about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: ♥ by ko

Since 2010 here Konrad from clongclonmoo.org occasionally recommends his favorite free net releases.

V.A. – Super Duper Digi​-​Punk Split Vol​.​4 : NXC Edition

V.A. – Super Duper Digi​-​Punk Split Vol​.​4 : NXC Edition
[KOF#319]

V.A.

“Super Duper Digi​-​Punk Split Vol​.​4 : NXC Edition”

Kitty on Fire Records brings you the 4th installment of the Super Duper Digi-Punk Split series. You can find full releases from almost all of these artists on our label. Tracks from hardened NXC veterans as well as Cybergrind initiates. Bleep Bloop Violence is about friendship and unity. Just like Digimon! Lets meet up and play shows. Lets be cyber friends for real!

Featuring:

Debug My Video Game Error (Japan)
Mikau (USA)
MISS YOU / Fizzy Dino Pop (Japan)
Yatagarasu (USA)
Watabou (USA)
Senpai Suicide Club (Canada)
Heptaedium (France)
Who Stole The Cookie From The Cookie Jar (USA)
Capybara Fucking Pirate Destroyer (Russia)

Cover art by: Braverbeast

Button: no
posted 30 August 2019

Accasari & Res Magnifica – Split

Accasari & Res Magnifica – Split
[DNA 208]

Accasari & Res Magnifica

“Split”

A little bit noisy drone ambient, murky, atmospheric and undoubtedly inspired by Maeror Tri works – in this way new split by Res Magnifica and Acassari opens up. This austere and deep drone ambient, sometimes archaic and closed, with slow development is two-tracks first half contributed by Latvian project Res Magnifica.
In the second half of the split Acassari continues to rethink Maeror Tri creativity with his signature dense guitar loops weaving and reweaving in one sound web. Light melodies, smooth switching to distorted guitar chords, their deliberate resonances in emotional peaks и rare breathing of fading guitar loops are expertly embedded in typical Maeror Trin constructions to balance the split’s somber first half.
Button: by-nc-nd
posted 28 August 2019

C/VVV – Gracias por nada

C/VVV – Gracias por nada
[pn144]

C/VVV

“Gracias por nada”

“C/VVV spaceship is approaching, shaking not the dust off: its pieces sewn in emptiness, fiber travelling centuries, living, learning, and, at the same time, generating an antigen to the Whole, offering Naught an enlivened realm. Steadily moving, back and forth, all to zero, growing a cultivated, singular spirit in the face of constant fluctuations, acquiring communicative competences thru countless, unknown phases, changes, headways. The ship keeps flowing, moving alongside alienating turbulences and foggy cataracts in the eyes of the object. The past is always there, a warm, embracing, profound obscurity; essential company and accomplice, wise advisor, willing to unleash the heavy load. Turning the trip into a fading-balanced map, erasing frontiers, receiving the unexpected, organic, ever-expanding-paradox, latent beat.”

Iñaki Muñoz
(Santiago, Chile. Agosto / August, 2019).

Button: by-nc-sa
posted 26 August 2019

VARIOUS ARTISTS – TELOMERE

VARIOUS ARTISTS – TELOMERE
[LF104MP3]

VARIOUS ARTISTS

“TELOMERE”

The musical paradigm shift from the outermost points. Believe that we arrive on the cusp of a new musical age. from US, Canada, Argentina, Germany, Spain, Finland, Sweden, Belgium, Russia, Belarus, Singapore, South Korea and Japan.

Track Listing:
01. farmersmanual – 366
02. colongib – potty pilot hi proem
03. Dexid – monky
04. structweird – Awake
05. Forces – Synthetic Society
06. NorthWood – leadership
07. octopus inc – maya
08. Farrelly Sisters – #R10502
09. ]]]]]]]]]] – ()())(l)(())(l)(()()
10. UnDer A CLOUD – 우물속 증조할머니 [great grandmother in the well]
11. Zeekos Perakos – k-long
12. KEISUKE MATSUDA – Flatter
13. eerie_ear – escalator safari
14. miragliuolo – i’m the line out
15. Kisser – Chameleon Police
16. SCRIPT – stuck
17. ilkae – neon white (alternate)
18. WHXX – Escape
19. John Sellekaers – Waiting (3A14)
20. Sphere² – Aqua (Shade)
21. Lesser – Elder Bits
22. proswell – 20070808 froggie
23. marumari – narf
24. Riajuu – foind another pyramid
25. Greg Davis – Glockenspiel & Organ

Curated by Haruo Ishihara.
Artwork by Occupied Territories.
Special thanks to Aaron Munson, Charlie Kramer, Christopher Graves, Gert Brantner, Greg Davis, Jason Doerck, Jeeyon, Joe Miragliuolo, John Sellekaers, Joonas Siren, Joseph Misra, Josh Presseisen, Keisuke Matsuda, Kim Cloud, Lynn James, Pasha Korn, Sebastian Pappalardo, Sergio Rodríguez, Shithead, Zeekos Perakos.

Button: no
posted 24 August 2019

Ölü Körpe – Vol. 4 – Great Migration

Ölü Körpe – Vol. 4 – Great Migration

Ölü Körpe

“Vol. 4 – Great Migration”

Since Ölü Körpe was released their ‘Saudade’ music video (bit.ly/SaudadeOluKorpe) in January, I feels it might be similiar with his first album with full of guitar ambient. But, last week, when I was checking my email, suddenly I found that Lutfi-man behind Ölü Körpe- sent me his new album called, Great Migration. There are 5 songs included it. And something fresh from the album is the sounds that he made; Less guitar ambient and more percussive sound.

In ‘Great Migration’, Luthfi had more explore their way and approarch to make a sounds. He literally make a ‘great migration’ of his works; Moved a little bit to the sides from his usual Del Toro-ish (Guillermo, not Benicio) to be manic, awkward, and more anxious with his new approach.

You might want to use good headphones for this 5-songs journey. Luthfi put some interesting movements here and there, so that’s that.
credits
released August 9, 2019

Button: by-nc-nd
posted 11 August 2019

Dave Wesley – Fourth Wall

Dave Wesley – Fourth Wall

Dave Wesley

“Fourth Wall”

Dave Wesley’s full length aural autobiography covering the last half of 2018, based on subconscious peripheral sonic imagery… the blurry content that selective perception ignores.

What others are saying:

“Listening to this music, I kind of feel like I am a replicant in the rain of Bladerunner, hand twitching as I search for some dry room away from the lights and the wind, knowing I am going to die soon but wanting the heat of the room just the same, just for a passing moment.”
– Steve Santineau

“Just an amazing album…I especially like Tracks 1, 9, 10, 13… (Like Controlled Bleeding meets Ryuichi Sakamoto’s OUT OF NOISE in a film by David Lynch)”.
– David Agasi

posted 30 July 2019

Ayato & Naoki Ishida – Momenta

Ayato & Naoki Ishida – Momenta
[Eg0_212]

Ayato & Naoki Ishida

“Momenta”

Ayato & Naoki Ishida have been working together by file exchange since the early 2010s. On Momenta they explore a more melodic and accessible style than on their previous releases on eg0cide( “Red_control rec​.​played” which focused on field recordings and the split album “Tapes Outtakes” based on tapes manipulations). This time they ofter 14 instrumental tracks blending elements of post-rock, dub, and ambient, using many different instruments and field recordings. The compositions are smooth and catchy, but never simplistic – they deserve many listenings that will let you discover their depth and subtelties.
Button: by-nc-sa
posted 22 July 2019

DK DANCE – La France Qui Tache

DK DANCE – La France Qui Tache
[DTRASH183]

DK DANCE

“La France Qui Tache “

Shoves turn to punches when DK DANCE release their 4th for D-TRASH. The band are in top form, churning out black metal riff-driven industrial punk, consistent with all their previous material – But don’t let that consistency put you at ease… DK DANCE become more lethal and explosive with every song, let alone this brand new full length. Enjoy… but don’t say we didn’t warn you.
credits
released November 1, 2013
Button: by-nc-sa
posted 17 July 2019

Lamont Kohner – Beckons

Lamont Kohner – Beckons

Lamont Kohner

“Beckons”

It’s finally Summertime, but press play, close your eyes and you’d never be able to tell. Lamont Kohner’s third single for RP lands with a roomy bass pulse and a dusty loop that slowly splits open to reveal white noise-crusted dub chords and a thumping traincar rhythm. BECKONS does what it says on the tin, with minimal side effects, drawing us into the seedy nightlife of Kohner’s noir cityscapes and neon vapors. Following the irresistible groove of BECKONS is CLOSE IT, a slightly more traditional dub techno affair, recalling the Detroit strains of Deepchord and Echospace while also conjuring a thick-as-a-brick rhythmic foundation that goes even further back to the first couple Maurizio 12″s in Germany. The whole thing congeals into that trademark Kohner shuffle, and we’re once again sitting back in a darkened taxi, window half open, smoke wafting out into the greasy streets. Falling beneath the music’s spell, you feel compelled to close the window – we’re doing something intimate in here.
posted 11 July 2019

MELA – Mela Two

MELA – Mela Two

MELA

“Mela Two”

Arranged and recorded on January 2nd and 3rd 2019 in room 1075 at Fredonia University.

“Mela” means to gather. We are a collective of musicians from Buffalo, Chicago and NYC that meet for the purposes of originality in a world of imposed forms.

We’re just happy to share our music. Thanks for your support! Enjoy “Mela Two”!

released June 1, 2019

“Mela Two”

Produced by Paul Sottnik, Frank Valente and Taylor Ford

album art by
Haley Flight

featuring
Paul Sottnik on Piano, Celeste, Vocals and Acoustic Guitar
Frank Valente on Vibraphone, Shaker and Electric Piano
Taylor Ford on Electric Bass and Electric Guitar
Jake Payne on Drumset

recording engineers
Tyler Will and Jaden Zhang
**They built the whole studio from scratch!**

Button: by-sa
posted 27 June 2019

Spirit Come First – 1993 Again EP

Spirit Come First – 1993 Again EP
[MNF 032]

Spirit Come First

“1993 Again EP”

Monofónicos Netlabel presenta el nuevo proyecto de house experimental de Archaic Revival llamado Spirit Come First, donde su esencia es la música que no tiene reglas o límites en su creación.

Spirit Come First es un proyecto con una amplia gama de sonidos y texturas, desde un sonido vintage muy orientado al house que se ha revalorizado con el paso del tiempo hacia un toque acido y experimental.

Tras esto llegan los remixes de Archaic Revival, Insanity Circle y AFM, quienes nos muestra un sonido más directo hacia la pista de baile que avanza entre densas atmosferas y melodías orgánicas, en una línea para bailar.

Techno y House de mucha altura es lo que presenta este lado B de Archaic Revival, totalmente recomendado!!

Button: by-sa
posted 28 May 2019

Shekuza – De Sica

Shekuza – De Sica

Shekuza

“De Sica”

“The album De Sica is made using custom modular patching systems for synthesis and composition in which the analogue and the digital join hands: a continuous signal through patch cables performing analogue voltage control of an almost infinite variety of parameters and available hardware modules.

Many forms of music simultaneously existing locally and accessible in the global exchange are creating a continuum of events–geographically and historically–musical works that transcend discrete performances. Relatively differentiated musical objects (releases, labels, creators) or images of music can be ‘dequantized’ into a continuity of known and undiscovered structures. Music is continuous with everyday life from which it emerges.

The creative force on this album is sourced from personal stories and since it is part of an infinite music space, its undulations between music and noise are deeply interconnected with community, society, and politics.” (excerpt from liner notes on the USB-booklet)
credits
released May 8, 2019

Miha Šajina · composition, recording, production
Blacklisted Mastering · mastering
Maruša Hren · USB booklet
Luka Prinčič · liner notes, design, executive production
Lina Rica · video support, source graphics
Stella Ivšek · promo design, Rentgen streaming

Thanks to Duška, Nepal and Tibet.

Button: by-sa
posted 08 May 2019