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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, 28.1.2026

Hello, I have made a few changes to the site. Unfortunately, I am not quite finished yet, but it should continue without interruption. I hope you find the changes useful. Stay tuned. Konrad

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

STRöHM – Chromosome

STRöHM – Chromosome
[zen232]

STRöHM

“Chromosome”

avantgarde in electrics

STRöHM combine experimental music (avant-garde ambient drone) with free improvisation and create imaginative sound structures from it. Novel sounds, rhythmically underlaid, expressive, dynamic, then again impulsive with romantic elements, are the musical result of the mutual interplay.

www.zenapolae.com/releases/zen232/zen232__Stroehm__Chromosome__01_Mentions_in_our_Name.mp3

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posted 21 June 2021

Fields Ohio – Litha

Fields Ohio – Litha

Fields Ohio

“Litha”

While searching for the light that kills the bacteria
they found a light that reprograms the cells,
a light that rewrites the souls,
and a light that travels nowhere
except it’s everywhere.

And while they were at it
they had to consider proportionate
quantum integers that existed
on the other
side of the worm hole,
-)))That swirling mass that spins faster
than the speed of any light
so quickened by madness at onehundred&eightysevenmillionmilespersecond that it traps
light and anything else in sight
in order to deconstruct, to pull a part the atoms and reconfigure,
like the mouth of Pluto
sucking our dear Persephone into the crust
into the depths of the earth itself,
the blackness was all consuming
til her mother scorched the soil with revenge
and Pluto freed her but with some leverage
to bring life back and repair the burns and then in winter she returns.
Her sacred release brings our pomegranate
lips that yearned for Spring bliss,
a well intact rite of atonement
earned in the winter drifts for those who survive it.

So do the blackholes too transform and release the
light to some flipped compartment of space and time?
Do the particles ride through and bring light to
another side?
These were the questions they began to ask
as humanity looked back with a vast flabbergast,
they had exacerbated the fresh water which all life has a constant need,
the land became void of air giving trees,
all beginning with the lust for greed.
But we have not done this, you and I nor my neighbor down the street,
How can we be held responsible for changing the way we all see?
And then as though a light bulb had gone off above them,
everything clicked. Our old ways must be swallowed by generations
who detest the exploitation of the needy. The future is only foreboding if we allow for
the greedy to succeed.
The darkness must transform the light and in this yinyang eddy
they found their peace.
credits
released June 20, 2021

Button: by-sa
posted 20 June 2021

Various Artist – Spettro Audio Collectif

Various Artist – Spettro Audio Collectif
[SR233]

Various Artist

“Spettro Audio Collectif”

“Just when I thought that Spettro had been a failure all along, after 11 years during which I only grew grey hair and haven’t achieved anything worth mentioning, I realise how important this “small place for unconventional music” has been in my life and has shaped my identity, my friendships, my life project. A life project that will pay absolutely zero in terms of monetary gain, but which has gifted me with a community and a network of people who I have the privilege of calling friends before anything else. And this network has not only benefitted me, it has indeed grown bigger, tighter, sometimes breaking apart then tying even stronger knots, spanning over 11 years now, across countries, beyond borders, generations, culture, race and gender. Spettro has brought people together, firstly thanks to a shared passion for sharing unconventional music, but most importantly as equals.

Looking back at this project, the oldest record of it I can find on my hard drive right now dates back to March 15th, 2020, but the origins of that file, a simple looping hypnotic beat by Luca, go way back, years if not decades. He had shared it with me just days before the pandemic hit. It had been sitting on his hard drive for years and decided to send it to me to see if I could do anything with it. Then by February 23rd 2020 all activities deemed unnecessary by the government had been shut down, as was Ikigai Room, where Spettro was based. March 1st saw several Northern regions falling into a red zone and by the 9th all Italy was under lockdown. Soon after most of the rest of the world would follow. By March 15th that long forgotten drum loop had been finally edited by someone else. We then decided to start a simple project where friends would contribute to someone’s sounds by simply adding layers. Not editing or manipulating each other’s contributions, but just adding to them.

I started thinking about the people I could involve, most of whom were forced to stay home like everybody else. But this was not a project born out of boredom, but from the shared urge of doing something instead of wasting away in front of screens. It felt necessary, it went beyond the pandemic, beyond borders we couldn’t have otherwise crossed, as time and place didn’t matter anymore, neither here nor there, under this siege or not: we were doing something together. Regardless.

Omar (First Catatonic Ensemble, River of No), who originally introduced Luca (A Distant Shore, Oracle, Tiny Drones for Lovers) and me, was the first to get involved, then Angelo (Filtro, Billy Torello, The Great Saunites), a good friend and Spettro contributor and amazing musician. Akis from Kοκκαλα with his uncanny and sardonic haunting imagery. John Duncan, who needs no introductions and was ready to help. Elvio (Bisso, Las Laplaciens, Shiroi Noizu, Dir Richter), with a sweet glimpse of his life in Osaka, enriched by the sounds of Naoki, who I had shared a stage with 14 years ago in Tokyo, where I also met Toshihiro (Circe) whose wonderful music I will never forget. Ghobi would provide few majestic notes, River of No contribute with an extract from a track that never was, until now, Giulia (SorHe) and Martina add nuances we would have never been able to otherwise understand.

The project was completed on March 1st: a whole year had passed in which little or nothing had changed, just more sorrow, misery, anger and despair. Endless streams of music and writings being published during and about the pandemic. The pandemic as a transformative experience. But this is not a pandemic album, even if it is, nor was it transformative for us, as the friendships and collaborations helped by Spettro had been there all along, growing stronger during these 11 long years which I had at times given for wasted. This work proves otherwise. It tells a different story, a story of joy in the mist of sorrow.”

CD available on Bandcamp at spettrorecords.bandcamp.com/album/spettro-audio-collectif

Credits:
Mixing by Luca Tommasini
Master by Fabio Iaci
Artwork by Akis Karanos

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posted 20 June 2021

Thet Liturgiske Owäsendet – Selected Sleep Sudies

Thet Liturgiske Owäsendet – Selected Sleep Sudies
[mhrk273]

Thet Liturgiske Owäsendet

“Selected Sleep Sudies”

‘Sleep Studies’ was a creative process spanning over 100 days from August 13th to November 21st, 2020. Inspired by themes like sleep, dreams and nightmares, one track per day was produced and uploaded to YouTube with an accompanying video.

“Working on this project we strived to find our way back to a means of production based on spontaneity and also allowed us to distance ourselves from the final product by removing afterthought and overproduction anxiety.”

‘Selected Sleep Studies’ is a collection of 11 tracks, which represent a morsel of the 10 hours of music that is ‘Sleep Studies’. A long rest awaits.

Released June 15, 2021 as free (cc) download and limited edition cassette.

Composed and produced by: Johan Fotmeijer and Linus Schrab

Mastering by: Anatoly Tokee Grinberg

Cover artwork: Ivo Petrov

Photography: Linus Schrab

Button: by-nc
posted 19 June 2021

Vitas Guerulaïtis – Le Tigre

Vitas Guerulaïtis – Le Tigre

Vitas Guerulaïtis

“Le Tigre”

released June 15, 2015

Vitas Guerulaitis is
Célia Jankowski (voice, keyboards, programming)
Ismaël Colombani (voice, guitar, programming)
David Costenaro (voice, drums)

The band comprises three french activists who sought refuge in Brussels. Their music is impossible to classify.

Etienne Foyer – Enregistrement, Mixage @Les ateliers Claus – Bruxelles – Décembre 2013
Christophe Albertijn – Mastering

Cover by Ismaël C.

Co-prod’ :
Tandori records – Cheap Satanism records – Whosbrain records – Rock n’ Roll Masturbation records – Aredje – S.K records – Attila Tralala and Do It Youssef !

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posted 18 June 2021

Dj Malaït – Everything’s Right / Wrong

Dj Malaït – Everything’s Right / Wrong
[XSN011]

Dj Malaït

“Everything’s Right / Wrong”

Dj Malaït is a Russian producer based in Barcelona. Better known as ZebaKnizel for his work in the offline meeting point collective, where he releases most of his tracks.

He has performed (and still does) alongside several bands of different genres, but his interest in electronic music grew a lot in the last two years and currently he’s fascinated with experimenting and mixing different patterns and genres. His style is influenced by IDM artists, poly rhythms, and wandering harmonies.

This particular release was created with the intention of mixing all sorts of latin percussion vibes, adding some more electronic elements, and some rhythm complications that might make the listener count each beat before dancing confidently.

Tracks produced, mixed and mastered by Dj Malaït
Cover Art by Dj Malaït

Links:
Dj Malaït (ZebaKnizel):
soundcloud.com/zebaknizel / instagram.com/zebaknizel/
offline meeting point:
soundcloud.com/offline-meeting-point / instagram.com/offlinemeetingpoint/
xenonyms:
soundcloud.com/xenonymsss / instagram.com/xenonymsss/

xenonyms XSN series – (XSN011)
credits
released June 15, 2021

Button: no
posted 18 June 2021

air protection office – Hantica

air protection office – Hantica

air protection office

“Hantica”

Made in Lavanderia art factory in Berlin. (on insta & youtube)

to accompany the trip in the absence of visual stimuli there is a video on YouTube Lavanderia channel.
credits
released June 18, 2021

Music and cover artwork is by Enrico Bozzato
Visuals, images and AI is by Marco Chinello

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posted 18 June 2021

Various Reiwa – Materials

Various Reiwa – Materials
[OMOIDE 230]

Various Reiwa

“Materials”

Track6 is a collaboration with Bash (@Bashmusic1118) / Twitter twitter.com/bashmusic1118
Various Reiwa (@_petchi) / Twitter twitter.com/_petchi
Artwork by Yaco (@085_yc) / Twitter twitter.com/085_yc

released June 18, 2021

OMOIDE 230 Materials
Produced by Various Reiwa
Artwork by Yaco
Released by OMOIDE LABEL
Catalogue Number : OMOIDE 230

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posted 18 June 2021

Altone – Modern Natura

Altone – Modern Natura
[Insectorama 104]

Altone

“Modern Natura”

out now the new Release on Insectorama

The Release is free as always, but you can also pay what you want or get one of the cd`s limited to 20 pieces to support the Label!!!!

Altone – Modern Natura EP (insectorama104)

The master of dubtechno from japan is back on insectorama. After his track on the one hundred compilation, he’s now coming to insectorama with his new ep. 5 dubtechno tracks that are so incredibly deep and absolutely timeless.

Tracklist:
1.Debris
2.Soar
3.Modern Natura
4.Misplase
5.Wave Wall

Insectorama 104
all tracks by Altone
Mastering and Design by Markus Masuhr

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posted 17 June 2021

Humanfobia x Revolution Peak – M▲GENT▲

Humanfobia x Revolution Peak – M▲GENT▲

Humanfobia x Revolution Peak

“M▲GENT▲”

– Revolution Peak is an electronic witch house, wave, project from Canada.
For more music visit of this artist visit:
revolutionpeak.bandcamp.com/
https://soundcloud.com/nwoifi7wyoir3h/tracks

– Humanfobia is a dark experimental, witch house, horror noise duo from Rancagua, Chile.
Links:
humanfobia-official.bandcamp.com/
archive.org/details/fav-mist_spectra
hearthis.at/humanfobia/

Credits: Stems provided by Revolution Peak.
mixed, cover artwork design by Sábila Orbe.
model in the cover, vocals in tracks 1,2,3 & 4: Mist Spectra.
vocals only in track 5: Sábila Orbe.

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posted 16 June 2021

Pablo Gomez Bate – Construcción Social

Pablo Gomez Bate – Construcción Social
[pn189]

Pablo Gomez Bate

“Construcción Social”

“Construcción Social” (“Social Construction”), the latest album by Pablo Gómez Bate, offers us a varied listening, walking through different landscapes, (de) (re) building provocative atmospheres through the use of natural, acoustic, friendly and recognizable sounds, plus vocalizations that remind us in some passages of the “Windowlicker” of the British twin referent, accompanied by glitches, noises and synthetic or digital discharges.

All of the above, which could be understood as overly cerebral music, occurs without renouncing sensory and rhythmic enjoyment, in songs like “Jajause” or “FM10”, where, as in social constructs, we can agree to follow certain conventional rules, but without a doubt the artistic risk that Pablo takes on this album is precisely to question, expand and / or demolish them, breaking the usual stylistic structures with samples and unexpected breaks.

Almost 48 minutes of clear, high-resolution sound, to enjoy while we contemplate the inevitable rewriting of the parameters and norms that govern or de-govern us.

Mika Martini
(Santiago, Chile. Junio / June 2021)

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posted 15 June 2021

Nicolas Tourney – Music for Piano

Nicolas Tourney – Music for Piano
[Eg0_251]

Nicolas Tourney

“Music for Piano”

Nicolas Tourney is a french experimental musician and sound designer, also owner of the label Snow in Water Records. His new album Music for Piano focuses on the acoustic properties of the instrument used in various ways in order to generate rich and subtle resonances. But the artist himself says it more precisely :

“Entirely recorded in the hours of the night, in order to capture very low amplitude sounds that neighboring noises would have made imperceptible, the twelve configurations of Music for Piano reflect research on vibration. The piano used is a late 19th century German grand piano, allowing, when it is wide open, all kinds of placements, preparations, rebounds. Some drones evolved continuously for several days in a row, in order to see the gradual emergence of new timbres produced by the microscopic movements of objects inside the piano. By releasing a resonance rather than a note, the pressure of the keys then opening a void, other modes of play have required tools with a roundabout function and instruments that our daily habits have made their own.”

Credits :

Nicolas Tourney : Piano, Objects, Bows, E-bow, Pure Data System, LOM Usi Microphones.

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posted 14 June 2021

LES – Anisotropic Collapse

LES – Anisotropic Collapse
[VSS123]

LES

“Anisotropic Collapse”

Inspired by Steven Hawking’s book “A Brief History of Time” and space phenomena, LES sought to create sounds which capture subatomic particles dancing,
“Anisotropic Collapse” was recorded using analog and modular synths and an “anti-radio” instrument that captures electromagnetic fields. Enjoy the voyage!

LES – LunarEscapeSystem – is an Israeli electronic music duo based in Tel Aviv, formed by Elena P. and Genrietta P.

Read more info and artist bio @ Bandcamp!

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posted 13 June 2021

Caballero – Soul Sparkle EP

Caballero – Soul Sparkle EP
[DigitalDiamonds084]

Caballero

“Soul Sparkle EP”

Soul Sparkle EP by Caballero (MEX) is an alluring modern take on progressive, psychedelic techno. Interestingly, it lends from dub, dub techno, techno and house while exuding an array of contrasting tone colours such as analog sounds, organic drums and intricate, glitchy textures. Melbourne’s (AUS) Aleckat hits it out of the park with his decadent zenonesque take of the EP title track with on-point use of Caballero’s stems. All in all this EP is truly innovative and oceanic in depth.
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posted 11 June 2021

Svann E. Langguth – dark inner aspects of toddy drinking

Svann E. Langguth – dark inner aspects of toddy drinking
[Wuerfel32]

Svann E. Langguth

“dark inner aspects of toddy drinking”

This is the second part of selected older works. “Dark inner aspects of toddy drinking” contains a collection of dark pieces that develop a suction effect due to their great density, at least if you listen to them appropriately loud or with headphones, and come from a phase of Svanns life that he only remembers darkly.
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posted 09 June 2021

Constant9 + Dolphin Hospital – Junction / Koppling

Constant9 + Dolphin Hospital – Junction / Koppling
[ACP 1317]

Constant9 + Dolphin Hospital

“Junction / Koppling”

artwork by Anton Gudkov

Constant9 is an experimental duo using modular synthesizers, live sampling and electronic percussions. Based in Moscow, Russia and Stockholm, Sweden.

Junction / Koppling was recorded live in Moscow at Nazlo Records studio in collaboration with Dolphin Hospital.

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posted 09 June 2021

Data Domain – Exploration Images

Data Domain – Exploration Images
[ST032]

Data Domain

“Exploration Images”

This phonograms is a protected intellectual work in favor of its producer. Rights protected. ℗ & © 2021 Secuencias Temporales. The rights of this phonogram are recognized by the Federal Copyright Law. Its production, reproduction, import, storage, transport, distribution, commercialization, sale or lease is prohibited, as well as its adaptation, transformation and direct communication to the public without the prior written authorization of the owner. The violation of this prohibition constitutes a crime and an infraction that are sanctioned according to articles 424 bis, 424 ter, of the Federal Penal Code; 232 section III and 232 section I of the Federal Copyright Law and other applicable regulations in force.

Written and Produced by Javier Martin & Guillermo Arroyo in Madrid, Spain.
Mastering by Secuencias Temporales Studio in México City.
Secuencias Temporales ℗ & © 2021 – All Rights Reserved
credits
released June 7, 2021

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posted 08 June 2021

CorteX – New Ordeal World

CorteX – New Ordeal World
[LCNEP021]

CorteX

“New Ordeal World”

The Necrophile Hummingbird presents the aftermath of a funny spiritual experience. “Acousmatic Music for the Concrète People”
This EP will be part of the album “La Fête du Sillon Sacré”.
No Undergods Were Harmed in the Making of this EP.

Full EP in free download in Flac or Wav on this bandcamp profile yoshiwaku.bandcamp.com/album/new-ordeal-world

The first two tracks designed for this french selfportrait podcast
aligrefm.org/agenda/le-colibri-necrophile-ed-end-480

Which may be related to Ordalie Found Footage https://www.youtube.com/watch?v=baYeo97yqQA

Last year full (except rADio eNd) retrospective is interesting for a global hearing.
https://panoramamix.tumblr.com/post/623102835945537536/ed-ends-retrospective-a-free-to-share

Cinemix :
Bugey pour mémoire

More free music by CorteX
archive.org/details/le-colibri-necrophile?and%5B%5D=creator%3A%22cortex%22

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posted 08 June 2021

Ben Glas – Uhr / To Fade To

Ben Glas – Uhr / To Fade To
[zen231]

Ben Glas

“Uhr / To Fade To”

an ambient random sequence d.i.y. installation, inspired by Eno, Satie and the passage of time

Uhr / To Fade To is an experimentally experiential sound piece which questions the individual listener’s agency within the listening experience and preconceived expectations around the acts of active and passive listening. Comprised of 240 thirty-second triad sinetone drones, this album is to be downloaded and randomly shuffled in a player of one’s choice. The result is a seemingly endless array of tonal possibilities, a larger-than-human-life melody full of aleatoric twists and turns.

The impetus of this piece is to dig deeper into an inquiry that Erik Satie opened with the advent of his so called “Furniture Music” and which was later expanded upon by Brian Eno’s popularisation of “Ambient Music”. This is piece is to be played into an open space and to be forgotten about and returned to. As each track is precisely 30 seconds long, it acts as an abstracted clock. Listeners may drift from and to the space in which they choose to listen in. As the content of this album is made up completely of sinetones, the piece is inherently relativistic and allows listeners to move through the peaks and troughs of the waves.

There are

4,067,885,363,647,058,120,493,575,921,486,885,310,172,051,259,182,827,146,069,75 5,969,081,486,918,925,585,104,009,100,729,728,348,522,923,820,890,245,870,098,65 9,147,156,051,905,732,563,147,381,599,098,459,244,752,463,027,688,115,705,371,70 4,628,286,326,621,238,456,543,307,267,608,612,545,168,337,779,669,138,759,451,76 0,395,968,217,423,617,954,330,737,034,164,596,496,963,986,817,722,252,221,059,76 8,080,852,489,940,995,605,579,171,999,666,916,004,042,965,293,896,799,800,598,07 9,985,264,195,119,506,681,577,622,056,215,044,851,618,236,292,136,960,000,000,00 0,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000

possible variations of the melody that this piece and randomised album present, if shuffled and played from beginning to end.

www.zenapolae.com/releases/zen231/zen231__Ben_Glas__Uhr_ToFadeTo__146.mp3

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posted 07 June 2021

Numa Gama – Memorias de Oneyda

Numa Gama – Memorias de Oneyda

Numa Gama

“Memorias de Oneyda”

Memórias de Oneyda was created during the residency held by São Paulo Cultural Center (CCSP) in celebration of the 85th birthday of the public record library “Discoteca Oneyda Alvarenga” which has one of the biggest archives of latin america and is named after the director and founder Oneyda Alvarenga.

Percussions, beats, harmonic layers, and almost all details were extracted solely from the vast collection of the library, with exception of a few field recordings and instrumentals I’ve recorded for other occasions. These additional audios are also used as sound collage. I took most of the vocals from the historical 1938’s folklore research mission, which aimed into recording traditional music from the north and northeast of Brazil.
I’ve adapted the sonority of the tracks to the quality and texture of the oldest recordings, seeking a sound in between contemporary and a 30’s recording – as it was an old dirty recording of a parallel reality. The são paulo musician and engineer Bruno Palazzo helped me to enhance this feeling with an analog tape master.

Minimum suggested donation is 5.50€ + vat. 50% of the profits will be donated to the movement of the indigenous woman of Xingu – ATIX Mulher. Depending on how much is raised, other indigenous ONGS will be included.

released February 4, 2021

Criação e Mixagem: Numa Gama
Design: Numa Gama
Masterização: Bruno Palazzo
Fonte desenhada: Clau Smith

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posted 07 June 2021