Gear: Uher 4000 Report Studio tape recorder, Roland System-100m, Roland RE-201 Space Echo.
Conceived, recorded and mixed by bellerophone in Athens 2020
Mastered by Dimitris Santziliotis
Artwork by Dimitris Santziliotis
New 20 track beat tape from mexican producer COMPLΣX MATHΣMATICS. – Vaportrap / instrumental hip hop beats for the aesthetic music lovers. 
Enjoy the music. ♡
This is a mix tape (on cassette and digital) blending dark ambient, playful electronica as well as experimental beat and drone.
A journey into warm, analogue noise, echo and soundscapes, sometimes perhaps resembling a soundtrack for a yet unfilmed low budget sci-fi movie.
When Robot choirs start singing or (broken) analogue circuits and filters start doing what they want, it can get wacky, but we think it always remains pleasant to listen.
Mostly analogue electronic gear, often of the cheaper and not exactly hip kind, and tape effects were used.
It is recommended to listen to each side of the album in one piece. The single Digital release tracks are not mixed, but musically cut – and we’ve added the side A and B mixed files too. Sounds cooler on the nicely saturated ferro tape though.
bleed Air lives in Cologne, loves his Omnichord OM-27 and his tape echo too.
Lulu, The Flower Angel, watches us dance while Astroboy, Pikachu, Pokémon, Heidi, Marco, Candy, Merzbow and Mazinger Z go around the club chasing Osamu Tezuka, who, led by Beatrix Kiddo, seem to levitate to the sound of the sonic toys made by the visionary minds of Roland and Korg, while Polwor-San and Mika-San, just like the Titanic orchestra, don’t stop spewing their noises/melodies, despite Godzilla and all the machines being hacked by the system puppeteers, herald the beginning of the end, again… Yet amidst all the whining circuits melting away from thousands of JVC players, Technics equipment, Sony cameras, Nintendo consoles, Datsun cars, Akai samplers and Yamaha keyboards, G-Painter’s voices, surrounded by emojis, enjoying a tamagoyaki and finishing cooking the band’s favorite Ramen recipe, remind us of what the world we lived in was like.
Mika Martini.
(Santiago, septiembre / September, 2020)
Cosmic Hobos Cult is above all another page in the logbook of our improvised sound adventures. In a world under control, rigid, where everything obeys objectives, preaching the flexibility of vagrancy seems really saving. Not trying to please is obviously an act of resistance. From Kerouac to Kaufman, from Henry David Thoreau to Eden Ahbez, wandering leads to transcendence. Taming the silence. Free yourself from certainties. The spirituality of experience emerges through encounters, communion with wild nature, revelations of extreme states. The realization that you can just be alive. That it makes no sense to worry about appearing when the mind can break through like the celestial tramps.
These songs are too long for those who don’t want to like them, without values for those who want to miss them. Yet those who will not be put off by the filth and take this road far from the information superhighways … are already walking by our side.
Recorded at the Cave Haven Sunday 6th September 2020.
A musical dive into the celestial tramps poetry…
Thanks to Kerouac and all the Beat Generation for the inspiration.
This is improvised music… so we do not remove anything, that mean this isn’t formated for mainstream listeners… this is freewave.
Artwork made by Ed End with the help of the A.I of deepdream generator
https://deepdreamgenerator.com/u/edend/
Alain Grille aka Studio 112 : Electric Guitar & FX.
Yan B. : Trumpet.
Ed End : Kaossilator & turntable & FX.
Shinpal is a musical and emotional itinerary that leads to the interpretation of sounds. Monocromatic melancholy alternate with meditative spaces, between density and rarefaction. Sculpted and texture sounds, noises, discreet rhythms; virtual places that become intimate, familiar; ethereal and vibrant.
These four tracks plays on images, which presents visions of external spaces and internal places, to be investigated with a new point of view. The rest must be discovered …
Magio(from KINPATSU 金髪 label) was awakened on this 1st Loligoregrinddancecore EP.
Track Listing:
01. Cola
02. Rushia Accidentally Goes Out With You
03. Yamanote Dream
04. Sanatori
05. (bonus) Drinking With Dolls
Music by Magio
Artwork by Occupied Territories
Demetrio Cecchitelli, “Empty Spaces” (SR224, 09/16/2020)
2 Tracks
Evolving ambient
Italy
“In the process of “Empty Spaces” the evolution of the musical message is given by the use of multi-layered sounds, found sounds and digital processing. The main characteristic is the use of the repetition and looping techniques, both from live electronics and prepared material. Sounds passes from ambient music influences to post-drone atmospheres, by inserting passages of melodramatic and melancholic feelings, all with a soft touch of transported restlessness.”
“Third Time’s a Charm, Fourth Time is Routine” is Gigakoops’ fourth full-length album, with a lot more emphasis on mixing chiptune synths with brutal metal compositions. There is a fair amount of prog inspiration here as well, with plenty of genre mixing and complex song structure.
Songs such as “It’s Like a Knife When You Need 10,000 Spoons”, “Crustacean Creation”, “What the Flux” and “Stang” blend in metalcore and death metal stylings with chiptune leads and orchestral backing. Meanwhile tracks such as “(You Are) The Middle Piece”, “My Own Bountiful Sky”, “Escapism of the Fearless”, and “If I Were You…” build upon prog song structures, with more experimentation of styles and complex song structures, while still keeping in occasional metal influence (in some songs more than others). And finally, the full-album download also includes Nightmare Lyre’s remix of “The Taste of Nostalgia” from the previous album, with more metal instrumentation.
Dedicated to Uncle Bob, Mark, Hunny and Mom
credits
released September 4, 2020
Gigakoops – MIDI & Production, composition, album art
Nightmare Lyre – MIDI & Remixing (track 10), mixing, production
“Contraa” is The first EP of the rhythm fanatics “Dos Kanye”.
The EP is a welcome call to their edgy colorful dimension of heavy percussion beats, unleashed analog sound and repetitive playful samples. In the ep they are hosting talented musicians from their community such as: “Shaman Shaman” with his gibberish vocals on the track “Contraa”, Aviv Bachar playing the ancient Beduin instrument called Sumsumia in the track “Cubia” and Oren Ben David going wild on Analog Synths in the track “Kibutz Jungle”.
Beside the original mixes, we are proud to present to you 4 remixes that bring a whole new perspective of the tracks and making the experience even more delicious. Allow yourself to dive into the chaotic universe of “Dos Kanye” and we can promise you a wild galactic dance by the fire.
Dos Kanye believe in liberation of rhythms and wild flow of sounds,
Same as the jungle,
Same as the desert-
The brand new duo of Nadav Dagon and Ben Landesman creates massive-organic patterns that contain sounds from the tribes of the past and from the ones that weren’t yet born.
They believe in long bass,
They believe in vibration,
They believe in revolution.
2 death sizes collaboration EP by Cement Tea(Brazil) and EriS(Russia).
Track Listing:
01. Skullfuck
02. Orc Feast
03. Rooftop
Produced and Composed by Cement Tea and EriS
Mastered by Cement Tea
Artwork by SeNMU
![King Elizabeth – Young Bloods / Beasts EP [2020]](https://ia801507.us.archive.org/31/items/king-elizabeth-young-bloods-beasts-ep-2020/cover.jpg)
2020 has been a prolific year for King Elizabeth, already releasing two LPs on Vulpiano (This is Not My Church and The Awakening) with a new one coming soon: A State of Mind. Double A side single Young Bloods / Beasts leads the way as a taste of what’s to come with his signature synthy rock style.
Words from the artist:
New album ‘A State of Mind’ on the way shortly and as always I like to release a single first, this time it felt right to release a double A side single-“Young Bloods” & “Beasts”, with one being at a time of our youth and the other being a journey in adulthood.
Cover art by Biilsta
Johannes Feuchter : Contrabass clarinet, clarinet and objects
Stanislas Pili : Percussions and objects
Recorded in Tonstudio der Hochschule der Künste Bern
Recording, mix and mastering by Benoit Piccand
All musics are created by Johannes Feuchter and Stanislas Pili
