εκεί was the first album of yosoyunotrotú
Recorded in Poland and Mexico, September 2010 to April 2011
Originally published by circlesandlines recordings on May 23, 2011
All music by
Krzysztof Polaczenko (guitar, flute, trumpet, voice, piano, electronics)
Quetzal Contla (synths, piano, glitchs, electronics)
Review: Emmerichk is a long-standing mexican producer in the electronic music scene who gives now six dub techno tracks in its purest essence. His proposal is more in the intimate side and it is characterized by micro-nosey and glitch. The quest for atmospheres that is proposed here delivers duality between oneiric and the real, lifting us up to a spacial drift trip and great contemplation.
An album to enjoy in its entirety with very interesting textures and deep inwardness.
André Baradit, Valparaíso, 2019.
auteur compositeur
Simon Carbonnel
Simon Carbonnel & Marion Gaume pour le Déclin de la bête feat Mesparrow
Visuel : photo orignelle CSZ Photographie,
logo Martin ROULET
l’ingé son : François Kerjan
mastering : Léonard Lelièvre
Poborsk makes his Crazy-Language debut with a very special sensory release for us the listeners and to the producer himself. These seven crisp constantly shifting artefacts are the result of a multitude of live tracks, reworked here for cozy home listening, from when the producer opened a gig in Lyon for the legendary Autechre. The giddy excitement is palpable on the craftsmanship present on each song, not only recollecting the Manchester based duo’s latest atonal journeys but with the rhythmic balance and jiggly synth work, trademark of Poborsk’s varied discography. It’s hard not to get up and start contorting your body onto odd angles with bangers such as Docteur Flanger or Collapse.
As is tradition with Crazy-Language’s latest outputs, this release contains 3 very methodical video pieces that seem to clash perfectly with the pristine nature of the audio journey. These glitched, heavily erratic pieces are the contrast needed to bring everything full circle. Or in Poborsk’s case full Euclidean. (FG)
Another sad acoustic reggae trip…
“Home-crafted” between 2017 and 2019.
As usual you can freely download, listen, re-use in your own creations, sample, destroy !!
Provided you :
name the source,
never sale
publish your work under the same licence so others can create with your material too.
/// CCBYNCSA licence ///
MAY FREE CULTURE LIVE LONG ;)
Thanks to all helpers for any kind of support !
credits
released July 14, 2019
Credits
Joseph Sardin’s samples
William Blake’s poems
Jiddu Krishnamurti’s recordings on “Apocalypse skank”
Samples of Depardieu and Serrault in Blier’s movie “Buffet froid” + l’Abbé Pierre on “Tout ira très bien”
Tatjana’s 2nd guitar on “The little vagabond”
Some Acid Pro’s samples (Brian Daly, Dave Abbruzzese, Paul Black, William Tucker)
Choir on “A creative riddim”
GAAR picks up the skeleton of the Nuer’s previous EP and adds a more vigorous rhythmical structure and textures, creating a sonic hybrid torn between punk and techno.
Noise. Distorsions. Chants.
У: Гоплит, Коттаб, Пифос. Что это за названия такие?
А.Б.: Это тоже античные термины.
У: Античные, говоришь? Как и «агальма»?
А.Б.: Именно. Такую я выбрал концепцию.
У: Значит, говоришь, в альбоме есть какая то концепция?
А.Б.: Есть, но не четкая. Я её привязал к названиям песен и к самой музыке.
У: Но все таки она есть! Я внимательно слушаю!
А.Б.: Ну в общем как то так. Гоплит – античный пехотинец. Трек звучит грозно. Он о человеке на войне. Коттаб – античная алкогольная игра. Человек возвращается с войны и окунается в мир развлечений и алкоголя. Пифос – античная посуда. Диоген жил в пифосе. Развлечения не приносят человеку радости, и он, подобно Диогену, начинает жить в пифосе и стает кем то вроде мудреца. Что то типа того.
— Из материалов допроса Артема Бембы, проведенного 31.10.2018 уполномоченным Управления Синглов И Альбомов При Министерстве Звука и Музыки по поводу выхода его нового альбома AGALMA.
16 instrumental hip-hop tracks produced & mixed by aitänna77 [March / August 2019].
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This beat tape contains Rock, Pop, Funk, Soul And Electronic sounds from the Soviet Union.
Kitty on Fire Records brings you the 4th installment of the Super Duper Digi-Punk Split series. You can find full releases from almost all of these artists on our label. Tracks from hardened NXC veterans as well as Cybergrind initiates. Bleep Bloop Violence is about friendship and unity. Just like Digimon! Lets meet up and play shows. Lets be cyber friends for real!
Featuring:
Debug My Video Game Error (Japan)
Mikau (USA)
MISS YOU / Fizzy Dino Pop (Japan)
Yatagarasu (USA)
Watabou (USA)
Senpai Suicide Club (Canada)
Heptaedium (France)
Who Stole The Cookie From The Cookie Jar (USA)
Capybara Fucking Pirate Destroyer (Russia)
Cover art by: Braverbeast
Iñaki Muñoz
(Santiago, Chile. Agosto / August, 2019).
The musical paradigm shift from the outermost points. Believe that we arrive on the cusp of a new musical age. from US, Canada, Argentina, Germany, Spain, Finland, Sweden, Belgium, Russia, Belarus, Singapore, South Korea and Japan.
Track Listing:
01. farmersmanual – 366
02. colongib – potty pilot hi proem
03. Dexid – monky
04. structweird – Awake
05. Forces – Synthetic Society
06. NorthWood – leadership
07. octopus inc – maya
08. Farrelly Sisters – #R10502
09. ]]]]]]]]]] – ()())(l)(())(l)(()()
10. UnDer A CLOUD – 우물속 증조할머니 [great grandmother in the well]
11. Zeekos Perakos – k-long
12. KEISUKE MATSUDA – Flatter
13. eerie_ear – escalator safari
14. miragliuolo – i’m the line out
15. Kisser – Chameleon Police
16. SCRIPT – stuck
17. ilkae – neon white (alternate)
18. WHXX – Escape
19. John Sellekaers – Waiting (3A14)
20. Sphere² – Aqua (Shade)
21. Lesser – Elder Bits
22. proswell – 20070808 froggie
23. marumari – narf
24. Riajuu – foind another pyramid
25. Greg Davis – Glockenspiel & Organ
Curated by Haruo Ishihara.
Artwork by Occupied Territories.
Special thanks to Aaron Munson, Charlie Kramer, Christopher Graves, Gert Brantner, Greg Davis, Jason Doerck, Jeeyon, Joe Miragliuolo, John Sellekaers, Joonas Siren, Joseph Misra, Josh Presseisen, Keisuke Matsuda, Kim Cloud, Lynn James, Pasha Korn, Sebastian Pappalardo, Sergio Rodríguez, Shithead, Zeekos Perakos.
Since Ölü Körpe was released their ‘Saudade’ music video (bit.ly/SaudadeOluKorpe) in January, I feels it might be similiar with his first album with full of guitar ambient. But, last week, when I was checking my email, suddenly I found that Lutfi-man behind Ölü Körpe- sent me his new album called, Great Migration. There are 5 songs included it. And something fresh from the album is the sounds that he made; Less guitar ambient and more percussive sound.
In ‘Great Migration’, Luthfi had more explore their way and approarch to make a sounds. He literally make a ‘great migration’ of his works; Moved a little bit to the sides from his usual Del Toro-ish (Guillermo, not Benicio) to be manic, awkward, and more anxious with his new approach.
You might want to use good headphones for this 5-songs journey. Luthfi put some interesting movements here and there, so that’s that.
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released August 9, 2019
![Luther Blissett – [FFO] 6 ampere](https://archive.org/download/Suda0051/Luther%20FFO.jpeg)
Dave Wesley’s full length aural autobiography covering the last half of 2018, based on subconscious peripheral sonic imagery… the blurry content that selective perception ignores.
What others are saying:
“Listening to this music, I kind of feel like I am a replicant in the rain of Bladerunner, hand twitching as I search for some dry room away from the lights and the wind, knowing I am going to die soon but wanting the heat of the room just the same, just for a passing moment.”
– Steve Santineau
“Just an amazing album…I especially like Tracks 1, 9, 10, 13… (Like Controlled Bleeding meets Ryuichi Sakamoto’s OUT OF NOISE in a film by David Lynch)”.
– David Agasi
