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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: sound

DR – Der Frühlingsregen

DR – Der Frühlingsregen

DR

“Der Frühlingsregen”

DR (Dominic Razlaff) is an ambient musician from Braunschweig, Germany.
Making music since 2007, he produces most of his tracks with subtractive synthesis, later edited with some granular synthesis tools and field recordings for creating deep melancholic ambient drones and soundscapes.
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posted 08 January 2020

Calles de Santiago – A las cacerolas

Calles de Santiago – A las cacerolas

Calles de Santiago

“A las cacerolas”

En octubre de 2019 se generó un estallido social en Santiago, a partir del alza de los pasajes de Metro. Primero fueron los estudiantes secundarios, con las evasiones masivas a este medio de transporte. La represión del gobierno fue creciendo, hasta que un día viernes la crisis estalló. El cierre del tren subterráneo generó que toda la población de Santiago se desbordara a las calles y generara protestas espontáneas y descentralizadas. Sin líderes, sin caudillos, las masas se tomaron las esquinas con barricadas y cacerolas, con la intención de hacerse oír. El gobierno y sus oídos sordos, con sus acciones autoritarias y patriarcales, reprimió fervientemente las acciones de protesta, llamando a estado de emergencia, entregándole el poder a los militares.

El pueblo no se asustó, y esta acción convocó al resto del país a sumarse a la batalla por una vida digna, por el fin del saqueo económico y medioambiental, contra la precarización de la salud, el trabajo y las personas, mientras el sector privilegiado se dedica a manipular los medios de información, a alimentar al gran monstruo del espectáculo, y a intentar hacer enfrentar a la gente contra la gente.

Hoy, 22 de octubre, las protestas no cesan, en medio de un toque de queda publicamos estos registros, como constancia y pequeño sample de la sonoridad que existe en Santiago en estos días, que habla también de lo que sucede en Valdivia, Concepción, Antofagasta, Valparaíso, Temuco, Puerto Montt, Rancagua, y en muchos pueblos más pequeños pero igualmente afectados por la avaricia y el desdén de una clase política al servicio del neoliberalismo.

Los cacerolazos se han convertido en la forma de protesta en las calles o en el interior de las casas, que reverbera por la ciudad, se multiplica y descentraliza, envolviendo a una ciudad, a un país, y que esperamos envuelva también a toda latinoamérica.

¡A las cacerolas!

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posted 19 December 2019

The Cherry Blues Project – On the Beach

The Cherry Blues Project – On the Beach
[NN_LP080_12_19]

The Cherry Blues Project

“On the Beach”

Debut in Nostress Netlabel with the digit album “On the Beach” released in the festive month as far as possible from the theme of artistic work. The Cherry Blues Project is an experimental band of Argentine music and sound art formed in 2001. It consists of two original members who use the pseudonyms Cherry and Blues. The “process” is mainly based on playing and listening carefully to the sounds of the reality. The essential points are the creation of soundscapes and the permanent saving of their auditory memory, sometimes registering on some discs in everyday situations. Each album represents a certain stage. In their huge discography there is the presence of humor, noise, everyday life, play, performance, free experiences, ridiculous, absurd, silent, things that should not be taken seriously, lies, satires, unattainable things, champions of talent, integrity and homogeneity concepts, ideas developed up to the concretion, lack of respect for the ears of others, sound terrorism, contemplations of life, skepticism and at the same time religiosity, contradictions, electricity, disconnection, calm, chaos, free time, conversations and dialogues, violence , etc. Their research is not just about the “musical” side, but they try to generate some kind of reaction in the person who listens to them. One of their influences is the Fluxus movement. This means that the albums must not simply be appreciated for sound, but also by all the work that goes from design to its conception, in some conceptual cases. The Cherry Blues Project is a project born of the visual arts, not the interest in “music” itself, which is why they have great influences or “connections” with the Fluxus movement.
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posted 18 December 2019

Rene Kita – Octet

Rene Kita – Octet

Rene Kita

“Octet”

This album is dedicated to the moment I stopped screaming at the Octatrack manual and watched a bunch of instruction videos on Youtube instead.
So, my thanks to Cuckoo, Ron Cavagnaro, Max Marco, Loopop, Ricky Tinez, André Neumann, Kenny Zhao and Dataline.

Apparently many people use this to make dance music. I found that you can give each of the eight tracks a different time signature, so these wobble along in a decidedly unstable manner. You might need to get drunk to dance to it…

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posted 21 November 2019

Teruyuki Kurihara – The Oblivion

Teruyuki Kurihara – The Oblivion
[post037]

Teruyuki Kurihara

“The Oblivion”

This album is about oblivion. Oblivion, as a deep river of memories. People tend to forget everything, whether it is joy, sadness or regret. They repeatedly forget. But, these emotions don’t simply vanish. There are rather accumulated in the river of memory. At the turn of the season, almost out of the blue, memories come back. ‘The Oblivion’ is expressing the fragility of these forgotten memories, and Kurihara expresses this with the sounds of the guitar. It brings the listener on a journey into the deep and vast forest of oblivion. At times, a journey into deep waters. Stretched layers of sounds, deep ambient undercurrents. Hidden meanings lie amongst fragile (pieces of) tiny melodies. Just underneath the surface, the rumblings of forgotten memories twist reality into a different tomorrow. The old and outdated must be burned and destroyed in order for the new to resurface.
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posted 20 November 2019

various artist – Anatomy Of A Maniac – Minax – Radio Edit

various artist – Anatomy Of A Maniac – Minax – Radio Edit
[earSr05]

various artist

“Anatomy Of A Maniac – Minax – Radio Edit”

-Maniac – Radio spot 1
-Tromb0ne Plastic Cymbals
-Original Soundtrack Maniac (1980)- Subway Terror – Jay Chattaway
-(dell.tree) featring KAlex: maniacs untheme
-Original Soundtrack Maniac (1980)- Maniac Strikes Back- Jay Chattaway
-Giscard le Survivant Surgissement maniacal
-Finaldoll-SambaX
-Original Soundtrack – Maniac_-_Expanded_1980 – Cemetery Chase
-Atrabilis Sunrise – Eiffel PSychoturner_(Maniax
-Pi Cab Alter : Right Back
-Original Soundtrack – Maniac_-_Expanded_1980 – Mannequins’ Revenge
-Moon-A little light saber
-Giscard le Survivant – ruptures maniaco-électives
-Maniac – Radio Spot 2
-TZI – Zheras Legos
-zerogoki – inner voices
-Original Soundtrack Maniac (1980)- Goodby Rita – Jay Chattaway
-Bleech – maniax
-Original Soundtrack Maniac (1980)- A Little Knife Music – Jay Chattaway
-Wag- cet obscur objet
-Original Soundtrack Maniac (1980)- Cry For Mother – Jay Chattaway

Originally released on 3patttes records – 3patttes004 : (May 2004) – “Anatomy of a maniac” V/A 2*CDr
http://3patttes.free.fr

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posted 14 November 2019

Natura Est – Second

Natura Est – Second
[mhrk222]

Natura Est

“Second”

Created for a love of all that is Dark Ambient, British Electronic producer Tony Young (Autoclav1.1) and German Industrial/Noise powerhouse Andreas Davids (xotox); first bore fruits of their labour, with their self-titled, monolithic debut in 2018.

2019, continues the story with “Second”. A new chapter of colossal, brooding ambient; where light is slowly crushed by shade, within a multi-faceted arena of sound.

From the nightmarish journey through dying forests and the ruined vestiges of humanity depicted in their debut; the path now leads across desolate moorland and hilltops to the coast. The sea levels are now rising; and we have to face the inevitable, that all will be consumed.

Once more, Natura Est have produced an album that stands tall within the genre; holding an aural mirror to the world, provoking one question. Nature is all, all is nature; but who really is the beast?

released September 9, 2019

also available as limited edition digipak CD

Written & produced by Natura Est: Tony Young and Andreas Davids
Mastered by Anatoly Tokee Grinberg
Artwork by Salt

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posted 11 September 2019

V.A. – Three Hundred And Thirty Six

V.A. – Three Hundred And Thirty Six
[at096]

V.A.

“Three Hundred And Thirty Six”

This release, presents the outcome of the process and culmination of a concert held the final day of the Ur Tanta Summer Camp 2019. The work was developed by a small group formed by Miriam Matthys, Simon Bahr, George Chinnery, Ricardo Martorana, Jack Hyde and Alberto Garcia Aznar.
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posted 04 September 2019

Percuboiss – Invitation au voyage

Percuboiss – Invitation au voyage
[LINGE099]

Percuboiss

“Invitation au voyage”

Percuboiss
Jacques Rancière – percussions
Aline Muselier – percussions
Christophe Sibert – percussions
Laurence Crebassa – interventions
Jocelyn Fabregas – interventions
Yan Van Der Cruyssen – bootleg (disponible sur demande)
credits
released August 27, 2019
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posted 30 August 2019

Das All – Allbum

Das All – Allbum
[GRUWAVFFD 001]

Das All

“Allbum”

Last summer, my former bandmate asked me to process and glue his field shots, which he had taken during the holidays in Croatia. I liked the idea so much that I threw myself into this adventure and did all kinds of field shots with my old Nokia Classic 2300. With the material of Mathias and myself, I ventured into a new universe. This resulted in this over 2 hours long work, which should correspond to a timeless time capsule. This was my first work in this direction and it was a lot of fun, although a lot of time was taken.

>From outward journey to stay to return, this album breaks down a bit of modern history and does not leave much room for distraction. In the first chapter, the listener soon notices that the technician had forgotten to turn off his iPhone after field recording and most likely fell asleep. Sometimes one hears his breath, which fits in calmly on the whole chapter. Chapters 2 and 3 were then deliberately introduced as hearty life sketches and give the album a true consciousness.

Let yourself be abducted into a world full of appreciation.

Chears Davide

posted 23 April 2019

Ilia Belorukov & Héctor Rey – whssu

Ilia Belorukov & Héctor Rey – whssu
[#029]

Ilia Belorukov & Héctor Rey

“whssu”

01 hola kyngy (09:10)
02 hassu lauri (06:00)
03 sup bilb (12:50)
04 haha? jon (06:00)ilia belorukov – fluteophone, objects
héctor rey – bass concertina, objects

recorded in bilbao in july 2017
recorded, mixed and mastered by ilia belorukov

cover by MKLMB

thanks to miguel and elena, anya, MKLMB

posted 29 March 2019

Music from Airports Nº1 – Mi Cosa de Resistance

Music from Airports Nº1 – Mi Cosa de Resistance
[109]

Music from Airports Nº1

“Mi Cosa de Resistance”

Music from airports, aircrafts and some other flying things, vol 2: Cardiff Airport is the second of a series of records recorded while waiting for a flight at different airports around Europe during the summer of 2018.
credits
released December 10, 2018Fernando Perales: concept, production, art cover, mix and mastering.

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posted 13 December 2018

Karlheinz Essl – Where’s the Rainbow?

Karlheinz Essl – Where’s the Rainbow?

Karlheinz Essl

“Where’s the Rainbow? “

Between the years 1620 and 1636, Peter Paul Rubens created, without the prompting of any commission, his Landscape with Philemon and Baucis. He kept working on this image throughout his life. The painting tells the story of Philemon and Baucis as Ovid presented it in his Metamorphoses. In Ovid’s narrative, an old married couple receives a surprise visit from the gods Jupiter and Mercury, disguised as weary travelers who cannot find a place to spend the night. The old couple does not judge these travelers or question where they are from; they simply offer them kindness and hospitality. The two gods offer the couple a gift expressing their gratitude: they spare their lives when, the next day, a great flood comes crashing over the land.

In the painting, only a small group of figures makes reference to this fable. The main theme of the piece is the unpredictability of nature with its untamed, uncontrolled power: lightning and thunder, rain and storms, a cow screaming as its life ends within a torrent, a mother desperately trying to rescue her baby. This is an apocalyptic catastrophe of unimaginable proportions. And yet, Rubens included a hopeful sign in this image: in the lower left-hand corner of the tableau, you can see a rainbow…

“Somewhere over the rainbow, way up high,” sang Judy Garland in the well-loved film The Wizard of Oz (1939), a song promising hope and a wonderful world far from the darkness and ominous threats of the Second World War.

This image has much to tell us in our contemporary lives, as our current reality includes events such as the refugee crisis, global warming, and the threat of nuclear disaster. It acts as both a warning and a sign of hope.

For the theatre project Ganymed Nature, composer Karlheinz Essl worked extensively with Rubens’ Landscape with Philemon and Baucis, creating an immersive soundscape to reflect this painting. This sound work is based on algorithmically generated soundscapes taken from weather and other natural phenomena: the forest and the wind, a stream that swells and overflows, thunder and lightning. We also hear sounds that refer to human activity: rustling steps through foliage that turn into the ringing of high heels, in which a woman stalks on asphalt. And then there are signaling sounds: a firebell extends into an unending tolling that spins onward into infinity.

The poetry of the rainbow overarches everything; the promise of salvation, a glimmer of hope. To express this, Essl worked with an a-capella-choir to create chord structures which he then recorded and electronically transformed. The highlighted melodic fragments are reminiscent of the famous rainbow song yet appear in a peculiar harmonic disguise which let you sense the atmospheres of other planets.

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posted 02 September 2018

closeyoureyes – vulnerabilis (remixes)

closeyoureyes – vulnerabilis (remixes)
[AR_082]

closeyoureyes

“vulnerabilis (remixes)”

vulnerabilis (remixes) is a remix album by closeyoureyes. The album includes remixes from artists from all over the world in different genres from ambient and noisy soundscapes to more classical pieces with violins and pianos. The album keeps the melancholy mood that was declared on “vulnerabilis”, but reveals new potential of original tracks.



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posted 02 August 2018