Electric guitar, fretlles bass, percussion & voice by Claudio Nuñez.
Recorded in January 26 & 27 2013 in Caballito, Buenos Aires.
01 – electric dream blues
02 – eternal sorrow dance
03 – he closed his eyes…
04 – end of a story
Tech:
What you can hear are different iterations of the same function. The function selects, at random, one of the 24 sound generators classes. Finally, mix four variations on a composition.
Software Used:
SuperCollider: http://supercollider.sourceforge.net/
Audacity: http://audacity.sourceforge.net/
You can download the code on: http://archive.org/details/nxCode
You can download the samples on: http://archive.org/details/nxAudio
More releases on: http://musicnumbers.wordpress.com/nxreleases/
Trivia: The cover and title are a tribute to Schulze Irrlicht. When I was seventeen, one of those special people that come and go in your life gave me the vinyl Schulze. In turn, this year appeared the cd of La Légende d’Eer of Xenakis. Along with reading Silence, Cage, this would form in my young mind a kind of altered sense of perception of the music that survives until now.
License:
This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License.
You can listen and download other iteration in the compilation:
I Prefer the Term Artificial Person Myself.
Traces are left of various abstract soundscapes present through the album, scenarios in which Marredo, through analogue signal processing devotes himself to the craft of synthesised sound, still even that we hear echoes of the psychodelic and kosmische music he loves to perform an explore (for instance with the duo project Marredo & Montag) this is pretty much a textural, and soundscapist-point-of-view album, even that those electric signals place us in the uncanny territory of machine sound we cannot forget about what started it all, the soundscape, or field recordings. It’s all there, as a trace, a footprint, something that doesn’t needs to be there because Marredo is very capable of listening through soundscapes and present them under his own umbrella, rearranged, transformed and created from nothing but electric signals.
Truly a pleasure to have him in our catalogue, specially when we are very focused on releasing works by our local artists, working neighbourly a few blocks away of the Audiotalaia Headquarters, just like Avelino Saavedra, Jean Montag and a few more.
This set of paintings seeks, therefore, to harness the aura of the surreal structures, immersed in nature and witnesses the technological past rooted in the mechanics and in the flesh of workers as well.
The music goes inside the structures of the paintings and inside the feelings of the miners, creating a synaesthetic interpretation of the two artistic languages. This soundtrack has been performed live on December 4th 2011 during the vernissage of the exhibition “Acetilene – Sounds And Visions From The Belly Of The Mountain” that took place in the Museo Minerario of Abbadia San Salvatore.
An album to watch and listen.
* Acetylene gas lamp is a simple lamp that produces and burns acetylene which is created by the reaction of calcium carbide with water. It was used by the workers in the mines during the 20th century.
Emiliano Baiocchi is a Berlin based Italian artist who has been working for the last 10 years on developing an expressive visual language mostly through painting. He has participated in numerous group and solo exhibitions in various parts of Italy, Germany, France. His works are in private collections in USA, London, Paris, Monaco, Munich, Dusseldorf, Berlin, and many Italian cities.
He uses his imagination only to design images that explore painting as a means of pure expression leading to a series of inner landscapes that showcase a singular materiality of accumulated layers of acrylic paint. In his dreamlike images, there is no pre defined intention to figurate a given narration, for he is rather interested in constructing a contrasted space where casualty and accidents are to be balanced with controlled detailed areas in order for a sense of spiritual movement to emerge. He lives and works in Berlin.
Text by Aurelie Moigno
CREDITS
Music composed by Misdea except “Digging In The Dark” and “Heavy Drops” by Misdea and Melinda Ligeti
Cover and paintings by Emiliano Baiocchi – www.emilianobaiocchi.com”
Norman Sétamùr Baiocchi: effected classical guitar
Mike Marchionni: synth, programming
Melinda Ligeti: synth, programming
Stefano Pintus: siren sample
Recorded and mixed on November 2011 at Setaroom Studio, Abbadia San Salvatore (Si), by Stefano Pintus and Carlo Fabbrini
Mastered by Stefano Pintus
Edited by Melinda Ligeti
Dedicated to all the Mount Amiata’s miners, especially to Fernando Baiocchi
Special thanks to Melinda Ligeti
Graphic design by Shutupandance.
10 minutes. Mp3 / Flac. Self-Released on Bandcamp.
Doses of dub, soundscapes and distortion as structure of his work.
Asolaar’s collaboration and production on the track Borejam as well.
His current residence, and the Southern Hemisphere winter inspired
Iván Lissandrello who shows us a dark trip into dub and industrial.
Nava Spatiala enjoyed a lot playing around with SOT45 tracks and, at first, sampled what they liked. Then they took the parts and ran them through lots of delays, reverbs and various synthethic manipulaton techniques. Every track was performed and recorded live at the studio and compressed through some nice tubes.
Secrets of the 45 decided to take a melody-oriented approach, immersing himself in the noisy world of Nava Spatiala and then through careful filtering picking out hints of melodies, then layering them into humming and whistling soundscapes, as well as reshaping them live via granulator software.
Allusions to Fogs & Liquids represents a type of music concerned with sound as something in itself, a material externality. But it can’t help but carry associations. Here the listener takes over from the composer/performer.
Cheon kim [0kbps036]
01 – gloria
02 – trust
03 – treat
04 – human
05 – apple and grape
06 – LsS
07 – like pigs
MAV [0kbps] Records, July 2013
All members of Negritage, William, Nacho, Leo, Pato and Herno have played together since childhood and are still play together almost every weekend, continuing their musical journey, helping each other to record the instruments for the tracks. It’s all kind of random: sometimes William plays the drums or the keys, Nacho plays bass & guitars like Leo. Pato plays percussion and drums like Herno … at the end, they all let the sound speak for himself!
Negritage’s gear is whatever is available, some time analogs other times digitals, mixer consoles for the overdubbers, a turntable for the vocal samples, sometimes a Kawai drum machine from the eighties.
“Don’t forget we are children of di third world so the gear its a few years delayed or its to expensive but this is not a problem to continue with the positve vibes mi amigo the creator allways provide!”
“Give thanks & praises to all di artist who collab whit Negritage and inspired to create dis soundz. They are: JamYork original roots defender activist, Sennid di migthy voice of thunder of Jah. the great Sammy Gold, the Dub dillers dub foundation of di third world. Spesahl greetings to all dub-o-phonic family for di support! Heartikal salute to all di dubbers all ouvah di world and for all di people who promote the roots & kulcha message!”
Ancient Lasers is comprised of Daniel Anderson (Idiot Pilot/Glowbug/Hyro Da Hero) and Daniel Finfer (Post Human Era and also in Glowbug). Sonically the music sits comfortably somewhere between Nine Inch Nails and the Postal Service. If you’re at all familiar with Daniel’s project ‘Post Human Era’ then you’ll recognize updated versions of “Ancestors” “When Are We?” and “Decendants” from the 2007 release on Testtube http://www.monocromatica.com/netlabel/releases/tube080.htm. If you’d like to own a flac or wav version of this album, it is available to purchase as pay-what-you-want from the Ancient Lasers Bandcamp page. All Bandcamp proceeds will go to organizations that are striving to help humanity live longer, develop artificial intelligence, cure diseases, and ensure our survival as a species. http://ancientlasers.bandcamp.com/
■ EPV_138
Firmly in the easy listening genre, Nice to meet you ep is full of subtle touches and nice grooves to get you involved in the tracks. Listening carefully, you’d be forgiven in thinking that Lalo Schifrin had dropped by and chosen a few well placed notes, especially the electric piano in Irony of fate. A nice mix of 70s cool with 21st century technology!
Of course, not every track is the same with Solar Station being in a similar ‘feel good groove’ like Kenny Beltrey from previous releases.
Tracks of choice for this listener: Summer Rain with that familiar vibe that seems to be so familiar but you can’t quite put your finger on it and Wave my soul for an epic chillout track perfect for a few beers on the balcony. Chill! 
:: warning ::
An excessive expression is included in the work.
Please enjoy yourself with suitable volume.
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■ bonus item
PDF BOOK(13p)
photo by fkhr & ono
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all tracks by element orchestra
photo by fkhr (fukuharam.tumblr.com)
design by ono(elementperspective)
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