about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

Filmy Ghost – ☹░ᔕŦᗩᒪKEᖇᔕ░💘

Filmy Ghost – ☹░ᔕŦᗩᒪKEᖇᔕ░💘
[None]

Filmy Ghost

“☹░ᔕŦᗩᒪKEᖇᔕ░💘”

Filmy Ghost is a dark experimental, vaporwitch, ghost drone project from Rancagua, Chile. Created by Sábila Orbe.-

For more music visit:
hearthis.at/filmy-ghost/
open.spotify.com/artist/0POUvA4r7hzETPMnrn59My
archive.org/details/fav-sabila_orbe02
freemusicarchive.org/music/Filmy_Ghost

All sounds mixed, cover collage by Sábila Orbe.
track 7: vocals, music background by {AN} EeL.-
track 8: instrumentation by IDTAL
track 9: original music by Cosmic Shock Absorber from his album: Burning Judas.
track 10: vocals, instrumentation by IDTAL
track 11: in collaboration with Thomas Park.

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posted 16 October 2022

Alen – Tma

Alen – Tma

Alen

“Tma”

released October 14, 2022

Hudba: Alen
Texty: Alen (1,2,3,4,5,6,8,9,10,11,12), Martin E. Kyšperský (5,6,10), Jan Němec (7)
Alen: zpěv, klávesy, klavír (1,10), synth bass (4), akustická kytara (2,3,12), elektrická kytara (6,8),
didley bow (8), zvonkohra (8,12), tongue drum (12), harmonium (7)
Martin E. Kyšperský: zpěv (5), klávesy (2, 3), kontrabas (3, 6, 7, 8, 9, 12), baskytara (5, 11), synth bass
(2), akustická kytara (3, 4, 7), elektrická kytara (2, 4, 8), e-bow (1, 7), ukulele (9), zvonkohra (3), citera
(3), tongue drum (6, 12), monotron (7), beat (5), youtube (1)
Alois Zatloukal – housle a viola (1, 2, 8, 9)
Aleš Pilgr – beat (2, 11), tamburína (3)
Jakub Kočička – cajón (2), bicí a perkuse (4, 8)
Kateřina Koutná – violoncello (3, 9)

Veronika Anna Jedličková – vokály (5, 12)
David Liber – kontrabas (1)
Christoffer Strandh – trubka (10)
Ondřej Ježek – steel guitar (10)

Producent, aranže: Martin E. Kyšperský
Mix, mastering: Ondřej Ježek
Cover photo: Zara Wildmoons
Grafická úprava: Jakub Horský
Nahráno v letech 2020 – 2021 u Martina Kyšperského v domácím studiu Amakvaré, v Divadle na Orlí
s Dušanem Součkem (klavír) a u Ondřeje Ježka ve studiu Jámor (zpěv, piano).
V roce 2022 vydalo Polí5.

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posted 15 October 2022

Elvii Marten – Mohelemenc

Elvii Marten – Mohelemenc
[enrmp505]

Elvii Marten

“Mohelemenc”

Jazzy experimental electronics album by Martin Rach under his pseudonym Elvii Marten on secret fungi societies. Melancholic schizophrenic sounds with a tripstep flavour. Co-released at Cavern Brew Records April 2022 who are sadly reported to be closing down their activities.
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posted 13 October 2022

88756 – Do You Believe In Me?

88756 – Do You Believe In Me?
[CVU021]

88756

“Do You Believe In Me?”

The CVU series is designed to welcome repeat offenders, and boy howdy is 88756 emerging as a prominent, permanent contributor to the label. After first touching base with the label last year, releases on CVU008 and CVU020 (as well as some stunning visual work on the DVD), and collaborative gigs in Meanjin (Brisbane), Boorloo (Perth), and Naarm (Melbourne), it’s safe to say that the program’s place in the label mainframe is set.

Producing with rapidfire efficiency, CVU021 is another brilliant expression of the core 88756 sound, focusing on a blend of fat classic electro, and lopsided, rhythmic techno. We’re also thrilled to welcome Backpocket Slammers’ co-founder XYSid to the label, with a storming remix of the title track “Do You Believe In Me?”; tying off a rock-solid package.

With more musical and event collaborative goodness on the horizon, as well as the recent launch of 88756’s accessible rehearsal space in Naarm – Mechanical Soul, we’re excited to keep our sights thoroughly fixed on this artist in the future.

releases October 12, 2022

Production: 88756, Oscar Neenan
Mastering: ADMINISTRATOR
Graphic: Brooke Reilly
Text: ADMINISTRATOR

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posted 11 October 2022

Talons’ – At Light​/​Dark

Talons’ – At Light​/​Dark

Talons’

“At Light​/​Dark”

One of the joys of parenting is watching your child learn how to speak. In the process of figuring out which words to use while building a vocabulary, kids come up with creative and poetic ways to verbalize their emotions and describe the world around them. My son started using the word “lightdark” to describe both dusk and dawn and we have adopted it into the family vocabulary over the past few years.

Talons’ at Light/Dark pays tribute to this in-between time. A time between awake and asleep but also a time of uncertainty, transition and change. The music, built out of ebow-ed guitar and synthesizer, is meant to reflect this tension between rest and anxiety, calm and worry, day and night.

Seagulls:

At Light/Dark, I don’t know where I am
Almost 40 and even more lost than I was at 20
And have I ever really said how I feel without overwhelming guilt?
Guilt rules everything

And everyone’s a mess
Broken, broke and hoping for a little bit of luck.
Seagulls circling the dump
But despite what we believe, there is nothing down there for us.

released October 7, 2022

MT- guitar/eurorack/singing. Recorded at home in Ohio in 2021 for Dead Currencies. Recorded/Mixed for lathe-cut LP.

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posted 11 October 2022

Heẍa o

Heẍa o
[od026]

Heẍa

“C-o [dub]”

the 31st of july we released visuddhi (ogredung #16), composed by our virtuesman purusha, before leaving for the summer vacation. it was a weird ambient d’n’b track, with some trigging inflections brought by a style he would define as ‘ceramics’.
well our new musician hexa, from japan, is a master of idm/ambient/breakbeats, and seems to compose his music by reminding the track named above, with great deepness and emphasis, that is.
xpecially this c o [dub], astonishes us, as if a deep, melancholic melody slowly grows up from the very depths of our hearts, and once in our head, we can’t do anything but let it take us to the heavens.

Release Date: 2001/10/11

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posted 11 October 2022

rADio eNd – ARZAK

rADio eNd – ARZAK
[LCNLP152]

rADio eNd

“ARZAK”

The Necrophile Hummingbird netlabel presents ARZAK by rADio eNd in free download here archive.org/details/rADio_eNd_ARZAK_Free_Download

“Abnormal Music for Abnormal People”

Since the very beginning when I coined the “hors-norme” (Outside of the Norm or Apart from Standard) as a style to define the music shared on this netlabel the main purpose was to make room for any musics rejected by the mainstream music. And this was not only a struggle against artistic conformism, but more about the society rejecting any differences by the reign of the Norm. If the society is rule by white old heterosexual you will get racialized people, women, lesbian gay trans queer, people with disabilities and young people, whatever, pushed into the margin.
This is a marginalization process. Same way that when scientists study nature they will not care of the singularity, example if the bonobos are not using patriarchal model they will avoid studying them and focus on other primates to get better proof to sustain their dominant ideology.
The first time we tried to bring the lights on this was in 2004 with the Tribute to Necktar archive.org/details/Tribute_to_Necktar We called this marginalization process “Deviance’s Genocide”. It could seem strong, but this is what it is, people sometime suicide not by choice but because of exclusion making it impossible for them to live. The society, or specifically, those who conform to the norm bullying them to the death, we wanted to say it’s a real genocide.
The normal people or indeed thinking to be normal, pushing the abnormal people to disappear, consciously or not. Same way, the mainstream pushing the underground out of sight.
So now we are in 2022 and there are reactions like Black Lives Matter, Metoo… but often doing like if it was only for certain categories of people, when it’s the rulers of the world against all the others.
When it’s the norm against any differences.
And that’s why I added Epaminondas speech to Spinalonga track, ( archive.org/details/l-ordre-1973-jean-daniel-pollet ) because the inhabitants of this leper colony after knowing what it is to be rejected by the whole society didn’t want to be back to the norm.
That’s what they learned, and I hope it could be an example for any rejected people instead to try to be included choice the sedition, the separatism, and build their own micro society, surely it won’t be perfect, but at human scale there are more chances to avoid exclusion and get more alternatives.
Thus, there are also tracks related to Moebius & Alejandro Jodorowsky Incal for the same reasons. For me in this comic “La Paterne” is more the pattern, alias the norm, and the same way that the energy of the dissident in the snowpiercer is used by the power to regenerate itself, the mainstream music grub everything coming from the underground, removing everything which is subversive inside, keeping only the shapes. Like the industry did for the organic food in the hexagone, when it was first at least half or more about build a local system free of intermediaries than to care about the food being not toxic.
And there is also a track about war, because to be aware that our differences are our salvation, goes to with the idea that no matter who is the other, only few are enough crazy to worship the nations and their rulers. Most are just only not strong enough to create choices when it seems impossible to get some.
Last but not least, the change of internet from a freedom tool to a self slavery tool. People mostly stuck in the social network bubbles except if it’s for buying something. It seems a lot of the remains of free culture may disappear at the same time the new norms are applied to control everything online with help of A.I. when needed. It reminds me imperialism colonization, after taking control of a land they eradicate the previous culture, under the fake excuse of few trolls, they hunt all the witches. For example, few weeks ago the Radio Free Albemut h o r s n o r m radioblog with only legal free download music on Tumblr (nearly 1000 releases) has been suspended without explanations and my main Tumblr Panoramagix too. Few months ago it was the Wild Worm Web YouTube channel erased with no warning despite without new publications for months. Only my personal examples.

Finally it’s only music, but these are the kind of dreams hidden behind that very instrumental album. Stay tuned, and please share your dreams and the other ones.

Dedicated to everyone who will be never define in a single word.

Ed End on all tracks
www.ello.co/ed_end

Speech on track 5 by Epaminondas Raimondakis

More information about rADio eNd
www.horsnorme.org/rADio_eNd/rADio_eNd_english.html

Video Art Clips :
ARTSAKH Ersatz.
ww.youtube.com/watch?v=nT8l4DJfUCI
www.bitchute.com/video/TFJgd6n07roj/
And La nOrme a remix of L’Ordre
http://www.youtube.com/watch?v=8OrFCxthjb4

For Flac and Wav formats or in case of trouble with downloading it’s also in free download on bandcamp here yoshiwaku.bandcamp.com/album/arzak

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posted 11 October 2022

Diego Lorenzini – Palabritas y Palabrotas

Diego Lorenzini – Palabritas y Palabrotas

Diego Lorenzini

“Palabritas y Palabrotas”

released October 7, 2022

Produced by Diego Lorenzini along with Claudius Rieth.
Mastered by Claudius Rieth & Arturo Zegers Giammarino.

Guest co-producers:
Daniél Cortés: “Como un guiri in Barcelona” and “Pelado el chancho” (Bogotá)
Erlend Øye and Marcin OZ: “Poesía Conspirativa” (Syracuse)
Milo Gomberoff: “Estúpido y sensual” and “Cliché cliché cliché” (Barcelona)
Arturo Zegers Giammarino: “El Demonio del mediodía” (Santiago)

All the lyrics written by Diego Lorenzini, but “Romance del Enamorado y la Muerte” written by an anonymous author.

All the songs composed by Diego Lorenzini but “Romance del Enamorado y la Muerte” written by an anonymous author, and also “Para la patada y el combo” and “Estúpido y Sensual”, composed by Diego Lorenzini along with Tomás Gubbins.

Diego Lorenzini: Vocals, Acoustic Guitar, Ukulele, U-Bass, Electric Bass, Cello, keyboards, drums, programming and percussion.

Guest musicians:

Javiera Paredes: Congas in “Chiquero”, “Photoshop Moral” and “Fake News”; Timbales in “Como un guiri en Barcelona”
Claudius Rieth: Backing vocals on “Para la patada y el combo” and “Chiquero”; Piano on “Photoshop Moral” and “Fake News”; Cello on “Le estan Diciendo”
Maite Pizarro Granada: Vocals in “TKM CTM”, backing vocals on “Como un guiri en Barcelona” and backing vocals on “Pelado el Chancho”
Alba Morena: Vocals and locution in “Fachada Continua”
Tiare Galaz (Storm Girl): Vocals in “El Demonio del mediodía”
Erlend Øye: Vocals and acoustic guitar in “Poesía Conspirativa”
Marco Castello: Vocals, guitar and trumpet in “Poesía Conspirativa”
Marcin Oz: Bass guitar and Backing vocals on “Poesía Conspirativa”
Stefano Ortisi: Backing vocals and baritone sax on “Poesía Conspirativa” and alto sax on “All-Time Favorite”
Luigi Orofino: Backing vocals, Cavaquinho and shaker in “Poesía Conspirativa”
Tomás Gubbins: Vocals and acoustic guitar in “Estúpido y Sensual” and Backing vocal in “Como un guiri en Barcelona”
Nicolás Lorenzini: Vocals and programming in “Estúpido y Sensual”, and hacking vocals in “Como un guiri en Barcelona”
Santiago Navas: Backing vocals in “Como un guiri en Barcelona”
Daniel Cortés: Backing vocals and percussions in “Como un guiri en Barcelona” and percussions in “Pelado el chancho”
Thaissa: Backing vocals in “Como un guiri en Barcelona”
Laura Otero: Backing vocals in “Como un guiri en Barcelona”
Federico Rincón: Backing vocals in “Como un guiri en Barcelona”
Catalina Torres: Backing vocals in “Como un guiri en Barcelona”
Antonio Iannola: Electric guitar on “Cliché cliché cliché”
Cover artwork: Diego Lorenzini

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posted 10 October 2022

λμκικαζε – 酩酊

λμκικαζε – 酩酊
[LF190MP3]

λμκικαζε

“酩酊”

Long-awaited 1st album by λμκικαζε in the last row of the Breakcore scene.

Track Listing:
01. low
02. 5円
03. アーメンは正直だって言ってんの
04. 奈落
05. 嘘ノ怪物哨戒班
06. 踊廻
07. 鯨

Music by λμκικαζε
Artwork by V1V404
Logo Design by LOB3
Design by Occupied Territories

Button: by-nc
posted 09 October 2022

Baradit – Analog Songs

Baradit – Analog Songs
[pn212]

Baradit

“Analog Songs”

“Analog Songs” is an album composed by Felipe Baradit Stevenson, which is distinct in being his first album composed entirely with analog machines. With the creation of the musical instrument store “Midi in Store” directed by Alisú, Felipe began collaborating with synthesizer reviews, which in turn led to his taste for composition with analog hardware and processes. The world of visual and musical art, sexuality, cats, the illusion of a New Constitution that guaranteed multiple rights, the interconnection of analog machines via midi, the possible end of the pandemic, were all influences for the 7 works on this album.

For the graphics, Baradit invited the illustrator Paulina Gutiérrez Paravic to generate an artistic collaboration in Concón, wherein “PaliArt” displays all her talent and interprets the album in an illustration for the cover with her characteristic feminine and oceanic stamp, mixing this with references to the musical themes.

This album incorporates different analog equipment, such as the Argentine GS Music Apollo Mini synthesizer used to make bass lines, and the Korg Volca Keys and Volca Beats used in melodies and rhythms, respectively. The Korg Monologue was also used for basses and leads. Finally, the Korg Electribe EX1 tube sampler was used to reproduce sounds from the classic Roland TR 808 and 909, as well as analog synthesizers sampled from Arturia’s V Collection, such as the Jup 8 V3 or the Jun 6V. All these ingredients ultimately result in a warm, melodic, contemplative sound, yet with character, like a golden sunset by the sea.

Felipe Baradit Stevenson
(Concón, Chile. October 2022)

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posted 08 October 2022

Various Artist – Dreams in the Witch House [🔮Cosmic🦑 Magick❂]

Various Artist – Dreams in the Witch House [🔮Cosmic🦑 Magick❂]
[None]

Various Artist

“Dreams in the Witch House [🔮Cosmic🦑 Magick❂]”

Compiled, cover artwork collage by Sábila Orbe.
released by Internet Daemon (ex-Cian Orbe):
internetdaemon.bandcamp.com/
archive.org/details/fav-obscvre_triangle_compilations

Various artists music compilation inspired in the master piece tale: “Dreams in the Witch House” written by H.P. Lovecraft. Published at July, 1933.

Each track composed by the respective artist. Links:
– Humanfobia: humanfobia-official.bandcamp.com/
– ImpulseGame: impulsegame.bandcamp.com/
– Axis Project: www.axisproject.net/
– Filmy Ghost: humanfobia.jimdo.com/filmy-ghost/
– Bosque Oscuro: https://soundcloud.com/bosqueoscuro
– melcom: melcom.bandcamp.com/
– PLOMQVIST [ONKVLO]: https://soundcloud.com/onkvlo
– Yaka-anima: humanfobia.jimdofree.com/yaka-anima/
– Rukirek: archive.org/details/rukirek-arabian-nightmare
– koolsamarkand: koolsamarkand.bandcamp.com/
– Wolfbeard: https://soundcloud.com/wolfbeardsounddesign
– Wivresse: archive.org/search.php?query=creator%3A%22Wivresse%22
– Alexarrakis: archive.org/search.php?query=creator%3A%22Alexarrakis%22
– RAUPPWAR: rauppwar.bandcamp.com/
– M.NOMIZED: mnomized.bandcamp.com/
– EISENLAGER: eisenlager.bandcamp.com/
– The Whalestoe Institute: https://soundcloud.com/the-whalestoe-institute
– GZG: aggressive-tormentor.bandcamp.com/
– systemctl: https://soundcloud.com/systemctl
– sticktopath: https://soundcloud.com/user238234944
– F3$+3R: https://soundcloud.com/fffesterrr
– aweful: https://soundcloud.com/azathothsneakerz
– S1ght: archive.org/details/MNMN555

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posted 07 October 2022

MTUA – Mira

MTUA – Mira

MTUA

“Mira”

Meeting between a composer and an illustrator, on the madness of this world.

Released by Mauvaise Foi Editions, October 2021.

Composition, recordind and mix : Matthieu Reynaud

Mastering : Lorenzo Targhetta & Matthieu Reynaud

Scenario, graphics, design and drawings : Hugo Charpentier

Button: no
posted 07 October 2022

Coma Conscience – Good Things Never Come To Those Who Just Wait

Coma Conscience – Good Things Never Come To Those Who Just Wait
[Insectorama141]

Coma Conscience

“Good Things Never Come To Those Who Just Wait”

out now the new Dubtechno Release on Insectorama.

Coma Conscience – Good Things Never Come To Those Who Just Wait
(Insectorama141)

At the beginning there was the light, which slowly went out and turned into deep night. Here we are caught by a trip that takes us to a whole new level through avant-garde ambient dubtechno sounds. Here the thoughts circle through the deepest sub basses surrounded by minimalistic sounds and never-ending echoes of chords. It is something unique what this journey can mean for you.

Tracklist:
1.Under Stars of the Galaxy
2.Shelf Life
3.On Edge
4.Last Memory
5.Peaceful
6.Recover
7.Hibernate Feelings
8.Ridden with Guilt

Insectorama 141
all tracks by Coma Conscience
Mastering and Artwork by Markus Masuhr

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posted 07 October 2022

Obhod – Interlace

Obhod – Interlace
[mhrk321]

Obhod

“Interlace”

Anton Paunov, born in 1988 in Blagoevgrad and since 2006 based in Sofia, has been producing music for 20 years, going through hip-hop, house, techno, electro and other directions as Anton Pau, having released tracks in digital and on vinyl, also DJing.

Since 2020 he started working more in the experimental electronic music field, playing a lot with analogue and digital synths and mixing as DjObhod or just Obhod.

In 2022 his debut Obhod album titled “Interlace” was complete and released on Mahorka.
credits
eleased October 4, 2022

Composed and produced by: Obhod a.k.a. Anton Pau

Mastering by: Vasil Hristov, George Eve

Cover artwork by: Elina Ivanova, Vanyo Dimitrov

Video teaser by: Elina Ivanova
license

Button: by-nc
posted 06 October 2022

V.A. – 新しいフォルダー (5)

V.A. – 新しいフォルダー (5)
[LF189MP3]

V.A.

“新しいフォルダー (5)”

Nothing tastes as GOOD as a BAD SOUNDS × 5.

Track Listing:
01. Fukka – Leakage gream
02. ITHAQUA – さすがー!
03. APEX×G-tina – メガネブ_違法視聴
04. exnoiz – 「F」
05. Aquestion – 0yasumi,0yasumi
06. LieDeeDonk – わたしたちの今
07. λμκικαζε – SAYURINOYATU
08. Uroko – 亡Rave
09. SGHAL – Break At CloseRange
10. GoldenEggs – Dragon Speed
11. 超絶最強美少女 vs ThanQ-E – マツケンオンゲキ代行

Compiled by λμκικαζε
Artwork by Occupied Territories

Button: by-nc
posted 03 October 2022