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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Ochi – Self inductance Mixtape

Ochi – Self inductance Mixtape
[pnmxt007]

Ochi

“Self inductance Mixtape”

OVERVIEW:

Freestyle looking for soul and intense feelings, just like a living organism, asking for
amplifying sensations, discovering secret passages where microcosms-generating-big-bang-like
elements burst, tinged with personal recordings and digital samples.

Simone Corbalán aka Ochi
(Santiago, Chile. September 2021)

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posted 12 September 2021

Pete Cogle’s Podcast Factory – PCP#707… Freaky…..

Pete Cogle's Podcast Factory – PCP#707… Freaky…..
[PCP#707]

Pete Cogle’s Podcast Factory

“PCP#707… Freaky…..”

Freaky…with tracks …

The Mansfields – Frankestein Twist [Promonet]
Shigara – Aicha [Tropical Twista Records]
Flavio Deff aka Dj Home – Astral Projection [Noisybeat]
Louis Lingg and The Bombs – Freaky Deaky [Blocsonic]
Spiedkicks – Nightride [Bandcamp]
My Toys Like Me – All Over My Face (Jstar remix)
Funf Freunde – Falsche Freunde
Jalilah Raks Sharki – Ranet Al Khulkhal [StoryAmp]
Basic Need – On My Mind [Seven Villas Music]
The Passionistats – The Socialists
Dengue Fever – We Were Gonna [Promonet]
Xylo Chill – DJ Whitecoat (STT Master) [Bobz House]
Tantrum Zentrum – Next! (Radio Edit) [Bandcamp]
Mariotte – Sans effort [La Souterraine]
Tronimal – Robotics – Homo Machina (Xortom Remix) [Bandcamp]
Ras Tamano – Judgement In The Rain [Dubophonic]
Xico & Zero Bala Sounds – Samba Senegalˆs [Tropical Twista Records]

This podcast is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC-NT-NC-ND 4.0) License

http://petecogle.co.uk/blog/podpress_trac/web/16158/0/pcp707.mp3

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posted 11 September 2021

Pete Cogle’s Podcast Factory – PCP#708… Badgers Ate The Sweetcorn…..

Pete Cogle's Podcast Factory – PCP#708… Badgers Ate The Sweetcorn…..
[PCP#708]

Pete Cogle’s Podcast Factory

“PCP#708… Badgers Ate The Sweetcorn…..”

Badgers Ate The Sweetcorn…with tracks …

Louis Lingg And The Bombs – No Joke [Blocsonic]
Deyarko – Snap Remix [Bobz House]
Fadhilee Itulya – Pombe [StoryAmp]
Klarius – The Alchemist [Innunct Music]
Sensual Physics – Futurology (Pablo Bolivar Remake) [Seven Villas Music]
Kingston Express – Silver Gold (feat. Longfingah) [RDX Promo]
Namgar – Tokhoi zandan emeelee [StoryAmp]
BradfordRiots – Totally Underground [Sub65 Media]
Nyctophiliac – Lxve [Dusted Wax Kingdom]
Colonel Hentonar – Blue Stone [Gorge.In]
Sathurnus – Lack of Expression [Krad Collective]
Visionary Underground – State Of Mind
Nirso – La Frigia [Tropical Twista Records]

This podcast is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC-NT-NC-ND 4.0) License

http://petecogle.co.uk/blog/podpress_trac/web/16183/0/pcp708.mp3

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posted 11 September 2021

Pete Cogle’s Podcast Factory – PCP#709… Deep Joy…..

Pete Cogle's Podcast Factory – PCP#709… Deep Joy…..
[PCP#709]

Pete Cogle’s Podcast Factory

“PCP#709… Deep Joy…..”

Deep Joy…with tracks…

Opus Kink – Wild Bill [Bandcamp]
Louis Lingg and The Bombs – No Joke (American Pop Remix by Patron)
Hajna (feat. Fayssal Naceur) – Caravan [Shika Shika]
English Teacher – R&B [Bandcamp]
Vixenvy – Nichiyo [Lost Frog]
Bob Vylan – We Live Here [Bandcamp]
Xique-Xique – De Repente [Tropical Twista Records]
HabooDubz – Lemon Nectar [Culture Dubs]
Iliaque – Un monde de mensonges [Bandcamp]
NewDad – Blue [Bandcamp]
PhoniandFlore – Pantera Jungle (Remix by Roots Zombie) [Maree Bass]
Adrian Pricope (feat. Vasile Rus) – Doina Aradeana [Luna The Cat]
Black Market (feat. Wise Owl & Dub Robot) – Young Americans [Black Market Dub]

This podcast is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC-NT-NC-ND 4.0) License

http://petecogle.co.uk/blog/podpress_trac/web/16196/0/pcp709.mp3

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posted 11 September 2021

Pete Cogle’s Podcast Factory – PCP#710… Deader Than Disco…..

Pete Cogle's Podcast Factory – PCP#710… Deader Than Disco…..
[PCP#710]

Pete Cogle’s Podcast Factory

“PCP#710… Deader Than Disco…..”

Deader Than Disco…with tracks…

Wet Leg – Chaise Longue [Bandcamp]
The Pink Diamond Revue – Miss Lonely Hearts (Radio Edit)
Leg Puppy – Dick Pic [Bandcamp]
Fadhilee Itulya – Marashi Ya Pemba [StoryAmp]
English Teacher – You Won’t Believe How Beautiful She Is When It Has Snowed [Bandcamp]
Louis Lingg and The Bombs – Nowhere Land [Blocsonic]
Bob Vylan – Pretty Songs [Bandcamp]
Cloud Chemist – Quarantine [MNMN]
Surf City Massacre – A Really Long Trip [Nophi Music]
The Happy Somethings – Ignore You [Bandcamp]
T-Horns – Chronos [Maree Bass]
Midlight – Pandemonium [Bandcamp]
Secret Archives of the Vatican – Unidentified Fellahin Object [Broken Drum Records]

This podcast is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC-NT-NC-ND 4.0) License

http://petecogle.co.uk/blog/podpress_trac/web/16204/0/pcp710.mp3

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posted 11 September 2021

Louis Lingg and The Bombs – Nowhereland

Louis Lingg and The Bombs – Nowhereland
[BSMX0206]

Louis Lingg and The Bombs

“Nowhereland”

Three weeks ago, fans got to hear “Freaky Deaky” the first of six incredible singles from Louis Lingg and the Bombs’ new album “>_…checking system…disruption detected…”, their first for blocSonic! Well, today they lob another fantastic musical bomb to fans with the new maxi-single “Nowhereland”. Along with the title cut, fans can also hear another gem from the album, the single’s “B-Side”… “The Dispossessed”. Finallly… as if that wasn’t all enough, we’ve also packed FIVE remixes by Spiedkiks, OWTRIPLEBANG, Die Leere im Kern deiner Hoffnung, Ruder Gonzo & mGee!

So go ahead and download this while it’s hot and enjoy!

LLATB & remixers… YO… these joints are ALL straight fire! Thank you all so much. No… I’m not thanking myself for mine… well… maybe a little… ha ha.

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 07 September 2021

Rooms Without Doors – I shouldn’t be watching this

Rooms Without Doors – I shouldn't be watching this
[JSTD-021]

Rooms Without Doors

“I shouldn’t be watching this”

G BXJ’O YUSNNT FJXM PXM NXJL G’AU QUUJ PUYU, XY GD G’I YUSNNT PUYU SO SNN. G RSJ’O YUIUIQUY SJTOPGJL VSEO OPU NSEO PSND PXHY XY EX (OGIU GE VYUOOT RXJDHEGJL PUYU), TUO GO DUUNE NGFU G’AU SNMSTE QUUJ PUYU. SNN G PSAU GE IT YUIXOU, IT QUB, SJB IXEO GIVXYOSJONT, IT OA. OPUYU’E JX BXXYE, JX MGJBXME, WHEO VNSGJ MPGOU MSNNE. G BXJ’O FJXM MPSO G’I MSORPGJL. OX QU PXJUEO, G BXJ’O UAUJ FJXM GD OPU OA GE XJ, BUEVGOU QUGJL IT XJNT NGLPO EXHYRU. QHO G DGJB RXIDXYO GJ GO. G DGJB RXIDXYO GJ OPGE EISNN YXXI. GJ OPU EPUUOE SJB GJ OPU YUIXOU. G BXJ’O OPGJF G’NN QU RPSJLGJL OPU RPSJJUN SJTOGIU EXXJ.
:)

I’m excited to announce the first partner release with Rooms Without Doors & Jested Inc! RWD (aka HTCAT) is one of the coolest visual and sonic artists I know, and I’m proud to be releasing his vaporwave album, “I shouldn’t be watching this”. Check it ouuuuuuuuuut!
credits
released September 4, 2021

Originally published here: htcat.bandcamp.com/album/i-shouldnt-be-watching-this

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posted 06 September 2021

rADio eNd – Salvator Salvandus

rADio eNd – Salvator Salvandus

rADio eNd

“Salvator Salvandus”

Ed End:
Album concept, song titles, and original source music.

Charles Rice Goff III:
Additional sounds, mixes, final edits, and cover art.

Technology:

Ed End:

Novation Bass Station analog synthesizer in rack with Yamaha DX21 keyboard.
Rhythms generated by a Digitech Trio Pedal in various FX circuits, coupled with a pink Mini Kaossilator Korg, an electric frequencies generator, and various FX pedals.
Samples are done with an old turntable with an elastic band and some other stuff under the records to make irregular playing surfaces.
Etheric Body incorporates a computer overlayer mix.

C. Goff III:

Voice, Korg R3 Vocoder/Synthesizer, Korg Z1 Synthesizer, Micro Moog Analog Synthesizer, Hello Kitty Stratocaster Electronic Guitar, Aklot Electro-Acoustic Soprano Ukulele, Various Plectra, Boss RC 20X Loop Station Loop Duplicator, Ibanez DM 1000 Digital Delay, Yamaha FX 500 Effects Unit, Various Analog Foot Pedal Sound Effects, Tascam 424MKIII 4-Track Cassette Recorder, K-Mart Portable Phonograph, Modified Vinyl and Flexidisk Records, Cool Edit Pro II, Audacity, Midisoft MIDI Scorewriter, Windows Media Player, Roxio 2011 Sound Recorder, Several Plug-In Audio Sound Effects, Amazing MIDI Wave-To-MIDI, Polysoft MIDI to Mp3 Converter, Natural Reader Voice Emulator

Editing Process:

To produce this collection, Goff blended many of his own original recordings with Ed’s source materials. Goff also modified Ed’s source materials in many ways. Simple digital effects altered source track sounds and/or speeds. Some source tracks were played on a keyboard directly through the inputs of a Korg Vocoder. On one piece, a single rhythmic source phrase was modified in a number of ways, then the various modified phrases were linked together into a chain. Some source tracks were converted to MIDI files, then the resulting tracks were altered to showcase a variety of MIDI sounds. Some edits were recorded onto a 4 track cassette tape and remixed manually into digital files.

Below the surface :
We talked a lot about the symbolic elements before Goff upgrade it.
About Salvador Salvandus concept you will discover yourself an answer if you translate the fifth track title.
It seems one big problem in this world is about on one side the self proclamated saviors, kind of people often thinking that there is only one solution : their solution… and on the other side the savior worshipers, kind of people often thinking it’s more safe to be save by someone else than to do it themselves…
For me both are wrong. Of course, people with a little psychological skills know that the “hand seeking help”, is more trying to drag down someone else to feel less low. Sameway that the “helping hand” is more trying to steal the benefit of the salvation. Obviously the savior can’t save and the savior seeker can’t be save.
Both being blinded because too much self centered. In this problem there is not only two subjects but three and this third one is the world itself, and the world, this wide network of living beings brings a real solution if you are able to listen it. You get the process and knows how to act toward to solve it till you are able to feel these connections and understand how to set your mind.
Hard to explain fully in few words roughly translate that’s why I prefer let the music talk.

Above the surface :
It took me several listening before to get it, Salvador Salvandus is the kind of album you can often go back to and slowly become a familliar presence as well as that shadow behind you can be. For me it’s an important step in rADio eNd study of how a kind of soul can be reveal thru the transformation of the sound material. That’s why I’m so happy Goff share his editing process. And I hope you will be as joyfull than me that he brings this music to life.

This album is also available here:
archive.org/details/rADio_eNd_Salvator_Salvandus

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posted 03 September 2021

Musica Casual – Hegemonias

Musica Casual – Hegemonias
[pn194]

Musica Casual

“Hegemonias”

“Hegemonías”, the most recent album by Santiago’s Rodrigo Mardones aka “Música Casual”, is an ode to abstraction revealed through 4 small suites that will feed the most unsatisfied needs of contemporary music lovers.

Starting from tools that are not necessarily the latest trend in fashion, Mardones manages to construct a meta-music that is desired by both collectors and addicts to the accumulation of gadgets with little or no talent for the inventiveness that we happily encounter here. The notion of less is more finds its newest exponent in “Música Casual”. It follows in a legacy of stars that have made of electronic music paradises of plenitude. You name them.

A poisonous industrial environment is what the ex-manager of the group “Sintra” delivers in “Hegemonías”, a record that affirms him as a reference point when talking about post-Chilean psychedelia.

Wilder Gonzales Agreda
(Lima, Perú. Agosto / August 2021)

“Hegemonías” (“Hegemony”) is a concept borrowed from the thinking of the Italian philosopher Antonio Gramshi/ we live in full pandemic hegemony/ the question was how do I continue to cross through it/ making music/ yes, with what I had at hand/ obsolete technologies/ a way of being in the world/ at the beginning was all noise/ step by step/ less is more/ while the more restrictions the more music is made.

Rodrigo Mardones
(Santiago, Chile. Agosto / August 2021)

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posted 30 August 2021

Alex Franklin – The Venture

Alex Franklin – The Venture
[BS450067]

Alex Franklin

“The Venture”

Hey music lovers… today we’ve got “The Venture”, the fantastic new single from Alex Franklin’s debut album “FROST”. In addition to the album cut, the B-Side is the exclusive non-album track “C Sharp”. So go ahead, download your free copy of this great music!

Alex, thanks again for allowing blocSonic to help get your music out to ears. Can’t wait to to hear where you go from here!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

s3.wasabisys.com/blocsonic/releases/fortyfives/bs450067/01-TheVenture_192kb.mp3

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posted 22 August 2021

Lluvia Acida – Archipiélago Coloane

Lluvia Acida – Archipiélago Coloane
[pnvny01]

Lluvia Acida

“Archipiélago Coloane”

“I conceive this album as a ship that crosses the frigid southern waters, with the millennial icebergs and its waves always ready to embody the spirit of the storm, that old sword of the ocean that also inhabits us. In this way, the sounds of this work have been impregnated with the stories of Francisco Coloane, an exceptional writer who managed to embody the most genuine character of the territory.

The most maritime of our writers, a dreamer of new territories and the captain of ships that plunge into the sea of memory. Accessing his literature means entering fully into the greatness of the cetacean, in the human dimension of man taming the catastrophic nature of the elements. On this terrain, Lluvia Ácida has been incorporating into its tireless artistic work the sounds of the territory, the propellers spinning in the rough Antarctic seas, the passing of the wind carrying dreams until they crash into the eternity proposed to us by the Southern Cross with its secret but luminous figure.

This album complements readings, opens wrinkles in the understanding of a work, merges with the salt of our icy seas, reconstructs the writer’s journeys.

Music that runs along the cliffs in the manner of a sentry.

Sudden melodies similar to marine ballads of old ports of reverie.

One after another, the themes and melodies interpret the dynamic universe of this tall, bearded man, who summoned with his voice and writing the infinite solitude of the pampas and the lonely halo of the ships whipped by the gale in search of a lighthouse that orients them.

Lluvia Ácida has eloquently captured the ‘Coloanean’ narrative breath and vision, from the width of the Strait of Magellan, it is a shipwrecked bottle that floats between the sound waves, translating that energetic, crackling and revealing prose, capable of realizing a geography where man is embedded in the southern landscape to contemplate the sacred cathedral of the shipwreck.”

Oscar Barrientos Bradasic
Escritor / Writer
(Punta Arenas, Magallanes, Chile. Octubre / October 2019)

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posted 05 August 2021

Iliaque – Re View

Iliaque – Re View

Iliaque

“Re View”

Iliaque is a project of one of the co-founders of Ziklibrenbib (www.ziklibrenbib.fr a French project to promote Creative Commons (CC) music in library) from Normandy (France). After having played in different noisy pop, industrial, electro and math rock groups, fascinated by netlabels and musicians working under CC, he decided to try his hand at an electronic music project based on CC material. The Iliaque project, that has matured for several years now, seeks to exploit the potential of CC music and explores this world through choice of sources and samples.

iliaque.bandcamp.com

This selection are all tracks based on samples of TCFSR releases. Our label was founded on the principle of DIY so we are pleased to support the work of Iliaque and Ziklibrenbib in promoting the use of Creative Commons licensing.

Proceeds from this release will be donated to the charity PHONE CREDIT FOR REFUGEES AND DISPLACED PEOPLE www.pc4r.org whose aim is to support asylum seekers and refugees to stay safe, in touch with loved ones and on contact with agencies that support them.

The charity strives for a world where it is possible for refugees to feel safe and to be connected to the people that matter to them – their families, their supporters and the agencies that help them.

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posted 05 August 2021

Me In The Bath – We Ain’t Got Time

Me In The Bath – We Ain't Got Time

Me In The Bath

“We Ain’t Got Time”

Me In The Bath is once again back with a new album looking toward, as of per usual, lofi rock, noisepop and garage. While this album has being produced over one year, between August 2020 and July 2021, tracks were published for streaming only all over this very year, and the album became finally available on July 14th for Netlabel Day for free download, with the publishing of the final track “Like A Gnat Drowned In A Glass”.

audio.clewn.org/audio/MeInTheBath-WeAintGotTime-03-YouReMarvelous.mp3

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posted 01 August 2021

Jo Jet i Maria Ribot – sant llorenç / cara b

Jo Jet i Maria Ribot – sant llorenç / cara b

Jo Jet i Maria Ribot

“sant llorenç / cara b”

‘sant llorenç / cara b’ és un EP que recull de cinc temes del disc ‘sant llorenç’ revisitats amb col·laboracions d’artistes que admirem i estimem molt.

Marala, El Noi de Tona, Carlota Flâneur, The Bird Yellow i Socunbohemio posen la veu i donen una mirada nova a les cançons.
credits
released May 28, 2021

Totes les cançons escrites i composades per Jordi Serra Morales excepte ‘invocar el silenci’, escrita i composada per Maria Ribot Farrés.

Jo Jet i Maria Ribot (guitarra i veus)
Josep Cordobés Miravitlles (bateria)
Mesclat i masteritzat per Jan Valls

Disseny per Elisabet Mateu i Ignasi Àvila.

Amb la col·aboració de:

El Noi de Tona a ‘ja t’havia escrit un cop’
Socunbohemio a ‘vinc del teu estiu’
Marala a ‘dies clars’
The Bird Yellow a ‘invocar el silenci’
Carlota Flâneur a ‘sant llorenç’

Aquest EP forma part del projecte artístic ‘sant llorenç’ i ha estat concebut pel seu propi equip creatiu: Elisabet Mateu, Raquel Albareda González i Ignasi Àvila i també per l’Anna i la Joana de Niu Management.

Editat i produït per Jo Jet i Maria Ribot. Tots els drets d’aquestes obres estan gestionats per JBC MUSIC info@jbcmusic.es / JBC MUSIC PUBLISHING Cristòfol Grober 4a local 29 17001 Girona ©

jojetimariaribot.cat

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posted 30 July 2021

GOZNE – MCMLXX

GOZNE – MCMLXX
[pn193]

GOZNE

“MCMLXX”

01000001 01001100 01000010 01010101 01001101 00100000 01000011 01010010 01000101 01000001 01010100 01000101 01000100 00100000 01010101 01001110 01000100 01000101 01010010 00100000 01010100 01001000 01000101 00100000 01000011 01001111 01001110 01000011 01000101 01010000 01010100 00100000 01001111 01000110 00100000 01010101 01001110 01001001 01011000 00100000 01001111 01010010 00100000 01010000 01001111 01010011 01001001 01011000 00100000 01010100 01001001 01001101 01000101 00101100 00100000 01001110 01001111 01001110 00101101 01001100 01001001 01001110 01000101 01000001 01010010 00100000 01001111 01010010 00100000 01010100 01010010 01010101 01000101 00100000 01010100 01001000 01000001 01010100 00100000 01010011 01010100 01000001 01010010 01010100 01000101 01000100 00100000 01001111 01001110 00100000 01001010 01000001 01001110 01010101 01000001 01010010 01011001 00100000 00110001 00101100 00100000 00110001 00111001 00110111 00110000 00100000 01010101 01001110 01010100 01001001 01001100 00100000 01011001 01001111 01010101 00100000 01010010 01000101 01000001 01000100 00101110 00100000 01001011 01000101 01000101 01010000 00100000 01001001 01001110 00100000 01001101 01001001 01001110 01000100 00100000 01010100 01001000 01000001 01010100 00100000 01010100 01001000 01000101 00100000 01010000 01010010 01000101 01010011 01000101 01001110 01010100 00100000 01010100 01000101 01001110 01010011 01000101 00100000 01000100 01001111 01000101 01010011 00100000 01001110 01001111 01010100 00100000 01000101 01011000 01001001 01010011 01010100 00101110

REVIEW IN ENGLISH:
ALBUM CREATED UNDER THE CONCEPT OF UNIX OR POSIX TIME, NON-LINEAR OR TRUE THAT STARTED ON JANUARY 1, 1970 UNTIL YOU READ. KEEP IN MIND THAT THE PRESENT TENSE DOES NOT EXIST.

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posted 26 July 2021

Gleam – Empty Sounds

Gleam – Empty Sounds
[A22026]

Gleam

“Empty Sounds”

La creación de este disco vino por la necesidad de expresar las sensaciones sobre la situación que hemos estado viviendo a nivel global, por el Covid.
En un principio fue contemplado ser una continuación de un EP previo, sin embargo, durante la formación de éste el rumbo cambió, hacia la creación la historia de una persona que está viajando por el espacio en la búsqueda de sí mismo.
Aunque esta experiencia puede ser relacionada con todo lo vivido durante esta pandemia, las sensaciones de distancia, esperanza, dudas, miedos y todo lleva a indagar respuestas durante tiempos de incertidumbre.
Este trabajo fue grabado en el hogar del creador, de una forma muy sencilla: un laptop, un pendrive auxiliar de audio (micrófono), guitarra, bajo y baterías creadas en Guitar Pro.
El proceso comenzó a fines del 2020 y en febrero de este año ya tenía decidido poner en marcha la grabación, la cuál tomó un tiempo de un mes en grabar todo y casi dos meses en editar, masterizar, crear el arte de este disco. Cada tema que se encuentra en Bandcamp tiene una narración que va vinculada al relato del “protagonista” de esta obra.

TRACKLIST

1 | Echo
2 | Distant
3 | 119 mv
4 | Warped
5 | Gravity
6 | Hover
7 | Serenity
8 | Disturbance
9 | Disruption
10 | Void

Gleam (Camilo Vergara) es profesional del área del turismo y traductor inglés – español e incursiona en la música por curiosidad y el deseo de poder crear algo que viene desde su interior.

Composición, producción, grabación, mezcla, mastering y arte de portada por Gleam

gleamcl.bandcamp.com/

Lanzado el 22 de julio de 2021

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posted 22 July 2021

Gustavo Becerra-Schmidt – Obra Electroacustica

Gustavo Becerra-Schmidt – Obra Electroacustica
[pn036]

Gustavo Becerra-Schmidt

“Obra Electroacustica”

(10 Years Ago)

Any review or comment about Chilean art music necessarily mentions composer Gustavo Becerra-Schmidt. This is not the case for his electronic and electroacoustic music, which seemed to be somewhat hidden or overlooked (until the uploading of his «Obra electroacústica» in 2008 by Pueblo Nuevo Netlabel), far from those who have wanted to approach this Becerra realm, where time seems to be standing still. These pieces -the ones played by machines- create a strange, disturbing sound space. Here, silence makes sound disappear, mingling with it, making it mutate. As if muted by a black hole, generating a gravity field absorbing everything around, but, because of this very quality, densifying it, making it murmur.

The release of almost all electronic works by Becerra (including mixed media, electronic, and electroacoustic pieces,) is an important and extremely necessary gesture for Chile, where the commitment for recovering immaterial heritage easily falls into oblivion. Through these works, the fortunate use of technologies around in the 70s, the 80s, and years to come, Becerra seemed to grasp the turn this kind of work would offer to compositional inventiveness as a whole: synthesizers, all kinds of artifacts and computers were used by him to generate other sounds, other forms and structures, other rhythms, weird harmonies.

As expressed by musical environment around him (in no way restricted to scores, for folklore, popular music and pieces for theater and movies were also part of his surroundings), Becerra has left a fundamental legacy, not just as a composer -being this an enormous opus. Cirilo Vila, Gabriel Brncic, and Fernando García -among many outstanding musicians in Chilean scene- were his students, which eloquently proves Becerra’s panache for teaching, even though for him the concepts of «talent» and «teaching» music (confusing matters these two), were profoundly questioned in two acclaimed papers of his: «El mito del talento en música» (1969) and «Crisis de la enseñanza de la composición en occidente» (1958-1959). In the latter, Becerra accounts for a disease that, through the years, seems to have spread out to a fair amount of composers’ brains: «Never as today there is a tiresome insistence in writing music according to a theory, i. e., to a set of mostly intellectual hypotheses. This has taken, as we said, not only to a distance between the composer and the audience, but also between himself and his work.

Juan Pablo Abalo
Compositor. Crítico musical / Composer. Music critic.
(Santiago, Chile. Julio / July 2010)

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posted 20 July 2021