Javier Moraga – Rasgos Particulares

Javier Moraga – Rasgos Particulares
[m029]

Javier Moraga

“Rasgos Particulares”

“Rasgos Particulares” is Javier Moraga’s debut release in Modismos catalogue. Its electronic influence can be traced back many years, through diverse publications inside specialized netlabels like EPA Sonidos and Pueblo Nuevo. He is part of the group Mr & Oso, while also working at Radio Valentin Letelier, the University of Valparaiso’s radio station. He produces the program “Sala de Maquinas,” as well as producing direct presentations and selects synthetic sounds for the station through it’s network, among other things. “Rasgos Particulares,” present delivery could be a sample about Moraga’s interests with contemporary electronic, where certain tone quality is acidic and minimal, as small condiments, they go extending upon alternating atmospheric layers, sustained on defragmented pulses, but traces of the music continue. These particular traits are expressed in the track “Tierno Salvaje” dedicated to the memory of Kurt, a figure that insufflated the spirit of the underground scene of Viña Del Mar and Valparaíso in the nineties, which opens the 52 minutes of music. The other tracks of the album spin perfectly, traveling through titles such as “Miaucheck,” “Arena Lunar (a lo salvaje)”, “Dame Cinco”, at certain moments there is something dark, with minor scales in the tones, a cinematic fiction of the digital reality that we consume daily, but allows us to unwind, yet expresses a world where the organic, virgin and primitive can coexist, as expressed in “Cayehuque (localidad)”. But the continuous progression in “Simulación Colectiva,” runs as a transit towards the final melody of “Rasgos Particulares,” from which a flash of faint light seems to emanate; it comes to a definitive closing with “Resolana.” Which offers a halo of light, in where the final harmony, reiterative and kaleidoscopic, solve all anguish, torment and conflict preceding, balancing the darkness.

René Cevasco Matthei,
Chile 2018.

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Walt Thisney – Thistonnal

Walt Thisney – Thistonnal

Walt Thisney

“Thistonnal”

“Walt Thisney selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.”
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Dissonant – Journey

Dissonant – Journey
[WAC22]

Dissonant

“Journey”

DISSONANT adalah unit electronic / eksperimental antara Andryan Ade dan Yoga Usmad. Project ini bereksperimen dengan suara ambient, soundscape, noise, serta dipadukan dengan instrument piano dan synthesizer.

“Journey.” berisi arsip audio dari pertunjukan musik yang telah dilakukan Dissonant. Materi komposisi berasal dari element dan suara-suara yang ada dalam album pertama (dirilis oleh netlabel Mindblasting). Kami mengembangkan materi-materi dalam album tersebut dan melakukan kolaborasi dengan beberapa seniman (instalasi, video maker, dan musisi). Kolaborasi lintas disiplin ini merupakan upaya eksplorasi untuk menemukan bentuk komposisi baru disetiap presentasinya. Hasil rekaman diambil dari pementasan di beberapa kota (Jogjakarta, Semarang, dan Salatiga).

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NNH – 2 FUCKING ANOS

NNH – 2 FUCKING ANOS

NNH

“2 FUCKING ANOS”

What are two years? Not much time, a lot of time. It is time. 730 days. 17520 hours. It’s more than the run time of a video game, it could be the entirety of a lifetime.

In this last month of August, NOUNOUHAU celebrated its two year anniversary. For us it is little time and so much time – at the same time. And in that time, time time time time.

We did a lot in two years and its hard to explicit it all in one text. It was a journey, it still is, always mutating and constantly evolving – with one foot at creation and the other at self-discovery, in a public fashion – work in progress style.

Now, two years is a numeric value, so let’s celebrate our numbers. All of our 23 releases present in our bandcamp, from singles to entire albums. Releases from more than 11 different artists. All of them with their work on our youtube, which has over 60 videos – ranging from video clips, lyrics, what-have-you. And how to forget our events? Three distinct events that—

Wait? Who cares about numbers? Or… does everybody cares about numbers?

Pigeon Hole – INVASION Remix EP

Pigeon Hole –  INVASION Remix EP

Pigeon Hole

“INVASION Remix EP”

Pigeon Hole’s epic INVASION EP get’s flipped, twisted and tumbled in this massive remix album. With remixes by Stylust, ColtCuts, yunis, and Strange Thing, these bass-heavy tunes will take you on a sonic journey unlike anything you’ve experienced before.

Chris Silver T – Soundcheck

Chris Silver T – Soundcheck
[a25]

Chris Silver T

“Soundcheck”

Soundcheck
Chris Silver T – Field Recordingsartwork_Atilio Doreste

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Countless Births – Relatos del ensueño pt1Ep

Countless Births РRelatos del ensue̱o pt1Ep
[027]

Countless Births

“Relatos del ensueño pt1Ep”

2 wave minimal track
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Various Artists – Petijee presents Beat Garden Compilation 7

Various Artists – Petijee presents Beat Garden Compilation 7

Various Artists

“Petijee presents Beat Garden Compilation 7”

Slovak producer and DJ Petijee hit us hard with his 2017 Soul Paper Scissors album. From that day his soulful mood sound was something what kept resonating in us and ultimately made him our top choice for the next Beat Garden compilation. We were lucky enough to talk him in to it and we are happy to present the result.

The Dubwegians – South of the river Clyde

The Dubwegians – South of the river Clyde
[DPH035]

The Dubwegians

“South of the river Clyde”

The Dubwegians where founded in the UK back in 2010, when Gary had the idea of starting a dub band. He, therefore, approached his old school friend Richy, whose guitar skills were always thought highly of. He just wanted to play bass in the band and not do any producing.

The band that Gary dreamed, never really managed to pull off. It kind of fizzled out after a while as people came and went, up for a jam and a smoke, but not up for putting in the hours of practice a band needs.

Gary and Richy decided to work as a duo, laying down some reworks of their favourite dub tracks. Having spent most of their life growing up in the south side of Glasgow, the River Clyde has been a great inspiration for them. This is how South of the River Clyde came about. The reference of course to the great Augustus Pablo is more than obvious.

Gary remembers: “We tried to capture the energy of a live band. In the absence of a drummer, it was a struggle for us to use a software, trying to capture the original warmth of analogue dub. It was a real learning experience; listening and trying to emulate these dub masterpieces. We have never done dub producing before and were slowly realizing some of the techniques used.”

South of the river Clyde includes 5 instrumental tracks; dub reworks of some great roots reggae masterpieces, produced back in 2011 with love and lots of passion. Richy played melodica and keyboards (and also guitar on “Sun is shining Dub), Gary played bass and covered all other sounds and production, using a laptop to overdub and edit their takes. Give thanks to Robert McWilliams for granting us the license to use the photo of the river Clyde in the artwork.

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Karlheinz Essl – Where’s the Rainbow?

Karlheinz Essl – Where’s the Rainbow?

Karlheinz Essl

“Where’s the Rainbow? “

Between the years 1620 and 1636, Peter Paul Rubens created, without the prompting of any commission, his Landscape with Philemon and Baucis. He kept working on this image throughout his life. The painting tells the story of Philemon and Baucis as Ovid presented it in his Metamorphoses. In Ovid’s narrative, an old married couple receives a surprise visit from the gods Jupiter and Mercury, disguised as weary travelers who cannot find a place to spend the night. The old couple does not judge these travelers or question where they are from; they simply offer them kindness and hospitality. The two gods offer the couple a gift expressing their gratitude: they spare their lives when, the next day, a great flood comes crashing over the land.

In the painting, only a small group of figures makes reference to this fable. The main theme of the piece is the unpredictability of nature with its untamed, uncontrolled power: lightning and thunder, rain and storms, a cow screaming as its life ends within a torrent, a mother desperately trying to rescue her baby. This is an apocalyptic catastrophe of unimaginable proportions. And yet, Rubens included a hopeful sign in this image: in the lower left-hand corner of the tableau, you can see a rainbow…

“Somewhere over the rainbow, way up high,” sang Judy Garland in the well-loved film The Wizard of Oz (1939), a song promising hope and a wonderful world far from the darkness and ominous threats of the Second World War.

This image has much to tell us in our contemporary lives, as our current reality includes events such as the refugee crisis, global warming, and the threat of nuclear disaster. It acts as both a warning and a sign of hope.

For the theatre project Ganymed Nature, composer Karlheinz Essl worked extensively with Rubens’ Landscape with Philemon and Baucis, creating an immersive soundscape to reflect this painting. This sound work is based on algorithmically generated soundscapes taken from weather and other natural phenomena: the forest and the wind, a stream that swells and overflows, thunder and lightning. We also hear sounds that refer to human activity: rustling steps through foliage that turn into the ringing of high heels, in which a woman stalks on asphalt. And then there are signaling sounds: a firebell extends into an unending tolling that spins onward into infinity.

The poetry of the rainbow overarches everything; the promise of salvation, a glimmer of hope. To express this, Essl worked with an a-capella-choir to create chord structures which he then recorded and electronically transformed. The highlighted melodic fragments are reminiscent of the famous rainbow song yet appear in a peculiar harmonic disguise which let you sense the atmospheres of other planets.

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The Committee for Sonic Research – Cloister

The Committee for Sonic Research – Cloister

The Committee for Sonic Research

“Cloister”

Twelve (mostly solo) artists were given the single word ‘Cloister’ to interpret with whatever audio they deemed appropriate.

Releases by Schmaidl, Gimu, WarpCensor, Admirals of Induced Hysteria, Andreas Brüning, Lone Cosmonaut, Dental Drill Slips and Trixie Delight can be found elsewhere on the TCFSR bandcamp.

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WAFFENSUPERMARKT – lsb​-​01

WAFFENSUPERMARKT – lsb​-​01
[ACP 1161]

WAFFENSUPERMARKT

“lsb​-​01”

recorded live at liquid sky berlin germany
photography by Dan Penschuck
design by EMERGE
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Sound Market – Temple Operating System (CASSETTE EDITION)

Sound Market – Temple Operating System (CASSETTE EDITION)

KiB – Fixatif.v.

KiB – Fixatif.v.
[EEM038]

KiB

“Fixatif.v.”

The sky lets the darkening and rising time to be. Space is conquered by the higher element. Silence… She’s sitting here a couple of hours already. She observes her surroundings with a paraminic look, she waits until she sees again, until she feels again what she saw yesterday. That time northeast wind loudly running by asked her to look at trees standing naturally regularly. They looked calm and stiff, but when the wind passed their leaves whitely, the leaves breathed freely and started whispering silently, moving synchronously with stars.
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Walt Thisney – Bhakthis

Walt Thisney – Bhakthis

Walt Thisney

“Bhakthis”

The music of Walt Thisney is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths.
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Dan Lizard – Space Music

Dan Lizard – Space Music
[FSR007]

Dan Lizard

“Space Music”

Dan Lizard – Space Music (24bit/48kHz)

released August 31, 2018 on FEUERSTEIN Records (Cat #: FSR007)

Notes
Mastered in 96khz/24bit

https://www.discogs.com/Dan-Lizard-Space-Music/master/1415611

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V.A. – Solo Duo Trio #02

V.A. – Solo Duo Trio #02 : Laurent Di Biase, Sig Valax, ZARAZ WAM ZAGRAM, Camille Émaille, Nina Garcia & Arnaud Rivière (Live at Les Instants Chavirés, 29 may 2018)
[Eg0_187]

V.A.

“Solo Duo Trio #02 : Laurent Di Biase, Sig Valax, ZARAZ WAM ZAGRAM, Camille Émaille, Nina Garcia & Arnaud Rivière (Live at Les Instants Chavirés, 29 may 2018)”

Second edition of the Solo Duo Trio project co-organized by labels Apocope & eg0cide productions. This serie of live concerts follows a simple format: three parts, one solo, one duo, one trio. Artists are invited to present new projects, and to try to new encounters (for one live set or more). All concerts are later published jointly by Apocope & eg0cide. The 2nd event of the serie took place on may 29 at Les Instants Chavirés (Montreuil), one of the most lasting and notable venues devoted to free improvisation and experimental music around Paris.

This show featured 6 french experimental musicians active in the free improvisation and noise scene (more info on the artists below)

Solo : Laurent Di Biase (electronics)
Duo : Sig Valax (analog syntheziser & DIY electronics) & ZARAZ WAM ZAGRAM (electronics)
Trio : Camille Émaille (percussion), Nina Garcia (guitar) & Arnaud Rivière (DIY electronics)

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V.A. – re​:​flexions / sound​-​art festival 20 07 18

V.A. – re​:​flexions / sound​-​art festival 20 07 18
[ACPS 1023]

V.A.

“re​:​flexions / sound​-​art festival 20 07 18”

01. GUS RING – Darkcity Lighttrip
02. FEDERICO DAL POZZO – Untitled_Hz
03. SOFIA BERTOMEU HOIBERG – Towards-Plenitude
04. LDX#40 – The Voice of Reason
05. DONATELLA BARTOLOMEI – Distorsione Sacra
06. JAN KIESEWETTER – Guacamole For Breakfast
07. FEINE TRINKERRS BEI PINKELS DAHEIM – Von Nonnen geträumt
08. THE BASSENGER – Die eine Scheißgelse im Schlafzimmer wenn man schlafen will
09. FRIEDEMANN VON RECHENBERG – 12-Volt
10. ANJA KREYSING – All My Breathings
11. PETROLIO – irregular
12. ERIC LEONARDSON – duet_1-2 mix2_grain_smear
13. EMERGE – substance

photography by Dan Penschuck
design by EMERGE

ALL TRACKS EXCLUSIVE FOR THIS COMPILATION

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p1nkf1re – silly silly beats (​+​extra)

p1nkf1re – silly silly beats (​+​extra)

6Blocc – Deadly Dubs 8

6Blocc – Deadly Dubs 8

6Blocc

“Deadly Dubs 8”

6Blocc is back with another round of heavyweight
remixes and edits he made for his dj sets now made
avaiable to you! Each one of these is 100% Rewind Biznizz

Troxellemott – Insect Life Cycles

Troxellemott – Insect Life Cycles
[AR_083]

Troxellemott

“Insect Life Cycles”

Insect Life Cycles is Troxellemott’s debut EP. It will guide you through the process of holometabolous development of an insect, a track for each stage.

The music makes you feel the rustle of insect wings, taking away your human skin. Forms are crashed by the narrative, narrative breaks up by forms. Within the tracks architecture you can hear flinging and hesitations in the flow of natural processes. Track by track you’re invited to explore your personality antipodes and face your fears, as for ex. the artist’s primeval centipedes phobia.

Adscum – Surge and Die

Adscum – Surge and Die

Yung Litten – intothegrave

Yung Litten – intothegrave死の

Yung Litten

“intothegrave死の”

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Jah Cob Dehli – Y’a Comme Un Beat Dans Le Potage

Jah Cob Dehli – Y’a Comme Un Beat Dans Le Potage
[LINGE082 ]

Jah Cob Dehli

“Y’a Comme Un Beat Dans Le Potage”

Pierre Guilhem il faisait des dessins mais aussi de la musique alors voilà son album de Dub qui date de 2005, il l’avait fait en CD et Claude Biscuit en avait un exemplaire qu’il a maintenant égaré. Mais Reno Leplat Torti nous en a retrouvé un que voici, la pochette scanée est à venir, car voici une detestable miniature qui a pourtant son charme. Un album réalisé avec un synthé (Casio, il nous semble) et qui a été composé à Nîmes. Il a d’abord été promu sur la page de Nunu Editions, autour de 2005. De la dub pour plage à savourer entre amis, avec un pastis, dans la mesure du possible.

Music + Production + Artwork : Pierre Guilhem aka Jah Cob Dehli

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the dissonant – forgotten songs from a decadent era, part 2

the dissonant – forgotten songs from a decadent era, part 2
[diss026]

the dissonant

“forgotten songs from a decadent era, part 2”

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