released June 14, 2019
W+P: Carlos Sicrock
Mastering: Mudrost / Audioworkshop
Artwork: John Bushby
Third round of our new interview series also brings a little insight
on Mikk Rebanes life and music.
Tracks list:
I Garden
Whirled
Clay And Pot
Entropy
The Deep Blue Night
Dissolution
Floating
Mirror
The Unchanging
Prelude
Roots Masashi is a Roots Rock / New Roots composer from Osaka, Japan. He drew his inspiration from friends in high school and fell in love with conscious reggae music. He was fascinated by Osaka’s dub scene, especially after meeting the “Dub I Roots crew” and “Rebel Culture” in 2012 and soon after, he started building “Roots Far I”, his OWN Sound System and Digital Live project, based in Kishiwada of South Osaka. His devotion to Roots Rock Reggae, New Roots and Dub guided him all around Japan, touring with the soundsystem and urging him to reach new musical heights
His first release on Dubophonic Records is a musical and holy salutation to the Auspicious one, an adoration to the Most High. Based on one of the most important Mantras in the Shaivism tradition, Namah Shivaya is associated with qualities of prayer, divine-love, grace, truth, and blissfulness. It calms the mind and brings spiritual insight and knowledge. Traditionally, it is accepted to be a powerful healing mantra beneficial for all physical and mental ailments. “Na” sound represents the earth, “Mah” sound represents the water, “Shi” sound represents the fire, “Va” sound represents the air and “Ya” sound represents thesky. Its total meaning is that “universal consciousness is one”. The recitation of these syllables is sound therapy for the body and nectar for the inner self and the soul.
Jose María Pastor – drums; David Ramos – speak and spell, Casio SK-1 (circuit bent), Piano Roland EXR -3, Microkorg, Korg Poly 800, Drone Thing and TW3, TW5 and Noise Machine (selfmade); J.G. Entonado (a.k.a. Arín Dodó) – voice, piano, electric guitar, harmonica, Ventris Dual Reverb
Cover Art by Pedro Menchaca
We’ve featured Hardwired before in a previous VA compilation, but thought it would be good to feature the man again in his own EP release. Liminal is a selection of works from Hardwired back catalogue.
Some retro sounds (angular), very autechre sounding work (folding rna) and even Boards inspired (2nd last dream, 3rd last dream). Mellow, chilled out, atmospheric, in time for the summer sun.
his project (Eniac), has started in 1997 as an experimentation on the use of feedbacks and tape loops. In 1999 he started publishing music with a tape (split with Cria Cuervos); then the project evolved in different directions over the years: computer music, glitch, anche elctreoacoustic. He released music for recodx label like: Acustronica, Adaadat, Almost Halloween Time, Cathedral Transmissions, Chew-Z, Creative Sources, Edison Box, Many Feet Under, Sonospace, Touchin’ Bass.
Cangiante represent a point of view on the past (20 years) and on the future (the new projects will be under the name of Fabio Battistetti and Brezza).
The tracks have been composed at Blue Angle studio, between 2018 and 2019, using recordings and loops from the personal archive, including a short excerpt from a track recorded in 1999.
The titles of the tracks are quotes and references to past influences over the course of 20 years and visions of the present:
…
it’s time for new releases ! !
we are back with great music from sane! freaky stuff…. thanks for being part of schmob
Jam brutal desde Almería (Spain) producido por los propios The Dry Mouths.
Grabado en Sonobalance Studio por Victor Ortiz asistido por Alberto Chamorro & Daniel Ruiz
The Dry Mouths:
Christ O. Rodrigues: guitarra, theremin
Andy Reyes: bajo
Josh Morales: Batería
Artwork por Iván Carreño
