instrumental ambient compositions, psychedelic noises, electronics, and a love song
Original soundtrack composed for the play “Baby Doll” by Tennessee Williams, directed by Barbara Wisniewska and performed in the Studio Theatre in Warsaw.
Music by ALTERS:
Pawel Zalewski: guitars, synths, electronics, piano, vocals
Piotr Zalewski: guitars, bass, synths, electronics, piano, vocals
Robert Pludra: drums, glockenspiel, electronics
Second chapter of the instrumental saga dedicated to the Japanese anime of the 70’s on superobots.
As always the samples are taken from the soundtracks of these cartoons that have inspired a generation
credits
released June 21, 2019
Special thanks to Enko4, for allowing me to use the photo of one of his works for the graphics of the EP
www.instagram.com/enko4/
This EP is a tribute to the Japanese robots that have kept me company during my childhood.
All samples are taken from the soundtracks of these unique cartoons in their kind.
download @: lucazanoski.bandcamp.com/releases
Questo beat tape è un omaggio ai robot giapponesi che mi hanno tenuto compagnia durante la mia infanzia.
Tutti i sample sono presi dalle colonne sonore di questi cartoni animati unici nel loro genere
Deconstructing yesterdays inventions,
for instance walls,
we grow into a color- and artful future,
painting the world as we would love it to be.
The EP Fractured Mutants is a collaboration by Atl. and the visual artist Bob Clapés in BCN. Each track features a corresponding visual artwork. After seeing one artwork Atl. started to imagine and producing one track, raw cerebellum. Having those prefs saved he made other tracks. The tracks are musical reactions to certain visual artworks, being a homage to the visual artist Bob Clapés. You can read more about the process in the artist interview.
While the visuals are psy related fantastic creations you can find lead synth and bells in the music, that will probably turn into improbability frequency events.
Zimmer164 – River of Deceit – Space Terrace 5am (Italy)
WAV, FLAC, mp3, 320kbps, electronic, dub, deep, ambient
164.01 – River of Deceit – Space Terrace 5am
164.02 – River of Deceit – Do you have cigarettes in heaven
164.03 – River of Deceit – La Sombra
164.04 – River of Deceit – Sheffield Wednesday
The parental advisory’s warning, is no longer used today. the language of everyday life has broken the glass of censorship in the face of mothers against rock.
However Plastika would not need any stamp: your ears are ready to swallow this poet ante litteram that chews digital hardcore, cantautore and do it yourself. Proudly self-produced in everything from texts to recording.
Plastika are 12 tracks of a continuous loading and unloading of energy, in the form of syncopated shots and more intimate and rarefied passages.
Approved with the stamp by In Your Ears Netlabel.
George Cartwright – alto and tenor sax, guitar
Mauro Sambo – electronics, gong, percussion, contra-alto clarinet, zither, electric violin
Cover Art – From the series: “instabilità radicata” – Matilde Sambo 2019
Part of the Lately Kind of Yeah archive series.
Gastr is yet another short but sweet EP offering from Lately Kind of Yeah. Fully in his element of noise / pop master craftsmanship and containing some of my favorite tracks from him, “Where is My Jaw” and “Meditate”. A fine place to begin with LKOY if you are just beginning to explore his archive.
Words from the artist:
“Sometime in 2014, an original B.C. Rich Warlock was gifted to me by one of my dad’s old buddies. I took it as a sign that out in the ether, my dad was still listening and encouraging me to keep writing music. The Warlock has since become a phenomenal inspiration with all of its quirks and issues, leading my writing towards a darker and more abrasive sound. Gastr came together quickly as our ‘getting to know each other’ exercise, influenced by the many noise and pop bands I was listening to, and the Warlock itself.”
“The daily world exists only because we know how to hold its images.” – Carlos Castaneda ©
This album was written over a two-year period with a great amount of effort and psychological experiences, inner turmoil – I understood that I was falling into an abyss with no bottom… no bottom…
“Replika” offers many doors to other dimensions, to other universes, and to other worlds. This is the starting point of an endless journey through the secrets of the universe, where each track is a separate journey through different worlds.
This album was recorded using analog and digital synthesis with instruments such as KORG PROPHESY, KORG M3, and KORG-Z1.
Live from the Non-Convenience Center
for on the edge audiophiles,
we stream the real time,
of the hottest Munich duo to date.
The duo MOC presents a release that they worked on for five years. The resulting quality of this long process can be heard accordingly. Details about their process and many more interesting facts can be found in the big MOC interview on their artist page.
Ce disque a été enregistré avec
un ordinateur, une carte son, des synthés
Yamaha PSS et des synthés Casiotone
Nous avons utilisé le Logiciel Audacity
credits
released September 1, 2019
Trotski Nautique c’est Alda Lamieva et David Snug
Merci à l’organisation
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