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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: experimental

Various Artists – Oompa Loopma Riot

Various Artists

“Oompa Loopma Riot”

From 1979 to 1983, the Australian Terse Tapes label made cassette compilations. These are in danger of becoming “classics”, a complete betrayal of the energy that made them. There is no better antidote to cloying nostalgia than the corpse getting up and refusing the funeral.

So instead say that from 1979 to 2015, Terse Tapes made compilations, and here is more of the same. You could put it on a cassette if that matters.

I invited a few people I know, and they invited a few people they know, and music started to arrive in my inbox. I refused to listen to any of it until April Fools day. No one curated anything, although some people were nice enough to chase up their friends.

Having heard this music over the last 24 hours I can divide it into some useful ‘sides’, but keep in mind you are able to arrange it however you like in this non-linear wonderland in which we are trapped.

Side A: people who have doubts about music.
Side B: people who do not fear a pretty tune.
Side C: people that make graphs and grids.
Side D: people who could plausibly perform in a public ale house
Side T: time lords

Although supplied for no payment, there are specific rights attached to the recordings, which remain the property of the artists. Do not sell this music for a profit, do not use this music for any commercial purpose, including but not limited to, placement alongside advertisements or behind paywalls.
credits
released 01 April 2015

Organised by Tom Ellard at Terse Tapes, Sydney, Australia. Contents made in the USA, UK, Canada, Switzerland, Australia and other parts of the universe that man may visit from time to time. May contain nuts.

posted 11 April 2015

V.A. – Girls Alive

15

V.A.

“Girls Alive”

Just a few days away from the conmemoration and annual women’s celebration for their rights’ equity, from the sky falls the new compilation from Modismo label, entitled “Girls Alive”, which draws together music composers and producers of mystical will who explore, amuse and spruce up with a free-download musical offering. It is, indeed, a spectrum of very well achieved and diverse sonorous pieces.
Loaded with defying finesse and neatness these musicians embalm the air via their wavy machinery. There is wisdom behind this musical trip’s jolliest passages. And life, a lot of life in the fertile sequences of this work which, all through its eclectic extent, masterfully demonstrates how to balance experimentation and gamble with a sublime and deferential treatment to the ear. Maybe it is an ancestral and female secret the power music has to interconnect us. But the more you plunge in “Girls Alive”, the more assured you are that this secret is hidden in good hands.
>From and towards the most lulling and deep unto the most stimulating and intriguing that this new release from the netlabel Modismo delivers us we cannot do anything but smile and be thankful for each one of the female presences around us, chiefly when they decide to unite and give strenght, love and music.

Tracklist:
01 – Riz Maslen – Pleiades – UK
02 – Chra – kw23territoriesdel-grain – Austria
03 – Ema Remedi – Break – Uruguay
04 – Alisú – Las aventuras del Sr. Tomita – Chile
05 – AGF – If you – Germany
06 – Laura Hurt & Salo Panik – Patrie Arkham – France
07 – Kinética – Frontera – Chile
08 – Sonae – Pianokratz – Germany
09 – Riz Maslen – Your War – UK

posted 10 April 2015

Hank the Think Thank – HAnK222

0kbps085

Hank the Think Thank

“HAnK222”

Hank the Think Thank

HAnK222 [0kbps085]

01 – iHank
02 – fr0zzenn Frzzn
03 – Chhubbyy BBW
04 – po-poPPe fRRancis
05 – C_Am!Am0 (With Laika Facsimile)
06 – no_thin-wronG
07 – Hel0 VeN!ce

https://soundcloud.com/hankthethinkthank

MAV [0kbps] Records, March 2015

posted 07 April 2015

Chris Silver T & Anna Stereopoulou – Spirits

PT010

Chris Silver T & Anna Stereopoulou

“Spirits”

«Spirits» came to life after Chris Silver T invited Anna Stereopoulou to a collaboration project on the same titled track of the album. Chris’s field recording on the specific composition took place during one of his visits to his hometown; a morning walk to the village, through stone pathways and towards a peaceful area, where spirits can be heard in the air.
Anna Stereopoulou: piano, synth, mixing
Chris Silver T: drums, field recordings, (synth at Track No.3)
posted 04 April 2015

Wings of an Angel – Rest In Peace (A Soundtrack For Irreversible Relaxation)

Self-Release

Wings of an Angel

“Rest In Peace (A Soundtrack For Irreversible Relaxation)”

Being the hyperly compassionate bloke that I am, I am hereby proud to present my April Fool’s offering: The Ultimate Relaxation CD – “Rest In Peace”! That’s right boys and girls! From now on, You will never need another relaxation CD for your zoning-out/tripping-out exercises :)
This particular LP was borne from the ether by yours truly as an exercise in alternative reality deconstruction. It seems to me that in today’s rather watered-down social environment, everybody’s striving towards some inner peace and balanced harmony, which at certain doses is of course a fine goal, but an exceeded dosage of this state of mind leads in my experience to mental stagnation. We evolve as we struggle, at least that’s what I’ve learned from my life’s journey.
Being an intense person from birth, I’ve known very little of this infamous “relaxed” state of mind, which at times can be a tad overwhelming from foreign eyes’ foresight, but for me it is a wonderfully vivid blessing. I quite dislike simplicity as a rule of thumb, and relaxation in my eyes is mostly a one-dimensional experience. And not experiential however I turn it around. It lacks the experimental edge that sleep has, for instance. Thus, I never experience sleep as a relaxation-driven existential mode. It is ‘something else’, literally. The more people talk about how we, as species, supposedly understand what sleep is – the more I laugh out loud. Nobody understands the profoundly unfathomed meta-realities of what sleep is and what it is not. It is in my perception deeper and much more fathomless than any artificially induced (so-called without a justification in my eyes) psychedelic state of mind (or rather – The Psychedelically Clichéd).
Meditation too, in my wildest opinion, aside from being a pretty useful therapeutic tool for certain individuals and groups, is not the aid I’d happily suggest for the ever-curious artist and keen explorer of the world. The whole idea, in my perception, is to OPEN UP perception and expand the senses (while being in control of the experience in the purely non-psychedelic sense) – not to minimize these to minimum and freeze like a perplexed virgin lama who had dreamed an erotic dream of a Himalayan mermaid while struggling with high maintenance Samadhi.
I certainly do wish that this semi-improvised high-voltage voyage to the ultimately irreversible relaxation realm will be an unforgettable one for each and every one of you – individually and in the most mentally and emotionally intimate way possible.
On we move to an individual infinite space of multidimensional unconscious relaxation!
posted 01 April 2015

Mauro Martinuz – Suez Ep

EKR010

Mauro Martinuz

“Suez Ep”

Mauro Martinuz, sound engineer, soundtrack composer for cinema and contemporary theater, owner of the Transfert studio and founder of NEDAC collective.

Written,produced,recorded and enginered by Mauro Martinuz at Transfert studio in Berlin.
Additional musician: Luca Sella.
Artwork by: Michele Servadio ( servadio.com )
Suez Ep by Mauro Martinuz is licensed under a Creative Commons Attribution-
NonCommercial-NoDerivatives 4.0 International License.
Permissions beyond the scope of this license may be available at
ekar-records.tumblr.com/contact.

posted 28 March 2015

Gandolfo Ferro – Eirian

SCM-15012

Gandolfo Ferro

“Eirian”

“Eirian” is a Japanese word which means “Alien” and the title of Gandolfo Ferro’s first release with Sucu Music.
In the best science fiction tradition, the theme of this concept album is alien abductions, something which, we are sure, will interest more than some of you out there. The music is what you might call dark ambient, but there are also sprinklings of ‘old-time’ electronica that widen the sound palette and make this release a very enjoyable trip to the recesses of unknown galaxies and back.
posted 27 March 2015

Helicalin & lost-radio – Everyting So Stoned, Everything Is Bad

[SCL163]

Helicalin & lost-radio

“Everyting So Stoned, Everything Is Bad”

Музыка огромного мегаполиса, накрывшейся вечным одеялом ночи.
Его многолюдных улиц, где всегда теряются одинокие души и серых домов, где люди превращаются в тех, кто сидит внутри них.
posted 26 March 2015

(dell​.​tree) + Metek – Lisergic Weird Funk

EdP073

(dell​.​tree) + Metek

“Lisergic Weird Funk”

This collaboration between Brazilian (dell.tree) and Swedish ‎Fredrik Nilsson Metek combines elements of two very different cultures into a sonic mishmash. Tropical sci-fi for the adventurous crowd (if you ask me)!
posted 25 March 2015

Outsider Leisure – Сны Митасова

PICPACK221

Outsider Leisure

“Сны Митасова”

01-Epileptic Drums(1:32)
02- I Saw You Dancing(2:08)
03-Десятая Cпица(4:34)
04-Кто-то Вышел(2:08)
05-Ода Солипсизму(2:26)
06-Пирог Доброты(2:10)
07-Сны Полярных Сов(3:10)
08-Сон Митасова I(3:14)
09-Сон Митасова II(3:26)
10-Сон Митасова III(2:42)
posted 23 March 2015

Juan Antonio Nieto – Static

PT009

Juan Antonio Nieto

“Static”

Juan Antonio Nieto | Static
“Static” is a short album of abstract concrete music. The main idea was to use “field recordings” from restaurants and coffee shops, mostly the sounds of plates, spoons, knifes etc., as well as sounds recorded while the artist himself was having breakfast. He also uses sets of found sounds, from objects at home. He mixes the different timbres with minimal electronics, trying to give the result a natural feel. For this album he chose 6 tracks out of 12 – the ones that worked better with the concept. The dark drones were composed especially for each theme and then added to the percussive sounds, conveying an abstract, ambient and dreamlike sense.
posted 21 March 2015

hiyohiyoipseniyo – homemadecontactZ

0kbps08

hiyohiyoipseniyo

“homemadecontactZ”

hiyohiyoipseniyo

homemadecontactZ [0kbps084]

01 – jana’s’mitu
02 – ca_tal_col_onia
03 – alhainen paristo a la radio
04 – heridas incompatibles con la vida
05 – caLonia al poblet
06 – propolio
07 – PolitiKant EduCante
08 – anem-nos-en
09 – AnUs UnkLet
10 – Orgue Mafumetus
11 – singing in the brain
12 – elpoblet
13 – Showering The Dog -primer lladruc-
14 – ultraperiferia macarrónica
15 – no en queda gens. adéu

>From Contact Group of Homemade Experimental Electronic Music and Noise (…2011-2012…):

Compilation produced and compiled by Hal McGee.

Contact Compilation Project logo by Dave Fuglewicz.

http://hiyohiyoipseniyo.blogspot.com.es

MAV [0kbps] Records, February 2015

posted 18 March 2015

Skinfaxe – Failure System

D!HR-28

Skinfaxe

“Failure System”

For its 28th release, Da ! Heard It Records presents Skinfaxe’s first album: Failure System.
An opus of eight tracks of electronic sounds, Failure System offers us a well-led orchestration of synthetic derailments.
Like a good tour guide, Skinfaxe takes us to the hidden corners of her diverse ambiences and sonorities, experimented on in Reason. The result is an album with an increasing intensity in which every sound is whittled from its raw form, ready to receive pageantry and arrangements to bring out a piece with a colorful personality.
Distributed under CreativeCommons license BY-NC-ND, the album is downloadable at the following link: http://www.daheardit-records.net/en/discography/dhr-28
posted 16 March 2015

adcBicycle – Malignant Cove

[SCL162]

adcBicycle

“Malignant Cove”

Malignant Cove is adcBicycle’s 3rd album. All tracks are about a rocky ocean cove in Nova Scotia, Canada. The album was constructed to be catchy, dark, background music. The music engages the listener with gritty analog sounds, loosely played instruments and driving beats, yet at the same time sits peacefully in the background with distant vocals, slow building drama and a consistent dark pop mood.
posted 15 March 2015

Wings of an Angel – Surreal Reductionism

Self-Release

Wings of an Angel

“Surreal Reductionism”

I had then walked and walked forward on, with abrupt and unhesitating steps, leaving behind and beneath me a landscape of emotional chaos and languishing turmoil… I was alone again; an indisputable shadow piercing through the dense light. The clouds had no sign of giving up, force-feeding me with rain and occasional doses of excessive oxidation. I hardly breathed; at times I almost forgot my own name and place of origin… I moved through the darkening terrain, stepping to and fro unrecognizable crowds of human-like robots dressed in traditional attire, constantly reincarnating monsters and transparent biblical creatures. I passed a lovelorn tomb and an empty forest without a birthmark. I kept on walking even though by then I didn’t know whether i’m dead or alive… I took some photographs but had nowhere to develop them. So I ate them to keep me safe from starvation. I saw a crippled young girl offering poisonous candies to funnily dressed women, and strangely beautiful very old men offering their bygone youth to unborn babies. I could hear the distant noises of war but also the comforting buzz of nature’s cutting edge freedom. I walked forward like a zombie with closed eyes, led not by my eyesight but by my rusty inner compass… Where to? I wish I’d known. Or… Do I, actually? Perhaps it’s better not to know anything…
We know not where our separate paths lead us, none of us know anything, as a matter of fact. We play an occasional role here and there; yet everything we are is a theatrical mirage; each one of us being a minor player in this surreal shadow theater. You may believe in whatever you want or whoever you want; it doesn’t matter to me. You may lead your life according to society’s compass or the fathomed rules of your psyche… You may be and/or choose to be a clown or a god… I will still pass through you as if you were a random ghostly projection of my perpetually dreaming consciousness…
posted 14 March 2015

Mers – Click Pussy

EdP072

Mers

“Click Pussy”

Controversial producer of the 21st century. A visionary, known for his sod-cutting construction building in electronic music, aleatory composition and sound space.
Follower of the Darmstadt School, his early student compositions remained out of the public eye until the conjunction music experience resolved in the debut album “unsound noisy glitch”.
Mers describes music written in an uncompromising transethnic style with a mixture of recognizable genres.
posted 11 March 2015

Miquel Parera – nxVacuity004 – Inversion

nxVacuity004

Miquel Parera

“nxVacuity004 – Inversion”

De una forma insospechada, el propio algoritmo conlleva la inversión de los valores iniciales.
Quizá sea porque éstos, ya en el propio momento de su elección, no significaban nada.
Un juego de prestidigitación en el vacío, extrayendo números del caos y buscando, a posteriori,
el sentido que los relaciona.

In an unexpected way, the algorithm itself makes the investment of the initial values.
Maybe because at the time of his election, this values meant nothing.
A game in a vacuum, picking numbers from the chaos and the searching, a posteriori, of the meaning.

posted 07 March 2015

Deftechnixks – Reliefless

UPL 061

Deftechnixks

“Reliefless”

“Reliefless” is a 4th album by Deftechnixks, an experimental rock unit which employs different rules, strategies and approaches to their every album.

This time, Deftechnixks decided to explore repetition in rock music, by releasing 12 songs, each based around repeating the same motif over and over again. The result, however, is far from boring! Each consecutive song is constructed from increasing number of notes for each instrument, thus for track 1 there is a 1 note motif for drums, bass, guitars, keyboards and vocals, for track 2 each consists of 2 different notes and so on, up to 12.

However cerebral this may sound, the resulting songs are actually very much rock music, bouncing between punkish simplicity, postrock clouds, metallic screaming, industrial mechanics, shoegaze dreaminess and plain all catchy sing-alongs.

Instead of being monotonuous, the melodical,rhythmical and production choices make it a fun listen, since Deftechnixks eagerly employs minor changes here and there, ranging from minimalistic, like occasional additional snare and cymbal hits, through very gradual, like expanding palette on “caffeine” or a “hidden” vocal track emerging in “Turn your pink eye to the sky”, purposefully leaving the accidentally doubled instrumental track on “hey bird trash double” or even straight-up demolishing one motif by overlaying it with another, creating a loopy cacophony in “Snow Shelby Over Vasenby”.

So, this is an experimental rock album one can actually rock out to, and at the same time a groovy rock album that is fun to take apart and look into its interlocking parts, all put in a specific order.

Enjoy and worry not, since the most important rule is always “if any rule stands in the way to creating an enjoyable song, disregard the rule immediately!”

Jan Strach creates a lot of music in bands and solo under many pseudonyms, all of which is available here:
underpolen.bandcamp.com

posted 04 March 2015