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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Sascha Müller – Escape EP

Sascha Müller – Escape EP
[EOTF01]

Sascha Müller

“Escape EP”

Sascha Müller, a German artist, DJ and producer, has crossed stylistic boundaries in his career, venturing into genres from AcidHouse and EBM to Cosmic, Synth and Krautrock. With an extensive discography spanning over three decades, he has released music under his name and various pseudonyms and participated in numerous projects. His impressive discography includes releases on renowned labels such as Universal Music, ZYX Music, Electronic Music Foundation, Teknotika Records (USA), Intrauterin Recordings, Mille Plateaux and Force Inc.

A significant figure in the acid, acid house, hard techno and techno genres, Sascha Müller was recognized on discogs.com and was nominated for the QUARTZ Electronic Music Awards in 2006. As a DJ, he has appeared at events such as Thunderdome and the Love Parade and has hosted the monthly show ’90s Rave Radio’ on EmsVechteWelle since 2010. In addition to dance music, Sascha Müller is active in music production for screen, film and stage/theatre, with his work having been presented at renowned events such as the Cannes International Film Festival and the International Film Festival Berlin. He has shared his knowledge at institutions such as the Fraunhofer Institute for Digital Media Technology and the Floppy Totaal Festival in Amsterdam.

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posted 04 February 2024

BraKhaGe – Bocetos, Diarios y Sonidos 2

BraKhaGe – Bocetos, Diarios y Sonidos 2
[pn229]

BraKhaGe

“Bocetos, Diarios y Sonidos 2”

Imaginemos un oído libre de las leyes de la perspectiva creadas por el hombre, un oído libre de prejuicios de la lógica compositiva, un oído que no responde al nombre de todo pero que debe conocer cada objeto que encuentra en la vida a través de una aventura de percepción. ¿Cuántos sonidos hay en un campo de hierba para que el bebé que gatea no se dé cuenta del sonido del “verde”? ¿Cuántos arcoíris puede crear la luz para el oído inexperto? ¿Qué tan consciente puede ser ese oído de las variaciones en las olas de calor? Imagine un mundo lleno de objetos incomprensibles y brillando con una infinita variedad de movimientos e innumerables gradaciones de color. Imaginemos un mundo antes de la palabra y el sonido, no para ser simplemente imitados, sino para combinarlos según nuestra fantasía. Nada es verdad, todo está permitido.

Imagine an ear free from the laws of perspective created by humans, an ear free from the prejudices of compositional logic, an ear that doesn’t respond to the name of everything but must know each object it encounters in life through a perception adventure. How many sounds are there in a field of grass for a crawling baby to be unaware of the sound of “green”? How many rainbows can light create for the inexperienced ear? How aware can that ear be of variations in heat waves? Imagine a world full of incomprehensible objects, shimmering with an infinite variety of movements and countless shades of color. Envision a world before words and sound, not to be merely imitated, but to be combined according to our fantasy. Nothing is true, everything is permitted.

BraKhaGe
(Santiago, Chile. Febrero / February 2024)

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posted 02 February 2024

Overthrive – Uncharted Realms

Overthrive – Uncharted Realms
[foot291]

Overthrive

“Uncharted Realms”

“Uncharted Realms” is a testament to the limitless possibilities of electronic music. It’s a neural expedition where the boundaries between the real and the imagined blur, and the listener is invited to lose themselves in a world where the future and the primal coexist. With its crispy drums, unknown sound effects, and visionary soundscapes, this album is not just a collection of songs; it’s a portal to a sonic kingdoms where sound becomes an immersive, transformative experience. The soundscapes within the album are nothing short of otherworldly. Pulsating basslines ebb and flow like cosmic tides, while shimmering drones dance through the air, creating an atmosphere that feels simultaneously alien and familiar. The album’s sonic palette is enriched with mysterious and unknown sound effects, as if the very fabric of the music is being woven with threads of undiscovered technology and extraterrestrial energy.
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posted 30 January 2024

Niclas Tamas – The Music from Undiscovered Civilisations

Niclas Tamas – The Music from Undiscovered Civilisations
[zen283]

Niclas Tamas

“The Music from Undiscovered Civilisations”

dark atmospheric orchestral music with vague and mysterious undertones that touch the soul
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posted 20 January 2024

JEFF ROSENSTOCK – HELLMODE

JEFF ROSENSTOCK – HELLMODE

JEFF ROSENSTOCK

“HELLMODE”

HELLMODE is the fifth and furious studio record from the Death Rosenstock Family Band. Loud! Quiet! Fast! Slow! Other! This one’s got ALL FIVE AVAILABLE VIBES. Recorded in the same room that both System of a Down and Whitney Houston recorded some seminal shit! FUCK YEAH!
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posted 18 January 2024

mindblasting netlabel – Noskovsolegs – Protokoll

mindblasting netlabel – Noskovsolegs – Protokoll

mindblasting netlabel

“Noskovsolegs – Protokoll”

released January 12, 2024

Unpredictable electronics sounds and beat. Different experience of sonic experimental

====================================

noskovsolegs : multi-genre artist from Latvia was active live in 2008-2012 and released more than 30 releases on about 10+ different netlabels.

about.me/ieejasnav

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posted 13 January 2024

ANARCO – Técnicas de polarización social

ANARCO – Técnicas de polarización social

ANARCO

“Técnicas de polarización social”

Manifesto:

Social polarization, environmental destruction, state subjugation to large corporations, and the use of new technologies for people control are issues that were already addressed by George Orwell and Aldous Huxley and are very present in our society.

Anarco observes with interest how the influence of social media, large media outlets, and political and economic systems affect the behavior of the population.

Anarco supports art in any of its forms as a way of fighting against the simplicity of political discourse. As a way of fighting against the absence of reaction and response to the drift of our society.

Manifiesto:

La polarización social, la destrucción del medio ambiente, el sometimiento de los estados frente a las grandes corporaciones y el uso de las nuevas tecnologías para el control de las personas, son cuestiones que ya trataron en su día George Orwell o Aldous Huxley y que están muy presentes en nuestra sociedad.

Anarco observa con interés como la influencia de las redes sociales, los grandes medios de comunicación
y los sistemas politicos y económicos afectan el comportamiento de la población.

Anarco apoya el arte en cualquiera de sus vertientes como forma de lucha contra la simplicidad de los discursos politicos.
Como forma de lucha frente a la ausencia de reacción y respuesta a la deriva de nuestra sociedad.

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posted 11 January 2024

Makunouchi Bento – The Virtual Bluescreen-Collar Choir (Live at Progress. Paradigm Shifts #5)

Makunouchi Bento – The Virtual Bluescreen-Collar Choir (Live at Progress. Paradigm Shifts #5)

Makunouchi Bento

“The Virtual Bluescreen-Collar Choir (Live at Progress. Paradigm Shifts #5)”

The recording of our live act from “Progress. Paradigm Shifts #5” (18.11.2023, Muzeul Corneliu Mikloși, Timișoara, Romania), powered by Simultan, curated by Arne Hendriks & Ștefan Tiron.

www.facebook.com/events/1139362020111750/

00:00 01 Intro
01:28 02 Blu Marin Messa
05:32 03 One Strung Counterpoint
11:55 04 Director’s Barbers Moment
15:38 05 The Pink Trombone Thief
19:58 06 Our Lady of the Soup Kitchen
26:12 07 Cantata for Cats and Spoons
31:56 08 Tatar Throataches
38:13 09 Daydream in the Factory Dispensary
43:59 10 A Serpentine Queue to Folly

-̖͑-̑̋͂–̝̤͉̘̜͚-͕̩̤͓̹̼̝ͯ̑͐̉͛̔ͭ-̲͖̗̣͙͎ͦ͑͗̉̔̒-͚͔̩͐̊ͤ̚ͅ-͖̫͔-̥͉͎͎̫̝ͮ̇̓̆̂ͧ-̱̲̙͓͊̐ͣͫ—-͚̦̤̙͎̑̀̒ͬ̋͆ͅ–̙͔̲̗̮̰ͤͤ́̅̆ͥ–͈̥̻̬̹̀̎̽̎ͨ-̬̗͍̼ͯ͛̽̒-̠̤̒ͬ–̳̫̒̒-͐-̪̹̪͆̒͂-̗̉-͈̄–͔̮̦͚̀̅̂͑ͦͮͅͅ-̥̺̫ͯ̓̚-ͣ͒͂̽̔-̺̘͙̌͒̊̾ͅ-̹͔̝̗̙̱–̳̯̻̬̦͕̯̆̐ͦͣ̌̈̊-̖͔̦͎̭̰̓̂̅͆̂̿-͇̫̏͒-̞͉̻̳̗̺-̃̏̈́́͒ͯ͋–̩̲͓̮̳͌ͬ̇ͤ̚–́-̰̱-̥̜̲̦̥̺—-̭̙͇͓ͦ͊ͤ͐ͧͅ-͍͎̙͚͖̜̺͂͛̋ͪ͋͒ͮ-̰͍̩͕̣̤̝ͧ̍̎̄̊͌̒-ͭͭ̄-̤-̈́̇̚–̭͖ͯ̓-̘̭̠͉̫-̿ͤ̽̊̂-͚̬̫͚͑͋ͩ̽-͉-̻͍͚ͅ–̠̝̞̟̾ͣ͛̚–̭̯ͮ͛-͔͌-̻-̰̏-͈̼̙̯̞̀̃̇ͥ̑-̩͎̫̖̖ͩͥ̑͑ͫ-͇̬̺͕̤͑̈́͌͋̓-̩̱̻͖͑̀̓ͭ-͖̠̠̉̃̿-͇̰̲͔̫͎ͅ-͈̼͖̳̠̼̔͛̅͛̎̂-̲͖̗̪̬̬̤ͨ̂̔̎͑ͣ̚-̄̇-̦̹͎̝̲̺͎-͋̄ͧ-͇̣̲̼̞ͯ̉̈̓ͫ-ͪ-̦̠͚̤̘̲͔ͨ̔̀ͤ͌̓̚-̱-͈̬̹̎͒̚–͕̰-͌̊̈͗ͨͭͨ-͇͖̦̈̓͆-̙̝̹̪̯͉̟̓̾͋̔̀͊̚-͓̜̓͆-͛̀ͪͨ-̹̟

Ladies and gentlemen, welcome to the sonic journey of “The Virtual Bluescreen-Collar Choir”. This experimental music project delves into the realm of the surreal, where technology meets the nostalgia of a bygone era.

Inspired by the working men’s clubs of yesteryear, where camaraderie and community were forged through song, we have created a virtual choir that pays homage to these forgotten spaces. But here’s the twist – our choir consists solely of synthesized and re-synthesized voices, blending the past with the present in a futuristic soundscape.

As French philosopher Jean Baudrillard once said, “Simulation is no longer that of a territory, a referential being, but rather that of a code, a differential equation.” In this vein, The Virtual Workmen’s Choir challenges the notion of authenticity and questions whether technology can truly replicate the human experience.

Our soundscapes transport listeners to a world where the boundaries between reality and fantasy blur. Imagine strolling through a smoky, dimly-lit room filled with the echoes of laughter and chatter, only to find yourself enveloped by a cappella harmonies that seem almost otherworldly. That’s what you’ll encounter in our virtual choir, where the synthesized voices take on a life of their own.

But there’s also a hint of melancholy woven throughout our compositions. As German philosopher Martin Heidegger mused, “The essence of technology is by no means anything technological.” In simulating the voices of a lost community, we’re reminded that progress often comes at a cost. We ponder the price of innovation and ask: What do we sacrifice when we exchange the warmth of human connection for the convenience of digital reproduction?

And yet, within this dreamlike atmosphere, we discover a strange sort of beauty. Our virtual choir becomes a metaphor for the fragmented nature of modern society, where individuals come together virtually but remain disconnected physically. It’s a reflection of our times, where social media reigns supreme and online personas supplant face-to-face interactions.

So let us embrace the surrealism of The Virtual Bluescreen-Collar Choir, allowing ourselves to be enchanted by its haunting allure. Let us ponder the philosophical underpinnings that govern our relationship with technology and confront the existential queries it raises. For in doing so, we may just uncover hidden truths about ourselves and the world we inhabit. Thank you for joining us on this thought-provoking sonic adventure.

–ͫ̔͂̐̅-̗͙̦̯̙͈̻̐ͫ͋͂͌͌̌–̻̱̦̯̈̃ͭͫ-̪ͥ-̱̗̼͔–ͫͧ̇ͨͯ-͇́-̥-̰̻̰͚̃͗͛̂̌̃ͅͅ-̞-̣͛-͓͕̦͙͒̀̓̂-̼͇ͤ́-̦̪̘̮̝͚̄͌͌̆̑ͪ-̻̟͚͎͙̈ͣ̔́̚-̆̊-͌̿ͤͤͥ̊̚-͓̮̤̥͖–̲̟͙̞͕͙-͓̤͙̫͒͑̈́ͪ-̈́̽ͮ̾̐ͦ-̗̥̼̣͖̳-ͬͨ̎̉–̪̗̙̙̜̮̓͐ͥ͒̐ͦ̋ͅ-̭̘̈́̍-̘ͦ-͑-̳̱̓̿-͚̈́̚ͅ-̤͓̯ͅ–̩͉̠̟̯̘-̟̹͓̥̠͎̘̾͑͐͛̃͐ͮ–͖̙̀͆̚ͅ-̪͕̒ͭ-ͅ—-̯͇̟̙ͯ͛̈́͆-͕͔͕̬͔̙ͅ-̥̦͉̓́̇-̾ͦ-̦̼̱̞̘̬̆̆͂ͨͦͬ-̖̻̟̯̮̫̘̎͌ͪ̆ͮ̒̊-͑ͥͭ̓ͦ-̩̯͙ͣͪ̓-͖̯̣̹-̻̠̼͕̻̬̥ͬ̈́͐ͣͬͦ̅–̦̳-̜͉͚̺͇̠̥-̥̗͈̮͚̝-̫̞-͈̭̤͓ͨ͆ͫ͒̋ͅ-͙͖͚̥̻̘̩͛͒ͮͧ͛͒̎-̪̖͕̣̻ͥ̊͊́̀—̩͍̹͌̋̈́–̈́ͨ̏ͭ̽̚̚-͇̳̜̒̔̈́-̬̰̙̠–̰̭͈͖̹͈ͩ̿̽̀͂̐-ͧ-̩͊–̱̙̹͔͑̑ͦ̋-̬̫̳-̬͌–̫̥̦̗͎̦̄͐̀̍̓̇–͖-͍̭̫͕̬̽ͬ̋̒͌-̱̠̼-͖͓̅̅-͎̜̺̊ͦ͐-͙̻͕̼̬̜ͧ͂ͧ͛̓ͤ-̻̮̅ͯ-̑ͪ͆-ͧ͋͒-

Doamnelor și domnilor, bine ați venit în călătoria sonoră a „The Virtual Bluescreen-Collar Choir”. Acest proiect muzical experimental sondează profund tărâmul suprarealismului, unde tehnologia întâlnește nostalgia unei epoci trecute.

Inspirați de cluburile de altădată ale bărbaților muncitori, unde camaraderia și comunitatea s-au făurit prin cântec, am creat un cor virtual care aduce un omagiu acestor spații uitate. Dar iată întorsătura – corul nostru este format numai din voci sintetizate și resintetizate, îmbinând trecutul cu prezentul într-un peisaj sonor futurist.

După cum spunea odată filosoful francez Jean Baudrillard, „Simularea nu mai este aceea a unui teritoriu, a unei ființe referențiale, ci mai degrabă cea a unui cod, a unei ecuații diferențiale”. În acest sens, Corul Muncitorilor Virtuali contestă noțiunea de autenticitate și chestionează dacă tehnologia poate reproduce cu adevărat experiența umană.

Peisajele noastre sonore transportă ascultătorii într-o lume în care granițele dintre realitate și fantezie se estompează. Imaginați-vă că vă plimbați printr-o cameră fumurie, slab luminată, plină de ecouri de râsete și vorbărie, doar pentru a vă regăsi învăluiți de armonii a capella care par aproape din altă lume. Asta veți întâlni în corul nostru virtual, unde vocile sintetizate capătă viață proprie.

Dar există și un indiciu de melancolie țesut în compozițiile noastre. Așa cum medita filozoful german Martin Heidegger, „Esența tehnologiei nu este în niciun caz ceva tehnologic”. În simularea vocilor unei comunități pierdute, ni se reamintește că progresul are adesea un cost. Reflectând la prețul inovației ne întrebăm: Ce sacrificăm atunci când schimbăm căldura conexiunii umane pentru comoditatea reproducerii digitale?

Și totuși, în această atmosferă de vis, descoperim un fel ciudat de frumusețe. Corul nostru virtual devine o metaforă a naturii fragmentate a societății moderne, în care indivizii se unesc virtual, dar rămân deconectați fizic. Este o reflectare a vremurilor noastre, în care rețelele sociale dețin supremația, iar personajele online înlocuiesc interacțiunile față în față.

Așa că haideți să îmbrățișăm suprarealismul Corului Virtual Bluescreen-Collar, lăsându-ne vrăjiți de farmecul său obsedant. Să reflectăm la fundamentele filozofice care guvernează relația noastră cu tehnologia și să ne confruntăm cu întrebările existențiale pe care le ridică. Căci, făcând acest lucru, este posibil să descoperim adevăruri ascunse despre noi înșine și despre lumea în care locuim.
Vă mulțumim că v-ați alăturat în această aventură sonoră care provoacă gândirea.

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posted 09 January 2024

Tristan Sotomayor – Conjunto Vacio

Tristan Sotomayor – Conjunto Vacio
[pn228]

Tristan Sotomayor

“Conjunto Vacio”

A journey into emptiness, into the unknown of a knowledge that, because it is known, is forgotten. When the learned becomes commonplace, it disappears, and a new language is constructed to hold ideas. In Tristán Sotomayor‘s “Conjunto Vacío” (“Empty Set”), the primary focus is the body, the way it encounters experience and listening; what is forgotten becomes instinct, ways of inhabiting and traversing the world and its landscapes.

Elements, stories, signs, traces, and references unfold amid pristine, dark, and evocative spaces that challenge and reveal, paraphrasing the musician, artist, and writer David Toop, in sequences where the solid, fixed, stable, and concrete dissolve into the depths of the singular, different, deterritorialized, and immersive.

We witness the construction of a story made up of 7 fragments in which intensities coexist with expansive or contained spaces, traversing moments filled with absorbed information in chiaroscuros that subtly show and hide the place where the sounds originate and coexist.

An invitation to listen to the abstract nature of space, its designs, and structures; the ideas through which one can “float freely in a liquid space of nonlinear time”, as Toop also wrote. It presents an ethereal world translated through aromas, silences, and noises that give meaning in circumstances that constantly change. “Conjunto Vacío” is the sound and image of a story that possesses its own language to narrate the world, its course, and intensity.

Sebastián Herrera
(Santiago, Chile. January 2024)

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posted 03 January 2024

Various Artist – EPOCH

Various Artist – EPOCH

Various Artist

“EPOCH”

Artists were given the single word ‘EPOCH’ to interpret with whatever audio they deemed appropriate. There were no instructions other than a deadline for contributions.

Releases by Andreas Brüning, Audiomat, Dental Drill Slips, GLOBAL SYSTEMS INTNL., and WarpCensorcan be found elsewhere on the TCFSR bandcamp.
—————————————————————————————-\
—————————————————————————————–>
—————————————————————————————-/

We are pleased to welcome three artists from Burnt Seed Records of Western Australia burntseedrecords.bandcamp.com
Lost Ether lostether.bandcamp.com
Bilg burntseedrecords.bandcamp.com/album/sprouted-volume-i dogparkrecords.bandcamp.com/album/rain
Scientia scientia.bandcamp.com

Releases by vacant possession are at vacant possession records and <1
vacantpossession.bandcamp.com
lessthanone.bandcamp.com/album/return-of-the-dark-ages

Andreas Brüning, in addition to his solo work, is part of various groups:
Audiomat tcfsr.bandcamp.com/album/audiomat
Gruppe BASS tcfsr.bandcamp.com/album/extended-technique

Digital releases by Unearth Noise are at unearthnoise.bandcamp.com
Vinyl and cassettes from lullabiesforinsomniacslabel.bandcamp.com

Autistatic releases are at autistatic.bandcamp.com Also, he runs the Zenflesh Records label zenfleshrecords.bandcamp.com

Amina aminamusic.bandcamp.com is an ambient incarnation of Argentinian creator also known as Dyb dybmusic.bandcamp.com

Releases by GLOBAL SYSTEMS INTNL. are on the Hand Canyon Label handcanyon.bandcamp.com and also at globalsystemsintnl.bandcamp.com

EPOCH is the 15th TCFSR Solo Word project, following Twilight, NEW, OLD, Agency, Zucker, Melancholy, Anteontem, Cloister, EARTH, Geräuschkörper, Yellow, Sentience, RUST and AIR.
tcfsr.bandcamp.com/album/twilight
tcfsr.bandcamp.com/album/new
tcfsr.bandcamp.com/album/old
tcfsr.bandcamp.com/album/agency
tcfsr.bandcamp.com/album/zucker
tcfsr.bandcamp.com/album/melancholy
tcfsr.bandcamp.com/album/anteontem
tcfsr.bandcamp.com/album/cloister
tcfsr.bandcamp.com/album/earth
tcfsr.bandcamp.com/album/ger-uschk-rper
tcfsr.bandcamp.com/album/yellow
tcfsr.bandcamp.com/album/sentience
tcfsr.bandcamp.com/album/rust
tcfsr.bandcamp.com/album/air

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posted 02 January 2024

Charlie Naked – Mowing Down Roses

Charlie Naked – Mowing Down Roses

Charlie Naked

“Mowing Down Roses”

Recorded September-October 2023, live at The Home Office by Charlie Naked:

MOWING DOWN ROSES: 9/26/2023, One Guitar, Two Pedalboards, and Two Amps.

THE RED DESERT: 9/27/2023, Amplified Bul-Bul, Looper, and Electric Guitar.

THE CLEAN STORY: 10/9/2023, Effected Vocals and Electric Guitar.

SCREAMING BIRDS OF PYREX: 10/10/2023, Drone Machine and Electric Guitar.

A SMALL THING: 10/11/2023, Electric Guitar.

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posted 01 January 2024

Catgirl 2005 – Scientific Materialism

Catgirl 2005 – Scientific Materialism

Catgirl 2005

“Scientific Materialism”

I lost my job recently and thus had a lot of free time to work on songs. The album art was drawn by @komiiworldtour – follow them on Instagram; commission them to make your logo. They’re great.I’ve been listening to “Simulation Swarm” by Big Thief a lot recently and it has influenced the tracks on this EP pretty strongly – I tried to make groovy beats with cryptic, fantastical lyrics.

I hope you guys like this but, more importantly, I hope it can provide some benefit to the world. I think that music is the only thing in the universe.

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posted 29 December 2023