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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Whalt Thisney – This Is Memorial Device

Whalt Thisney – This Is Memorial Device
[PE18]

Whalt Thisney

“This Is Memorial Device”

WHΛLT THISИEY selects and mixes music for the mind and body in the same
quantities that emerge from encounters between the past and the present,
drawing beauty of the commonplace, wiping, polishing it, giving it life
again, so to produce the same effect with the original freshness and
spontaneity, a mirror that transforms, absorbs and reflects.Released by Pilot Eleven Netlabel (PE018) 1 January 2019.

Internet Archive – https://archive.org/details/PILOTELEVEN_018

Bandcamp – https://pilot11.bandcamp.com/album/this-is-memorial-device

Soundcloud – https://soundcloud.com/pilot-11/sets/walt-thisney-this-is-memorial

Released by Pilot Eleven Netlabel (PE18) under a Creative Commons Attribution-ShareAlike 4.0 International license – CC BY-SA 4.0.

Button: by-sa
posted 06 January 2019

V.A. – 20kbps Rec. Sweet Sixteen Birthday

V.A. – 20kbps Rec. Sweet Sixteen Birthday
[L0BIT21]

V.A.

“20kbps Rec. Sweet Sixteen Birthday”

compilation to celebrate the 16th birthday of netlabel 20kbps rec.

It’s today 16 years ago that a very special netabel named 20kbps rec was born & looks it’s all grown up! It even got the legal age to drink and get laid! Whoohoo!

L0BIT is extremely proud and excited to bring you a very, very, very special compilation! It’s not just a compilation; it’s an entire birthday party, celebrating 16 years of the fabulous 20kbps.

The most wonderful stand out lobit netlabel in the entire galaxy! Come on and join the festive party, we got the drinks the drugs and especially all the music humans and animals alike will enjoy! From wonderful lobit techno melodies, to lobit metal, lobit acid, lobit pop and unexplainable independent lobit music forms! It’s a blast!! And absolutely freely available! That means it comes at no costs! Unbelievable, but true! But hey; it’s a party after all!

Every track comes with a short review and there’s even a foreword by origami repetika.

posted 27 December 2018

Theodor Steiner – unnamed, untitled

Theodor Steiner – unnamed, untitled
[djummi.013]

Theodor Steiner

“unnamed, untitled”

On his debut the Cologne resident of choice, Theodor Steiner, who not just works solo, but also runs the Band Blarg together with Torn Vega, you maybe already met here on djummi-records, presents two atmospheric and noisy overdrive bass improvisations. Spontaneous, uncut and truly deep!
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posted 26 December 2018

Ayato & Kecap Tuyul – The shaman won’t come back

Ayato & Kecap Tuyul – The shaman won’t come back
[Eg0_196]

Ayato & Kecap Tuyul

“The shaman won’t come back”

“The shaman won’t come back” is a new file-exchange based collaborative album of Ayato & Kecap Tuyul, It was recorded and mixed in various places between 2015 and 2018. Ayato played guitar with live looping made with a Revox reel to reel tape player, and Kecap Tuyul later overdubbed these hypnotic tracks with various sounds, building dense and trippy soundscapes.
This work can be considered as the 3rd part of a trilogy started with “Waiting for the shaman” , published 6 years ago. For the moment, the 2nd part of this trilogy exists only in the head of the listener.
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posted 26 December 2018

Chris Silver T + Mauro Sambo – …che il sapore dell’aria possa appoggiarsi alle labbra

Chris Silver T + Mauro Sambo – …che il sapore dell’aria possa appoggiarsi alle labbra
[pn138]

Chris Silver T + Mauro Sambo

“…che il sapore dell’aria possa appoggiarsi alle labbra”

“In un arco temporale molto breve” (a Chris & Mauro).

Quando Il corpo si separa dalla mente e nuovi spazi si formano

Tu respira…

lascia passare l’aria e inoltrarsi l’ombra…

…aria

la mente si domanda cos’è questa massa di carne, ossa e tendini che deve far muovere, spostare…
Una massa in perenne fermento, sempre tesa.

Perché?

Il corpo dal canto suo si sente privato di senso, quasi un intruso, un peso per quel mondo
metafisico verso cui la mente tende.

E’ di troppo?

Piccole scosse muovono le dita, che lasciate a loro stesse si erano addormentate,
forse un tentativo della mente di abbandonarle…

l’aria si appoggia alle labbra e il naso freme per quel sentore, forse più un ricordo,
di incenso, tenue ma insistente.

Un lungo respiro sposta i polmoni e ossigena…

Tu respira…

ora si che…

“…cos’era quel suono? Hanno bussato?…No, non dovrebbe essere già qui…”

La gola stretta in una morsa, una sensazione di brivido che corre lungo lo stomaco e lo sterno.

L’esterno che risveglia l’interno.

Non è possibile lasciarlo indietro quel corpo… dietro la porta qualcuno lo aspetta…

ritorna a terra, con i piedi saldi, i sensi allerta, il cuore fremente.

Matilde Sambo
https://www.matildesambo.com
(Milán, Italia. Milano, Italy. Diciembre / December, 2018)

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posted 25 December 2018

Sk’p – Specks Of Dust On The Edge Of Immensity

Sk’p – Specks Of Dust On The Edge Of Immensity
[cl-052]

Sk’p

“Specks Of Dust On The Edge Of Immensity”

It’s the end of the year and as always we want to present something special to you.

SK’P is back with his detailed and clean sound compositions which already fascinate us, make us dream and forget the time. Better still, he brought a mutual friend with him this time. We knew the whole time that they fit together perfectly, but now we can experience how the completion of this connection finally takes place. We’re obviously talking about the ever more productive GESO, who in between his always fantastic visual appearances thought of something special for us and lets us immerse ourselves in some completely symmetrical 360º videos, interspersed with complicated details that we want to and can explore again and again – with a completely subjective perception and always different.

You know Sk’p and his precise micro cuts, squeaky clean beat works and joyful synth works. Put these two in a mixer and you have another fine release with infinite replay value that invites you to think about our prejudices about paradise, distant futures and multiple ways that we wish they hadn’t taken.

Here you can find the portfolio with all the 360 VR videos:

Vimeo
www.bit.ly/cl052vim

Youtube
www.bit.ly/cl052yotu

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posted 18 December 2018

Ayato & Naoki Ishida – Tapes Outtakes

Ayato & Naoki Ishida – Tapes Outtakes
[Eg0_195]

Ayato & Naoki Ishida

“Tapes Outtakes”

Ayato & Naoki Ishida have been working together via file exchange since the early 2010s. 3 years after their album “Red_control rec​.​played” , they offer us a split album recorded between 2015 and 2016 : Tapes Outtakes. Here, as the title suggests, the 2 artists have both worked with magnetic tapes. Ayato has used an old Revox reel-to-reel tape player to create evolving loops of various instruments, while Naoki Ishida has used other (undisclosed) methods and material. Two ways to use the tape as an instrument and tool for experimental composition.
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posted 17 December 2018

Original Silence – Heart Strings Of Orca

Original Silence – Heart Strings Of Orca
[PE17]

Original Silence

“Heart Strings Of Orca”

Original Silence is an audio and visual artist from the U.K. who likes to write, record music and work with photo and film, sometimes together and sometimes separately. Immersive, ambient, electronic and electro acoustic in its execution, Original Silence’s work is about immersion and what the listener or viewer brings to the media as much as what the media and tracks are about themselves.

Tracks and media all created, written, recorded, mixed and mastered by Original Silence.

Released by Pilot Eleven Netlabel (PE17) under a Creative Commons Attribution-ShareAlike 4.0 International license – CC BY-SA 4.0.

Button: by-sa
posted 16 December 2018

taura yorihisa – nightfall

taura yorihisa – nightfall

taura yorihisa

“nightfall “

国内外のレーベルから精力的に作品をリリースしているtaura yorihisaによるノイズ・アンビエント作品。アイザック・アシモフの短編作品に着想を得た本作は、極端にエディットされたギターに、環境音とビットクラッシュノイズが絡まり、今までの作品よりもラフでざらついた音像となっている。アンビエント、シューゲイズ、ドローン、ノイズミュージック……来るべき夜へ、ジャンルを越境していく音の旅路。

美しい日常の風景をモノクロに塗ってしまうかの様な空気の音。
今作は込み上げる内省を見ざるを得ない事を世界に写しこむ様な音で、taura氏の音楽はそういう色彩が元より強かったのだが今作はもっと抑えた嗚咽の様な形で発現してる様に感じます。
リスナー体験としては泣き腫らした後の様な穏やかさを感じられる事でしょう。
尚今作は私はイヤフォンよりもスピーカーで聴かれる事を推奨します。
takasi(gravel’s end)

硬質とも言へる音響の芸からは、星が見え始める「あの夕刻」を思ひ出させる。
空の色が滲み、主観的な時間がじつくりと進んでいくあの時空。だが、其れにも終わりは訪れるのである。また次に訪れる朝まで歩かねばならぬのだ。
さふ、夕刻への感傷だけではない。夜明けへの希望も彼の音楽は観させてくれるのである。
Tia Rungray(音楽家)

文字の通りに音の層に包まれる体験.

いかなる場面においてもyorihisa tauraの音楽は程よい緊張とリラックスを生み出してくれます.
ヘッドフォンでも,スピーカーでも.
音に意識を向けながらでも,何か作業しながらでも.

そんな期待のさらに上をゆくニューリリースです.
24歳一般理系大学院生(一浪)

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posted 15 December 2018

Music from Airports Nº1 – Mi Cosa de Resistance

Music from Airports Nº1 – Mi Cosa de Resistance
[109]

Music from Airports Nº1

“Mi Cosa de Resistance”

Music from airports, aircrafts and some other flying things, vol 2: Cardiff Airport is the second of a series of records recorded while waiting for a flight at different airports around Europe during the summer of 2018.
credits
released December 10, 2018Fernando Perales: concept, production, art cover, mix and mastering.

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posted 13 December 2018

Schmaidl – Focus on the visuals

Schmaidl – Focus on the visuals

Schmaidl

“Focus on the visuals “

Thanks to The Committee For Sonic Research for hosting my music and to Dental Drill for help with polishing the final version of this. Namaste to the friends who provided feedback.
credits
released December 13, 2018All compositions, mixing, mastering by Schmaidl.
Artwork by Schmaidl.

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posted 13 December 2018

Una Lee – From B with L

Una Lee – From B with L
[PT081]

Una Lee

“From B with L”

This is a recording of a soundwalk observed from a first person’s point of listening. As all sound recordings do, this soundwalk recording presents what the specific one person hears when she went on a particuar walk. The unusual feature of this work as a soundwalk recording is that it also provides an insight to the thoughts that occur to her while she is on the walk, rendered as a voice letter to an unidentified acquaintance. This reveals personal stories and memories related to the places she visits as part of the soundwalk.

Sound recordings, Voice, Artworks, Cover Art by Una Lee

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posted 07 December 2018

BELLEROPHONE – Uses of Gravity

BELLEROPHONE – Uses of Gravity
[ACP 1173]

BELLEROPHONE

“Uses of Gravity”

originally released in 2014

Recorded and mixed at bellerohome by D. Santziliotis in Athens, Greece, using: Roland Juno 6 and Roland System-100m synthesizers, Korg MS20, Roland RE-201 space echo and Uher 4000 Report Studio tape recorder
Mastered by James Plotkin
Artwork and design by Georgia Simogianni; photos by G. Simogianni.

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posted 07 December 2018

Onde Poussière – del_din04

Onde Poussière – del_din04
[Eg0_194]

Onde Poussière

“del_din04”

After a web collaboration (album Imperceptible,) Onde Poussière return to free improvisation with their 4th album del_din04, made of sessions recorded on 25th and 26th september 2018. For this occasion, they once more experimented with new set-ups, this time with a focus on lo-fi sound. Doedelzak played laptop amplified with cheap computer speakers and occasionnaly flute, while Kecap Tuyul used his z(xW+yW), a low-tech modular system based on tiny battery-powered guitar amplifiers and contact microphones. Through this new change they continue to explore sonic material and techniques that are likely to cause various accidents and usually unwanted sounds, which are an essential part of the ground on which the band build its improvised soundscapes.
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posted 06 December 2018

José Gallardo A. – Humores

José Gallardo A. – Humores
[pn137]

José Gallardo A.

“Humores”

“José Gallardo launches through Pueblo Nuevo his latest album ‘Humores‘ (pn137). Unlike his previous ‘Sinfonía para un hombre solo… en su casa‘ (pn107, 2016), which exhibits the realization of field recordings as a guiding thread, ‘Humores‘ makes reference to the moods or temperaments according to the classification of Hippocrates, considered the father of medicine. It is, thus, a kind of suite that is composed of emotional representations instead of dances.

The humoral theory, in force from Greek Antiquity until after the Renaissance, comprised four temperaments: Choleric, Phlegmatic, Melancholic and Sanguine. Each one of them was associated with an organ and with a secretion of the body (yellow bile, phlegm, black bile, and blood, respectively) and health would depend on the balance between these elements. The word ‘humor’ comes from the Latin ‘humore’ which means liquid or fluid.

As a means of opening, Gallardo adds a fifth state, that of ‘Ansiedad’ (Anxiety), where music tries to connect itself with the future from the present. This is the only track on which we hear an instrument played in a traditional way or without being deconstructed, the Saz of the Middle East, and from this material is apparently also extracted to create adjacent sounds.

Predominant in this album are rough textures, carefully agitated sounds obtained by microsampling – often treated in a granular way, and cacophonous conglomerations, almost always in counterpoint with their opposites, as in the game of resonances and punctual sounds of ‘Melancolía’ (Melancholy). The last track, ‘Sanguíneo Pasional’ (Sanguine Passional), is divided into two very clear moments, the second of them based on a calm drone that brings peace or, better, balance, to close ‘healthily’ this interesting set of music.”

Bryan Holmes
(Río de Janeiro, Brasil. Noviembre / November 2018)

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posted 05 December 2018