Silence is even sexier if it is your silence!
So shut the fuck up and buy this record to be the sex bomb you’ve always dreamed of.
El Sob is not one of the classic influencers you can find on the internet, He’s the master of the silence. Enjoy his guitar-driven songwriting between Arto Linsday and Bill Frisell as the only thing better than silence is El sob, or it was João Gilberto?
credits
released March 15, 2021
released February 25, 2021
Musicien.nes:
Clara Colle: accordéon, chant
Aurélien Guille: chant, guitare
Antoine Marchal: batterie, mandoline, chant
Django Rey: contrebasse, chant
Invité.es:
Dk et Djé (La Meute)
Clémentine, Gabin, Nino et Wendyame: voix d’enfants (La Meute)
Enregistrement, mix et mastering: Fred “Brain” Monestier à La Bobine (Grenoble-38)
Illustration: Metra
Mise en page pochette et livret: Marika Gourreau
Photo livret: Christophe Chatel (projet Turntables)
今作は、私が作曲を始めた2010年の次年、2011年の年始に『2011』という曲を作ったところから始まりました。
その当時は家電量販店で買った通話用の1000円のステレオミニプラグマイクをPCに直挿しして、
フリーソフトであるAudacityで録っていました（Audacityはいまだに現役です）。
それをかのMy Spaceにアップロードしたのです。
それから毎年始に曲を作り、10曲貯まったのがこの作品です。
当初は、必ず西暦を歌詞に入れ、「前年を振り返り、本年を想う」というような趣旨で作っていたはずなのですが、
『2019』の冒頭で語られているように、終盤の曲ではそういった”ルール”はほとんど撤廃され、
作りたい感じで作ればいいというラフな姿勢になっていきました。
ですがまあ一応、個人的であれ、世間全体であれ、そういった時事を取り入れようとはしていたものですから、
友人から「『2016』の”謎の建物”って新国立競技場のことでしょ？」とか、
「『2019』の”ツノ”は亥年だからでしょ？」などと思ってもいなかったことを言われ、
面白かったのを覚えています（猪はキバだと思いますが）。
そしてさらに面白いのは、作った曲がその年にフラッシュバックするような場面が訪れることでした。
「うわ！今のこの状況、年始に歌ったぞ・・・。」ということが不思議と毎年ありました。
今年など清洲橋を歩いて渡るときに、殺されるのではないかとビクビクしたほどです。
もはや自分にとっては呪いのようになってしまっていたのかもしれません。
そういったこともあって、『2021』は、果たして作るべきなのか今非常に悩んでいます。
もうキリ良くやり切ったのだから、もうこの企画からは足を洗うべきなのか。
加えて、次回はコロナのことも絶対念頭に入れなければなりませんし。
とにかく本作は、序盤の曲など聞き苦しいことこの上なく、
発表することなど私にとっては恥をさらす以外の何事でもないのですが、
もし他の人がやっていたなら、絶対に聴いてみたいと思うはずですし、
なにより10年前の自分の野望を無下に却下できないというのもあり、
発表に踏み切りました。
credits
released December 30, 2020
作詞・作曲・編曲：Shinnnosuke Sugata
twitter.com/VisitToSugata
released April 21, 2020
all income from this pay-what-you-want record will be donated to Black Lives Matter.
we stand in solidarity with the families of george floyd, breonna taylor, ahmaud arbery, & those of the innumerable other black americans lynched in this country throughout our history.
we stand in unequivocal solidarity with black americans begging for their FULL liberation.
violence happens against humans, animals, the earth. not property. looting & vandalism ARE non-violent protest. burn down the symbology of oppression—this is a powerful gesture. don’t compare it to the loss of life by using the word “violent.”
we are committed to listening, learning, & using our voice to help fight for the change that is so desperately needed in this country.
recorded between January 17 – February 23, 2020
performed by:
Evan Stephens Hall (vocals / guitar)
Josh Marre (guitar / vocals)
Sam Skinner (guitar / keyboard / percussion)
Nick Levine (guitar / pedal steel / vocals)
Megan Benavente (bass / vocals)
Zack Levine (drums / vocals)
recorded by:
Chris Dwight
mixed & mastered by:
Sam Skinner
all songs written by Evan Stephens Hall
courtesy of Ampersand Logistics
we’d also like to thank to the incredible support bands on this tour:
LAKE
Whitney Ballen
Blue Ranger
thanks to our crew —we love you & these recordings wouldn’t exist without you!
sound engineer:
Chris Dwight
merch manager:
Lexie Frisbie
backline technician:
Sam Smiley
Mike Dvorscak
tour manager:
Sir Phillip Randall
bus driver:
Larry Dincher
& a special thanks to Tom Davies & Sammy Maine
Sesión grabada para el 2o Festival Internacional de Cine Anarquista – Toluca/México.
Autoproducido por Alan Vargas la fría tarde del 29 de Noviembre.
2 New Songs for Summer 2020
Recorded at home 7/20 by MT.
Photograph by Matthew Chasney
credits
released August 6, 2020
I’m worried for the fall
And the coming crash
It took us ten years to dig out from the last collapse
And now we’re sliding back
I’m worried for the fall
And the Second Wave
When I drive through town I see it coming
Or maybe it’s here
And no one seems to care.
I’m worried for the fall
And schools and of losing our house
and the last faith that I had in common good
and empathy
This year will hang over the rest of our lives.
Why
Why
Why
Why
Why
Third album by First Catatonic Ensemble, “.”
Released on Spettro Records on 12/5/2020.
“Voy contra el viento
Calle Real, Esquina Parvada
No queda nada (No importa nada)
La soledad es hoy
Mis dos agujas lloran…”
Todos los temas y el arte de tapa fueron escritos y creado por “Aramis Rivero” (Solymar Norte, Ciudad de La Costa, Canelones, Uruguay).
*Gracias a Joel Correa por prestarme su tecladito para ambientar los temas “Su escalón” y “Serpentario”!
*Gracias a mi familia, amigos y quienes me apoyan. Por existir.
*Álbum dedicado a mi familia y amigxs.
(Estará pronto y disponible a oídos en la siguiente Re-Encarnación…Ya llegó la Re-Encarnación…).
credits
released December 4, 2020
dacrilarecords.bandcamp.com
orgiadeextincion.bandcamp.com
aramisrivero.bandcamp.com
It’s a sad day for Caveiras and Arabia Saudade: no more the best Portuguese speakers in the lepers produtcions roster. Let’s enjoy one of the early works of Irmão Victor when it was not the star of today.
“I recorded Cronópio? during the year of 2017. It was when I decided to leave university in the city of Porto Alegre and to move to the Island of Florianópolis, to focus on my compositions and recordings. The álbum is in some way about the doubts I had in that time about my live and career choices. I recorded It while moving all the time. It was recorded in Passo Fundo – my hometown -, Porto Alegre, and Florianópolis, in different family and friends houses, and 3 or 4 songs where recorded in Dom Rodolfo Studio. A lot of the instruments were borrowed also, as I was always moving at the time – the situation is not that different now actually… It was released 3rd january 2018.”
More Irmão:
irmaovictor-popsup.bandcamp.com/album/irma-o-victor
popsuperette.bandcamp.com/album/maripos-rio
irmovictor.bandcamp.com
credits
released December 4, 2020
released November 27, 2020
…………………………
Música y letra: Diego Lorenzini
Arreglos: Diego Lorenzini y Stefano Ortisi
Diego Lorenzini: Voz, guitarra, teclados, batería y percusiones.
Stefano Ortisi: Saxo soprano.
Grabado y mezclado por Diego Lorenzini
Masterizado por Arturo Zegers en Estudio 050
Arte de portada: Diego Lorenzini
…………………………
Music and lyrics: Diego Lorenzini
Musical arrangements: Diego Lorenzini and Stefano Ortisi
Diego Lorenzini: Vocals, guitar, keyboards, drums and percussions.
Stefano Ortisi: Soprano saxophone.
Recorded and mixed by Diego Lorenzini
Mastered by Arturo Zegers in Estudio 050
Cover artwork: Diego Lorenzini
Dácrila Records, Entes Anómicos y Kriptonîa
entesanomicosrecs.bandcamp.com
dacrilarecords.bandcamp.com
“Canciones y textos que surgieron en estos tiempos de distancias y espejos, en baja definición y que se encontraron vagando en un espacio hecho de emociones ambiguas, momentos incómodos, ideas infames, y las ganas de contarlo…”
Los temas 1, 2 y 3 fueron creados por “Ingrid Cold” (Buenos Aires, Argentina).
Los temas 4, 5, 6 y 7 fueron creados por “Aramis Rivero” (Ciudad de La Costa, Uruguay).
Tapa realizada por Ingrid Cold y Aramis Rivero.
credits
released October 19, 2020
Slenko, Sinead (Sylvia?) & Hyde
credits
released February 20, 2020
Like Furry & Bukka’s “Party! At Home,” this record is more documentary than album. A collection of moments, caught in the wild and imprinted onto magnetic tape, during the first two nights of the new year.
Track 4, “Dec. 31, 2019,” contains an impromptu recitation of C. M. Slenko’s last poem of the decade. Tracks 6 and 14 capture Henry Hyde’s newest composition in the act of becoming.
Over 20 tracks, “slush” finds SSH re-visiting old memories from Slenko & Hyde’s back catalog, and crawling out of the past into new improvisations, inspirations, and interpretations.
All filtered through substance and sleep-deprivation — and a heavy dose of tape hiss — “slush” is unedited and uncertain, but honest and unwavering in its’ direction — forward, with one last sweeping backward glance, to survey the past for relics we will carry with us into the future.
9 songs about politics, parenthood, the pandemic and facing yourself in middle age.
Recorded at home Jan-April 2020, on Birchmont, Chestnut, South Main, and Royal.
Keith Freund: Sidrax, Clarinets, Sax, Cello, Piano
John Kolodij: Guitar, Organ, Piano, Synths, Loops, Mandolin
Jacob Trombetta: Pedal Steel, Guitar, Mandolin, Wurlitzer
MT: Guitar, Casio, Wurlitzer, Bass, Synths, Blooper
Photos by Matthew Chasney
*I was going to make this a “free download”, but apparently that causes issues with people using the bandcamp app so I’ve changed it to “pay what you want” but I am really not looking to profit off of this recording or crisis.
credits
released May 3, 2020
Bralitz 2014 was special. Well, Bralitz is always special. But 2014 – „Aaahhwoo” – probably was our most distinctive and fun festival. Being our first two day festival, it took a lot of work preparing it. We even built an outside stage with our own hands, while getting eaten by mosquitoes.
Still we managed to record some music during the week. For the first time there was a song with German lyrics – that’s special, too.
Bralitz connoisseurs will surely miss Nicolas Falcon’s trade mark voice and songwriting – he couldn’t be there that year. But he will be back for one of the next chapters!
DIY POP、FOLKTORNICA、BEAT MUSIC
アメリカ・ミネソタ州出身で現在、新潟在住のトラックメイカーＳＳＷの「Tom G」 のソロプロジェクト「tasru」による最新ＥＰ「Good Morning」
「Long for Laughter」MV
Written, recorded, mixed and mastered by tom g
(10 YEARS ANNIVERSARY OF THE RELEASE)
“Could an electronic musician become a pop artist? ‘Historial de Caídas‘, ESDLCP official debut is a statement in that sense: album and composer prove a style naturally leaning towards in-vogue pop music, using collage to create songs filled with non-existing choruses.
Throughout ten tracks, ESDLCP grabs assorted electronic resources to set up and disjoint material. There’s room for programmming, sampling, jamming, and deconstructing here. Everything merges into popular-music-crossing soundscapes, taking listeners into a tour of varieties, styles, and realms: toying with calm moods in ‘Puertas Adentro’, glancing to our folk music in ‘Un paso al costado’, and even flirting with rock music in ‘Cortina de Humo’, ending up with a high quota of pop in ‘A la velocidad del amor’ and ‘Voluntad de oro’.
This diversity sets up an endearing mapping, a fragmented, nice whole, mixing in subtlety all-pervading electronica and organic fantasies. Measured-Pop doses, songs and schemes in harmony, electronic music communicating, trespassing. A healthy way for this José Manuel Cerda solo project, where transforming song as a standard into an in-flux art is taken to exhaustion.”
Felipe Mardones
(Santiago, Junio / June 2010)
This is the second work of the japanese aym. Once again she surprises us with this little treasure, a dreampop release influenced by classical music, electronic pop and minimalist.
The perfect album to be heard on rainy days.
Highly recommended.
credits
released April 21, 2012
released May 29, 2020
Compuesta y escrita por Chini Ayarza
Producida, grabada y mezclada por Martin Perez Roa en Estudios Niebla
Masterizada por Arturo Zegers en Estudio 050
Voz, Guitarras, teclados y samples: Chini Ayarza
Batería y percusiones: Gabriel Lele Holzapfel
Teclados y Arreglos adicionales: Martín Perez Roa
Arte de Portada:
Parte Abstracta: Sebastián Riffo
Parte Figurativa: Chini Ayarza
