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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-nd

This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Lately Kind Of Yeah – Gastr

Lately Kind Of Yeah – Gastr

Lately Kind Of Yeah

“Gastr”

Part of the Lately Kind of Yeah archive series.

Gastr is yet another short but sweet EP offering from Lately Kind of Yeah. Fully in his element of noise / pop master craftsmanship and containing some of my favorite tracks from him, “Where is My Jaw” and “Meditate”. A fine place to begin with LKOY if you are just beginning to explore his archive.

Words from the artist:

“Sometime in 2014, an original B.C. Rich Warlock was gifted to me by one of my dad’s old buddies. I took it as a sign that out in the ether, my dad was still listening and encouraging me to keep writing music. The Warlock has since become a phenomenal inspiration with all of its quirks and issues, leading my writing towards a darker and more abrasive sound. Gastr came together quickly as our ‘getting to know each other’ exercise, influenced by the many noise and pop bands I was listening to, and the Warlock itself.”

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posted 07 November 2019

DzEta – We Hope For A Happy Ending (EP)

DzEta – We Hope For A Happy Ending (EP)
[BM11R19]

DzEta

“We Hope For A Happy Ending (EP)”

DzEta, is NiCo solo musical project (Limoges, France). Inspired by instrumental music, post-rock and ambient music, by artists such as Ez3kiel, Slowdive, Mogwai…
NiCo: “I create organic instrumental tracks that I stack to create a solid foundation for inspired aerial melodies. Playing both guitar and effects, mixing textures for misty atmospheres that reveal themselves towards the luminous”.
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posted 07 November 2019

DR – Calm Autumn

DR – Calm Autumn
[BN_LP027_11_19]

DR

“Calm Autumn”

Dominic Razlaff aka DR, born 1982, is a sound artist from Lower Saxony, Germany. He usually plays synthesizers, acoustic instruments (Ukulele and the portuguese Cavaquinho) and he uses field recordings, tape loops and granular synthesis for composing slow ambient and drone soundscapes. His first album in batenim with the title Calm Autumn is composed of four intense, deep and enchanting tracks able to capture the listening of fans of the genre.
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posted 04 November 2019

Vladimir Belayev – Replika

Vladimir Belayev – Replika
[AR_095]

Vladimir Belayev

“Replika”

“The daily world exists only because we know how to hold its images.” – Carlos Castaneda ©

This album was written over a two-year period with a great amount of effort and psychological experiences, inner turmoil – I understood that I was falling into an abyss with no bottom… no bottom…

“Replika” offers many doors to other dimensions, to other universes, and to other worlds. This is the starting point of an endless journey through the secrets of the universe, where each track is a separate journey through different worlds.

This album was recorded using analog and digital synthesis with instruments such as KORG PROPHESY, KORG M3, and KORG-Z1.

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posted 31 October 2019

Sans Libertas – Sans Libertas

Sans Libertas – Sans Libertas
[NXL133]

Sans Libertas

“Sans Libertas”

Tras 11 años de haberse formado, esta es la carta de presentación de Sans Libertas, donde se dieron tiempo para recrear y grabar su haber, conservando una forma de hacer punk muy al estilo de los 80’s y 90’s: un punk sucio, pero digerible y entendible.
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posted 31 October 2019

MOC – Chats

MOC – Chats
[phokes136]

MOC

“Chats”

Live from the Non-Convenience Center
for on the edge audiophiles,
we stream the real time,
of the hottest Munich duo to date.

The duo MOC presents a release that they worked on for five years. The resulting quality of this long process can be heard accordingly. Details about their process and many more interesting facts can be found in the big MOC interview on their artist page.

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posted 28 October 2019

Aleckat – Dark Moon EP

Aleckat – Dark Moon EP
[DigitalDiamonds068]

Aleckat

“Dark Moon EP”

Australian Aleckat encapsulates a calculated genre blend with his ‘Dark Moon EP.’ It swings between cheeky house, deep techno, psychedelic trance and Zenonesque. The devil’s in the detail with this one when you breakdown its intricate micro-edits, catchy motifs and brilliant composition, while being wrapped up in a refined package with tight production, full-bodied sound and razor-sharp sawtooths. This progressive weapon will lead you down an unfamiliar path to a doorway that seemingly appeared out of nowhere.
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posted 22 October 2019

Trotski Nautique – synthétiseur vol​.​1

Trotski Nautique – synthétiseur vol​.​1

Trotski Nautique

“synthétiseur vol​.​1”

Ce disque a été enregistré avec
un ordinateur, une carte son, des synthés
Yamaha PSS et des synthés Casiotone
Nous avons utilisé le Logiciel Audacity
credits
released September 1, 2019

Trotski Nautique c’est Alda Lamieva et David Snug
Merci à l’organisation
Plus d’infos sur Google

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posted 17 October 2019

dallas simpson / isabel jones – conversation / meditation

dallas simpson / isabel jones – conversation / meditation
[PT094]

dallas simpson / isabel jones

“conversation / meditation”

Recorded in a single continuous take using in-ear binaural techniques using custom modified DPA4060 microphones into a Sound Devices 744T recorder.
Photographs by isabel jones, geoffrey fielding, dallas simpson.
Please use headphones for 3-D surround sound listening.
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posted 13 October 2019

yosoyunotrotú – εκεί

yosoyunotrotú – εκεί

yosoyunotrotú

“εκεί”

εκεί was the first album of yosoyunotrotú
Recorded in Poland and Mexico, September 2010 to April 2011
Originally published by circlesandlines recordings on May 23, 2011

All music by
Krzysztof Polaczenko (guitar, flute, trumpet, voice, piano, electronics)
Quetzal Contla (synths, piano, glitchs, electronics)

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posted 11 October 2019

Emmerichk – Sleepy HZ

Emmerichk – Sleepy HZ
[M023]

Emmerichk

“Sleepy HZ”

Review: Emmerichk is a long-standing mexican producer in the electronic music scene who gives now six dub techno tracks in its purest essence. His proposal is more in the intimate side and it is characterized by micro-nosey and glitch. The quest for atmospheres that is proposed here delivers duality between oneiric and the real, lifting us up to a spacial drift trip and great contemplation.
An album to enjoy in its entirety with very interesting textures and deep inwardness.

André Baradit, Valparaíso, 2019.

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posted 09 October 2019

Whalt Thisney – Thisembothis

Whalt Thisney – Thisembothis

Whalt Thisney

“Thisembothis”

The music of WHΛLT THISИEY is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths.
WHΛLT THISИEY selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.
WHΛLT THISИEY mixes impressionist piano atmospheres, spoken wordcore, drone, experimental, library, hypnotic escapism music.
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posted 08 October 2019

DR – Minimalismus

DR – Minimalismus
[IYE34]

DR

“Minimalismus”

DR (Dominic Razlaff), born 1982, is a sound artist from Lower Saxony, Germany.

He usually plays synthesizers, acoustic instruments (Ukulele & Cavaquinho) and he uses field recordings, tape loops & granular synthesis for composing slow ambient and drone soundscapes.

Over the years (he has a long discography) he developed his poetics focusing on an open approach and on a precise choice of making beatless music.

This is his second appear on IYE label after Nina Sergejewna. This time is more focues on long patterns of deep ambient vaves.

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posted 08 October 2019

Dave Schoepke – Before Black And White

Dave Schoepke – Before Black And White
[djummi.015]

Dave Schoepke

“Before Black And White”

Before Black and White is a song exclusively written for drumset, which definitely provoke usual listening habits kindly. His percussion instrument becomes a storyteller. No longer convinient drumbeat, but sounding drums. Dave causes the drumheads to oscillate, so that you inevitably start to pause and pay attention.

The inspiration for single spawns from the thought, that black and white photography was the first real step in the direction of mass documentation of humans to where we have gone to today and reminds one that those things that we hold so dear are not permanent. Like us. Humans focused more on life and living it back then and less on documenting it like we constantly do today.

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posted 03 October 2019

Simple Appareil – Simple Appareil

Simple Appareil – Simple Appareil
[D!HR-42]

Simple Appareil

“Simple Appareil”

For its 42nd release, Da ! Heard It Records is casually sending you to the skies. All of the dials are panicking, but it’s already too late; the long journey has already started for the occupant of the small bed with the white sheets featured on Elodie Moreau’s painting.
An imperceptible fluid is evaporating above his body, turning on itself, levitating softly in the sanitized-walled room.
The physical world erases itself little by little to reveal another, simpler one: From a water drop, a river of sounds forms itself, and the cricket’s beeps replace those of the machines. We progressively slide into this thickening current, wrapping the mind until it becomes a buzzing drone.
Here, Hubert Monroy and Nico Gitto imagine two long pieces that alternate between contemplative atmospheres and noisy fly aways. And on his bed, the listener awakens then, slightly more alive…

Simple Appareil, Da ! Heard It Record’s 42th release, is distributed under a Creative Commons BY-NC-ND. The album can be listened to and downloaded freely at the following link: https://www.daheardit-records.net/en/discography/42

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posted 01 October 2019

À Travers – Fusée Pétard Volant

À Travers – Fusée Pétard Volant
[D​!​HR​-​41]

À Travers

“Fusée Pétard Volant”

For its 41st release, Da ! Heard It Records is receiving a weak signal…

Everything starts with a faraway sound, a buzzing growing more and more present. A light pulse then discretely joins in with a wave that intensifies little by little. The radars turn to find where it’s originating from. The matter gets bigger and announced a compact sonorous mass. A slow, crushed rhythm settles in and supports this mysterious form. In stationary flight for a part of the album, the strange apparatus gives sort of the impression that it is scanning a presence, passing through the listener, frozen in this obscure sci-fi décor. Coded messages, percussive morse code, LFOs of all kinds, and sonic twitches still attempt a first contact, as if it were trying to coldly grasp the substance of our world. From one speaker to the next, the chirpings interact while in the background, a purring wanders now and then in the landscape, fragmented by the flow’s power.
So listen to this tape whose handmade wrapping with technological titles invites us to take it all with a sense of humor. Onboard the engine where rhythm boxes and machines of all sorts sweep through space without ever landing, a facetious parisian duo turns the knobs of a complex dashboard…
Right now, you’re wandering distractly through this album, thinking that perhaps you haven’t understood a word of this text. You’re just passing (through) À Travers.

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posted 27 September 2019

Poborsk – 11 116

Poborsk – 11 116
[cl​-​053]

Poborsk

“11 116”

Poborsk makes his Crazy-Language debut with a very special sensory release for us the listeners and to the producer himself. These seven crisp constantly shifting artefacts are the result of a multitude of live tracks, reworked here for cozy home listening, from when the producer opened a gig in Lyon for the legendary Autechre. The giddy excitement is palpable on the craftsmanship present on each song, not only recollecting the Manchester based duo’s latest atonal journeys but with the rhythmic balance and jiggly synth work, trademark of Poborsk’s varied discography. It’s hard not to get up and start contorting your body onto odd angles with bangers such as Docteur Flanger or Collapse.

As is tradition with Crazy-Language’s latest outputs, this release contains 3 very methodical video pieces that seem to clash perfectly with the pristine nature of the audio journey. These glitched, heavily erratic pieces are the contrast needed to bring everything full circle. Or in Poborsk’s case full Euclidean. (FG)

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posted 27 September 2019

elAstrum – Summer Vacation

elAstrum – Summer Vacation

elAstrum

“Summer Vacation”

elAstrum could be called the ‘new Kenny Beltrey’ with his upbeat tracks, full of disco vibes and lighthearted melodies.

This eleven track album brings summer to a high powered and enjoyable close, following elAstrum on his typical summer break.
credits
released September 25, 2019

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posted 25 September 2019