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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

Justin Robert – Oceanic

Justin Robert – Oceanic

Justin Robert

“Oceanic”

Oceanic is a massively long LP of experimental Ambient material I recorded between 2007 to 2008. Most of the tracks were live broadcasts on various internet radio stations (remember those?). I would build up loops using loopers as well as by using my Puredata patch ‘Jlooper’, then improvise with the K1, Guitar, and other fx and percussion. It’s some pretty out there stuff and great to put on before going to bed to direct your dreams to weird and interesting places.
Free to VIPs!
credits
released May 18, 2020

Justin Wierbonski – Synths, guitars, drums, fx
Alex Huang – Artwork

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posted 02 September 2020

Markus Masuhr – The Dub Theory "Chapter One"

Markus Masuhr – The Dub Theory "Chapter One"

Markus Masuhr

“The Dub Theory “Chapter One””

this is chapter one of three of my definition of dubtechno.
this is less calm and relaxed but rather made for the dance floor. all tracks were created completely with my modular system and everything is recorded live and not re-edited. this is less about long fading echoes than more about loop-oriented dub sound.
credits
released September 1, 2020

all tracks produced by Markus Masuhr
mastering and cover design by Markus Masuhr

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posted 01 September 2020

Alessandro Barbanera – Haunted Houses

Alessandro Barbanera – Haunted Houses
[Lav 85]

Alessandro Barbanera

“Haunted Houses”

“Haunted Houses” is a collection of seven tracks in slow, melancholy, dreamlike, nocturnal mood. It’s a work made of waiting, of grainy sounds and silences full of rustles. It’s a work talking about isolation, either in a physical and mental space; which talks about full spaces and empty or restricted spaces, of presences and absences, of memory and hope, of distances, of houses and rooms. Rooms innervated with restlessness and waiting (the opening track “Sleepless”). Houses where memories crowd, layered memories that coexist with the present (the title-track “Haunted Houses” is a short electroacoustic study on perception: indistinct, evanescent sounds, old pianos in the distance, confused and ectoplasmic voices, furniture that moves from the floor above, sighs…). And then there are presences such as those of literary characters, which can come to life in the mind while reading (“The death of Joe Christmas” is inspired by the restless and controversial character narrated by William Faulkner in “Light in August”).

Even absences find space in the album, manifesting themselves in their impalpable distance (the piece “In Absence”), as memories of a past that has no place in the present. Then the rooms can become places overloaded with pain (the track “Torture Room”), where this suffering and effort can take an expiatory, spiritual, meditative form. And after all this inner torment, even isolation can turn into an opportunity for reflection, “redemption” and sincere change: the final tracks “Pure” and “Endless” try to capture this renewed spirit, following a strongly emotional path. “Endless” closes the circle, but it can also reopen it.

“Haunted Houses” was made with guitars, contact microphones, an old cassette recorder, field recordings, dusty and grainy lo-fi sounds, found objects, recordings of streets at night, sounds of a carpentry workshop, slowed sounds, manipulation of loops of classical music taken from the radio. Every detail, every sound has been carved and polished day after day, chiseled and positioned with care and devotion, in a work of “sound craftsmanship”.

https://soundcloud.com/alessandro-barbanera

https://alessandrobarbanera.bandcamp.com

Credits

Composed, recorded and mixed by Alessandro Barbanera

Mastered by Francis M. Gri

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posted 01 September 2020

ERO GURO & THE FIRST SEED – Must See TV

ERO GURO & THE FIRST SEED – Must See TV
[DTRASH220]

ERO GURO & THE FIRST SEED

“Must See TV”

10 tracks of absolute gut wrenching sonic demonic expulsions featuring ERO GURO’s brain cracking emotive vocalizations and soul fracturing lyrics set to the convulsive chaotic rhythms of THE FIRST SEED. An unconventional and dynamic follow up to their 2017 debut as a collaborative unit “Not Quite Gods”. Anxious, distorted, non-linear digital hardcore music to have personal freakouts to.
credits
released August 14, 2020

Ero Guro – Voice/Lyrics
The First Seed – Sounds
Mastering – Greg Dawson
Cover Art – Davy Baker

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posted 31 August 2020

Viktor Van River – Asking Questions

Viktor Van River – Asking Questions
[BSOG0097]

Viktor Van River

“Asking Questions”

Returning with his first music since February, Viktor Van River delivers a full-length LP this time around. Asking Questions finds his sound continuing to grow and mature. There’s no doubt that the album won’t disappoint existing fans and is sure to bring in new ones! So enjoy some great new music on this Friday.

Thanks Viktor for once again delivering a terrific new release to blocSonic! It’s great to listen to your growth as an artist.

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 31 August 2020

Yoko Imamura – Imaginary World

Yoko Imamura – Imaginary World
[mi272]

Yoko Imamura

“Imaginary World”

Yoko Imamura lives in Kyoto and she always had a deep love for Piano. The basis of her music is classical music, but she also likes various genres of music.

The album contains seven tracks of soft, melodic piano instrumentals that sound like they were written so listeners could the beauty of a not too densely written piano composition.

This “Imaginary World” was created for something which can be played on quiet evenings or sunday mornings, knowing that it will be a comfortable ride until the last track has passed.

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posted 30 August 2020

Various Artist – Digital Medication Vol 1

Various Artist – Digital Medication Vol 1
[RDS032]

Various Artist

“Digital Medication Vol 1”

Digital Medication Vol 1 is a retrospective of the Redose Series, which began as a netlabel offshoot of Rednetic in 2004. Gathered here is a track from every release from the beginning to now.

Track 1 taken from “Souls Escaping” [RDS001]
Track 2 taken from “Summer Rain” [RDS002]
Track 3 taken from “Lee​-​Ann (Zainetica Remix)” [RDS003]
Track 4 taken from “Seiko World One” [RDS004]
Track 5 taken from “Vacume (Original Version)” [RDS005]
Track 6 taken from “Cheju [Glow Worms (Filament Mix)” [RDS006]
Track 7 taken from “Droid” [RDS007]
Track 8 taken from “Tommi Labs Vol 2 (Battle Royale)” [RDS008]
Track 9 taken from “Spring Variations” [RDS010]
Track 10 taken from “Book of the week” [RDS0011]
Track 11 taken from “There’s no answers” [RDS0012]
Track 12 taken from “Isolation Trax Vol 1” [RDS013]
Track 13 taken from “Isolation Trax Vol 2” [RDS014]
Track 14 taken from “Social Process” [RDS015]
Track 15 taken from “Alpha 7” [RDS016]
Track 16 taken from “Recorded Live in Nakano” [RDS017]
Track 17 taken from “Samudra Remixes” [RDS018]
Track 18 taken from “Nakano Sessions” [RDS019]
Track 19 taken from “Samudra Remixes 2” [RDS020]
Track 20 taken from “The Story so Far” [RDS021]
Track 21 taken from “Ammo Case Sessions” [RDS022]
Track 22 taken from “Panta Rhei” [RDS023]
Track 23 taken from “Electronic Soul Muse” [RDS024]
Track 24 taken from “Travelling” [RDS025]
Track 25 taken from “Investor Matrix” [RDS026]
Track 26 taken from “Humanoid” [RDS027]
Track 27 taken from “Zandvoort Remixes” [RDS028]
Track 28 taken from “Red Sun” [RDS029]
Track 29 taken from “Ceplok” [RDS030]
Track 30 taken from “Dual One” [RDS031]

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posted 28 August 2020

Various – lifeforms in​-​between vagabonding enemy​-​signal​-​to​-​interference

Various – lifeforms in​-​between vagabonding enemy​-​signal​-​to​-​interference
[ACPS 1042]

Various

“lifeforms in​-​between vagabonding enemy​-​signal​-​to​-​interference”

01. TRISTAN BURFIELD + BAJINA – Lesson 1 11:29
02. FRANCESCO ZEDDE – Trotar 11:23
03. THENOKIRCH – Reunion (Live at Crimehalde 37) 11:43
04. PH vs F meet W:I:L – More Nocturnal Occurances 12:08

cover art by Claus Poulsen
design by EMERGE

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posted 27 August 2020

Alisú – Memorial Rocas de Santo Domingo

Alisú – Memorial Rocas de Santo Domingo
[pn164]

Alisú

“Memorial Rocas de Santo Domingo”

This creation of this album obeys the heartbreaking need to musically narrate the story of a beautiful place, which was destroyed in the worst way, and whose ruins are currently in dispute. From those who suffer from knowing the violent history that surrounds these ruins, a transformative musical experience emerges, created by Alisú, in a healing exercise that responds to the pain that endures through time.

The music transports us to these unfinished stories, it situates us in a lost memory, a ghostly creation of a spectral place, located in front of the sea. It is not a happy album, but that is precisely what makes it risky, turning it into a sonic adventure within a sad story without end.

Alisú realizes a composition that generates sensations upon listening, creating a style of musical documentary, in which she integrates testimonies of survivors with electronic creations, which interpret and evoke the hidden memory of a place that was created as a popular summer resort during the socialist government of Salvador Allende’s in the 70s in Chile, and which, after Gen. Pinochet’s coup, was converted into the School of Torture and Center Extermination for the dictatorship’s secret police, a place in which hundreds were tortured and made to disappear as opponents of the regime.

With these antecedents, Alisú creates an eclectic album, with sounds full of feeling and emotion, where the most cheerful electronic harmonies coalesce to evoke the memories of vacationers, the distant laughter of girls and boys at play in the sea, the breeze of the wind; and with darker sounds that set the pain of the survivors and the disconcerting calm in the voice of a torturer.

Recently this memorial site located in Rocas de Santo Domingo (In the Valparaíso Region), was declared a National Monument, but it is still owned by the Chilean Army, which ordered its destruction in 2014, and which keep its ruins sequestered until today and makes its visitation and investigation impossible. It is for this reason that this new album by Alisú is destined not only to be listened to in an intimate way, but also to become a piece that creates and complements the first musical, sound and testimonial archive of electronic production, about a place full of memories in dispute, such as the Rocas de Santo Domingo Memorial.

The origin of this album is in the soundtrack of a documentary investigation and an immersive work in Augmented Reality, complementing an interdisciplinary creation that aims to be a contribution to the memory of Chile and to respect the Human Rights of all, all and all.

Pepe Rovano
Documentalista e Investigador DEI UV / Documentarian and Researcher DEI UV
Director Memorial Rocas AR
(Santiago, Chile. Agosto / August 2020)

DEDICATORIA / DEDICATED TO:
Dedicado a las víctimas y sobrevivientes del triunvirato del horror, constituido por las ex cabañas de Rocas de Santo Domingo, el Regimiento de Tejas Verdes y el Casino de Ingenieros Militares del ejército, lugar de horror desde donde desaparecieron cientos de mujeres y hombres.

Dedicated to the victims and survivors of the triumvirate of horror, made up of the former cabins of Rocas de Santo Domingo, the Tejas Verdes Regiment and the Army Military Engineers Casino, a place of horror from where hundreds of women and men disappeared.

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posted 26 August 2020

Humanfobia – Dolly Dearest

Humanfobia – Dolly Dearest
[CIOR-H93]

Humanfobia

“Dolly Dearest”

Tracks mixed, programmed, vocals in tracks 5 & 6 by Sábila
vocals in tracks 2,3 and background voice in track 7, model in the artwork: Mist Spectra

track 7 vocals by Aura en el espejo. remix of original track by Aura en el espejo.

Humanfobia is a dark avantgarde computer music duo from Chile.
links: https://hearthis.at/humanfobia/
https://humanfobia-official.bandcamp.com/
https://archive.org/details/fav-mist_spectra
Aura en el espejo links:
https://auraenelespejo.bandcamp.com/
https://www.youtube.com/user/BersainLejarza

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posted 26 August 2020

Vortex Mechanic – Fluctuation of Thoughts

Vortex Mechanic – Fluctuation of Thoughts
[USC-WM-2008.0077]

Vortex Mechanic

“Fluctuation of Thoughts”

The stream of thoughts flows like a river, playing with sun glare on shallow waves. Ideas are born with sparks of insight in everyday vanity and go into oblivion until better times…

1 • 5:08 • Fluctuation of Thoughts Part 1
2 • 3:32 • Fluctuation of Thoughts Part 2
3 • 4:10 • Fluctuation of Thoughts Part 3

Composition – Vortex Mechanic
Keyboards, synthesizers, programming, effects, writing, arrangement, recording, mixing, photography – Alexey Markov
Visual concept, mastering, design, artwork – USC-Team

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posted 26 August 2020

Cosmic Kingsnake – Ad Astra EP

Cosmic Kingsnake – Ad Astra EP
[DigitalDiamonds077]

Cosmic Kingsnake

“Ad Astra EP”

We’re lucky enough to present Swiss producer, Cosmic Kingsnake’s, debut release: Ad Astra EP. He takes us on a winding expedition through his extensive consciousness. It’s an opulent EP with calculated contrast and the unanticipated, whether it be dark techno/metal hybrids, abstract psychedelic techno or chunky, melodic progressive. Along with his narrative mastermind, you’ll be provoked with organic harmonies, spooky cinematics, slamming techno kicks & bold synths. The final product is a heaving yet poised sonic affront. Strap yourself in and enjoy the ride.
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posted 25 August 2020

G-cero – No Tienen Necesidad de Hacerlo

G-cero – No Tienen Necesidad de Hacerlo
[pn163]

G-cero

“No Tienen Necesidad de Hacerlo”

Greyhead, a.k.a. “G-cero”, shares his new EP “No tienen necesidad de hacerlo” (No Need For It), originally premiered a few blocks from Plaza Dignidad(*) in October 2019, in the midst of Chilean upheaval, also offering help, support and relief to those in need.

Since 1973’s coup d’état, carried out by the US government in conjunction with Chilean Armed Forces against Presidente Allende’s Unidad Popular, there was no more freedom for people again: they set up a new Constitution, invented Pension Fund Managers and Private Health Funds, our jobs became precarious, imposing a neoliberal economic system that has privatized almost everything, in a state terrorism context, using torture, disappearance, and exile.

Since returning to this “compromised democracy” in 1990, franja del NO campaign promises of change became dust in the wind. As singer-songwriter Jorge González, quoted in one of the tracks of this record, said in 2011: “They have the law supporting them: the whole press, the media, the police, and the army, if everything else fails; and that last resource won’t ever fail». This was a self-fulfilled prophecy during Chile’s awakening on October 18. The government invoked anti terrorist law, the press blatantly lied in radio, TV, and newspapers; the police shot straight to the eyes of the protestors, the army went out to kill, just like President Sebastián Piñera proclaimed: “We’re at war”. Thus the Chilean ruling elite, headed by one of the 5 richest Chileans in the world, according to Forbes magazine, faced this upheaval. But this time they were not able to use their power single-handedly: the whole world was watching, via social networks and the millions of cameras every single person carries in their pockets, what was really happening in Chile – an impossible thing to do in the 80s. If the “aliens” and “the front line”, haven’t met every Friday at Plaza Dignidad and other key spots along the country, our politicians wouldn’t have ever thought about trading the coming elections for changing the Constitution for a new one, allowing us to live in a real democracy.

This record is an open mic sonic experiment, recorded at Plaza Dignidad during October demonstrations, later processed in an experimental EP, where G-cero mingles this whole revolt in refined waves, glitch sounds, envelopes, powerful bass drums, arpeggios, ambient hi-hats, assorted samples and noise loops. All of this following the rallies beat.

Felipe Baradit Stevenson
(Concón, Chile. Agosto / August 2020)
English version by Gerardo Figueroa.

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posted 24 August 2020

abenrml – [不可能的全息圖]

abenrml – [不可能的全息圖]
[VSS106]

abenrml

“[不可能的全息圖]”

abenrml is back to Virtual Soundsystem Records with another experimental LP, a monolith of noises and weird sample manipulation ideal for plunderphonics and noise fans.
Enjoy!

“This album is… dense. There are many layers… like an onion! The title [不可能的全息圖] (roughly: “Impossible Hologram”) ties in thematically with some of the samples, but also the concept of the album itself. The relation of the tracks to one another, and the way in which much of the sonic landscape was generated. In that sense, the music is a kind of metaphorical hologram. It is centered around track four, both literally, and figuratively. This is a very old recording I made, from perhaps as early as 2013.

It would not be easy to create this with anything other than a computer. In many ways, this is a thematic follow up to my earlier album, [在常情節中找到自己], (or: “Finding Oneself in the Routine Plot”). However, it is also an effort to bridge the gap between my earlier “career” as a noise artist, many years ago. At that time, I was very interested in the idea presented in the album Zaireeka, by the Flaming Lips. Taking a track from that period of my discography, and making an homage of sorts, also blending it with my current influences is what has resulted in this collection of recordings”.

– abenrml

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posted 23 August 2020

Xoma18 – Parallel Sunset EP

Xoma18 – Parallel Sunset EP
[OMOIDE 210]

Xoma18

“Parallel Sunset EP”

Xoma18 (@Xoma18) / Twitter twitter.com/Xoma18

Artwork

㟄沢すすめ & Xoma18

㟄沢すすめ (@susumeyagisawa) / Twitter twitter.com/susumeyagisawa

Remix

yomoh (@psychedelic322) / Twitter twitter.com/psychedelic322

STGM (@stgm_dnb) / Twitter twitter.com/stgm_dnb

1NDV (@Indoors_1) / Twitter twitter.com/indoors_1

oinu (@oinu_waooooon) / Twitter twitter.com/oinu_waooooon
***From PANDA TRAX (@panda_trax) / Twitter
twitter.com/panda_trax
credits
released August 21, 2020

OMOIDE 210 Parallel Sunset EP
Produced by Xoma18
Artwork 㟄沢すすめ & Xoma18
Released by OMOIDE LABEL
Catalogue Number : OMOIDE 210

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posted 22 August 2020