Satsangs In The Dark’ is all about providing a valid and well-founded alternative to the herd, sheeple and bourgeois mentalities. ‘Satsangs In The Dark’ is all about a sound transformation of consciousness. Here and now.

Last but not least, there’s a ridiculous New Age driven fashion to dismiss thinking as a whole and promote emotional experiences that are highly regarded and considered to be much more authentic. Give me a break… I have three words for you: Cogito ergo sum.

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posted 25 March 2012

Wings of an Angel – In My Darkest Dreams (night diary of a poète maudit in earthly exile)

Wings of an Angel – In My Darkest Dreams (night diary of a poète maudit in earthly exile)
[PL015]

Wings of an Angel

“In My Darkest Dreams (night diary of a poète maudit in earthly exile)”

Wings of an Angel – In My Darkest Dreams (night diary of a poète maudit in earthly exile)
“I would have preferred to sing the blues in any small bar full of smoke than to spend the nights of my life scratching into language…” (Alejandra Pizarnik)

Abstract Sounds & Razor Sharp Words To Illuminate The Silence… Surrounded By Tears And Shadows… Sadness, Sadness. This Life Is An Ever Evolving Dark Night Of The Soul. And What Am I – A Galactic Wreck – To Do? In This Cosmic Catastrophe, There Will Be No Romantic Survivors.

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posted 24 March 2012

Camillo Amalfi / Empirical Evidence – Scum

Camillo Amalfi / Empirical Evidence – Scum
[NN_Perform006_03_12]

Camillo Amalfi / Empirical Evidence

“Scum”

Camillo Amalfi / Empirical Evidence – Scum
Memories, annotations, visions and maybe spectrums or “debris” from the ’70s.
Audiovisual performance with cello loop, noises and toys.
Camillo Amalfi / Voices – Toys – Noises….
Empirical evidence / Cello – Loop – Black box….
Litania (Feb 24, 2012 – Palermo)
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posted 23 March 2012

Mtu – Memòries Del Diable

Mtu – Memòries Del Diable
[LGN016]

Mtu

“Memòries Del Diable”

Mtu – Memòries Del Diable
“Memòries Del Diable” is the first record of Mtu, a collection sketches created from virtual manipulated sounds. It’s an album that will never sounds at a wedding or birthday party. A work not suitable for sunny days. William S. Burroughs appears on “Duat (The Wild Boys)” extracted from Ubuweb.com.
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posted 21 March 2012

CHEFKIRK – HARSCH digital works VOL. I

CHEFKIRK – HARSCH digital works VOL. I
[…….. ]

CHEFKIRK

“HARSCH digital works VOL. I “

CHEFKIRK – HARSCH digital works VOL. I
CHEFKIRK’s no-input mixer generated sounds are self-cannibalized and intricately recomposed into simmer & slice, rumble & fry, bit-soaked rhythmic elements with moments of active title-suggested harshness & meditative purges. Free download from the most microscopic of electronic labels, .x.
credits
released 12 March 2012
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posted 18 March 2012

Garde VIII

Garde VIII
[BS064]

Black Square Cloudcast

“back to Avant-Garde VIII”

Garde VIII
“There is no place for the past in the realm of the future…” – from Sun Ra’s apocalyptic poem “The Damned Air”

00:00 Delia Derbyshire – Running (1964)
08:04 Jean-Claude Risset – Mutations (1969)
12:57 Janet Cardiff – A Large Slow River (2001)
30:52 Jack Goldstein – THE QUIVERING EARTH (1977)
39:43 Masonna – Part XVII (1997)
41:03 Nam June Paik – Etude for Pianoforte (1960)
56:27 Sun Ra – The Damned Air (1962)

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posted 18 March 2012

various artists – Sayonara Nuclear Power

various artists – Sayonara Nuclear Power
[ele013]

various artists

“Sayonara Nuclear Power”

various artists – Sayonara Nuclear Power
Sayonara Nuclear Power is a memorial masterpieces for antinuclear.
Its music consists of 14 musicians from Japan and from overseas.
These abstract sounds are made from their own thoughts and feelings to the Nuclear power. We will be pleased if listeners find some kind of an inspiration from the music.This compilation had been released on March 12, a year after the Fukushima Daiichi nuclear disaster.

# tracks
1.noine – nuke reset set
2.Yuki Matatsumura – __i_
3.In Vitro – Free Energy Safe Energy
4.guillotine hairshaver – Little Boy
5.thaneco – Oceanic birds above nuclear factories
6.Paskal. – Rubber theme
7.ememe – Invasion Of Justice
8.whizz kid – summer bubbles
9.twomilliondays – Fukushima
10.sanmi – あの日、それから、そして
11.steradd – Radioactive Dancers
12.Le Passage du Nord-Ouest – Fukushima
13.gnyonpix – reikyakusui
14.Nagumo – 手引き月

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posted 17 March 2012

d’incise – The fields remain while the recorder has long vanishe

d’incise – The fields remain while the recorder has long vanishe
[IHab041]

d’incise

“The fields remain while the recorder has long vanishe”

d’incise – The fields remain while the recorder has long vanishe
07-2010[…………………………………………………
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bloody preamps, no windshields, fuck, hours feet in the water,
for almost nothing, time passed, I’m long gone, the fields
remain.
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posted 16 March 2012

Pilesar – Pilesar’s Ugly Children

Pilesar – Pilesar’s Ugly Children
[zero132]

Pilesar

“Pilesar’s Ugly Children”

Pilesar – Pilesar’s Ugly Children
Pilesar’s second zeromoon release is a dense and heady concoction of psychedelic drones, frenetic rhythms, otherworldly tribal chanting and turn-on-a-dime composition.

For fans of Aphex Twin, Black Dice, cEvin Key, Kraftwerk, Takako Minekawa, Mobeius & Plank and Otomo Yoshihide.

Released 17 October 2011

Pilesar- keyboards, samples, devices, electronic and acoustic percussion, loops, effects, composition, lamb chops, muscadine wine

w/ additional material provided by the DC Sonic Circuits Community via the District of Noise Vol 3 100 locked grooves LP (track 1); Zach Mason (track 3); Daniel Euphrat (track 8); Seth Schowalter (tracks 9 and 11); Gary Rouzer (track 10); Sean K Preston, Sammy Ponzar and Keith Sinzinger (track 11).

Cover painting by Joel B Floyd

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posted 13 March 2012

Hanetration – Tenth Oar EP

Hanetration – Tenth Oar EP

Hanetration

“Tenth Oar EP”

Hanetration – Tenth Oar EP

“the best glitchy drone music we’ve heard this year” – homelessminds

“field recordings, manipulated glitches and subterranean ambience” – igloomag

“compellingly different, sonically inventive throughout and one of the most promising debuts out there in the ambient/experimental field at the moment” – savaranmusic

posted 12 March 2012

sarah j ritch – string theory

sarah j ritch – string theory
[pyr048]

sarah j ritch

“string theory”

sarah j ritch – string theory
sarah j ritch is a composer and improviser from chicago whose interest in classical composition arose from both her studies in piano and cello as well as explorations of the guitar and bass in punk and metal bands in las vegas between 1996 and 2003. she eventually landed in chicago and earned a bachelor of music from roosevelt university and a post-baccalaureate certificate in sound from the school of the art institute of chicago. she has been the composer-in-residence for chicago classical ensembles the millennium chamber players and anaphora, and regularly performs solo and with her free improv group sound collision alliance.

on her debut album, string theory, sarah displays her interest in both improvised noise and notated tonal music as she explores the acoustic structures of strings and sines. over the course of the album electronically treated cello gives way to droning and pizzicato violin; a pure drone at the center resolves itself with a rising and falling violin sonata; and a cello converses with itself in woodtones.

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posted 09 March 2012