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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-nd

This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

DR – Der Frühlingsregen

DR – Der Frühlingsregen

DR

“Der Frühlingsregen”

DR (Dominic Razlaff) is an ambient musician from Braunschweig, Germany.
Making music since 2007, he produces most of his tracks with subtractive synthesis, later edited with some granular synthesis tools and field recordings for creating deep melancholic ambient drones and soundscapes.
Button: by-nc-nd
https://archive.org/details/MI328-DR-Der_Fruhlingsregen/
https://archive.org/details/sillage-intemporel
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posted 08 January 2020

Sambarnyawa – Hutan dan Teriakan

Sambarnyawa – Hutan dan Teriakan

Sambarnyawa

“Hutan dan Teriakan”

Hutan hampir selalu menjadi referensi bagi kesunyian, meski sunyi tidak pernah benar-benar ada. Ranting-ranting bergoyang terhempas angin, diiringi daun-daun yang berguguran. Lalu, bunyi-bunyi gesekan, terkadang mendesis, mendesau, dan menderu, silih berganti mengisi celah-celah pepohonan. Lebih seksama lagi, sayup-sayup suara burung atau fauna lainnya bersahut-sahutan. Dan hutan, kita tahu, menjadi penopang kehidupan semesta: menjaga keseimbangan, tempat bagi air dan udara bereproduksi, menyimpan ragam sumber daya yang melimpah. Di beberapa masyarakat non-urban, keberadaannya disakralkan. Mitos membalutnya dan diimani orang-orang yang hidup di sekelilingnya. Hutan disucikan, sekaligus ditakuti, angker, wingit.

Tapi, hutan juga menyimpan teriakan-teriakan. Sebelum pemukiman menjalar liar, hutan adalah medan laga pertempuran. Pangeran Sambernyawa bertahan dari gempuran tentara gabungan Kompeni dan Mataram di hutan Sitakepyak. Atau, taktik perang gerilya yang menjadikan hutan tempat persembunyian, seperti saat Perang Revolusi Indonesia dan Perang Vietnam. Di hutan pula, pembantaian sering terjadi. Berita-berita acap kali mengabarkan penemuan jasad pembunuhan. Ada juga kisah tentang pembantaian besar, seperti di Indonesia paska 1965. Mereka yang simpatisan atau dituduh penganut paham kiri, banyak yang dibunuh di dalam hutan, menyisakan lubang-lubang kuburan massal.
credits
released January 4, 2020

Albertus Arga Kacang – Vocal Utama dan Backing Vocal, Oscillator Gelombang Kotak
Gerry Pindonta – Bass, Gitar, Synthesizer, Tom Tom, Backing Vokal
Ian Pramana – Keyboard, Backing Vocal
Johanes Handjono – Bass, Synthesizer, Gitar, Backing Vokal
Riska Farasonalia – Drum, Perkusi, Backing Vocal

Artwork cover oleh Debby Selviana

Button: by-nc-nd
https://watchpineapple-press.bandcamp.com/album/hutan-dan-teriakan
https://watchpineapple-press.bandcamp.com
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posted 06 January 2020

various artist – Fusion Compilation 13

various artist – Fusion Compilation 13
[FN_56]

various artist

“Fusion Compilation 13”

Netlabel: Fusion
Genre | Style: Abstract Hip-Hop, Ambient, Chillout, Easy Listening, Ethnic, Lounge
Duration: 00:43:47
Released: 01.01.2020

Tracklist:
01. Makatumbe – Intro
02. Коля Маню – Каждый день
03. Nomadic – Naive is Bliss
04. Temple Step Project – Allah (feat. Tahir Qawwal)
05. Klātu – Private Regret
06. Dubnotic x Mettakin x Emog – Daruma
07. Nick R 61 – Ganesha
08. beatfarmer – Until Next Morning (Stratusphere remix)
09. Jazzyspoon – The Weight Of The World
10. Jason Job – Ambivalence

Button: by-nc-nd
https://archive.org/details/FN_56
https://fusionnetlabel.wordpress.com/
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posted 01 January 2020

Ulf Kramer – Nachts Weinen Die Soldaten

Ulf Kramer – Nachts Weinen Die Soldaten
[ZIMMER165]

Ulf Kramer

“Nachts Weinen Die Soldaten”

165.01 – Ulf Kramer – Fentanyl
165.02 – Ulf Kramer – Ficken fuer Tracks
165.03 – Ulf Kramer – Nachts weinen die Soldaten
165.04 – Ulf Kramer – Schlafanzug vertont
165.05 – Ulf Kramer – Seele verkauft
165.06 – Ulf Kramer – Tuerproblematik
165.07 – Ulf Kramer – wenn der Vorhang faellt
Button: by-nc-nd
https://archive.org/details/ZIMMER165
http://zimmer-records.org
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posted 25 December 2019

Drehton – ini

Drehton – ini
[phokes138]

Drehton

“ini”

Phonocake-Artist Drehton moves the knobs and keys to the next experimental level. With references to trance, IDM, techno and now and then dub, he shapes the sound of a hyperworld: full of jumps, speed, variety, intensity, clear superabundance. This is where the control takes place, this is where the chips glow. Full of details this HiTekk Electronica purrs full of longing in the metropolis of chip design sound.

The 21st century replaces any category concept of ours. The concepts blur and exceed conventions through freer expression. Freed from any category corset, Drehton presents new experiments in tempo, arpeggio & melody, in its very own sound and recognizable style. Partly the stuff is insanely experimental, especially the first tracks. They tempt us to brain explosions that dissolve Koan like. From song 8 it gets a bit straigther.

Button: by-nc-nd
http://phonocake.org/ini
http://phonocake.org
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posted 24 December 2019

Vladimir Luchansky – Helioglabus

Vladimir Luchansky – Helioglabus

Vladimir Luchansky

“Helioglabus”

saxophone/reeds, recording: Vladimir Luchansky
mastering: Ilia Belorukov
curating: Tiago Morais Morgado

Vladimir Luchansky (b. 1990) – composer and improviser from Saint Petersburg, Russia. He worked with musicians from all over the world such as Oliver Lake, William Parker, Assif Tsahar, Tim Hodgkinson, Glen Hall, Ilia Belorukov, Mia Zabelka, Matt Mottel, Kevin Shea, Alexander Markvart, Roman Stolyar, Sergey Belichenko, and many others. A member of International Society of Improvising Musicians, he performed in North America and Europe with solo gigs and in various combos. He interferes with all kinds of contemporary improvisational music from noise to free jazz and multidisciplinary arts.

Ilia Belorukov is a musician from Saint-Petersburg, Russia. He works in the directions of improvised, noise and electroacoustic music. He’s a member of different projects with local and foreign musicians. He collaborates with artists who work in other musical directions (from hardcore and metal to academic contemporary music); with dancers and painters; with theater. Ilia practices an experimental approach of sound extraction on alto saxophone with objects, uses electronics and other instruments. Also he is a founder of Intonema label (www.intonema.org) and one of curators of Spina!Rec label (www.spinarec.bandcamp.com).

Tiago Morais Morgado | Violetista e laptoper, estudou música clássica, musicologia, informática música e sonologia na Artave, na Esart, nas universidades Nova de Lisboa e do Minho e no Conservatório de Haia. Curador da editora Nachtstuck Records, que criou em 2014. Seleção de concertos: Frequency, na final do Termómetro Unplugged 2005, Alfândega do Porto; Orquestra Artave (viola tutti), com António Rosado e Ernst Schelle, Coliseu do Porto, 2006; Quinteto Pedro Lopes, David Filipe, Tiago Morais Morgado, António José Oliveira e Denis Ferreira, Casa das Artes de Famalicão, 2006; Tiago Morais Solo, Teatro a Barraca, 2010; :papercutz, no Inslington Metal Works de Londres (Reino Unido), no SXSW Austin (EUA) e no Exit Festival (Sérvia), 2010; Encerramento do ciclo “Colaborações Improvisações”, Serralves, 2011; Sonology Electroacoustic Ensemble, com Peter Evans, 2011; Com Yedo Gibson e Ofir Klemperer e como Tiago Morais Solo, no Studio Loos Den Haag, Holanda, 2011; Tiago Morais Morgado Solo, Fiber Festival Amsterdam, Holanda, 2012; Visuais, A First Approach to Morgenstra – Juan Marco Albarracin, 2012; Arnold Schoenbergzaal; Com Nicola Casetta, Maskarade Sinzine; Com James Hewitt e Renato Meganha Ferreira, Leo Svirsky House, Holanda, 2012; Tiago Morais Morgado solo, Kees van Barenzaal, Holanda, 2013; Com Teresa Matias, MNS, 2013; Com Stelios Manousakis, Museu de Arte Contemporanea de Vigo, 2014; Festival O Mundo Somos Nos, 2014 e 2017; Festival Dias de Música Electroacústica, 2015 e 2016; Moita Mostra, 2016 e 2017; Serralves em Festa, 2017; Com Marcelo dos Reis e Sérgio Tavares, MNS, 2017; Jose Lencastre Nau Quartet, MNS, 2017; Ocupa #2, GNRation, 2017.

Button: by-nc-nd
https://nachtstuckrecords.bandcamp.com/album/vladimir-luchansky-helioglabus
https://nachtstuckrecords.bandcamp.com/
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posted 23 December 2019

Deep Dive Sound – Postcards From The Jungle

Deep Dive Sound – Postcards From The Jungle
[GFR, 128]

Deep Dive Sound

“Postcards From The Jungle”

This is a sound journey into the jungle in Vietnam.

Field recordings made in one single day, from early morning ’till late at night.

This is a sound journey into the unknown. We must listen to these wonderful sound recordings with creative ears.

The unknown is near us now. The unknown have a sound identity.

This is a sound journey.

Button: by-nc-nd
http://greenfieldrecordings.yolasite.com/audio-2019.php
http://greenfieldrecordings.yolasite.com
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posted 19 December 2019

The Cherry Blues Project – On the Beach

The Cherry Blues Project – On the Beach
[NN_LP080_12_19]

The Cherry Blues Project

“On the Beach”

Debut in Nostress Netlabel with the digit album “On the Beach” released in the festive month as far as possible from the theme of artistic work. The Cherry Blues Project is an experimental band of Argentine music and sound art formed in 2001. It consists of two original members who use the pseudonyms Cherry and Blues. The “process” is mainly based on playing and listening carefully to the sounds of the reality. The essential points are the creation of soundscapes and the permanent saving of their auditory memory, sometimes registering on some discs in everyday situations. Each album represents a certain stage. In their huge discography there is the presence of humor, noise, everyday life, play, performance, free experiences, ridiculous, absurd, silent, things that should not be taken seriously, lies, satires, unattainable things, champions of talent, integrity and homogeneity concepts, ideas developed up to the concretion, lack of respect for the ears of others, sound terrorism, contemplations of life, skepticism and at the same time religiosity, contradictions, electricity, disconnection, calm, chaos, free time, conversations and dialogues, violence , etc. Their research is not just about the “musical” side, but they try to generate some kind of reaction in the person who listens to them. One of their influences is the Fluxus movement. This means that the albums must not simply be appreciated for sound, but also by all the work that goes from design to its conception, in some conceptual cases. The Cherry Blues Project is a project born of the visual arts, not the interest in “music” itself, which is why they have great influences or “connections” with the Fluxus movement.
Button: by-nc-nd
http://www.nostressnetlabel.net/NN_LP080_12_19.html
http://www.nostressnetlabel.net/
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posted 18 December 2019

Molez – One Remark

Molez – One Remark

Molez

“One Remark”

After years of experimenting with generative sounds, sonificated timbre, unusual percussion and unique atmosphere, Molez made a backtrack to his musical roots with “One Remark“. He crossed his 2 favorite styles: techstep drum&bass and glitch-hop, trying to put sci-fi nature into a slower tempo but still maintaining the energy of the dancefloor.
Button: by-nc-nd
https://www.abstraktreflections.net/releases/molez-one-remark/
https://www.abstraktreflections.net
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posted 18 December 2019

António Bizarro – City of Intrustry: Cellar Door

António Bizarro – City of Intrustry: Cellar Door
[enrmp447]

António Bizarro

“City of Intrustry: Cellar Door”

Electronic industrial album with cinematic references and influences from metal and techno sounds, put together by Portuguese project António Bizarro, a follow up trilogy release to Slow Gun and Cruel Devices released in 2018. Artwork by Sérgio Palma Agostinho.
Button: by-nc-sa
http://enoughrecords.scene.org/release/enrmp447
http://enoughrecords.scene.org
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posted 16 December 2019

Point – Human Music

Point – Human Music
[DigitalDiamonds069L]

Point

“Human Music”

Point’s (GER) album, Human Music, is undefinable. It’s a lesson in sound design, expressively presented as a new breed of intelligent dance music. Its warm, rich and supple analogue textures will immediately engage you while meshing you between ripples of hybrid genres. Compositionally, it carefully progresses into symphonies of sombre etherealness then morphs into pronounced primordial rhythms. His third LP is a veracious nourishment of the soul and will have you feeling like you are standing on the edge of the earth.
Button: by-nc-nd
https://www.digital-diamonds.com/index.php?id=digitaldiamonds069l
https://www.digital-diamonds.com
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posted 16 December 2019

Various Artists – Shepherd Drift

Various Artists – Shepherd Drift

Various Artists

“Shepherd Drift”

It’s time for the 2019 various artists compilation. 43 tracks showcasing the best of unsigned artists submissions, along with some recognizable names from the Kahvi archives. In this massive release of around 3.5 hours playing time, we go on a trip to Shepherd Drift – an outpost in the stars.
Button: by-nc-nd
https://kahvicollective.bandcamp.com/album/shepherd-drift
https://kahvicollective.bandcamp.com
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posted 16 December 2019

ERICH SCHALL – THE UNNAMED ALBUM

ERICH SCHALL – THE UNNAMED ALBUM
[INSECTORAMA081]

ERICH SCHALL

“THE UNNAMED ALBUM”

erich schall – grund
erich schall – gestell
erich schall – gewicht
erich schall – gehaeuse
erich schall – gong
erich schall – gestade
erich schall – geraeusch
erich schall – gewaechs
Button: by-nc-nd
http://sonicsquirrel.net/detail/release/erich+schall+-+The+Unnamed+Album/20447
http://www.insectorama.de
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posted 14 December 2019

pencil vs $$$$$$$$ – we never die ep

pencil vs $$$$$$$$ – we never die ep
[LF109MP3]

pencil vs $$$$$$$$

“we never die ep”

Track Listing:
01. pencil – Weeaboo Motherfuckers
02. pencil – massugu go
03. pencil – You have slain an enemy
04. $$$$$$$$ – ＴＸＫＹＸＤＲ￥ＦＴ
05. $$$$$$$$ – ₫₳₮₳₿₳$ΞVNML ($₱R₱$₮₦)
06. $$$$$$$$ – 可ＣＲＶＺ￥笑

Music by pencil and $$$$$$$$.
Artwork by Kanako Natori.
Design by Occupied Territories.

Button: by-nc-nd
https://archive.org/details/lf109mp3
https://www.lostfrog.net
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posted 14 December 2019

DzEta – We Hope For A Happy Ending

DzEta – We Hope For A Happy Ending
[IYE36]

DzEta

“We Hope For A Happy Ending”

DzEta is NiCo (Limoges, France) solo musical project.
Inspired by instrumental music, post-rock and ambient music, by artists such as Ez3kiel, Slowdive, Mogwai… He create organic instrumental tracks that I stack to create a solid foundation for inspired aerial melodies. Playing both guitar and effects, mixing textures for misty atmospheres that reveal themselves towards the luminous.

Immersion in the landscape is one of the effects of listening to the DzEta songs: they are virtual visions, but with real sensations, thanks to a peculiar approach to the songs: a known form, halfway between post rock and shoegaze. Composed entirely in solitary, this ep plays with melodies in drawing landscapes that outline along hypothetical and hypnotic winter roads or following a flight of birds over mountains and still lifes.

Button: by-nc-nd
https://www.iyelabel.com/dzeta-netlabel/
https://www.iyelabel.com/
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posted 09 December 2019

Richey Hackett – Ephemeral

Richey Hackett – Ephemeral
[VULP-0159]

Richey Hackett

“Ephemeral”

Long-time Vulpiano stalwart Richey Hackett returns, embellishing on his eclectic fusion of synthy alternative rock. A multiplicity of techniques – including samples, industrial electronics and even trap rhythms – undergird Richey’s lyrically reflective writing; with songs more fully-formed than ever. Highlights include Vulpiano single “Keep Your Eye On The Time” with its beautiful ambient coda, the disquieting glitches of “These Are The Voices”, and the introspective ballad “Equivocator”.

Words from the artist:

“It feels great to not only have a new album completed at last but also to have it released on Vulpiano Records once again. Feels like coming home.

In terms of the lyrical themes, Ephemeral explores the fleeting nature of being alive, the insubstantiality of social media, the death of old relationships, the reliability of memory and the realities of living with intrusive thoughts.

Musically, I wanted to move away from the standard alternative rock style that has always been my trademark. Flawed Above Bored was kind of the apotheosis of that sound and, with so much time having elapsed since that album, it felt right to go in a new direction now.

So there are elements of industrial music, electronica and even some ambient moments, in so far as I’m capable of capturing those styles. And you still get plenty of fuzzy guitars here and there! I suppose then that you could say Ephemeral represents a step forward for me musically; not quite a leap, as I still tend to gravitate towards catchy melodies, but definitely my first shift towards a different kind of music.”

Button: by-nc-nd
https://vulpianorecords.bandcamp.com/album/ephemeral
https://vulpianorecords.com
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posted 07 December 2019