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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Cupcake! – Misanthropy as a Defense Mechanism

Cupcake! – Misanthropy as a Defense Mechanism
[SSSDlp04]

Cupcake!

“Misanthropy as a Defense Mechanism”

Cupcake! – Misanthropy as a Defense Mechanism
Cupcake! – everybody’s favorite non-entity – presents its debut collection:

Misanthropy As A Defense Mechanism

Made up mostly of recently produced music (although three pieces go back to the turn of the century), Cuppy uses various methods to produce the same result: stylistic indecision.

Savor the Sound of Self-Negation!

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posted 15 December 2016

Ilia Belorukov & Sergey Kostyrko / Alexei Borisov & Jelena Glazova – Split

Ilia Belorukov & Sergey Kostyrko / Alexei Borisov & Jelena Glazova – Split
[PE10]

Ilia Belorukov & Sergey Kostyrko / Alexei Borisov & Jelena Glazova

“Split”

Ilia Belorukov & Sergey Kostyrko / Alexei Borisov & Jelena Glazova – Split
Split record by Russian and Latvian electronic musicians, focusing on improvisational practices and techniques.

1. ILIA BELORUKOV & SERGEY KOSTYRKO
01 – Security by obscurity
02 – New edge
03 – Criss cross
Ilia Belorukov: ivcs3, monotron, effect pedals
Sergey Kostyrko: modular synthesizer.
Recorded, mixed and mastered by Ilia Belorukov at Spina!Studio, 2015

2. ALEXEI BORISOV & JELENA GLAZOVA
04 – Live at ESG-21, 28.09.14
Alexei Borisov: electronics, voice
Jelena Glazova: laptop, controllers, voice
This part is a live and unedited recording of improvised session played in duo between Alexei Borisov and Jelena Glazova at the Experimental Sound Gallery, St. Petersburg on September 28, 2014.

Released 30 October 2016

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posted 13 December 2016

The Cow Goes Moo – Planet Paw

The Cow Goes Moo – Planet Paw
[AFA-SM012]

The Cow Goes Moo

“Planet Paw”

The Cow Goes Moo – Planet Paw
While the Earth is devastated by meat-mad humans who’ve descended into extreme cannibalism, the animals arrive to Planet Paw, a new kingdom where decency will reign according to the logic of sustainability, free from the meddling of perverted human reason.
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posted 03 December 2016

Alejandro Albornoz – Fluctuaciones 3: Live Electronics

Alejandro Albornoz – Fluctuaciones 3: Live Electronics
[pn114]

Alejandro Albornoz

“Fluctuaciones 3: Live Electronics”

Alejandro Albornoz – Fluctuaciones 3: Live Electronics
In addition to the publication of the album “Fluctuaciones” (“Fluctuations”) in its physical CD version (pncd11), two online albums are included that can be accessed on the Pueblo Nuevo Netlabel website, “Fluctuaciones 2” (pn113) and “Fluctuaciones 3: Live electronics” (pn114).

In regards to these albums, the time span covered is around 12 years of production alongside the pieces for the CD, several of which were revised during 2016. Although the new ones were completed in 2015, they form part of a collection of works in course, so I understand them as related.

“Fluctuaciones 3: Live Electronics“, contains just the material that belongs in this very distinct genre, and includes 3 live improvisations (2009, 2011 and 2014). Although at first listening the materials are clearly close to the sonorities of acousmatic works in general, the treatment, especially their articulation over time, is of a different nature, due to the necessity and challenge involved in reproducing, generating and processing sound materials in real time.

The three pieces were created with laptop and synthesizers. I also consider these works to be of some value, although largely as a historical attraction in my career and they are intended to record the interest I have for this technique and aesthetics.

Alejandro Albornoz
(Sheffield, UK. Noviembre / November 2016)

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posted 02 December 2016

Peter Holy – s/t

Peter Holy  – s/t
[valeot 016]

Peter Holy

“s/t”

Peter Holy  – s/t
After many years in the making, and following an obscure lo-fi CDR release about ten years ago, this is Peter Holy’s first solo album, this time without materializing physically (the music, not Peter).

Peter plays piano and sings, accompanied by Tupolev bandmates Alexandr Vatagin (cello, recording, mixing, mastering) and David Schweighart (drums). The record consists of 9 pieces, 2 of which are re-recordings from songs from the old CDR, one is a reworking of a piece by Tupolev and one piece was also used in a song on Alexandr Vatagins album Serza. The remaining 5 pieces are completely new.

posted 30 November 2016

Juan Antonio Nieto – ISOLATED

Juan Antonio Nieto – ISOLATED
[PT044]

Juan Antonio Nieto

“ISOLATED”

Juan Antonio Nieto – ISOLATED
Isolated is the logical continuation of Static, the previous record that Plus Timbre release in 2015.
Isolated base remains in the idea of combining percussive sounds with dark drones. If for Static sounds were recorded in public spaces, in this new record all the sounds have been recorded in my own home, pens, knives, brushes, and any subceptible objet, beaten or rubbed over different surfaces, glass, wood, metal, sand in order to get a unique sound (avoiding the can add effects) this sounds combined with each other, were able to form a special feeling. Drones were created to finish adjusting topics. The result is an album that can be heard both environmental manner or in a deeper listening. The multiple sounds have been treated one by one, in EQ and volumes.

Juan Antonio Nieto : Ambient.. concrete, field recordings
Photo by Almudena Villar

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posted 27 November 2016

почему коммутатор молчит – топорная работа

почему коммутатор молчит – топорная работа
[SCL190]

почему коммутатор молчит

“топорная работа”

почему коммутатор молчит – топорная работа
About:
«Третий альбом писался довольно долго. От него отсекались куски, которые в итоге перекочевали в анонсирующие ЕР “это нужно видеть” и “машина”. Титульные песни будут на “топорной работе”, остальные держались в секрете до последнего.
Как всегда, незримо участвовал Рома Белоусов, основатель проекта, которому в день выхода альбома, 26-го ноября, исполнилось бы ровно 40 лет. Следующий альбом будет содержать песни Р. Белоусова и совместные с А.Марабяном.»

Credits:
Азат Марабян — тексты и музыка, гитара, ксилофон (4)
Валерия Марабян-Ларина — вокал (4, 10)
Евгений Литвинов — гитара, сведение и мастеринг
Михаил Климов — калимба (4)
Виктор “Мутант” Шевцов — продюсирование
Ольга Этманова — обложка

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posted 27 November 2016

Alejandro Albornoz – Fluctuaciones 2

Alejandro Albornoz – Fluctuaciones 2
[pn113]

Alejandro Albornoz

“Fluctuaciones 2”

Alejandro Albornoz – Fluctuaciones 2
In addition to the publication of the album “Fluctuaciones” (“Fluctuations”) in its physical CD version (pncd11), two online albums are included that can be accessed on the Pueblo Nuevo Netlabel website, “Fluctuaciones 2” (pn113) and “Fluctuaciones 3: Live electronics” (pn114).

In regards to these albums, the time span covered is around 12 years of production alongside the pieces for the CD, several of which were revised during 2016. Although the new ones were completed in 2015, they form part of a collection of works in course, so I understand them as related.

In the case of “Fluctuaciones 2“, this includes 14 additional acousmatic works, all pieces composed between 2004 and 2012 and distinct from those included in the physical CD. This collection is irregular, there are several works of interesting execution and others that are either studies of timbre and structure or are exercises acousmatic composition. I have decided to publish this collection for a number of reasons: it is a personal gesture to close a stage as a sound creator, it allows me to recognize the constancy and seriousness with which I have approached composition in the genre and makes available to students, artists, researchers and interested public parties a corpus of work that could be of interest for analysis, study, and discussion.

Alejandro Albornoz
(Sheffield, UK. Noviembre / November 2016)

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posted 27 November 2016

Strunkdts – We All Star In Hell

Strunkdts – We All Star In Hell
[SE076]

Strunkdts

“We All Star In Hell”

Strunkdts – We All Star In Hell
The random moments when its remembered to press record are the junctures captured and reworked into the raw body slowly defining itself as ‘Strunkdts’.

Isolated on the western coast of Australia, ‘Strunkdts’ channels memories of rave, punk and broken hearts as eulogies for a dying and insane world. The trash, the chaos, the lies and the uncertainties that constitute a whole lot of nothing are the vessels thru which the work navigates.

A haggard, paranoid projection of romantic days past into the ever present unknown. “We all star in hell” are one shots and teasers that were abandoned rather than finished.

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posted 25 November 2016

Mauro Sambo – Quel mutamento era il primo di una serie infinita

Mauro Sambo – Quel mutamento era il primo di una serie infinita
[PT043]

Mauro Sambo

“Quel mutamento era il primo di una serie infinita “

Mauro Sambo – Quel mutamento era il primo di una serie infinita
It has been almost two years since our first release, and we would like to honour the occasion with one more release by Mauro Sambo, two years after his initial release with us. So, special thanks to Mauro, who accepted our invitation one more time and entrusted us with his marvelous new work titled “Quel mutamanto era il primo di una serie infinita”, a special project dedicated to his father.
20 tracks, 20 photos, each track 2’22” long.
PEACE FOR ALL (no borders, no discrimination).
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posted 12 November 2016

Wings of an Angel – Return While One Prodigious Lightweight Proof Replaces The Brass In Your Docile Instrument

Wings of an Angel – Return While One Prodigious Lightweight Proof Replaces The Brass In Your Docile Instrument
[Self Release ]

Wings of an Angel

“Return While One Prodigious Lightweight Proof Replaces The Brass In Your Docile Instrument”

Wings of an Angel – Return While One Prodigious Lightweight Proof Replaces The Brass In Your Docile Instrument
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posted 10 November 2016

Ayato & Planetaldol – MESA

Ayato & Planetaldol – MESA
[DNA 185]

Ayato & Planetaldol

“MESA”

Ayato & Planetaldol – MESA
«MESA» ultimate ceremony: started 2013, ended 2016. Black/white tapes &&& borders. Revelation (shamanic state). Patron saint of rain??? Various sacramental rain cults and rain gods. In addition, he is the keeper of the keys to heaven. A visionary diagram of where the shaman will need to journey. Done at night. Prayers, invocations, and chants-beat-shamanic rattle addressed to all the supernaturals. Tobacco, plants. At midnight, when the purifying ceremonial acts are complete, all present must drink one to three cups of the ceremonial potion.
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posted 05 November 2016

Ambelion – Past Future

Ambelion – Past Future
[CAEL0003]

Ambelion

“Past Future”

Ambelion – Past Future
Past Future is CerebralAudio’s second in a series of re-releases of Ambelion’s back catalog. Ambelion approached us about re-releasing these works in the hope that we would be able to gather more attention to his work, and improve on the packaging and mastering of his work: in essence bringing new life to his relatively unknown and neglected work.

Having being familiar with Waiting For Quarters, there was immediate interest in listening to the works that Ambelion had previously released. He sent us two releases: Quasi-Stationary and Past Future. It didn’t take much for us to agree that these works needed to be heard, and Ambelion needs to be appreciated by a more receptive audience.

So, Past Future is the second of these releases. In the future we are working on several more releases from his back catalog, including the potential release of some previously un-released tracks.

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posted 03 November 2016

Airplanemusic – Airplane Introduction

Airplanemusic – Airplane Introduction
[TRANZ061]

Airplanemusic

“Airplane Introduction”

Airplanemusic – Airplane Introduction
RELEASE INFO:

ARTIST: AIRPLANEMUSIC
RELEASE TITLE: Airplane Introduction
CAT Nº: TRANZ061
RELEASE DATE: November 01, 2016 (Official Date)
FORMAT: Mp3 / 320kbps / 44.100 MHZ
GENRE: Electronic
SUB-GENRE: Detroit, Techno, Experimental
TOTAL TIME: 01:19:009sec
SIZE: 151 MB

TRACKLIST:

01. Airplane Introduction (6:02)
02. Standard (5:29)
03. Galaxie (8:48)
04. Deep And Slowly (7:42)
05. Monosphere (7:52)
06. Return To Galaxy (6:36)
07. Planet E02 (6:48)
08. Starwalker (8:09)
09. Double Phunk (Intro) (3:59)
10. Double Phunck (5:45)
11. Galaxie (Galaxy 2 Mix) (5:25)
12. Aerodinamica (6:34)

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posted 02 November 2016

Boss, Sambo, Chagas, Nobara & Silver T. – A fragile balance (Fourtounis)

Boss, Sambo, Chagas, Nobara & Silver T. – A fragile balance (Fourtounis)
[pn112]

Boss, Sambo, Chagas, Nobara & Silver T.

“A fragile balance (Fourtounis)”

Boss, Sambo, Chagas, Nobara & Silver T. – A fragile balance (Fourtounis)
Pueblo Nuevo Netlabel is pleased to present “A fragile balance (Fourtounis)“, album from multicultural improvisation group Boss, Sambo, Chagas, Nobara & Silver T.

“‘Fourtounis’ is the name of the local seafood tavern (that serves more than just seafood) where I indulge in the habit of sitting and relaxing during the summer afternoons (as well as during other times of the day and other times of the year), after a refreshing swim in the sea.

‘Fourtounis’ is the name of the place where I sit enjoying the company of my wife Christina and my friends (more than friends actually, my brothers I should say), Christopher the Lawyer, Thomas, Giorgos and Kostas the Teacher. There we meet to drink ouzo and chat about everything imaginable.

That is the place where, one afternoon, quite possibly under the influence of the drink, I had an idea: listening to the sound of the sea and contemplating the rocky shore, I got out my drumsticks and my brushes and using those accessories as well as my bare hands, I improvised on the rocks, the sand, the pebbles and the water. It was an idea that at first seemed really simple but proved to be quite challenging, since, besides actually playing and improvising, I also had to negotiate the rocks on which I was forced to balance.

I really don’t know if I succeeded, but the most important thing is that through the music I managed to gather around me some special friends and wonderful musicians, whom I thank from the bottom of my heart for their invaluable help:

Matthias Boss – Violin.
Mauro Sambo – Alto sax.
Paulo Chagas – Oboe.
Rogelio Nobara – Acoustic guitar.

I would also like to thank the whole “Fourtounis” team, who allowed me to use the name of the establishment and who didn’t laugh at me too hard watching my struggles to balance and stand upright on the rocks: Sotiris, Dionysis, Babis, Grigoris, Joe the Terrible, Anastasis and Antonis for his magnificent photos.”

Chris Silver T – Field recording, objects.
(Athens, Greece / October 2016)

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posted 01 November 2016