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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Telegraphy – Someone In Detroit

Telegraphy – Someone In Detroit
[iono-9]

Telegraphy

“Someone In Detroit”

Telegraphy – Someone In Detroit
All tracks were written and produced by Richard Sudney(Telegraphy) 2012. “Someone in Detroit” is a forty-five minute live set that embraces dark Detroit pop with pausing’s of experimental Detroit tech-no, noise, and dark ambient sound-scapes. Telegraphy pushes the boundaries out of the occult electronic music scene and into the revealed sound environment. The whole intention of this live set is to be a continuation of the monumental live performance “Somewhere In Detroit” [iono-5]
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posted 30 May 2012

Dust Collector – Narcolepsy

Dust Collector – Narcolepsy
[dystopiaq030]

Dust Collector

“Narcolepsy”

Dust Collector – Narcolepsy
Dust Collector is a difficult artist to pigeonhole into a single genre. This release is out of left field, and is for anyone interested interested in truly experimental music that transcends the rigidity of a label.

Artist: Dust Collector
Title: Narcolepsy
Release: dystopiaq030
Date: May 21, 2012
Genre: Abstract, Hip-Hop, Experimental
Permalink: http://dystopiaq.com/?p=333

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posted 29 May 2012

INSUB META ORCHESTRA – archive #1

INSUB META ORCHESTRA – archive #1
[insubcd04]

INSUB META ORCHESTRA

“archive #1”

INSUB META ORCHESTRA – archive #1

a gathering of 40 improvisors, a work of details, restraint, variable densities, breathes, drones, basses…

Antoine Läng mouth – Brice Catherin cello – Brooks Giger doublebass – Christian Müller contrabass clarinet – Christophe Berthet saxophone, conduction n°2 – Christoph Schiller spinet, conduction n°1 – Cyril Bondi floor tom, cymbal – d’incise objects, conduction n°3 – Denis Beuret trombone – Dragos Tara doublebass – Edmée Fleury voice – Eric Ruffing theremin, analog electronics – Fabrice Pittet ac. guitar, voice, perc. – Filippo Provenzale percussions – Frédéric Minner elec. bass – Florence Melnotte keyboard – Ganesh Geymeier saxophone – Gianluca Ruggeri function generator – Gérald Zbinden ac.& elec. guitars – Guy Bettini trumpet – Hannah Marshall cello – Heike Fiedler voice – Igor Cubrilovic acoustic resonator guitar – Ivan Verda elec. guitar, buzuki – Jamasp Jhabvala violin – Jonas Kocher accordion – Loïc Grobéty piano strings elec. bass – Marcel Chagrin elec. guitar – Nicolas Raufaste ac. guitar – Olga Kokcharova typewriter, voice – Patricia Bosshard violin, conduction n°5 – Phonotopy tennis raquet – Raphaël Ortis elec. bass – Richard Jean elec. guitar – Rodolphe Loubatière percussions, conduction n°4 – Simon Berz d.i.y. instruments, electronic – Steve Buchanan saxophone, elec. guitar – Thierry Simonot electronics – Thomas Peter laptop – Vinz Vonlanthen elec. guitar, banjo

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posted 24 May 2012

Various Artists – Electronic Archive

Various Artists – Electronic Archive
[SE040]

Various Artists

“Electronic Archive”

Various Artists – Electronic Archive
Electronic Archive – Free mp3 compilation.

Labarome Techno Music Industries, Transient9, Abacom System, Tiziano Sterpa, Die Einen, Buskerdroid, Johnny Peraza, Stealther, Silvia Trix, Pure Analog, Direct y, Octobertwelve, Nowai, Max Farnea, Electro Disciples, Andrea Lenci, SpyWave, AS, Vektor.

Powered by Stato Elettrico.

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posted 23 May 2012

sky thing – garbage strike

sky thing – garbage strike
[pyr053]

sky thing

“garbage strike”

sky thing – garbage strike
sky thing is john collins mccormick, an improviser and sound artist currently living in garrett, indiana whose performances and installations are built on improvisation utilizing the natural comings and goings of the people and the space as well as transducers and contact mics. his interest lies in percussive aspects of traditional instruments and extended performance techniques; the space in between improvisation and composition; and acoustic to electronic sound conversion.john used prepared turntables, transducers, contact mics, modulators and various objects to create garbage strike, his first album for pan y rosas. the sound is something like a furnace roar and artificial cicadas with life happening in the background. metal singing. found objects vibrated with motors. phased sizzle.

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posted 22 May 2012

Process Geschäftsführer – Und Indem Halbraum Gestalten

Process Geschäftsführer – Und Indem Halbraum Gestalten
[FNet036]

Process Geschäftsführer

“Und Indem Halbraum Gestalten”

Process Geschäftsführer – Und Indem Halbraum Gestalten
In 2008 Hardy Küster and Evgenij Dvorkin got to know each other at the legendary Avantgarde Festival in Schiphorst, Germany. Here they decided to create music together as “Process Geschäftsführer” by exchanging sonic materials via the internet.
Und Indem Halbraum Gestalten is the first album of this surrealistic collaboration. Names which have been found by chance of operation. An experience like a painting being scanned and transformed into sound or an arts installation with rooms and rooms inside of the rooms to get lost in. Newton meets new tone.
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posted 21 May 2012

TÜNEL – Tapes Serie

TÜNEL – Tapes Serie
[NN_EP012_05_12]

TÜNEL

“Tapes Serie”

TÜNEL – Tapes Serie
TÜNEL is a duet created by Monobloc Sound Fidelity and Cisco C. Their music can be basically described as free electronic improvisation. The EP « Tapes Serie » is a compilation of surrealistics audio documents. From Senegal to Japan, from Poland to Salvatore Dali’s studio, times and sounds are mixed up. A couple of videoclips: “Blue” and “Red Tape” are available on Net Video page.
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posted 20 May 2012

Violeta Päivänkakkara – Kuu

Violeta Päivänkakkara – Kuu
[LGN017]

Violeta Päivänkakkara

“Kuu”

Violeta Päivänkakkara – Kuu
Violeta was born in Helsinki (Finland) in 1992.

She has always felt drawn to cosmology, planets, nature and the dream world.

She creates environments and personal and melancholic atmospheres, using instruments like the glockenspiel, guitar, piano and electronic sounds of nature, among others.

She currently lives between Helsinki and Barcelona.

Her first recording with La Gramola Netlabel is a collection of personally selected tracks in the EP “Kuu”.

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posted 17 May 2012

Subterrestrial – Lifeform

Subterrestrial – Lifeform
[SUB016]

Subterrestrial

“Lifeform”

Subterrestrial – Lifeform
Subterrestrial presents “Lifeform” an album inspired by our world’s rich biodiversity, from the smallest microorganisms to the largest ecosystems. “Lifeform” contains over an hour of organically inspired ambient music and soundscapes that explore this delicate web of life.
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posted 17 May 2012

Mace. – Watch Tv

Mace. – Watch Tv
[SE038]

Mace.

“Watch Tv”

Mace. – Watch Tv
Atmosphere that in “Watch tv”, is a mean to heavily criticize the impact of mass communication on the people’s brain. The ep end with a re-work of “Dirge” originally by Death in Vegas.

Mace. – Watch Tv

01.Amor Obscuro
02.Human Eye
03.Watch Tv
04.Death in vegas – Dirge [mace. re-work]

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posted 16 May 2012

(P.A.)Bries – rehi028

(P.A.)Bries – rehi028
[rehi028]

(P.A.)Bries

“rehi028”

(P.A.)Bries – rehi028
Rhein-Neckar-Beatprofessor (P.A.)Bries opens up his holy crates again for another excellent EP on Reh Incarnation.
All 4 tracks, recorded from 2001-2003, demonstrate his ability to tell unforgettable drum-and-melody-orientated stories straight out of his favourite piece of musical equipment.

Tracklist:
01. Green Love (5:25)
02. Winterbegegnung (3:37)
03. Mekka Bleibt Mekka (6:05)
04. Was Ich Glaub (5:35)

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posted 10 May 2012

Orquestra Por Ponto – #1

Orquestra Por Ponto – #1
[EdP055]

Orquestra Por Ponto

“#1”

Orquestra Por Ponto – #1

“Conjunto de quaisquer sons ou ruídos compassados e harmoniosos”

Constituída por músicos de diversas vertentes e diversificados percursos musicais, a Orquestra apresenta um improviso colectivo composto por, nada mais nada menos, um número variado de músicos que se uniram em diferentes registos musicais sintonizados.
É, acima de tudo, um conjunto de sons e ruídos compassados e harmoniosos, unidos pelo ténue e delicado fio da improvisação pura.
A linha condutora e a sua principal característica apresenta-se numa criativa lógica de construção pessoal, estimulando o improviso.

Ana Cancela

contributors:

miguel pipa – circuit bending, d.i.y. instruments;
igor dimitri – atari video system, d.i.y instruments;
mariana sardon – video toys;
maria joão – vinyl loop;
filipe caldeira – hacked korg modulator;
angel faraldo – improviser and digital instrument design;
miguel ramos – baixo com pedais alterados;
ivo gonçalves – no input mixer;
rebeca – pd noise synth;
paulo correia – radio hack bending s.w;
pedro aires – casio glitch toys;
carlos costa – d.i.y instruments;
bruno débrum – motors drum;
nuno barros – home made printer;
joão ricardo – micro modular synth sounds.

margarida ribeiro – live audio/video recording: http://vimeo.com/41801940

 

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posted 09 May 2012

Ganzha – Money Fest (Manifesto)

Ganzha – Money Fest (Manifesto)
[EdP054]

Ganzha

“Money Fest (Manifesto)”

Ganzha – Money Fest (Manifesto)
Money Fest (Manifesto) was recorded live for a www.electro-music.com streaming event in 2009.
Author is Vadim Ehrlich – founder of German project “Ganzha”. He “invented” his own style of sound paintings – named “ElectroAbsurd” in 1980. It is interactive music performance. Main feature is – no “harmony” – no 7 notes, no rules at all! Just improvisations with sounds and sound sequences. More information here: http://www.ziart.kz

 

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posted 09 May 2012

Thuuooom – Uinua

Thuuooom – Uinua
[thump309]

Thuuooom

“Uinua”

Thuuooom – Uinua
Release date: 07.05.2012
Format: mp3 lp
Length: 6 tracks / 35:47
Genre: ambient

‘Uinua’ is the follow-up to Thuuooom’s 2008 debut ambient album ‘Aava’. As for re:Ep released as Thuoom in 2011, the material comes from his spring’09 sessions for which the starting point was to use sounds found from hard drive only. The material has remained unreleased until now, 3 years later, it’s time for this album to see daylight. The usual Thuuooom drones are here accompanied by more pronounced pulses and even beats as well as more – albeit minimal – melodies than before.

Instruments used on this record: bottles, digital camera (Samsung Digimax A7), electric guitar, glitch, human voice, music box.

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posted 07 May 2012

Mark Browne – Malapert and Erratic

Mark Browne – Malapert and Erratic
[LOR019]

Mark Browne

“Malapert and Erratic”

Mark Browne – Malapert and Erratic
New release by British free improviser Mark Browne- in “Malapert and Erratic” he gives himself 7 tasks to complete within 24 hours (with post production in the following week. The release asks questions about the nature of music and sound, and uses a variety of unusual instrumentaion as well as the artists usual soprano saxophone, including a burnt, charred piano, boiling liquids, guitar, percussion, field recordings and game calls. Release comes with an 11 page PDF booklet of notes and images by Mark Browne.

[wp_bandcamp_player type=”album” id=”2876152748″ size=”grande” bg_color=”#FFFFFF” link_color=”#CC00CC”]

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posted 06 May 2012

Ars Sonor & Co. – The End of a Road

Ars Sonor & Co. – The End of a Road
[ER084]

Ars Sonor & Co.

“The End of a Road [l1mbo central]”

Ars Sonor & Co. – The End of a Road
Once again here at Effluvia comes a release so profound, with so many hearts and minds involved that one cannot help but take a moment to reflect on how truly profound the world of artists can be. It amazes me that this album got made, and the artist behind it should be given more praise than she already deserves for simply being as prolific as she is, given her other life circumstances. Laetitia Schteinberg, the mastermind behind the hyperactive output of Ars Sonor (and iky iky) astounds me with her existence, tortured and brilliant, cathartic and emotional, simply speaking with her is a very immense experience. In times of great woe, she miraculously creates release upon release whose substance is so complex and savory, horrifying and uplifting, exasperating or unnerving, nightmarish or blissful, always so thoughtful and necessary with deliberate intent, all captured perfectly by brilliant mastering and layering of marvelous synth sounds ebbing and flowing with brilliant percussion and deep, eerie ambiance. These components transcend their own nature and become something very ethereal. With this release, there is an extra dimension mixed in that differs from her solo work, but that is not to take away from their respective strength. The extra dimension is the minds of 17 different artists! This is not the first time Ars Sonor has been joined by the company of various musicians she collaborates with on other records, but this is my favorite thus far (truly this is a work of genius). Clocking in at almost an hour at length, this behemoth of dark ambiance and dreamscape industrial brings to thought a very large and epic notion about what this community of artists has created. On netlabels and throughout the world of innovative free music, there is a beautiful collection of friendships through art. Countless records created, to the point of being overwhelming, all spread to other likeminded musicians so that they may be in a dialogue transcendent of simple words like these. As these artists perceive their respective worlds, interpret them through manipulating vibrations, and then articulate this to other artists, evoking anxiety or glee in their hearts, the body that is the sum of these separate, human components witness the world, interprets them through the brain, and then shares it with the rest of the body, evoking actions and decisions and will and vocalization! The brain here is Ars Sonor, and just like the cells of your body are mindlessly and blindly grateful to create you and you are mindlessly and blindly grateful to have been created by the earth, I know for a fact that all the artists that equal this celestial body are grateful to be a part of Laetitia’s masterworks, or to even know her at large, and they all wish the best for her in these times of distress. My heart prays that this is not the end of Ars Sonor’s road, and I want to thank all those who helped make this pathway, this organism, possible. Thank you Sean derrick Cooper Marquardt, Thank you M.Nomized. Thank you William Spivey. Thank you The Implicit Order. Thank you Elizabeth Veldon. Thank you Igor Har. Thank you Mutate. Thank you Peninsolar. Thank you noiseoftherose. thank you Randy Carter. Thank you Brownian Motion. Thank you 3bc. Thank you Bob Bucko Jr. Thank you Otolathe. Thank you Ronny Waerns. Thank you Dan Minoza. Thank you hyaena fierling reich. Thanks to all who listen, and please do.
posted 05 May 2012

florconvenas – ley en das

florconvenas – ley en das
[pyr052]

florconvenas

“ley en das”

florconvenas – ley en das
florconvenas is sound explorer mariela arzadun’s solo project. she is an improviser, experimental musician and visual artist from buenos aires who focuses on field recordings, soundscapes, drones, poetry, collage and concrete music. she runs the amor loco netlabel and comprises half of the free improvisation duo, criadero en seres, both with leandro ramírez.

to create ley en das, mariela mixed together various elements such as: field recordings, keyboards, voices, barking dogs, cars, and hand tools. maquinaria agrícola was composed with the sound of hail falling on glass and various objects. the track titles are inspired by a trip through old books, celtic legends, dreams and poems.

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posted 04 May 2012