We consider ourselves Explorers, because many of our works exhibited the results of an adventure or an investigation. So it was with albums like, “Tierra de Espectros” (2002), “Antartikos” (2005), “La Idea – Canto a la Federación Obrera de Magallanes” (2007), “Kuluana” (2009) and “Insula in albis” (2013).
“Zonas de Silencio” (Zones of Silence)” is the result of one of these adventures. This consisted of moving the act of Composing and Recording an album and a film outside the comfort of the studio, carrying portable technology to remote locations and abandoned premises of our environment, specifically in the communes of Punta Arenas and San Gregorio. In successive outings between the months of January and May 2014, we managed to record improvisations in places as dissimilar and evocative as a volcanic crater, a steamer rusting on the banks of the Strait, an abandoned lighthouse, a small and little known ranch, the structure of an old fridge, a coal mine, a beautiful cinema closed for more than a decade and a closed hospital. It was our way of merging ourselves with the landscapes that we love, in the shadow of the remains that were left at the edge of the Road of the Magellanes Story.
With “Zonas de Silencio”, we feel that we have contributed another vision of our Frontier Society, one which doesn’t glorify anyone in particular. We are only Ourselves and our Machines, forming a closed circuit but sensitive to the vibrations emitted by the solitary places.”
Lluvia Ácida
(Punta Arenas, Magallanes, Chile, January 2015)
her first album for pan y rosas is a brief album of drones that caroline composed and mixed in los angeles, london and providence. she suggests –
play at full volume,
with good speakers
in a nice room.
no head/earphones please (sound needs space).
Brian Grainger is the head on Coopice Halifax, it’s from South Carolina, US. Brian has amassed hundreds of recordings since 1997. After his last works Lowlight & Static Farm, he shows his new album called Imperial Grey. Imperial Grey is a before and after a trip to the ocean depths, dark sounds accompanied by gentle rhythms how nature that lives in the ocean.
Written & produced by Brian Grainger. Recorded at Botany Bay, November and December 2014. Mastered by The Analog Botanist.
www.coppicehalifax.bandcamp.com
www.analogbotany.com
Cover design by Eric Adrian Lee.
www.ericadrianlee.com | www.ericadrianleedesign.tumblr.com
‘Duo recital”
Marcello Magliocchi : drums, percussion
João Pais Filipe : drums, percussion
Live rec. in May 2014 at “Sonoscopia”, Porto-Portugal
Recorded by Gustavo Costa
Cover Photo by Lidia Stranges
JoyDee is a music producer since 2011, Tosh is self-learning guitarist. Common project was found in 2013. JoyDee says: “We combine an electronic music with sounds of a guitar. The only one inspiration is unconsiousness”. One thing is sure. She is very tallented sound-magician and Tosh complements her visions perfectly with his psychedelic guitar. Very “cinematic” tracks. “Last Glance” is the most spectacular. It can’t get out of your head. Could be used as a movie or TV-series theme. Fryvolic Netlabel’s recommendation!
Tracklist:
01. JoyDee – Intro – 1:32
02. JoyDee&Tosh – Last Glance – 3:17
03. JoyDee&Tosh – Stones – 5:02
04. JoyDee – Animus – 4:37
05. JoyDee&Tosh – Unfold Perspective – 1:52
06. JoyDee – Weary – 3:34
07. JoyDee&Tosh – Soothing Indifference – 4:16
08. JoyDee&Tosh – Elapsed Time – 3:21
09. JoyDee&Tosh – Time Tonight – 3:28
10. JoyDee – Time Tonight (Remix) – 3:49
Total time – 34:48
К выходу нового альбома, Pk jazz Collective подготовил шестой выпуск «Southern City‘s Lab podcast», в котором вы услышите целеустремленных покорителей космоса, призраков джаза и психоделических демонов.
Альбом “The Farewell” выйдет в конце января – начале февраля на Run On Recordings в CD формате и в цифровой версии на Southern City‘s Lab.
Tracklist:
Bedroom – Lunar Program
Bedroom – Landing
Bedroom – Going Home
Longman – Domestic Violence
Eject – Instead Of Us There Was Rustle Heard (5)
Ascorbic Acid – Окно
Михаил Чекалин – Джаз-рок вокализ
Vespero – Триптих уходящему солнцу
Asthma sufferer [0kbps079]
01 – Nexp-intro
02 – Diagnosis
03 – Rapetsiya (part1)
04 – Rapetsiya (part2)
About Ep:
Ep recorded in studio,
Free improv, avant garde jazz, this volume walk for more gloomy lines
the highest density on hazy ambient, through moments of noise and
experimentalism.
We also attended the
project Art Electronix (Ukraine) contributing more in the sound of
the band giving new facets and climatic sensasões in music
A partnership that really
worked and can yield new ways for music to art.
About name “asthma
sufferer”:
Asthma (from the
Greek ἅσθμα, ásthma, “panting”) is a common chronic
inflammatory disease of the airways characterized by variable and
recurring symptoms, reversible airflow obstruction and
bronchospasm.[2] Common symptoms include wheezing, coughing, chest
tightness, and shortness of breath.[3]
Asthma is thought to be
caused by a combination of genetic and environmental factors.[4] Its
diagnosis is usually based on the pattern of symptoms, response to
therapy over time and spirometry.[5] It is clinically classified
according to the frequency of symptoms, forced expiratory volume in
one second (FEV1), and peak expiratory flow rate.[6] Asthma may also
be classified as atopic (extrinsic) or non-atopic (intrinsic)[7]
where atopy refers to a predisposition toward developing type 1
hypersensitivity reactions.[8]
OLEO (Orquestra Livre Experimental Orgânica)
Members:
Nando Souza: saxophone
Romulo Alexis: trumpet
Jeferson Peres: drums
Marco Antonio: bass / noise effects /
fx synth
Reginaldo Rodrigues: handmade
instruments / alaude
Vice Fiori: 5 strings
violin FX / bagpipes
Special
participation in “Nexp” and “diagnosis” Art Electronicx
(Ukraine)
Cover Art by Tor
Fröseth (Norway):
Art Electronicx (Ukraine):
http://artelectron02.wix.com/artelectronix
MAV [0kbps] Records, December 2014
Die Elektrischen Vorspiele, a blog founded on January 15 2009, and whose sixth anniversary is commemorated with this release, was envisioned as a space for the nurturing of a “savage thought” (that is, of an undisciplined nature). In its essence, and as an individual project, it aims mostly to be a vehicle for its author’s vast-reaching interests, while at the same time harnessing them into some form of discipline. More than just a reflection on the fascination caused by the themes implicit to its lexical field of action, as shown by the coordinates and key concepts that define the boundaries of its territory, i.e. “Occultism” / “Esotericism”, this virtual space mainly maps some of the topologies enclosed in the History of Ideas. A vast and sometimes ignored area of Knowledge, whose apparently paradoxical character drives a magnetic pull towards the need to identify its true nature, as ubiquitously manifested along various historical cycles, in an unending drama staged in the theatre of the Anima Mundi. This is, in fact, the true raison d’être of Die Elektrischen Vorspiele.
As a direct result of its existence, November 2010 saw the publication of the book “Summa Techno(i)logicae”. This work, as implied by its title, is a thoroughly compiled and systematised patchwork reflecting the interests that guide its author’s research. From then on, periodic collaborations with other projects ensued, such as the magazines Finis Mundi, Infernus and Antibothis.
Still under the aegis of Die Elektrischen Vorspiele, and always through the establishment of complicities and connections, a number of events were created and carried out in the past six years. This set of actions (with Music as a constant common denominator) has had as its main goal the evocation of the life and work of various figures that have left behind crucial legacies. The people celebrated include the musician John Balance (Coil); the historian of religions Mircea Eliade; the poet and theatre director Antonin Artaud; the philosopher Georges Bataille; and the Japanese writer Yukio Mishima. It is also worth mentioning the series of events spanning along the year 2013, Occult Esoterica AV Gatherings, curated in collaboration with intermedia artist Ana Carvalho.
The proposal made to EdP – Editora do Porto (in the person of its administrator, João Ricardo) for the release of this compilation emerges as a consequence of shared common cosmologies which have gradually been transmuted into friendship, and also of João Ricardo’s encyclopaedic musical knowledge, while the invitations made to the artists taking part in it are the logical result of a chaining together of elective affinities (a process permanently taking place since the first Homeric dawn).
Júlio Mendes Rodrigo
Porto, December 23, anno 2014, era vulgaris
Die Elektrischen Vorspiele, a blog founded on January 15 2009, and whose sixth anniversary is commemorated with this release, was envisioned as a space for the nurturing of a “savage thought” (that is, of an undisciplined nature). In its essence, and as an individual project, it aims mostly to be a vehicle for its author’s vast-reaching interests, while at the same time harnessing them into some form of discipline. More than just a reflection on the fascination caused by the themes implicit to its lexical field of action, as shown by the coordinates and key concepts that define the boundaries of its territory, i.e. “Occultism” / “Esotericism”, this virtual space mainly maps some of the topologies enclosed in the History of Ideas. A vast and sometimes ignored area of Knowledge, whose apparently paradoxical character drives a magnetic pull towards the need to identify its true nature, as ubiquitously manifested along various historical cycles, in an unending drama staged in the theatre of the Anima Mundi. This is, in fact, the true raison d’être of Die Elektrischen Vorspiele.
As a direct result of its existence, November 2010 saw the publication of the book “Summa Techno(i)logicae”. This work, as implied by its title, is a thoroughly compiled and systematised patchwork reflecting the interests that guide its author’s research. From then on, periodic collaborations with other projects ensued, such as the magazines Finis Mundi, Infernus and Antibothis.
Still under the aegis of Die Elektrischen Vorspiele, and always through the establishment of complicities and connections, a number of events were created and carried out in the past six years. This set of actions (with Music as a constant common denominator) has had as its main goal the evocation of the life and work of various figures that have left behind crucial legacies. The people celebrated include the musician John Balance (Coil); the historian of religions Mircea Eliade; the poet and theatre director Antonin Artaud; the philosopher Georges Bataille; and the Japanese writer Yukio Mishima. It is also worth mentioning the series of events spanning along the year 2013, Occult Esoterica AV Gatherings, curated in collaboration with intermedia artist Ana Carvalho.
The proposal made to EdP – Editora do Porto (in the person of its administrator, João Ricardo) for the release of this compilation emerges as a consequence of shared common cosmologies which have gradually been transmuted into friendship, and also of João Ricardo’s encyclopaedic musical knowledge, while the invitations made to the artists taking part in it are the logical result of a chaining together of elective affinities (a process permanently taking place since the first Homeric dawn).
Júlio Mendes Rodrigo
Porto, December 23, anno 2014, era vulgaris
LIVE AND LET LIVER VOL 1 [0kbps080]
01 – Trapianto di Fegato – T(d)F2
02 – d u b l o r – è uno sballo mi piace
03 – Jieko – Niggas On Neptune
04 – Lorenzo Squilloni – Eternal Soundscape
05 – Trapianto di Fegato – Blogrock
06 – Prudject – The mystical disease of a fainted shadow in a washing machine I
07 – Trapianto di Fegato – Pachino
08 – Le Nozioni – Grazie di esistere
09 – Trapianto di Fegato – Slaprock
10 – Jieko – Fanculo
11 – d u b l o r – Meanwhile nella casa di riposo
12 – Trapianto di Fegato – Raga bello il posto ma i drink costano un sacco
13 – Jieko + Trapianto di Fegato – Pollih (l’olocausto animale)
14 – ilGuglia – Racolta Differenziata
15 – Trapianto di Fegato – Black Moon
16 – d u b l o r – TROLLFACE
17 – Trapianto di Fegato – We (letto proprio come Uè! non nel senso di noi in inglese)
18 – Jieko – 紙に一度 Kami_Faber
19 – Corkscrew N° 4453556 – Teratoma
Ē̎ ̽̔E͋́͠ ̐ͪ͞E̓ͩ̊ͯ̚ ͘E̶̒̉́̌ Ë̒ ͐ͭ̅͛ͫ̓̚Eͤ̆̿ ̈́ͩ͂͛͢E̽ͤ̃ ̒̾͡E̓̌̓͑ͫ ̂ͬ͗͒E̛͋ͨ̌̃̎ ͦ̒̓ͯ͑̇́̕E͗̓̈́ ͋̆̀͛͋ͯ̄E̽ ̍̽ͯE̢ ͥͩ̎̍ͨͯE̶̊͐ ̌̿ͪEͥ͋͂ ̐̎̌Ȅ̡ͭ ̿͌͋ͨ̒̍E͡ ̿͌͢Ȇ̃ͫ̓̇ͯ ̶̈̂̉ͩEͧͫ͒̑̓̚ E͑͂͐̾̚ Eͯ̓̍̍ ̧ͮ͂̎E̡ͩͨ̀̚ ͒̋̃̀Ĕ̅ ̒̿͋̀E̶ͯ ͥͫ̒̿͂͌̊͏
First edition of the compilation organized by the network ‘Un altro trapiantato musicale’ made possible by the collaborations between different musicians from different realities working together in a net-collective.
MAV [0kbps] Records, December 2014
It all starts with the surrealistic absurd of Mutafory Lili telling with their both comic and psychodelic track about the daily life of our protagonist, where if you listen closely you can realise that he is about to break down. Then the action is transferred to the cosmoport, where Pk jazz Collective, toying with the new wave, is singing a song of mourn and sorrow, maybe even of the lost love. Lost radiance are painting admirable soundscapes, showing all the beauty of the deep space. Finally the duo of Sexyalien & Hank Hobson ($IMDC) is depicting some difficulties during the flight of the spaceship.
After that we are setting off for an automobile ride consisting of three chapters: crazy races across the megapolis by Hobotek, a ride along the highway in tune with jazz by Sobrio and the last few kilometers along the rough coast by Eva Shlegel.
And here comes the seclusion, where being alone with the self, nature and darkish atmosphere, perfectly rendered by SandSpace & lost-radio, D-lity & Amaranth will tell a story about the long-desired evening at the seaside.
