With physical copies of A Trilogy of Perspective running low, Macaque Records is pleased to announce that Gilman Mom is releasing a digital version of the compilation. Digital copies include a brand new digital booklet, digital packaging artwork, and the entire discography of Gilman Mom with a remastered edition of Manifest Destiny complete with an extended version of track “Houndstooth”.
Experience an ocular version of Gilman Mom’s abstract epic, A Trilogy of Perspective. A digital art book documenting the journey’s prose. This saga allows you to viscerally enter the mind of a boy becoming a man. Adolescence conquered by the seething truth. Confusion and depression becomes deconstructed and molded into self-reliance and environmental adulation.
Enter the ears of Gilman Mom, feel their journey.
Get it for free on Issuu!
Musical version available at gilmanmom.bandcamp.com or macaquerecords.com
In 2019, Canadian digital hardcore musician SCHIZOID celebrated 20 years of extreme musick with the release of new project THE SCHIZOID “Pariah”, an all-black metal solo release. Those 7 songs took on themes of elemental destruction and dark psychology, inspired by CREBAIN, LEVIATHAN, XASTHUR, BLUT AUS NORD.
Now, “Displaced And Altered” presents the PARIAH album’s black metal furies filtered through an industrial/electro lens, rendering electroshock treatments of the tracks by the underground’s current finest, including SADISTICIAN, LAF-O, OXYGENFAD, HIMIKO, RIOT VIRUS, NOT HALF, HYPERDRIVER & more!
credits
released May 1, 2019
All songs originally appear on “Pariah” by THE SCHIZOID in 2019. Remixed by the underground in 2018. Art: SCHIZOID.
Thank you to all the remixers as always, as well as Marty FAMINE, ABHORRENT/ACID ENEMA, and @kim_crawley.
Play this record as frequently as possible. Then, as it becomes easier for you, play the record once a day, or as needed.
47 exclusive songs compiled by Allied Forces for Fuzzoscope.
credits
released December 28, 2019
Produced by Fuzzoscope and Allied Forces Press
Executive Production by Jared Pittack & Christian Riechert
A&R Direction by Christian Riechert
Art & Design by BUSY GRAPHIC HOUSE
Mastered by Gabriel Ente
01. PHILIPPE NEAU – oOnhe 10:45
02. SOUND_00 – Metal Kratovo 10:59
03. WALTER FINI – Echoes 09:30
04. BR – A sto ako ti kazam deka ovoj svet e samo obid, verba i cekorenje kon podobroto 10:40
05. THE SUBAQUATIC BULLETIN SERVICES BUREAU – Recent Transmissions 08:31
cover art by Claus Poulsen
design by EMERGE
“Stand Alone Complex” contains music that goes from drone-like structures (“A Structural Point”), through more IDM tracks (“Riding the Noise”) to techno (“Der Inner Geist”, a direct translation of the inner ghost), to more industrial and post rave expressions (“The Harshness Factor” and “TGVBKJGFC”), until the last track (“Surveillance”), which speaks about the issue of surveillance though sounds that are more electronic and less structured by genre labels.
This disc originated with an approximately 20-minute recorded session made in 2014 (https://vimeo.com/105399073) and this subsequently laid the groundwork for a new interpretation of the books of Donna J. Haraway (Simians, Cyborgs and Women: The Reinvention of Nature, 1991) and Kim Toffoletti (Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body, 2007).
It was mixed in FBK studios in Barcelona by Jose Jünemann and Joan Lavandeira and mastered by Jose Jünemann (2019).
Joan Lavanderia aka randomVOLT
(Bercelona, España / Spain, diciembre / December 2019)
“This album is a long-standing exploration of the juxtaposition between physical presence and mental boundaries that emerged during the creative process. Our bodies are matter physically present in the present reality, but our psychic capacities can be distanced, reaching parallel inter-temporal spaces. They aim at creating internal and external associative representations between presence – happening – reflection directed at the senses. The immediate primal feeling in one present is lost or renewed, disappears or reappears after nothing is the same again.”
released December 25, 2019
also available as limited edition digipak CD
Artwork painting: Tanyo Pavlov
Artwork and digipak design: Angel Draganov
Phonocake-Artist Drehton moves the knobs and keys to the next experimental level. With references to trance, IDM, techno and now and then dub, he shapes the sound of a hyperworld: full of jumps, speed, variety, intensity, clear superabundance. This is where the control takes place, this is where the chips glow. Full of details this HiTekk Electronica purrs full of longing in the metropolis of chip design sound.
The 21st century replaces any category concept of ours. The concepts blur and exceed conventions through freer expression. Freed from any category corset, Drehton presents new experiments in tempo, arpeggio & melody, in its very own sound and recognizable style. Partly the stuff is insanely experimental, especially the first tracks. They tempt us to brain explosions that dissolve Koan like. From song 8 it gets a bit straigther.
saxophone/reeds, recording: Vladimir Luchansky
mastering: Ilia Belorukov
curating: Tiago Morais Morgado
Vladimir Luchansky (b. 1990) – composer and improviser from Saint Petersburg, Russia. He worked with musicians from all over the world such as Oliver Lake, William Parker, Assif Tsahar, Tim Hodgkinson, Glen Hall, Ilia Belorukov, Mia Zabelka, Matt Mottel, Kevin Shea, Alexander Markvart, Roman Stolyar, Sergey Belichenko, and many others. A member of International Society of Improvising Musicians, he performed in North America and Europe with solo gigs and in various combos. He interferes with all kinds of contemporary improvisational music from noise to free jazz and multidisciplinary arts.
Ilia Belorukov is a musician from Saint-Petersburg, Russia. He works in the directions of improvised, noise and electroacoustic music. He’s a member of different projects with local and foreign musicians. He collaborates with artists who work in other musical directions (from hardcore and metal to academic contemporary music); with dancers and painters; with theater. Ilia practices an experimental approach of sound extraction on alto saxophone with objects, uses electronics and other instruments. Also he is a founder of Intonema label (www.intonema.org) and one of curators of Spina!Rec label (www.spinarec.bandcamp.com).
Tiago Morais Morgado | Violetista e laptoper, estudou música clássica, musicologia, informática música e sonologia na Artave, na Esart, nas universidades Nova de Lisboa e do Minho e no Conservatório de Haia. Curador da editora Nachtstuck Records, que criou em 2014. Seleção de concertos: Frequency, na final do Termómetro Unplugged 2005, Alfândega do Porto; Orquestra Artave (viola tutti), com António Rosado e Ernst Schelle, Coliseu do Porto, 2006; Quinteto Pedro Lopes, David Filipe, Tiago Morais Morgado, António José Oliveira e Denis Ferreira, Casa das Artes de Famalicão, 2006; Tiago Morais Solo, Teatro a Barraca, 2010; :papercutz, no Inslington Metal Works de Londres (Reino Unido), no SXSW Austin (EUA) e no Exit Festival (Sérvia), 2010; Encerramento do ciclo “Colaborações Improvisações”, Serralves, 2011; Sonology Electroacoustic Ensemble, com Peter Evans, 2011; Com Yedo Gibson e Ofir Klemperer e como Tiago Morais Solo, no Studio Loos Den Haag, Holanda, 2011; Tiago Morais Morgado Solo, Fiber Festival Amsterdam, Holanda, 2012; Visuais, A First Approach to Morgenstra – Juan Marco Albarracin, 2012; Arnold Schoenbergzaal; Com Nicola Casetta, Maskarade Sinzine; Com James Hewitt e Renato Meganha Ferreira, Leo Svirsky House, Holanda, 2012; Tiago Morais Morgado solo, Kees van Barenzaal, Holanda, 2013; Com Teresa Matias, MNS, 2013; Com Stelios Manousakis, Museu de Arte Contemporanea de Vigo, 2014; Festival O Mundo Somos Nos, 2014 e 2017; Festival Dias de Música Electroacústica, 2015 e 2016; Moita Mostra, 2016 e 2017; Serralves em Festa, 2017; Com Marcelo dos Reis e Sérgio Tavares, MNS, 2017; Jose Lencastre Nau Quartet, MNS, 2017; Ocupa #2, GNRation, 2017.
Track Listing:
01. agomi – make.believe (feat. braincoat)
02. agomi – character.creator
03. agomi – world.building
04. agomi – creation.core
Music by agomi.
“make.believe” by agomi + braincoat.
Artwork by 13aht.
Design by Occupied Territories.
MASEraaaN(@maseDTM) | Twitter twitter.com/maseDTM
ARTWORK
クマコ(@Yelwsbmrn) | Twitter twitter.com/Yelwsbmrn
higma (@pai_dareka)さん | Twitter twitter.com/pai_dareka
