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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-sa

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The perfect failure (?) – The perfect failure (?) vol. 6 : Imperfect failures

The perfect failure (?) – The perfect failure (?) vol. 6 : Imperfect failures
[Eg0_200]

The perfect failure (?)

“The perfect failure (?) vol. 6 : Imperfect failures”

Even bad things come to an end! This is the 6th and last volume of the perfect failure (?) / l’échec parfait (?). I must admit I failed to find any real or perfect failure among all the sounds submitted. Each of them inspired me for building interesting sound blocks, imagining new composition tactics, blurring the distinction between what I can find “good” or “bad” – although I won’t deny that many of these sounds were somehow headache-inducing when played on repeat while working on this 5 hours long mix. Will you love-hate all these “Imperfect failures” as much as I did while patiently gathering them during 7 years?
Many thanks to all the contributors who trusted me enough to send their secret / questionable material : 3/2, A.D. du nord, Ayato, Benoît Rouits, Charles premier, Cocotte Sapiens, David Pomlait, Doedelzak, Extrasystole, Gavin Prior, Half Evidence, Hellsings, Janne Nummela, Jules Valentin, The Kiriks, Luxalove, M.A.K.T. Sono, Mata-Hari, Natalia Kamia, Onde Poussière, Philippe Desclais, psph.S, Siu, tay_ploops, Torbill, Xavier Mussat, XtetX Ensemble, Yoshiwaku, 3HNT– and some anonymous people. I shamelessly contributed to this with some of the worst recordings of my solo projects Kecap Tuyul and Failure Circle.
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posted 20 February 2019

Demonic Sweaters – audio The Two Thousand Eighties

Demonic Sweaters – audio The Two Thousand Eighties

Demonic Sweaters

“audio The Two Thousand Eighties”

The Two Thousand Eighties is a collection of song created between 2016 and 2018 by Demonic Sweaters. They range from ambient, chiptunes, experimental, rock, pop, and features live drums on several tracks, and plenty of synths.
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posted 20 February 2019

Baradit – Revolucion Tecnologica

Baradit – Revolucion Tecnologica
[pn139]

Baradit

“Revolucion Tecnologica”

“Un recuerdo de infancia común de quienes nacimos en el siglo pasado es el haber leído enciclopedias, con coloridas ilustraciones que nos mostraban como sería el Futuro. En esos días, en que con expectación calculábamos cuanto quedaba para el año 2000, la Tecnología aparecía ante nosotros como el Santo Grial, como una promesa de un mañana mejor. El tiempo ha pasado y nos volvimos adultos, con preocupaciones y deudas, siendo gran parte de nuestras vidas pauteadas y gestionadas mediante máquinas. ¿Estamos viviendo en ese futuro que esperábamos? Claro que no. Como simples ciudadanos no podemos viajar al Espacio Exterior. No hay ciudades ni en la Luna ni orbitando la Tierra. No hay robots haciendo tareas domésticas en nuestras casas. En cambio, sí llegaron muchas otras cosas que no aparecían en esas optimistas enciclopedias. Y no todas son buenas.

Pero la Música Electrónica, especialmente en sus vertiente ligadas al Techno, tiene el poder de revivir esa sensación de asombro y maravilla ante los productos del ingenio humano. Justamente eso es lo que hace la música de Felipe Baradit, compositor y productor porteño de larga trayectoria. Un creador de una gran constancia, que cultiva un sonido fiel a sus raíces. Sin oportunismos ni imposturas, Baradit teje ritmos y melodías de atmósfera sintética que sugieren una vida cotidiana mediatizada, en una Latinoamérica multicultural y en contínuo cambio. “Revolución Tecnológica” es un disco de sonido estilizado, que evoca paisajes completamente humanizados, con formas de vida diseñadas que crecen y se desarrollan a nuestro alrededor. Escuchar este trabajo es unir nuestra imaginación a la de su autor y es abrir nuestros sentidos a su particular energía. Captar sus vibraciones, que alguien dotado de sinestesia quizás visualice con colores iridiscentes, es experiencia que personalmente recomiendo vivir.”

……………

“A common childhood memory of those who were born in the last century is to have read encyclopedias, with colorful illustrations that showed us what the future would be like. In those days, as we calculated with expectation how much time was left until the year 2000, technology appeared before us as the Holy Grail, as a promise of a better tomorrow. Time has passed and we became adults, with worries and debts, and with a large part of our lives influenced and managed by machines. Are we living in that future that we expected? Clearly not. As ordinary citizens we cannot travel to Outer Space. There are no cities on the Moon or orbiting the Earth. There are no robots doing housework in our homes. On the other hand, there were many other things that did not appear in these optimistic encyclopedias. And not all are good.

But Electronic Music, especially in its expressions linked to Techno, has the power to revive that feeling of amazement and wonder at the products of human ingenuity. This is precisely what defines the music of Felipe Baradit, a composer and producer from Valparaíso with a long career trajectory. A creator of great perseverance, who cultivates a sound true to his roots, without opportunism or posturing, Baradit weaves rhythms and melodies of synthetic atmosphere that suggest a mediated daily life, in a multicultural Latin America and continuously changing. “Revolución Tecnológica” (Technological Revolution) is a disc of stylized sound that evokes completely humanized landscapes, with forms of life designed to grow and develop around us. To listen to this work is to unite our imagination with that of its author and to open our senses to its peculiar energy. To capture its vibrations, which someone gifted with synesthesia might visualize with iridescent colors, is an experience that I personally recommend living.”

Rafael Cheuquelaf
Miembro del dúo Lluvia Ácida / Lluvia Ácida member.
(Punta Arenas, Chile. Febrero / February, 2019)

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posted 17 February 2019

Martin Rach – Unfinished Loops

Martin Rach – Unfinished Loops
[enrmp435]

Martin Rach

“Unfinished Loops”

Latest album from long term Enough Records collaborator Martin Rach from Lithuania, exploring some Unfinished Loops in his usual tripstep jazz influenced way. Expect eerie settings, deep wobbling bass sounds, cinematic constructs and strong silences dominating the structure of the tracks. Artwork by Martin Rach and ps.
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posted 15 February 2019

Half Evidence – Veines

Half Evidence – Veines
[eg0_199]

Half Evidence

“Veines”

Half Evidence (a french free improvisation duo formed in 2012 by Charles premier & Kecap Tuyul) is currently on hiatus since summer 2016, but their story isn’t finished. Amongst hours of material created between 2012 and 2016 they have selected a few tracks recorded in april 2013, gathered in a new album : Veines. In these sessions, Charles premier played several of his home-made instruments, while Kecap Tuyul used prepared guitar and voice.
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posted 05 February 2019

Mute Speaker – Radio Bokor – Volume 2

Mute Speaker – Radio Bokor – Volume 2
[LQN110]

Mute Speaker

“Radio Bokor – Volume 2 “

Following up on the album ‘Radio Bokor’ from 2014, Volume 2 continues in the same vein as an homage to the traditional music & vintage contemporary music of Cambodia.
credits
released February 4, 2019Produced & mixed by Rob O’Hara at Somleng Studio, Kampot, Cambodia.
2019 Liquid Noise Records

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posted 04 February 2019

I Neurologici – Bacteria Eta Big Fishes

I Neurologici – Bacteria Eta Big Fishes
[SDR042]

I Neurologici

“Bacteria Eta Big Fishes”

Composed by Matteo Minetti, Valerio Cottarelli, Stefano Damiano, Alessandro Mattei, Fabio Pieri, Paolo Chiriatti, Andrea Mazzini, Andrea Baldasseroni
Arranged by I Neurologici and Alessandro Mattei
Produced by I Neurologici
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posted 28 January 2019

tay_ploops – ta_rot

tay_ploops – ta_rot
[eg0_198]

tay_ploops

“ta_rot”

tay_ploops – ta_rot
Tay_ploops is a solo project of multidisciplinary Canadian artist (painter, performer, puppeteer, musician) Jessica Gabriel. She initially conceived Ta_rot as a concept album of sad experimental songs to be released on 30 november 2018, for the international remembrance day for lost species.
Unexpected events of the cycle of life and death intervened in the genesis of this project and delayed it several times- but the wheel continues to turn and we are glad to finally to share this touching sonic testimony created with fragile materials.ta_rot is sound collage born from death
…the moon…..the wheel of time…
gone again end again
love to shell
(Jessica Gabriel)
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posted 27 January 2019

Fumiko Ishino – 9 PM Acid [ Korg Monologue And Rhythm Wolf] ( 24 Kbps Mix)

Fumiko Ishino  – 9 PM Acid [ Korg Monologue And Rhythm Wolf] ( 24 Kbps Mix)
[s65005]

Fumiko Ishino

“9 PM Acid [ Korg Monologue And Rhythm Wolf] ( 24 Kbps Mix)”

~
Party starts at 8PM. By 9 o’clock, we’ll be slamming on the dance floor.
~9 PM Acid [ Korg Monologue And Rhythm Wolf] ( 24 Kbps Mix) by Fumiko Ishino is now available on sub65
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posted 15 January 2019

The Hathaway Family Plot – A Flat Thing

The Hathaway Family Plot – A Flat Thing

The Hathaway Family Plot

“A Flat Thing”

Hello. I stumbled across your blog and now want to throw my plug at you. I just released A Flat Thing, my ninth album as The Hathaway Family Plot. If you’ve never heard of me before (and you probably haven’t), my music could be described as avant-garde noise/pop from Buffalo, New York. I like the term “garage art.” It’s mostly piano and electronics and distorted kazoo. Some singing and some straight-up yelling. Trying my best to come up with something that sounds new and different and interesting.

All my albums are Creative Commons BY-NC-SA. I don’t imagine becoming wildly successful, so I just want to be heard by some sympathetic ears. I hope you like it.

Thanks for listening,
Kevin
a.k.a.
The Hathaway Family Plot

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posted 13 January 2019

KMPST – KMPZ SESSIONS (Part 1)

KMPST – KMPZ SESSIONS (Part 1)
[top-120]

KMPST

“KMPZ SESSIONS (Part 1)”

KMPST brings the best of the Moscow underground electroacoustic free improv tablet electronica and marks the beginning of a new exciting era on top-40.org with back-to-the-roots hidden gems, original hits, and more entertaining explorations of the unknown.

KMPZ SESSIONS are designed as an acoustic labyrinth without exits but with many escape routes through paradoxical gaps in the aural continuum. Primordial, almost shamanic rhythms meet futuristic mech-a-droids in the vortex of high-freq noises and digital glitches, Amnesia Scanner versus self-mutated Autechre audio algorithms, dark soundscapes, and Muslimgauze’esque faux ethnic vibes.

The opening track KMPZ 015, a rudimentary clicks’n’çutz dark breakbeat anthem, sends us off on a rather epic hour-long journey through an abstract experimentalist interacoustic universe. From suspenseful, uncanny deep dub pulsations on KMPZ 001 to a slowly unfolding, swampy bass micro-ambient soundscape KMPZ 004, with a slightly attenuated KMPZ 008’s distant motive and granular proto-rhythmic vibrations and entrancing melodies of KMPZ 012, KMPST presents a compelling yet highly abstract musical story.

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posted 12 January 2019

Doedelzak – P8 phase 3

Doedelzak – P8 phase 3
[Eg0_197]

Doedelzak

“P8 phase 3”

“P8 phase 3” presents another side of the work of our regular contributor Doedelzak. This time he used an hybrid methodology of improvisation, generative music and post-production manipulations. The 3 phases indicated in the title refer to the three main stages of the creative process used here :
phase 1 : improvisation on MIDI piano
phase 2 : extension on multiple virtual instruments, using aleatory distributions
phase 3 : superpositions, accelerations/decelerations, volumes
The result is multi-layered composition which is in the same time easy to the ear (thanks to its smooth sounds and melodic components) and very complex and ever changing. It could be enjoyed as background music but is also fascinating for a more focused listening which will let you discover many details and subtleties of the piece.
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posted 07 January 2019

Limbah Berbunyi Project & Potrobayan Jam – live at Ritual Dekahan Bumi

Limbah Berbunyi Project & Potrobayan Jam – live at Ritual Dekahan Bumi
[WAC26]

Limbah Berbunyi Project & Potrobayan Jam

“live at Ritual Dekahan Bumi”

This release is a live recording of the collaboration of Limbah Berbunyi Project with Potrobayan Jam at the peak of the series of Ritual Dekahan Bumi in Potrobayan Village. Ritual Dekahan Bumi is a representation of the gratitude of the Potrobayan community along with several Eling Project teams in completing a series of workshops, one of which is making sound sources or musical instruments from existing resources. The resources used in this workshop came from waste and used goods around residents’ houses such as glass bottles, remnants of house floors, barrels, or used pipes. In this workshop, the Potrobayan community was facilitated by Limbah Berbunyi Project with a taste-based improvisation method. In this workshop also was born an art group from the Potrobayan community named Potrobayan Jam.

Composer by Moong Pribadi
Music by Lembah Berbunyi Project and Potrobayan Jam
Recorded, mixing, mastering by Lembah Otak Studio

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posted 04 January 2019

NURSES WITH KNIVES – The Father The Sin And The Wholy Gross

NURSES WITH KNIVES – The Father The Sin And The Wholy Gross
[earS090]

NURSES WITH KNIVES

“The Father The Sin And The Wholy Gross”

Musician specialized mind science, with the study of human
behaviour in relation to the mind. Since 2005 has been known under a
handful of disposable aliases and secondary handles before sticking
predominately assuming the role of “Nurses With Knives”.collections
of noise, found sound and musique concrete are present in the
recordings with a film score climatic edge with samples taken from
various resources.

“tell me your secrets
i’ll tell you mine…”
nurseswithknives.tumblr.com

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posted 03 January 2019

Thousand Yard Prayer – Beauty As Resistance

Thousand Yard Prayer  – Beauty As Resistance

Thousand Yard Prayer

“Beauty As Resistance”

Arabian and Persian musical scales and rhythms, middle eastern instruments, a hint of Croydon bass electronica…Transglobal Breakbeat Dub Science from Broken Drum Records. Any sufficiently advanced music is indistinguishable from magic…In a world heading towards barbarism, beauty as resistance.
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posted 01 January 2019

Various Artists – New Year Gifts 2018

Various Artists – New Year Gifts 2018
[NRM083]

Various Artists

“New Year Gifts 2018”

Nenormalizm Recs. – New Year Gifts 2018
Various Artist Music CompilationCatalog ID: [NrM083]
Style: IDM, Uptempo, Braindance, GlitchCompiled and mastered by Ilya Bitekhtin
Art cover and layout by Daniel Glaser
danielglaser.de

Artists links:
ill fame
soundcloud.com/ill-fame
Iconic Black Suit
soundcloud.com/iconic-black-suit
Nonima
soundcloud.com/nonima
AtOm_AnT
soundcloud.com/atom_ant-1
fxbip
soundcloud.com/fxbip
csum
soundcloud.com/ode81
fsplkx rtfcts
www.discogs.com/artist/1044523-fsplekx
Blonie
soundcloud.com/andrew-wiatrowski
Punch Cards
soundcloud.com/punchcards
Syglit
soundcloud.com/syglit
yy
soundcloud.com/yrrow
illocanblo
soundcloud.com/ill-o-can-b-lo
InSpectr
soundcloud.com/inspectr
Keiss
soundcloud.com/keiss
King Imagine
soundcloud.com/king-imagine
Placid
soundcloud.com/placid-1
Sacha Rush
cota303.net/artist/sacha-rush/9
Alzar-DrOwL
soundcloud.com/alzar-drowl
Sobrio
soundcloud.com/sobrio
Math Geek
www.facebook.com/hexjoy
5th
soundcloud.com/user-783953624
x.iso
soundcloud.com/x-iso

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posted 31 December 2018

Ayato & Kecap Tuyul – The shaman won’t come back

Ayato & Kecap Tuyul – The shaman won’t come back
[Eg0_196]

Ayato & Kecap Tuyul

“The shaman won’t come back”

“The shaman won’t come back” is a new file-exchange based collaborative album of Ayato & Kecap Tuyul, It was recorded and mixed in various places between 2015 and 2018. Ayato played guitar with live looping made with a Revox reel to reel tape player, and Kecap Tuyul later overdubbed these hypnotic tracks with various sounds, building dense and trippy soundscapes.
This work can be considered as the 3rd part of a trilogy started with “Waiting for the shaman” , published 6 years ago. For the moment, the 2nd part of this trilogy exists only in the head of the listener.
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posted 26 December 2018

Chris Silver T + Mauro Sambo – …che il sapore dell’aria possa appoggiarsi alle labbra

Chris Silver T + Mauro Sambo – …che il sapore dell’aria possa appoggiarsi alle labbra
[pn138]

Chris Silver T + Mauro Sambo

“…che il sapore dell’aria possa appoggiarsi alle labbra”

“In un arco temporale molto breve” (a Chris & Mauro).

Quando Il corpo si separa dalla mente e nuovi spazi si formano

Tu respira…

lascia passare l’aria e inoltrarsi l’ombra…

…aria

la mente si domanda cos’è questa massa di carne, ossa e tendini che deve far muovere, spostare…
Una massa in perenne fermento, sempre tesa.

Perché?

Il corpo dal canto suo si sente privato di senso, quasi un intruso, un peso per quel mondo
metafisico verso cui la mente tende.

E’ di troppo?

Piccole scosse muovono le dita, che lasciate a loro stesse si erano addormentate,
forse un tentativo della mente di abbandonarle…

l’aria si appoggia alle labbra e il naso freme per quel sentore, forse più un ricordo,
di incenso, tenue ma insistente.

Un lungo respiro sposta i polmoni e ossigena…

Tu respira…

ora si che…

“…cos’era quel suono? Hanno bussato?…No, non dovrebbe essere già qui…”

La gola stretta in una morsa, una sensazione di brivido che corre lungo lo stomaco e lo sterno.

L’esterno che risveglia l’interno.

Non è possibile lasciarlo indietro quel corpo… dietro la porta qualcuno lo aspetta…

ritorna a terra, con i piedi saldi, i sensi allerta, il cuore fremente.

Matilde Sambo
https://www.matildesambo.com
(Milán, Italia. Milano, Italy. Diciembre / December, 2018)

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posted 25 December 2018

Tha Silent Partner – Platters, Act 8: A Beat Plate For Pete Rock

Tha Silent Partner – Platters, Act 8: A Beat Plate For Pete Rock
[BSOG0082]

Tha Silent Partner

“Platters, Act 8: A Beat Plate For Pete Rock”

Exactly a year ago, Tha Silent Partner kicked off the ten year celebration of his Platters series with the release of an addition to it… A Platters Intermission: BLUNTEDSESH. Well, it’s only fitting that today he closes out the celebration with an incredible addition.

As a project that was so special to Gregory ‘TSP’ Davis’, Platters, Act 8: A Beat Plate For Pete Rock was something that had to be just right if he was going to release it. As such, it took years for it to come to fruition. Not only is it a tribute to one of his favorite producers, it’s also dedicated to his father Lloyd Davis, who instilled in TSP his love of music at an early age.

With this one TSP explores the reggae sounds of Jamaica and it’s incredibly good! So why a Reggae vibe? TSP and Pete Rock share a common Jamaican background and much of the music that his father introduced to him to was reggae.

TSP and blocSonic want to wish you Happy Holidays! Thanks for another incredible year. Enjoy this one.

Platters 8?!? It’s great to be able to continue giving fans incredible selections of music to listen to. Thanks for another one, TSP!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 24 December 2018

Santi – Music, the only Way Remixed

Santi – Music, the only Way Remixed
[TTR050]

Santi

“Music, the only Way Remixed”

Santi’s original “Music, the Only Way” tells a playfully dystopian story: “In a not so far away retro-future, a group of self-aware, compassionate robots have taken upon themselves the task of resolving humanity’s oldest paradox: its tendency for endless destruction and chaos despite its longing for boundless creativity and joy.

After a thorough examination of humanity’s greatest attempts and defeats, they have come to a consensus. All other previous paradigms and executions have failed. Music is the only way to save the humans”.

In this special compilation which marks the 50th release of Tropical Twista Records, five stunningly diverse producers come on board and recreate their unique renditions of Santi’s dark yet light-hearted space odyssey.

Acknowledgments: Santi extends his special thanks to Ivan Palmegiani for his tasteful curation of this compilation.

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posted 23 December 2018

Ayato & Naoki Ishida – Tapes Outtakes

Ayato & Naoki Ishida – Tapes Outtakes
[Eg0_195]

Ayato & Naoki Ishida

“Tapes Outtakes”

Ayato & Naoki Ishida have been working together via file exchange since the early 2010s. 3 years after their album “Red_control rec​.​played” , they offer us a split album recorded between 2015 and 2016 : Tapes Outtakes. Here, as the title suggests, the 2 artists have both worked with magnetic tapes. Ayato has used an old Revox reel-to-reel tape player to create evolving loops of various instruments, while Naoki Ishida has used other (undisclosed) methods and material. Two ways to use the tape as an instrument and tool for experimental composition.
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posted 17 December 2018

taura yorihisa – nightfall

taura yorihisa – nightfall

taura yorihisa

“nightfall “

国内外のレーベルから精力的に作品をリリースしているtaura yorihisaによるノイズ・アンビエント作品。アイザック・アシモフの短編作品に着想を得た本作は、極端にエディットされたギターに、環境音とビットクラッシュノイズが絡まり、今までの作品よりもラフでざらついた音像となっている。アンビエント、シューゲイズ、ドローン、ノイズミュージック……来るべき夜へ、ジャンルを越境していく音の旅路。

美しい日常の風景をモノクロに塗ってしまうかの様な空気の音。
今作は込み上げる内省を見ざるを得ない事を世界に写しこむ様な音で、taura氏の音楽はそういう色彩が元より強かったのだが今作はもっと抑えた嗚咽の様な形で発現してる様に感じます。
リスナー体験としては泣き腫らした後の様な穏やかさを感じられる事でしょう。
尚今作は私はイヤフォンよりもスピーカーで聴かれる事を推奨します。
takasi(gravel’s end)

硬質とも言へる音響の芸からは、星が見え始める「あの夕刻」を思ひ出させる。
空の色が滲み、主観的な時間がじつくりと進んでいくあの時空。だが、其れにも終わりは訪れるのである。また次に訪れる朝まで歩かねばならぬのだ。
さふ、夕刻への感傷だけではない。夜明けへの希望も彼の音楽は観させてくれるのである。
Tia Rungray(音楽家)

文字の通りに音の層に包まれる体験.

いかなる場面においてもyorihisa tauraの音楽は程よい緊張とリラックスを生み出してくれます.
ヘッドフォンでも,スピーカーでも.
音に意識を向けながらでも,何か作業しながらでも.

そんな期待のさらに上をゆくニューリリースです.
24歳一般理系大学院生(一浪)

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posted 15 December 2018