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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

STNR – Antigabber

STNR – Antigabber

STNR

“Antigabber”

“Gabber” is a word from the Dutch language spoken in the Netherlands. The word gabber translates to something like “buddy” or “friend”.

The defining characteristics of the gabber genre is fast tempos, with distorted drum machine sounds, typically using the legendary Roland TR-909 drum machine. There is also a specific synth sound used to play the melodies, often called a “hoover” sound, sometimes described as a distorted, grainy, sweeping sound which feels dark and brooding in low frequencies. Other times when the hoover is played on the higher notes of the synthesizer keyboard it often sounds like an aggressive shrieking sound.

ANTIGABBER has nothing to do with that. Gabber is fucking stupid. Fuck all those weed smoking hippies in the Netherlands. Nobody likes that “gabber” bullshit. It’s not the 1990’s anymore. The sound on this album is the truest antigabber you will never hear. I hope you get a epileptic seizure listening to the hyperspeed blasts on this shit. It only slows down just enough to go hyperspeed again.

ANTIGABBER is the first step in achieving my lifelong mission to conquer the world with the ultimate goal of enslaving the human race and force them to build nuclear psychoactive mind controlling chemical weapons with massive destructive power to obliterate the entire earth and end the pathetic lives of all human scum.
credits
releases February 1, 2020

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posted 31 January 2020

Matri Oxar – Tiholaz – Playing the Piano for Five Minutes (cEXc Remixes)

Matri Oxar – Tiholaz – Playing the Piano for Five Minutes (cEXc Remixes)
[20k362]

Matri Oxar

“Tiholaz – Playing the Piano for Five Minutes (cEXc Remixes)”

This is the 20kbps lobit version of Matri Oxar’s cEXc remixes for Tiholaz’s Playing the Piano for Five Minutes. The original Tiholaz release was a video E.P. made for Video Records. A previous remix album by Matri Oxar has been released by the netlabel L.A. no limits and distributed through Music Zone.

Here you find the single version containg two tracks in lobit.

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posted 29 January 2020

Mikael Fyrek – Further Asunder

Mikael Fyrek – Further Asunder

Mikael Fyrek

“Further Asunder”

It’s been a while since Mikael Fyrek last appeared on Kahvi with releases known for their quality, exciting melodies and detailed subtleties and we’re extremely happy to welcome him back for his newest EP ‘Further Asunder’. Once again, amazingly detailed pieces polished to an immaculate shine.
credits
released January 29, 2020

Cover artwork by Linda Devad

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posted 29 January 2020

Eric ZInman New Language Collaborative – live live @ Suddenfest / Dorchester Art Project Boston

Eric ZInman New Language Collaborative – live live @ Suddenfest / Dorchester Art Project Boston

Eric ZInman New Language Collaborative

“live live @ Suddenfest / Dorchester Art Project Boston”

PLASTICITY

New Language Collaborative live@Suddenfest/Dorchester Art Project Boston

Ellwood Epps trumpet

Glynis Lomon cello, aquasonic and voice

Syd Smart drums

Eric Zinman synthesizer

1) Pulse

2) Propulsion

recorded by Dave Peck November 12 2019 Dorchester, Boston, MA USA
credits
released January 29, 2020

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posted 29 January 2020

Polwor – Mais

Polwor – Mais
[pn149]

Polwor

“Mais”

Pueblo Nuevo Netlabel is pleased to present our first 2020 release: “Mais”, EP from Chilean electronic musician Pablo Guerra Pedroso aka Polwor.

“Mais”, Polwor’s new EP, is presented as a field of sound covered with psychedelic textures. An album where the sonic mutation is surprising, a conceptual work comprising a track and three remixes, that passes through a faint subtlety, while generating softness through melodic pads in combination with low and distorted tones, and a fierce stir of sounds seem that seem to be taken from some mad scientist’s laboratory. All this is complemented by a glitch, to the beat of a defined kick, in the characteristic formula of Polwor’s experimental techno.

René Roco‘s remix disfigures the entire main structure, leaving it in a dislocated polyrhythmic sequence, as if it were a digital error, assembling and disarming the track through a clean digital sound. A peculiar creativity that manages to offer a stylistic hybrid from the most innovative tendencies of the modern electronic music scene.

For his part, Ukyo brings “Mais” to delicacy. He uses the pad harmoniously and smoothly, generating an abysmal depth and innovating from the depths of the Deep through a versatile bass line, while syncopating everything and making this track a penetrating and seductive work.

Mika Martini achieves a spectral variation of the entire piece through continuous and independent sonorities, as if they were programs produced by artificial intelligence after their system has collapsed, still working even as it is falling apart. He manages this through a light pulse that moves towards a crisp rhythmic restoration and an ambient texture, as well as through acute perception in relation to percussion. Energizing and full of unexpected mutations, this is a lush and analog sound design.

In short, this work promises a work of ingenuity, invention and creativity in the hands of composers who have managed to deliver emotion, curiosity and topicality with their music, taking creativity to another level. A fusion between the digital and the analog, the new and the classic, under the banner of a brilliant genius.”

Gemelo Malvado
(Santiago, Chile. Enero / January, 2020)

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posted 28 January 2020

sternenspringer – exoplanet

sternenspringer – exoplanet
[tonAtom.139]

sternenspringer

“exoplanet”

it’s been nine years since the two sternenspringer made quite a splash with their last release on tonAtom. with no less than ten tracks and a running time of over an hour, they now deliver “exoplanet”, a continuation of their space odyssey through everything that has a spacecraft engine or can be found on foreign planets.

the style of “exoplanet” is consistently continued between clear, danceable beats and pleasant crisp clicks, creating wonderful room for space travel: somewhere in between giving a proper push and gazing fascinated out of the window into the vastness of space. hence, musically, this is not just a whirling head cinema. each piece retains a clarity and presence that covers a very own facet of the spectrum and is completely focused on it.

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posted 27 January 2020

Flooba – Uneasy Immersion

Flooba – Uneasy Immersion
[NN_LP081_01_20]

Flooba

“Uneasy Immersion”

Debut in Nostress Netlabel for italian artist Flooba. The new digital album “Uneasy Immersion” is a work of reverie aimed at joining different places and sound moments that take on significance as an experience of the human impact on the world, or as an experience of moments of existential transition: soundwalking in dilapidated abandoned factories (such as the Keyes of Fiumefreddo – CT – IT); field recordings in condominium courtyards in which micro and macro sound landscapes overlap; slow guitar sessions during the agonizing “controra” in a deserted city. Spatial universes in which silences reverberate to be filled with their own subjective internal vibrations, in sometimes restless sound sessions that try to describe the difficult immersion within reality itself. This work has been presented as live for the past editions of A / Grounds, the Bolognese showcase of labels that deal with Ambient music.
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posted 27 January 2020

Snarg – Snarg II

Snarg – Snarg II
[KOF #327]

Snarg

“Snarg II”

Snarg II delivers 8 un-skippable tracks of all hits no shits chiptune post-hardcore fusion. There is not an ounce of fat on this release and nothing is over looked. The synth lines are uplifting, the softer melodic sections gear up perfectly into heavy breakdowns and what could be considered the standard punk elements feel cool and comforting. Call and response as well as gang vocals provide a genuine sense of comradery and adventure. Snarg bring something very unique to the table that we are simply unable to find anywhere else in the Nintendocore timeline.

Hanover Hardcore Punk.
Bass, Guitar, Drums and Synth.

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posted 22 January 2020

Various Artist – Super Duper Digi​-​Punk Split Vol​.​5: Breakcore Edition

Various Artist – Super Duper Digi​-​Punk Split Vol​.​5: Breakcore Edition
[KOF #335]

Various Artist

“Super Duper Digi​-​Punk Split Vol​.​5: Breakcore Edition”

This is the fifth Volume in the Super Duper Digi-Punk Split series. Eight tracks from seven artists whose work we have incredible respect for! All with very different approaches to the genre. All bringing something unique and important to the table.

This is our third release with Lil Kevo 303. Kevo loves living in Boston, making breakcore, spinning DnB, and selling high quality ice-cream.

Hitori Tori and RiDylan play an enormous role in the Vancouver electro scene. They are both incredibly talented braindance bad boys and we are beyond lucky to live in the same city as them.

Minogame is a pianist and breakcore producer from Colorado who runs one of our all time favourite labels, Bijou Bay.

Bethas from Finland provides us with two tracks that are wildly unique, haunting, and emotional.

Breakbeat Heartbeat is a chiptune / breakcore producer from the UK boasting a gorgeous catalogue of releases worth digging through.

yoxteller from Japan ends this release by absolutely burning it to the ground. Lootcanal (who is hands down the most powerful DJ in the world) brought him over from Japan to play a show and it was one of the best sets we have ever witnessed.

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posted 22 January 2020

Miquel Parera – The Dog that Ate Stars

Miquel Parera – The Dog that Ate Stars
[TEFE060]

Miquel Parera

“The Dog that Ate Stars”

The Eternal Feedback of Existence: Gonzo Robot, Noises and Space Monsters.
La Eterna Realimentación de la Existencia: Gonzo Robot, Ruidos y Monstruos Espaciales.

presents…
presenta…

r491 – TEFE060
The Dog that Ate Stars

Miquel Parera – 18/01/20

1- Stars that Disappear. – TEFE060-1-Rhythm-2020-01-18-09-40-05 – 00:02:46.44
2- Trip to the Planet of the Doggy. – TEFE060-2-Trip-2020-01-18-09-28-24 – 00:04:35.67
3- The Observer of Gods. – TEFE060-3-Rhythm-2020-01-18-09-45-22 – 00:03:02.04
4- Bloody Hunt. – TEFE060-4-Bloody-2020-01-18-09-53-27 – 00:03:05.76
5- No Place without Time. – TEFE060-5-Rhythm-2020-01-18-10-00-20 – 00:02:37.52
6- Waves of Chaos. – TEFE060-6-Wave-2020-01-18-10-05-03 – 00:04:40.13

Total Time: 00:20:47.56

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More about Gonzo Robot & The Eternal Feedback of Existence

The Eternal Feedback of Existence:

Archive.org: https://archive.org/details/@computermusicneix
Bandcamp: https://tefe.bandcamp.com/
Spotify: https://open.spotify.com/artist/2jcepTQdEg8OvuE14zLnQY
Google Play: https://play.google.com/store/music/artist/Miquel_Parera?id=Axcvwmwxpx6a6s5rzzewl2krk5i
Tidal: https://listen.tidal.com/artist/10684832

Gonzo Robot Reports:

https://archive.org/details/GonzoRobot

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For more information, critiques, trolls or even generous editorial contracts, you can contact the author, Miquel Parera at:

theeternalfeedbackofexistenceATgmail.com

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#electronica #idm #glitch #breakcore #experimental #acousmatic #algorithmic #repetitive #minimalism #hypnotic #scifi #cienciaficcion #gonzorobot #ia #robotics #livecoding #techno #computermusic #creativecommons
#electronica,#idm,#glitch,#breakcore,#experimental,#acousmatic,#algorithmic,#repetitive,#minimalism,#hypnotic,#scifi,#cienciaficcion,#gonzorobot,#ia,#robotics,#livecoding,#computermusic,#techno,#creativecommons

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License: CC-BY
https://creativecommons.org/licenses/by/2.0/

You are free to:

Share — copy and redistribute the material in any medium or format

Adapt — remix, transform, and build upon the material
for any purpose, even commercially.
This license is acceptable for Free Cultural Works.

The licensor cannot revoke these freedoms as long as you follow the license terms.

Under the following terms:

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.

No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

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posted 19 January 2020