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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-nd

This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

BroodingSideOfMadness and Melophobia – Serpent Noir ΚΑΔΜΟΣ / Serpent Rouge ΑΡΜΟΝΙΑ

BroodingSideOfMadness and Melophobia – Serpent Noir ΚΑΔΜΟΣ / Serpent Rouge ΑΡΜΟΝΙΑ
[ET119]

BroodingSideOfMadness and Melophobia

“Serpent Noir ΚΑΔΜΟΣ / Serpent Rouge ΑΡΜΟΝΙΑ”

BroodingSideOfMadness and Melophobia – Serpent Noir ΚΑΔΜΟΣ / Serpent Rouge ΑΡΜΟΝΙΑ
melophobia comes from Greece. He likes to experiment with long noise and drone sounds intermingled with field recordings and acoustic sounds. melophobia is heavily influenced by contemporary artists such as Merzbow and early ’90s shoegaze scene. He is active with his ultra-limited releases of his 3″/5″ CDr label ‘illicit-tapes’. He cherishes the piles of his priceless jap noise C-xx tapes and obscure vinyls.

BroodingSideOfMadness is interested in phonemes, graph theory, realism and any dystopian ambiance. He seeks for the generative element in his tracks. He is the founder of Etched Traumas netlabel.

Button: by-nc-nd
http://www.etchedtraumas.net/2018/01/24/et199_serpentnoir_serpentrouge/
http://www.etchedtraumas.net
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posted 24 January 2018

Pirata – En el aire estoy

Pirata – En el aire estoy
[M26]

Pirata

“En el aire estoy”

Pirata – En el aire estoy
Review
Pirata – En el aire estoy

Antonio Díaz better known as Pirate, is an electronic music producer who lives in Los Lagos, Chile, and who has always been bound to sounds more ambient, IDM, minimal and dub, is now presenting a surprising EP called ‘En el aire estoy’. The journey starts with the track ‘El Pantano Invisible’ with ambient and minimal surrounding noises, a marked bass drum and several reminiscences of the English electronic sounds of the 90’s such as those of F.S.O.L. or The Orb but at the same time maintaining the originality of the sound that distinguishes us. The second track, that gives name to the EP, includes more atmospheric sounds and a beat closer to IDM. With this track, Pirata shows his exponential growth through complete command of softwares and machines he uses to compose. Moving forward to the next song “Espacio On”, we find a galloping beat with atmospheres and a profound sample similar to a mantra. Later we run into ‘Galeno’ in which Pirata shows clear influences of the German electronic sound of the 80’s. The following song is ‘Imperio Lúdico’. In this one, Pirata, who won the French prize ‘Qwartz Electronic Music’ in 2009 under the category ‘Discovery’, comes back to calmer and more ambient sounds with voices that weave together and glitch sounds that always characterize his music. Finishing this trip with ‘Imperio Lúdico’, Pirata invites us to explore in his EP ‘En el aire estoy’ diverse sounds, influences and an extremely high-level production that has allowed him to position himself as one of the most remarkable exponents of the national electronic music.

Hans Carstens
Engineer, musician and DJ.
2018.

Button: by-nc-nd
http://www.modismo.cl/enelaireestoy_pirata.html
http://www.modismo.cl
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posted 17 January 2018

OOAME – Milanese Nwas

OOAME – Milanese Nwas
[AT056]

OOAME

“Milanese Nwas”

OOAME – Milanese Nwas
Milanese Nwas is the sound of weightless bytes, carefully weaved to accompany the listener into a realm of self-generated paradoxical melodies. It’s music freed from the heaviness of pulse, liberated from the dictatorship of sequences and the weight of measurement.

Each track lives, like insects and plants, as if autonomous agents of a digital biosphere taken control of the computer and created a collection of aural epiphanies.

Working with custom designed softwares and advanced digital synthesis techniques, OOAME builds a self evolving micro-world of augmented harmonies in which the composer’s will acts as a mean of observation, rather than control, focusing on details of a larger and everchanging autonomous process. 


Delicacy and fragility merge with pulverized melodies, fractional phrases and quasi conscious noise bursts, giving life to the Nwas concept (“noise” pronounced in French). Milanese Nwas is an experimental act of investigation of self-organizing art, searching for emotion and poetry in the silicon mind: a journey in the beauties of an impalpable artificial wildlife.

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http://www.acustronica.com/milanesenwas.html
http://www.acustronica.com
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posted 14 January 2018

Wankers United – Polygon Soup

Wankers United – Polygon Soup
[D!HR-35]

Wankers United

“Polygon Soup”

Wankers United – Polygon Soup
For its 35th release, Da ! Heard It Records plunges your head into a broth of funk ideas.

A shark fin floats in Wankers United’s polygon soup. Out from the depths, the creature imagined by Elise Kobisch-Miana that illustrates this new album seems to be attracted by the surface after a very long sleep. Truth be told, in this new production, both references and fresh ideas abound.
Great master of skweee in France through his label Mazout, Thomas Lanza has always had a taste for electronic kludges and syncopated rhythms, which were inherited from his hip hop background. After trying his hand at this style on a number of compilations, he released his first album on American label Ausland in 2017 and serves it again with Da ! Heard It Records with a series of pieces as the pièce de résistance.

In the kitchen, one finds with pleasure everything that gives his usual productions their charm, but prepared here with the desire to respect traditions. Immersed in a bath of acid and electro old school, the ingredients of this elaborate recipe will remind sensitive music lovers of the original flavors, somewhere between Cybotron and the beautiful hours of the Warp label. The result, beyond the skweee that he regularly cooks up, rather leans towards a playful IDM that was rid of the superfluous.

Developing the evolution of the sound arrangements with precision throughout the pieces, Thomas leaves no room for chance in his joyous blend, and he demonstrates that, over the course of more than fifteen years, he has acquired solid experience in the field. No stranger to Luke Vibert, whose influence is obvious here, he nevertheless spices up his melodies with a lovely oriental touch and yet shows, if more showing was needed, that life is good in Saint-Ouen.

Button: by-nc-nd
https://www.daheardit-records.net/en/discography/dhr-35#release
https://www.daheardit-records.net
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posted 08 January 2018

Wings of an Angel – Cannot Create A Toxin Out Of Mortality

Wings of an Angel – Cannot Create A Toxin Out Of Mortality
[Self Release ]

Wings of an Angel

“Cannot Create A Toxin Out Of Mortality”

Wings of an Angel – Cannot Create A Toxin Out Of Mortality
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https://wingsofanangel.bandcamp.com/album/cannot-create-a-toxin-out-of-mortality
https://artmutation.com/
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posted 06 January 2018

Zigo & Camila Dos Santos (KURUNDU) – Yvykua Ipuva

Zigo & Camila Dos Santos (KURUNDU) – Yvykua Ipuva
[PT068]

Zigo & Camila Dos Santos (KURUNDU)

“Yvykua Ipuva”

Zigo & Camila Dos Santos (KURUNDU) – Yvykua Ipuva
Camila Dos Santos : cello
Zigo Rayopineal : fieldscapes, electronics, cello loops in real time

duo from Paraguay & Argentina.

kurundu is an amulet for rituals in south america.
un amuleto de luz flotando radioactivo por un rio de sud america.

cello,field recordings,electronics,loops direct rec in buenos aires.
improvised performance and looping to two channels.
no other post rec process.
field rec from Paraguay and Argentina.

Button: by-nc-nd
http://www.plustimbre.com/releases/0682018.html
http://www.plustimbre.com/
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posted 05 January 2018

V.A. – Fusion Compilation 11

V.A. – Fusion Compilation 11
[FN_50]

V.A.

“Fusion Compilation 11”

V.A. – Fusion Compilation 11
Netlabel: Fusion
Cat#: FN_50
Genre | Style: Abstract, Ambient, Electronica, Glitch, Hip-Hop, IDM
Duration: 00:38:28
Released: 01.01.2018

Tracklist:
01. Optogram – Bloody Faces
02. Nyctophiliac – Edge Of Doom
03. PI/0 – DRAG
04. Holly x CMRN – Ambedo
05. IG88 – Want
06. PROJEKT 90 – STRYCH
07. Nick R 61 – In Heaven talk about Ocean & Sunset
08. Azaleh feat. Axel Grassi-Havnen – Astral
09. g4som4t – black silence
10. shocky – close
11. Zoohead – System of Waves

*Optogram appear courtesy of Minus Habens Records.

Fotos: Dmitry Baryshnikov
Artwork: Nick Rostov

Button: by-nc-nd
https://archive.org/details/FN_50
http://fusionnetlabel.wordpress.com
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posted 01 January 2018

Maxim Kornyshev – Mellifluous

Maxim Kornyshev – Mellifluous
[su018]

Maxim Kornyshev

“Mellifluous”

Maxim Kornyshev – Mellifluous
Maxim Kornyshev is looking for relevant musical solutions, combining elements of new age, free improvisation, chillout, instrumental music and electronic styles. The musician grows and develops his musical taste, creating tracks with a harmonious and light sound. Just relax by listening to “Mellifluous”, let the feelings be what they are …
Button: by-nc-nd
http://soo.su/news/maxim_kornyshev_mellifluous/2017-10-06-26
http://soo.su/
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posted 30 December 2017

Foshan Roots – Sky Warrior Dub

Foshan Roots – Sky Warrior Dub
[DPH033]

Foshan Roots

“Sky Warrior Dub”

Foshan Roots – Sky Warrior Dub
We are starting a new series of releases, exploring and re-discovering Springline Records, one of the most underrated reggae and dub labels. It has been operational from 2003 until 2012, releasing music on vinyl, on audio tapes and later in digital format. With artists coming mainly coming from the UK underground, the style of the label was strongly influenced by the Jamaican roots music of the 70s with a sound very kin to that of Lee ‘Scratch’ Perry’s Black Ark studio.

But the resemblance to Black Ark studio goes far more than just the sound and the music. After 10 years of operation, two vinyl releases and many tapes and digital releases the label stopped its operations. All releases were discontinued in 2013 & all master recordings were lost or destroyed or on purpose deleted/thrown away, with the owner of the label deciding to put an end to that musical adventure. What is left nowadays are some articles and reviews on the internet, reminding the era of a great label, which unfortunately did not get the recognition it deserved.

All this happened at the time when Dubophonic was just starting its own musical adventure in 2013. We don’t know if it was meant to be, if a higher force controls everything and connects everything together, but thanks to Gibsy Rhodes, owner of Springline Records, we got our hands on some crucial tunes found forgotten on a hard disc, which was saved from destruction. Ruff takes, dubplates, alternative cuts, demos and a few unreleased works; a true treasure to our ears!

>From our new series entitled The lost archive of Springline Records comes Sky Warrior Dub. It was never released before, until today! Foshan Roots was formed as a studio band by Thomas Dewey and Brad Turner in the summer of 2012 in the UK, working together on various projects (Roots, Reggae, Dub). Being able to establish a great connection and to overstand each other telepathically, the musical workings just started flowing. The name of their band reflects the vibes of their music.

All recordings & mixes were done in their own studio (CAF Studios) named after a very inspirational roots album. Brad & Tom play all the instruments themselves, shared out equally, so to give a different feel each time. Sky Warrior Dub consists of nine dubwise tracks in a deep rootikal style, reflecting the mystical vibes of the band! Welcome to Foshan Roots, the peaceful ZEN-warriors. Enjoy the journey to Jah music!

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http://www.dubophonic.com/2017/12/foshan-roots-sky-warrior-dub-dph033.html
http://www.dubophonic.com
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posted 27 December 2017

Various – Trip to Proxima B

Various – Trip to Proxima B
[397]

Various

“Trip to Proxima B”

Various – Trip to Proxima B
This years VA Christmas release has a space theme. Taking you from here to far away Proxima B, being space themed we have some epic ambient passages (drifting through space) mixed in with some IDM beats and melodical work (as if a transmission from earth fades in, and you’re able to break the silence and tranquility).

As usual a showcase of unreleased artists, the best submissions of the year. A particular favourite track is by Rephazer, which is a remix of Honeyboy Edwards ‘Catfish Blues’. This is featured with special permission of Document Records, and I think it’s fantastic and fits the theme of the whole VA perfectly.

Enjoy this amazing compilation and see you in 2018!

Button: by-nc-nd
http://kahvi.org/releases.php?release_number=397
http://kahvi.org
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posted 22 December 2017

Thuoom – reCycle 2

Thuoom – reCycle 2
[thump322]

Thuoom

“reCycle 2”

Thuoom – reCycle 2
As Thuoom closes his second grand cycle in order to begin a studio hiatus, there are two compilation albums released simultaneously.

“reCycle 2 is a compilation album that draws together a bunch of unreleased tunes that I composed during my second grand cycle (2013-2017). These 13 tracks didn’t fit on any album I released during this period but deserve to be out there nevertheless, showcasing different sides of my style of electroacoustic music.”

Button: by-nc-nd
https://texturalhealing.blogspot.com/2017/12/thuoom-recycle-2.html
https://texturalhealing.blogspot.com/
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posted 22 December 2017

Thuoom – 10 years in noise

Thuoom – 10 years in noise
[thump321]

Thuoom

“10 years in noise”

Thuoom – 10 years in noise
As Thuoom closes his second grand cycle in order to begin a studio hiatus, there are two compilation albums released simultaneously.

During the last ten years or so, while working on the Thuoom sound, Tuomo has also experimented with several (harsh) noise/avant-garde themes. As these pieces never quite fitted any other place, they are presented here for the first time, together and in a chronological order. Spellonia features Mala playing synth with Thuoom.

Instruments used on this record: algorithms, breathing, broken cord, Casio CTK-601 synth, coin, computer keyboard, cord, diarrhoea, electric guitar, electroacoustic guitar, faucet, glitches, human voice, kettle, midi, note book, sofa, speaker feedback, staple, table

Button: by-nc-nd
https://texturalhealing.blogspot.com/2017/12/thuoom-10-years-in-noise.html
https://texturalhealing.blogspot.com/
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posted 22 December 2017

Cialyn – The Lone Thistle

Cialyn – The Lone Thistle
[396]

Cialyn

“The Lone Thistle”

Cialyn – The Lone Thistle
Kahvi Christmas 2017. The second in our Christmas lineup is another classic sentimentality driven EP from our favourite Boards of Canada inspired artist – Cialyn.

Eight tracks of blissful moody and subtle beats, off key leads and nostalgic pads, marking a delicate and warming audio treat for the Christmas season.

Button: by-nc-nd
http://kahvi.org/releases.php?release_number=396
http://www.kahvi.org
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posted 19 December 2017

Breakup-Party – Ghosts

Breakup-Party – Ghosts
[djummi.008]

Breakup-Party

“Ghosts”

Breakup-Party – Ghosts
I like the “Pop” this way: When in fact this music is banging in the true sense of the word. Catchy and radical! And together with the fellows Indie and Noise “Ghosts” ranges from doubting fragile to resolute explosive: passionately, unsparingly and glamorously!
Button: by-nc-nd
http://www.djummi-records.de/2017-12/breakup-party-ghosts/
http://www.djummi-records.de
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posted 16 December 2017

David Ramos & Arín Dodó – Críptico

David Ramos & Arín Dodó – Críptico
[PT067]

David Ramos & Arín Dodó

“Críptico”

David Ramos & Arín Dodó – Críptico
Track 1, 2 ,3: David Ramos korg Volca Beats, Korg Monotribe, Monotrón Delay, Microkorg, Noise machine; J.G. Entonado (a.k.a. Arín Dodó) voice, piano, trombone, french horn

Track 4: Sam Hall & Tamaya Honda drums; Gori Valarez electric guitar; David Ramos electronics; J.G. Entonado (a.k.a. Arín Dodó) voice

Track 5: Tamaya Honda & Sam Hall drums; Ricardo Rodero sax; David Ramos electronics; J.G. Entonado (a.k.a. Arín Dodó) electric guitar

Button: by-nc-nd
http://plustimbre.com/releases/0672017.html
http://www.plustimbre.com/
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posted 10 December 2017

Air Protection Office – Sky is the limit but the sky is inside my mind

Air Protection Office – Sky is the limit but the sky is inside my mind
[EKR018]

Air Protection Office

“Sky is the limit but the sky is inside my mind”

Air Protection Office – Sky is the limit but the sky is inside my mind
Ekar is pleased to share this brand new release by Air Protection Office;
A reflection about the concept of limit driven by this electronic sound inspired by the early 2000.
The CD version is also available,following of course the 2000’s style, have a look on the bandcamp!
Button: by-nc-nd
https://ekar.bandcamp.com/album/sky-is-the-limit-bu…
http://ekar-records.tumblr.com
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posted 08 December 2017