Record and mix by L’Austral at Epicericords Studio, Hanvec, Finistère, France.
Visual by Damien Tran.
released May 13, 2023
A coproduction with Epicericords, Araki Records, Hidden Bay,
Pied De Biche Records, Out Of Thunes, GED, Quixotemusic,
La Loutre Par Les Cornes, Table Basse Records, Cœur Sur Toi Records and Do It Youssef !
I miss my hometown…
UC_170
credits
released June 7, 2023
please check artists bandcamp afterdeathtelevision.bandcamp.com
released May 24, 2023
Lyrics Written by Onfang
Vocals Performed And Arranged by Onfang
Music Composed by Stewart Keller
Mixed And Mastered by Stewart Keller
Album Artwork by Onfang
Layout by UC_
check artists bandcamp:
onfang.bandcamp.com
stewartkeller.bandcamp.com
The Necrophile Hummingbird netlabel presents Music To Burst In Tears by Yoshiwaku.
“PsychoActive Music For Experimental People”
I was digging in my hard drive then I found this track of incredibly sad music. If there was a contest like in Guy Maddin’s “The saddest music in the world” perhaps I should submit this track. To be clear, when you listen it there is something inside which grab your soul, and it’s nearly impossible to listen the whole without to burst in tears. Maybe if you have too much high expectations it will not work as well as with me, feeling like digging my own grave and it will sound more for you like a busker asking for a silver penny ? But you can believe me that if there is real ASMR music, that’s this really special kind of psycho-active music.
Thus, the artwork is mainly this equation (money+oil=world’s end) I don’t know from where come this sadness, but this could be the origin. Or more generally that despite we know the reason most of the time we are unable to avoid any cataclysm, instead it’s like we try to dive further into. This time in france it seems a lot of people realized this, because nearly all are struggling to get rid of a dictator apprentice, and would change this archaic system into something more accurate to the present time needs. I hope we will able to do this revolution and stick all together till find new ways to live and then to save the world of the climate disaster.
Last but not least, this is the first part of the trilogy “Under the ground, inside the flesh & over the sky” including, in second Häxan Cult and in third Remembering The Comet. And this episode more than the others is very close of CorteX project so if you want find something really nearby try “Undone Ceremony”.
Dedicated to those who know how to mend the broken hopes with gold.
The Necrophile Hummingbird netlabel presents Häxan Cult by Yoshiwaku.
“Witch house for Queer people”
Live improvisation recorded in April 2023. As you may notice, it’s a kind of alternative soundtrack for cult film Häxan by Benjamin Christensen…
You can watch on internet archive this version slightly enhanced with super 8 film here with William S. Burroughs voice https://archive.org/details/Haxan-akka-Witchcraft-Through-The-Ages-Benjamin-Christensen
Dedicated to all the witches & other outsiders killed through the ages by the undergods & conformists.
Last but not least, this is the second part of the trilogy “Under the ground, inside the flesh & over the sky” including, in third Remembering the comet and in first Music To Burst In Tears.
The Necrophile Hummingbird netlabel presents Remembering The Comet by Yoshiwaku.
“Minimal Music for Serial Listeners”
This is the third part of the trilogy “Under the ground, inside the flesh & over the sky” including, in second Häxan Cult and in first Music To Burst In Tears. The tracks are really at the frontier between CorteX and Yoshiwaku.
Because I’m really fan of Terry Riley’s Serial Music the first 3 tracks are a blink eye to is “A Rainbow in Curved Air” album, but the music is not that much sounding like serialism, more the usual hypnotic improvised music I do.
Recorded between April and May 2023 at the Cave Haven In Foucherans.
Dedicated to all those who release free their dreams.
Everybody knows about the disaster origin, everybody knows what economic system is the plague devastating the planet.
It’s an expansionist system, which annihilates all forms of alternatives, which contaminates everything it touches.
This system is the death pulsation that creeps into our lives.
Dedicated to every living surviving to the capitalism.
Recorded live the 5th December 2022 at the Cave Haven in Foucherans.
Master of Ceremony Psyché PeliK : Voice & guitar bass
Disc Jockey Yoshiwaku : Turntable & Kaossilator & Rhythms
https://www.ello.co/ed_end
Video Art Clip https://www.youtube.com/watch?v=zAI9-oIEbG0
The Necrophile Hummingbird Netlabel presents The Bright Side Of The Spoon by PIRATE Tapes.
“Mythical Music for Assorted Lunatics”
This our second improvisation session with Vèver, the first was AI CheVa RiKi. Nothing more to say, except to do not look for the bright side of the spoon, unlike the dark side of the moon, it’s a myth.
Recorded the 14th April 2023 at Cave Haven in Foucherans (france).
Members :
Studio 112 (electric guitare and FX)
Vèver Coub (electric bass guitare)
Ed End (kaossilator, turntable, sounds)
Video Art Clip will be a kind of Dark Side of the Rainbow…
Dedicated to all the Punk Floyd outsiders, trying to keep psychedelic rock more wild and punk rock more trippy… as we do.
Recorded in November/December 2020 by Étienne Soulier.
Mixed by Robin Fleutiaux.
Mastered at Dead Air Studio by Will Killingsworth.
Design/layout by Brique Noire.
Harp on “Fragments” by Ange Halliwell.
Saxophone on “La Colère Est Aveugle” by Léa Cuny-Bret.
Co-released with Seitan’s Hell Bike Punks.
released October 31, 2022
Guitare affolée ou bluesy, field recordings,
batterie entrainante ou taiseuse, chant d’oiseaux,
saxophone en mode méditatif ou intempestif,
murmures, mélodies atones, lumière basse…
cet album vous emmène par des mouvements tempétueux
vers d’étranges contrées fulgurantes où tout s’emmêle, se démêle, se démène vers un ailleurs arboré, au grand air, parmi les vibrations du monde.
On n’avait plus de nouvelles de CollAGE D depuis 2019 et “CollAGE D(une)” qui faisait suite la même année à… “CollAGE D(eux)” chez nos illustres confrères du label bulgare Mahorka. Deux, puis un… un apparent désordre que Romain (aka Le Crapaud, de l’excellent groupe blues/prog/post-rock chanté en français, Le Crapaud et la Morue) et Philippe Neau (ex Nobodisoundz) aiment à cultiver avec ce projet largement improvisé par échange de guitares, batterie, sax et autres field recordings que les deux complices découpent, collent, superposent et trafiquent ensuite à distance pour donner ces étranges fantasmagories magnétiques et libertaires, quelque part entre noise atmosphérique, marécages clairs-obscurs, jams déstructurés et même une sorte d’ambient-jazz orageux (“Chante encore”). Maelstroms de larsens et de textures grouillantes et abrasives (“Fuir en silence”) y côtoient des méditations de guitare presque à nu (“Décembre dans la rue”) et de longs serpentins percussifs et psyché au chaos paradoxalement hypnotique (“Le soir, en t’attendant”). Tentez l’aventure !
released April 3, 2023
Philippe Neau : soundscapes, artwork.
Romain (Le Crapaud) : guitare, sax, batterie, mix.
Baptiste (La Morue) : basse sur “Le soir, en t’attendant”.
Na emissão 109 d’O Colecionador de Sons, damos destaque ao trabalho North American PhoNographic Mornings do projecto Each Mornig of The World, com curadoria de Stéphane Marin, onde convida músicos, artistas e paisagistas sonoros a reflectirem sobre a ideia de escuta, através de gravações sonoras de campo ou composições sonoras.
+ info: https://chaquematindumonde.bandcamp.com/music
Bem-vindos.
“Born in an emergency following the use of 49.3 article to pass the pension reform, while the whole country is in proto insurgency situation as says the mass media, this EP of the revolutionary anarcho-electro-punk cell the 6th Republic is an invitation to rise up against work until death and to build a human world on the ashes of the dying one.”
Dedicated to the youth who are rising up in 2023 and to all those who have been doing the impossible, for years now, to destroy the power.
Video Art Clip :
Black Electro Rock V49.3 https://youtu.be/i5uqy4S8y4Y
All the album by La 6ème République are free get the links on the release page, as well as lyrics translations or more informations.
Cet EP est l’enregistrement d’un live que j’ai fait pour être joué dans des écoles primaires et maternelles.
L’enregistrement s’est fait chez moi, par une soirée pluvieuse de rentrée.
“Faire pleurer les punks” est une reprise de Jean-Luc Le Ténia, du morceau au même nom, sur l’album “Quand tu me prends par la main” (2001). Merci à lui.
released February 6, 2023
Photo et visuel : Alain Leliepvre
Acousmatic & Headphone music is back on earsheltering with “Textures”, an amazing trip created by Bruno Bernard
1-disorders:
emotional disorder, sight disorder, hearing disorder, cloudy water, being troubled..
2-fibers:
like a sound fabric intertwined with loops..
listening with headphones recommended, surround sound.
3-catacombs:
a dive into our own inner mysteries..
4-breaks:
our breaks, our flaws, our cracks, our interior chasms..
surround sound, headphones recommended
5-skins:
hard skin, soft skin, hatching, chrysalis..
3D sound, headphones recommended
1-troubles :
trouble émotionnel, trouble de la vue, trouble auditif, eau trouble, être troublé..
2-fibres :
comme un tissu sonore entrelacé de loops..
écoute au casque recommandée, son ambiphonique.
3-catacombes :
un plongeon dans nos propres arcanes intérieures..
4-brisures :
nos brisures, nos failles, nos fêlures,nos gouffres intérieurs..
ambiphonie, écoute au casque recommandée
5-peaux :
peau dure, peau douce,éclosion, chrysalide..
son 3D, écoute au casque recommandé
acousmatic, electroacoustic, electronic, headphone music
The Necrophile Hummingbird Netlabel presents McClintic Sphere by PIRATE Tapes.
“Intuitive Music for Instrumental People”
Sometime words are useless, when they are right above the surface, whispering so loud that you can nearly catch them, that’s why we kept raw this improvisation session.
Music is universal because instead of our own words, you can let your one’s talk on this music.
What to say more… This has been recorded around one year before our common friend departure.
It’s not our usual psychedelic noise, it can be perturbing first, far further into the darkjazz neverland, but once you shift with it, you’ll reach this reality like a kind of parallel universe of Thomas Ruggles Pynchon novels. If Hum Antenna was the psychedelic side, here come the neo-noir.
Recorded the 29th June 2021 at Cave Haven in Foucherans (france).
Members :
Studio 112 (electric guitare and FX)
McClintic (electric guitare and percussions)
Ed End (kaossilator, turntable, sounds)
Video Art Clip here https://www.youtube.com/watch?v=6zomxImCo3w
Dedicated to the keeper of Tom thumb’s cave and to all smugglers who cultivate the imagination from generation to generation.
Welcome to the Outlook Hotel!
Our guest rules are simple.
Once you go in, you may never come out.
We hope you will enjoy your stay with us.
released February 14, 2023
Alex Marmeloid: programming, synths, beats, guitars, voices.
Tricky Shaman: concept, assembling, processing, co-production.
check artist soundcloud: soundcloud.com/dopes-ov-air
OMEGA is a Science Fiction film directed in 16mm by Donald Fox and produced by Alan Singer in 1970.
The film is entirely composed of special effects which gives it great visual interest.
Seized with an irresistible desire to give this film a soundtrack that could support both its narration and its typical atmosphere of the 70s, I set to work and imagined a music in “Berlin School” vein.
A version of this soundtrack synchronized to the film is available here : youtu.be/VDRTpw2o2aU
this soundtrack was recorded to “illustrate” and echo the images as much as possible. So, this work takes on its full meaning when coupled with the film.
released February 12, 2023
All music by Cialyn (cc) A.Pachins 2023. recorded during the year 2022 and early 2023. Artwork from screenshots of OMEGA (public domain)
Your favorite zookeeper is back from the petite&jolie zoo!
We, at Petite&Jolie, are excited to present you the second release of petite&jolie and not only because it’s a wonderful travel through poptronics, melodies of “joie de vivre” and, let’s dare saying so, zoomotions, but also because it’s not everyday we’ll be releasing a double EP.
Indeed, El Zoológico is back at Petite&Jolie with his concept of catching the “essence” of animals through small’n’catchy tunes, classifying them by ecosystems.
Await emotions driven through pitzacattos and fuzzy synths, get ready for cuteness, fasten your belt, and don’t believe what they are saying around you, it’s really cute and fancy animals you see jumping all over your head when you’re listenning to this sweet release from El Zoológico.
Release Date: 2008/02/07
As music reviewers, we’ve been following Chris Weeks for more than 10 years now and can easily count him as one of our most praised artists of the 10s. Among those, he might as well be one of the most underrated, whether under his birth name with numerous albums and EPs of radiating drone and dreamlike scintillating ambient, his Kingbastard moniker exploring territories closer to electronica, IDM and experimental techno, or as Myheadisaballoon, showcasing more pop and psychedelic elements. In short, imagine if Primal Scream, Autechre and Brian Eno were all one and the same person, and you’ll get an idea of the man’s creativity… suffice to say that his lack of recognition still comes as a shock to us at IRM. For this new release, that we are proud to share digitally as an exclusive, the UK producer takes on yet another alias, or so to speak. So, why WEEKS ? Probably because “WXY” didn’t exactly belong to any of his aforementioned identities : too ambient for Kingbastard, too minimalistic for Myheadisaballoon, too raw maybe for simply signing it Chris Weeks or make it fit with the apparently short-lived C\/\/\/\ project and its fragile chamber electronics. With massive layers of hiss, static and instable textures, hazy synths, syncopated drums and glitchy rhythms, this new album sounds very much spontaneous, which has been a dominant trait of Chris Weeks’ music of late. It feels organic and yet abstract, as much delicate as it is hefty, vast and intimate at the same time. Sometimes playful as well, but always filled with anxiety and unstability… so many paradoxes and seeming contradictions that make “WXY” quite captivating, another peak in Chris Weeks’ substantial body of work.
released February 6, 2023
released February 1, 2023
check artist’s bandcamp: daysofblue.bandcamp.com
The Necrophile Hummingbird netlabel presents Division Joie by Britney25.
“Depressive Music for the Incurable People”
Whatever the bloody waves of dark thoughts, only the corpses return to the shore, but then they straighten up to scream in the wind: not even dead yet !
If a Goth spirit exists, it’s not a poser thing, not even the romantic taste for eros & thanatos, but a visceral thing, the malaise that transpires from the survivor who refuses to let himself be condemned, by the oppression of the system , to mark the end of his life. Exhibition of a skin-deep sensitivity, the echo of our shared nightmares, in a sound orgy. Journey through suffering. Cursed desperate, still laughing in the face of death ! Oscillation, like the flame that resists the night. Always on the verge of extinction, but still burning. Exorcism of emotion, ritual remains that are priceless. Fully aware of vanity, shouting not to be heard, but to hear that one is still alive. Aware that it is a downward spiral, the more darkness you feed on, the more darkness you invite into your life. Creative vicious circle that inevitably leads to the end. Isn’t life a form of agony ? Perhaps the exhibition of atrocities helps overcome damnation. Or maybe our pain can heal the wounds of the listener. Anyway, might as well have fun with the grace of those who know that life is a joke. When I talk of this album, because of the visual she chose to represent herself as Besançon’s “soeur sourire”, I call it the “black virgin”, I’m wrong, indeed the title is perfect, it is really the joy division, one side is in darkness, the other in the light. We are all walking on the borderline, and sometimes we slip… So don’t forget, don’t forget the fallen angels, because they are legion.
It seems that horsnorme music has always been too much gothic for experimental music audiences and too much experimental for gothic audiences. Britney25’s music is horsnorme, with no assigned place, always on the move, never where you expect it, cynical until the last moment… and beyond. It is a joy to welcome the latest offspring of this hyperactive outsider musician who refuses to return to her niche in the society of the spectacle.
By the way, a big fuck to the french governement which is trying to make the people work after their death… and the same way to be sure they have no time of life left to help the non-profit associations or any kind of non-governmental organizations. Their goal is clear, to erase any form of dissidence as well of margins, calling them separatism.
