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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

A.L. Guillén – LA NOCHE

A.L. Guillén – LA NOCHE
[PT031]

A.L. Guillén

“LA NOCHE”

A.L. Guillén – LA NOCHE
A.L. GUILLÉN
“LA NOCHE”

“This work tells about the transition of a beloved person, one night in a hospital.
With no dramatic or compassionate intention, I created “La Noche” to amplify our separation and our unitive annihilation, like a song whispered in the ear of the one who goes away, and the one who stays. An ode to everything we experience by this loss, and everything that we know stays behind forever once the body of the beloved one is gone.
This song should be heard at night, in absolute darkness and through headphones, so that one can, after initial resistance, “obey” and follow the sound. It intends to act as the nail that pierced the veil of mourning, showing the fullness of the non-place, of all that was lost.
You are not forced to follow my narrative proposal, but…
The first two tracks oppose “Siamese Twins” separated sound extremes and sonic subjectivities. Mine: the aseptic silence in the hospital room, which is also an imminent “final”. Hers: the sound of the relentless progression of septic invasion on her body.
This excision reconnects us with a humble gesture, track #3: A Kiss on Our Original Placenta. Finally, when the transition is finished, the window of the next day – letting in the cool air from the Genil river – is open. With some melodic, nostalgic souls flying to heaven, a past tense of platonic flavour. It is the light of the next day on earth. The only material we have.

I recorded and mixed “La Noche” at La Antena Noética Studio (Almería, Spain), during a period of several nights in autumn 2015, using a theremin and a computer. It was mastered by Dal Verme and myself.
It is dedicated to Maria Josefa Megías Cuadros, and to all those who would have this whispered song when the sun goes down”.

Antonio Luis Guillén Megías
December 2015

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posted 06 May 2016

Klaten – Klaten

Klaten – Klaten
[D!HR-30]

Klaten

“Klaten”

Klaten – Klaten
For its 30th release, Da ! Heard It Records gives a touching testimony: that of Klaten’s computer’s last days. Inspired by the epileptic glitches of a video card used up to its circuit, this disc’s seven pieces form a meticulous assembly of violent unknown flying objects from which otherworldly melodies emerge.

“Tergiversure”, “Déglutogène”, “Exoplaste”: each track seems to be an attempt at a graft to sustain the life of a microprocessor on its last legs for a just a few moments more. Klaten, a professional 3D infographist, has indeed retained from his practice an extreme attention to detail and a taste for peculiar universes, as evidenced by the disc’s sleeve, signed Elise Kobisch-Miana, a panorama of crystals with shattered perspectives reminiscent of the album’s numerous landforms.

Leading the way with Stipulite, Klaten takes the listener into the winding tunnels of a labyrinthian cave where bouncing rhythms sometimes trigger the tinting of dim mineral glows. Digging deeper into the matter, he pursues his course head hung low, through the sparkling reflections of Exoplaste and the sharp breakbeats of Tergiversure. Once at the heart of an aural boiling magma from which he draws new metallic materials (Phoryaphile, Gramafion), he completes his journey through the breath of Stratiformis in order to cool down the overheating vents of his machine positively controlled at all the VST. Alas, it is already too late…

Ultimate souvenir from this voyage, the Parisian C_C concludes with his own vision of the trip: a remix with massive rhythms and the sound of his analog machines humming in the background. A tribute to the complex landscapes of Autechre and the experiments of the label Schematic, this disc, with its rich and startling imaginary, remains nameless. Like a challenge, the sonorities it deploys give all the hints necessary for the listener to find it a name.

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posted 25 April 2016

Telegraphy – Greening Of Man

Telegraphy – Greening Of Man
[iono-21]

Telegraphy

“Greening Of Man”

Telegraphy – Greening Of Man
Through out time man has created and distorted himself and his surroundings. Just like the changing of the seasons with it’s inherent death and rebirth cycles, we are only to connected to this through observation and practice. Like a story being played out in front of us, we face it’s harsh realities all the time. The one who is at the center of this epic story is the one we call “The Green Man”. The king of rebirth and death is symbolized by a leafy skinned man. Having cast away into a deep slumber in autumn – only to rise again in spring. Green Man is waking up his kingdom with dubly sounds.

Telegraphy shares with us his deep connection with the natural world with awakening beats and atmospheric vibes. Just in time for spring.

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posted 14 April 2016

Mauro Sambo, Marco Colonna & Ivano Nardi – “​.​.​.​non così lontano dal cuore”

Mauro Sambo, Marco Colonna & Ivano Nardi – “​.​.​.​non così lontano dal cuore”
[PT029]

Mauro Sambo, Marco Colonna & Ivano Nardi

“”​.​.​.​non così lontano dal cuore””

Mauro Sambo, Marco Colonna & Ivano Nardi – “​.​.​.​non così lontano dal cuore”
Sambo, Colonna, Nardi | “…non così lontano dal cuore”
PT029(2016)
Mauro Sambo – electronics, live electronics, electric guitar, piano, double bass, shakuhachi
Marco Colonna – alto clarinet
Ivano Nardi – percussion
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posted 09 April 2016

Longman – Любовь С Одного Удара

Longman – Любовь С Одного Удара
[picpack235]

Longman

“Любовь С Одного Удара”

Longman – Любовь С Одного Удара
01-Пока Варится Сталь…(Intro)
02-Чёрное Небо Над Нами
03-Похороны Реформации
04-Уходящий в Ночь
05-Женщина Плачет, Женщина Смеётся
06-Крысиный Заповедник
07-Тарифно-Социальный Геноцид
08-Дорога На Север
09-Реабилитация
10-Происшествие На Невском
11-Дезинсектор
12-Любовь С Одного Удара
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posted 05 April 2016

Jan Strach – EP 2016

Jan Strach – EP 2016
[UPL 067]

Jan Strach

“EP 2016”

Jan Strach – EP 2016
As tradition goes, the Polish purveyor of lo-to mid-fi experimental pop and rock publishes a short collecton of songs that for one reason or another did not make it to the previous year’s full-length. As always kaleidoscopic, stylistically unpredictable and undefinable with regular genre terms, it melts together post-rock passages, distorted casio beats, crazed noise rock, layered askew pop harmonies with irregular time signatures, a chopped up, triumphant organ hymn.

As always proudly published on Polish home for all homemade, passionate and DIY, Underpolen Netlabel.

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posted 30 March 2016

Ken Moore & Daniel Barbiero – Frequency Drift

Ken Moore & Daniel Barbiero – Frequency Drift
[pyr177]

Ken Moore & Daniel Barbiero

“Frequency Drift”

Ken Moore & Daniel Barbiero – Frequency Drift
frequency drift is a collection of seven collaborative compositions for double bass and tam tams. the compositions were created sequentially: the double bass parts were composed and recorded first, after which the tam tam parts were recorded and mixed with the bass parts. the appeal of the project lay in the opportunity to create work exploring the compositional possibilities opened up by the subtle timbral dissonance between the double bass’s bowed strings and the tam tams’ struck and rubbed metal.
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posted 29 March 2016

Agate Rollings – Glass

Agate Rollings – Glass
[PT028]

Agate Rollings

“Glass”

Agate Rollings – Glass
Once more it is a pleasure to present a release by Agate Rollings, once more we would like to thank them for their offer. There is no denying that they have a unique, magical way to take you on a special trip – and that is what impressed us so much from the very first time we heard them.
Agate Rollings are:
Alessandro Sgarito (synth, guitars, effects, atmospheres)
Stefano Gallone (synth, guitars, effects, soundscapes)
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posted 27 March 2016

Zacarías Malden – Rítmica

Zacarías Malden – Rítmica
[pn104]

Zacarías Malden

“Rítmica”

Zacarías Malden – Rítmica
“Professor Zacarías Malden could very well be an ‘alien’ who fell to Earth decades ago to gather the ABC’s of previous understandings regarding the ‘laws of electricity’, which had been developed along with others in the 18th century, and not without some rejections and incredulities on the part of the academic and scientific establishment confronted with Georg Simon Ohm convinced by his theory, the so-called ‘OHM’s law’. Theories related to electricity and the variables that affect the process of transmission.

Before and not far away, another central figure, also in the city of Quilpué, the Doctor Gozne, had published ‘Non Human’ (pn090) at the end of 2014, a work perhaps more human than what its title indicated and on the other side more rhythmic (in the classic and resounding sense) in relation to that which the new work of the ‘alter-ego’ Zacarías Malden instead insinuates. Probably his musical laboratory never required studies of the laws of Physics (‘probably…’) nor too much already more enclosed from Electricity, even so, you will find the ‘current’ vibrating in each track.

‘Rítmica’ (pn104), would seem to open a journey or a deep view to the stars and galaxies visible from his study or perhaps already from the controls his spaceship.

The listener may be invited by the Professor and in fact transferred to ‘the electric circuits’ of a Mission, ‘initial essential miniaturization’ of the passengers disposed to such risks; they then situate themselves in the marrow of analog and digital circuits and to periods of bitter struggle between mutant insects, contaminants, and interferences of electronic commands and their flow and that of an army of ‘Pacman’s’ pursuers acting as antibodies that sometimes manage to resolve and free from interference necessary sequences of the processes of transmission. So they sound to digital errors and they are obviously more than reminiscent of the ‘Click & Cuts’ present around the year 2000 and the electric ‘delicacies’ of the work.

The buzz of the insectoids in the most analog circuits sometimes disappears and opens a ambient layer of relaxed drones, but always accompanied by rough fabrics and textures, stratified sheets of vibrating scrap almost of a palpable materiality.

In ‘Rítmica’ (pn104) there is of course ‘rhythm’ but still, it must be understood in a different way and this forms part of the mysteries of this work, even in those occasions where it may seem almost absent. The melodies have to be on this occasion almost imagined.

The journey of ‘Rítmica’ (pn104) takes place very briefly, it opens and closes, and in a flash perhaps you wake up to reality neither more nor less than in the studio of the Dear Professor Zacarías Malden!

Don’t worry, the ‘system’ guarantees the return to natural size upon your return. You will not return as “miniatures,” nor will you have been devoured by the insectoids or by the ‘Pac-mans’

Luckily the electricity will not have disappeared out there! What is more we know that we can count on Professor Zacarías to deliver new and future entries of adventure in the form of installments and albums.

Felipe Raurich Böttiger
Capitán del Nautilus en el programa musical on-line:
20.000 Leguas de Viaje Submarino (Un Mundo de Aventuras Musicales)
(Valparaíso, Chile. Marzo / March 2016)

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posted 22 March 2016

DR – January Recordings

DR – January Recordings
[su004]

DR

“January Recordings”

DR – January Recordings
DR (Dominic Razlaff) is an Electronica & Ambient musician from Braunschweig, Germany. Uses Synthesizers, Field Recordings, Tape Loops & some digital Effects to create Melancholy, Deep, Ambient / Drone Soundscape.

Tracklist:

1. 26_01_2016 06:01
2. More Compression (But not a Brick) 05:44
3. Untitled Tape Loop 08:06
4. Five Chords With Tremolo & Distortion 06:04
5. Coffee & Cigarettes 07:25

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posted 01 March 2016

C. Reider / Jeph Jerman – Pop Variations

C. Reider / Jeph Jerman – Pop Variations
[pyr175]

C. Reider / Jeph Jerman

“Pop Variations”

C. Reider / Jeph Jerman – Pop Variations
Netlabel Pan y Rosas Discos has released a new collaborative album from C. Reider and Jeph Jerman. The album consists of a single 30 minute track comprised of edited vinyl pops and crackles. C. Reider wrote the following about the album:

in 2015, my friend jeph jerman sent me a very lovely lathe-cut record. one side has a twelve minute track of the pops and crackles that are typical of vinyl records. all of the sounds in pop variations were derived from that recording, using various techniques, like running the pops & clicks through a de-clicking algorithm, or slowing down the recording to the point where you can hear the needle bouncing at each pop.

-CR

You can download the full release from the label’s website

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posted 25 February 2016