Various Artist – I’ll Sing With You
[~CBR~777]
Various Artist
“I’ll Sing With You”
the end* of cavern brew records
credits
released July 14, 2022
credits:
pastebin.com/A72BJxXC
posted 28 July 2022
music tagged with: ambient
ENRICO COSIMI aka TAU CETI – Sulfur et Mercurius
ENRICO COSIMI aka TAU CETI
“Sulfur et Mercurius”
Tau Ceti is not only the name of the visible star in the constellation of the Whale but also the veiled sonic identity behind which the undisputed sound synthesis expert and innovator Enrico Cosimi has been hiding for years. The artist represents batenim netlabel for Netlabel Day 2022 which has now reached its eighth edition with a digital EP entitled “Sulfur et Mercurius” where a single track of almost 12 minutes bewitches and enchants with deep sounds in a cosmic journey of which Tau Ceti and very few others are able to give us in these hectic times where contact with one’s subconscious is less and less sought after.
posted 27 July 2022
Various Artist – Archive Vol.08
[KPL092]
Various Artist
“Archive Vol.08”
released July 15, 2022
[url=””]
posted 24 July 2022
Nicolas Tourney – Nur
Nicolas Tourney
“Nur”
A Netlabel Day 2022 Release
Phasing chimes from fractal hyper-bells are fed through various spacetime distorting lenses.
posted 18 July 2022
Fabio Keiner – wintersongs
Fabio Keiner
“wintersongs”
A Netlabel Day 2022 Release
A tabula rasa of sound.
A sinister wind emanates from the cracks, tundra, and ravines of an ice-covered ocean world; the harmonies of long-petrified seas are only found now in an ancient seashell’s resonance.
Or perhaps the relentless tones can shock us into awareness of the electrical pulses weaving and stimulating our brainwaves, via our headphones and through our networks, to a shared resonance of infinite applications.
Visual accompaniment:
vimeo.com/730097531
fabiokeiner.bandcamp.com
vimeo.com/fabiokeiner
credits
released July 14, 2022
posted 17 July 2022
Joan Jordi Oliver – Transit
Joan Jordi Oliver
“Transit”
“During the time in which I wrote this music I happened to travel a lot. I gathered many impressions from these journeys – pictures and recordings, faces and voices, ephemeral moments, fervent emotions – that I craved to freeze in time and retain forever. My second album “Transit” is an attempt to capture these impressions in the form of music. It’s an exercise of memory, or maybe some sort of personal diary transfigured into sound. The materials I collected, especially the field recordings, charged with meaningful memories of people and places, have become an essential part of this work and have allowed me to construct a genuinely intimate narrative. I strove to write a blurred story told by the distant voices of friends and loved ones, to arrange a chaotic mosaic of contrasting impressions, or to build an imaginary space constructed from fragments of real places I have been to. This artificial reconstruction of memory, the obsessive and futile effort of holding onto emotions that inevitably will slowly fade away, gives a new dimension to the music, created from fragmented motives that try to breathe beneath a dense fog of noise and distortion. Organic and artificial sounds, analogue sources, and digital processes are combined in the creation of a complex but emotionally engaging sonic space, while the more transparent structures support the narrative character of the music and create some sense of perpetual transition. Transit is an ongoing journey with all the emotions it carries – excitement and fear, denial and acceptance, uncertainty and hope.”
posted 14 July 2022
affaire difficile – ambiences
[zen253]
affaire difficile
“ambiences”
arcane atmospheres with gentle grooves
this album has been released as part of Netlabel Day 2022 on July 14
www.zenapolae.com/releases/zen253/zen253__affaire_difficile__ambiences__05_ambient_lights.mp3
posted 14 July 2022
Various Artists – Talking Pictures
Various Artists
“Talking Pictures”
For Netlabel Day 2022:
At the beginning of 2022 we set the following challenge. Choose a still image from a selection of films and create a track inspired by that still image. The resulting tracks are here for your listening pleasure. The films to choose from were (film stills are attached to the Bandcamp download):
1. 2001 A Space Odyssey
2. Brazil
3. Goodfellas
4. The Grand Budapest Hotel
5. A Beautiful day in the neighbourhood
6. 8 Bit Christmas
7. Mon Oncle
8. Safety Last
credits
releases July 14, 2022
Mastered by Mnemonic Studios
posted 13 July 2022
Jawhinge – s/t
[mhrk315]
Jawhinge
“s/t”
Jawhinge is a free-form musical outlet for its creator. It’s both a portfolio of musical experimentation and a storytelling device for expressing frustration and rarely – joy. It soaks up the experience of an ordinary human life and pushes it through a prism of everlasting curiosity for electronic music, be it ambient or violent.
Being what it is, the project does not adhere to a single genre, instead opting for going whatever its creator is into at the time. However, a strong jungle/breakcore/hip-hop/ambient/idm/dub influence can be felt through Jawhinge’s former releases and especially in his debut self-titled release for Mahorka, coreleased with AEON Tapes, released on 08.07.2022 as free (cc) digital download and special digipak CD edition.
Composed and produced / Jawhinge
Cover artwork design / Andonasty
It gets better / Hold on
posted 11 July 2022
Heyvard – After all, it’s our apocalypse.
[earS108]
Heyvard
“After all, it’s our apocalypse.”
new trip available for this summer on earsheltering with this amazing soundscape : Analog modular synths, electromagnetic field, contact mic & handmade synths by dedicated makers improvised by Heyvard (Hong Kong)
Enjoy this new summer heat wave and have a nice audio experience in your cave
Enjoy this new summer heat wave and have a nice audio experience in your cave
posted 10 July 2022
Filmy Ghost – An Owl is Watching Me
[None]
Filmy Ghost
“An Owl is Watching Me”
Filmy Ghost is an experimental project from Rancagua, Chile. Created by Sábila Orbe.
archive.org/details/fav-sabila_orbe02
hearthis.at/filmy-ghost/
open.spotify.com/artist/0POUvA4r7hzETPMnrn59My
All tracks mixed by Sábila Orbe (Filmy Ghost)
Track 3 instrumentals by Dariusz Jackowski
Track 4 featuring Mean Flow
Track 5 featuring Wilfried Hanrath
Track 6 screwgaze remix of original track by Siouxsie And the Banshees.
archive.org/details/fav-sabila_orbe02
hearthis.at/filmy-ghost/
open.spotify.com/artist/0POUvA4r7hzETPMnrn59My
All tracks mixed by Sábila Orbe (Filmy Ghost)
Track 3 instrumentals by Dariusz Jackowski
Track 4 featuring Mean Flow
Track 5 featuring Wilfried Hanrath
Track 6 screwgaze remix of original track by Siouxsie And the Banshees.
posted 04 July 2022
Marie Wilhelmine Anders – Travels
[brq 136]
Marie Wilhelmine Anders
“Travels”
Nach „Andersworld“ und den dazugehörigen Remixes widmet sich Marie Wilhelmine Anders auf „Travels“ wieder ihrer prägnanten Mischung aus Storytelling, virtuosem Einsatz von Vocals und Instrumentarium und gießt sie in einen äußerst atmosphärischen Clubsound. Während Marie hier die Themen vorausgegangener Releases fortführt und auch die Lyrik von Robert Louis Stevenson wieder ein starker und omnipräsenter Einfluss ist, unterscheiden sich die allesamt epischen Tracks auf „Travels“ doch in einigen Punkten vom letzten Album. Ins Ohr fällt sofort die allgegenwärtige 4/4 Bassdrum, die dem Album nicht zuletzt auch aufgrund der deepen und atmosphärischen Produktion einen durchweg Club-kompatiblen Sound verleiht, der getragen wird von melodiösen Chords und Maries markanten Vocals. So erzählt Marie wieder Geschichten, die u.a. auch von Thomas Lutz Fotografien inspiriert sind, Themen wie Bewegung, Reise und Veränderung verarbeiten und sich dieses Mal auch sehr viel Zeit zur Entfaltung lassen. Während „Andersworld“ nur so vor Ideen sprudelte, die sich in schneller Folge die Klinke in die Hand gaben, entwickeln die vier epischen Stücke auf „Travels“ ihre Ideen über jeweils 9-12 Minuten zu kleinen Minidramen. So entstehen keine Leerstellen sondern vor allem viel Raum für dichte Atmosphäre, Tiefe und das subtile Spielen mit Einflüssen, bei denen sich ein Track auch mal von einem verhallt balearischen Ambient-Drama zu einem sehnsüchtig energetischen Trance-Track entwickeln kann, wie „The Infinite Shining Heavens“ eindrucksvoll demonstriert. „Travels“ ist zugleich konsequente Fortsetzung von Maries Oeuvre wie auch ein Aufbruch zu neuen Ufern, der vor allem auch darauf hoffen lässt, Maries Tracks bald im Club hören zu können.
posted 04 July 2022
Iliaque – Elégie
Iliaque
“Elégie”
“Elégie” avec The Committee For Sonic Research, Enough Records, Mahorka, Flowerpot Records, attenuation circuit, Bumpfoot, Zenapolae, The You Suck Flying Circus, Demetrio Cecchitelli, Bobby Jewell, Wolne Pokoje, Andreas Brüning, Whalthisney, Elphy Ant, Tony Higgins/junior85…
posted 04 July 2022
Fallen – Soft Skin, Eternal Verses
[mhrk313]
Fallen
“Soft Skin, Eternal Verses”
Fallen’s debut album on Mahorka stayed unreleased for quite some time before finding its right home. It’s working title was “No Love Is Sorrow” that was changed for the definitive release.
“But the second she opened her eyes and looked at me, I knew; she was either going to be the death of me or she was going to be the one who finally brought me back to life.” –Colleen Hoover
Collected earlier reviews of the album:
Felthat (UK), review by Hubert Heathertoes: “Bracaloni goes a bit deeper with his music – the melancholy of it it’s not just the core of it but in terms of composition it helps to understand that where it stems from – his education in the matter of film music, waging and balancing – the mildly experimental textures with genuine melodies and phasing the moods of different quality – that takes you way way more than just a melancholic experience.” ||| Ondarock, review by Valerio D’Onofrio, score: 7: “Bracaloni here plays and performs synths, piano, organ, oboe, santoor, koto, electric guitar and bass as well as an infinite number of sound manipulations that lead to ethereal cosmic flows whom refer to the older generation of electronic musicians: from Brian Eno to krautrock, from Mike Oldfield’s suites to Vangelis’ cinematics, up to the Alan Parsons Project’s memories masterfully summarizing his poetry.” ||| Rumore Magazine, review by Alessandro Besselva Averame, score: 7:”Synthesizers, pianos, soft rhythmic pulsations and the arcane echoes of an oboe, feed a great solemnity here.” ||| Blow Up Magazine, review by Gino Dal Soler, score: 7:”As the ideal sequel of the previous album Secrets of the Moon released by Psychonavigation in 2015, Lorenzo’s new album is electronic sound in its ambient, cinematic and evocative declinations. Fallen’s new album is appreciated for honesty and personality of the author.” ||| Audiofollia, review by Francesco Lenzi: “Fallen’s new album is very beautiful and rich, it continues to work on ambient textures already included in the previous album, but here they have evolved pointing the way for a new musical path.” ||| Music Won’t Save you, review by Raffaello Russo (Rockerilla):”The identity of almost all the instruments here tend to stray, transfiguring into a dream and into a rhythmic flow of sound, infused with stretches of oriental scents and imbued with emotional spontaneity, culminating in piano harmonies and synthetic hugs” ||| In Your Eyes, review by Stefano Cavanna, score 8.7:”Bracaloni’s new album shines by own beauty with its ancient roots, and for that, it doesn’t deserve to be tarnished by any comparison or juxtaposition. The musical sensibility of Lorenzo Bracaloni reveals itself above average once again, making the composer one of the most credible ambient music authors and not only in the italian scene.” ||| CrampiWordpress, review by Marcello Berlich (ex-Losing Today): “Ambient rarefactions and minimalist repetitions mixed together into a sound that is rooted in the impressionist lesson”
Youtube video for the first track: here
Released July 2, 2022 as free (cc) digital download and limited (50pcs) cassette edition.
Written, Composed, Performed, Recorded, Mixed and Mastered by Fallen in 2016
thechildofacreek.bandcamp.com
(album will soon, in around 2 weeks, be also available there!)
soundcloud.com/fallenproject
Fallen facebook
Instruments performed, recorded, processed: Piano, Electric Piano, Organ, Synthesizers, Guitars, Field Recordings
Cover artwork design by Fallen and Ivo Petrov
posted 03 July 2022
Various Artists – Various Hearts Year Three [Part A]
![Various Artists – Various Hearts Year Three [Part A]](https://f4.bcbits.com/img/a1420399543_10.jpg)
Various Artists
“Various Hearts Year Three [Part A]”
Various Hearts is a two-part compilation conformed by the artists who have represented the label over the last year, each with an independent and different approach and sound to the others, a distinctive energy, a special and unique essence but always sharing the values and identity that characterise our label.
Various Hearts Year Three is our way of thanking all of you for your constant support, appreciation and correct appreciation for what we do at Secuencias Temporales. These first 36 months of the project have not been easy but without you it wouldn’t have been worth it.
This compilation is not based on genres or styles, it simply represents a little bit of each of the artists on this label in its third year.
This phonograms is a protected intellectual work in favor of its producer. Rights protected. ℗ & © 2022 Secuencias Temporales. The rights of this phonogram are recognized by the Federal Copyright Law.
Its production, reproduction, import, storage, transport, distribution, commercialization, sale or lease is prohibited, as well as its adaptation, transformation and direct communication to the public without the prior written authorization of the owner. The violation of this prohibition constitutes a crime and an infraction that are sanctioned according to articles 424 bis, 424 ter, of the Federal Penal Code; 232 section III and 232 section I of the Federal Copyright Law and other applicable regulations in force.
Mastering by Eafhm at Secuencias Temporales Studio in México City.
Secuencias Temporales ℗ & © 2022 – All Rights Reserved
credits
released June 27, 2022
posted 30 June 2022
Stellaterra – Radiant
Stellaterra
“Radiant”
Tangerine dream inspired vibes from Stellaterra
credits
released June 29, 2022
Cover image courtesy NASAJPL-Caltech
posted 29 June 2022
IDTAL x Humanfobia – Ritual Lights
IDTAL x Humanfobia
“Ritual Lights”
vocals: Mist Spectra.
mixed, remixed, aditional sounds by Sábila Orbe.
original tracks by IDTAL./ Track 5 original track mixed by Rauppwar.-
IDTAL (InDusTreeAlLace) is an experimental, witch house, ritualwave, industrial noise, psychedelic shoegaze project from US.
for more music of this artist visit:
– https://soundcloud.com/idtal/tracks
– https://www.reverbnation.com/idtal/songs
– 5kyeeidtal.bandcamp.com/
Humanfobia is a dark experimental, witch house, ghostly ambient music duo from Rancagua, Chile.
– humanfobia-official.bandcamp.com/
– archive.org/details/fav-mist_spectra
– hearthis.at/humanfobia/
posted 27 June 2022
Hamunkansu – Abroad
[zen252]
Hamunkansu
“Abroad”
a colorful dark ambience from Iran, warm and, at times, eerie
www.zenapolae.com/releases/zen252/zen252__Hamunkansu__Abroad__02_Magnetic_Fields.mp3
posted 24 June 2022
Ishqamatics – Mythological Cycle Volume 1
Ishqamatics
“Mythological Cycle Volume 1”
released June 23, 2022
Artwork Nick Edell
posted 24 June 2022
Disfigured Robot Child – Incarnation
Disfigured Robot Child
“Incarnation”
released June 24, 2022
posted 24 June 2022
Internal Fusion – IWWA
[mhrk311]
Internal Fusion
“IWWA”
Eric Latteux aka Internal Fusion, based in Britany (France), is a dark ambient artist born in 1964. He has been active since the early ’90s with releases on Staalplaat, Désaccord Majeur, Kokeshidisk, Taâlem, Oxidation and Attenuation Circuit, as well as a long list of releases available at his Bandcamp page.
IWWA is his debut album on Mahorka, released June 19, 2022 as free (cc) download and a beautiful limited Digipak CD edition.
Composed and produced by Eric Latteux
Cover images by Désaccord Majeur
Digipak cover design by Ivo Petrov
posted 19 June 2022
Brevyn – Waterwalk – Extended
[VULP-0213]
Brevyn
“Waterwalk – Extended”
Brevyn graces the keys again with the same elegant imagination we have seen across numerous releases. More than ever, there is a neoclassical feel to the New Age underpinnings: the sound of a romantic soloist operating an elaborate, Atlantean cathedral organ made of hundreds of winding coral pipes. A suite many shades of blue, traversed by ripples and shafts of light, forms patterns and reflective mirages that are entirely open to divination by the listener—luxuriously submerged in emotion.
posted 10 June 2022
Luka Prinčič – xenotopic networks
Luka Prinčič
“xenotopic networks”
The modern living environment is fully transmedial. The subject is bound in the functionalities and workings of a cyborg, where the question of her rights becomes especially important. However, oozing through the network of different forces is the patriarchal white hetero cis matrix and the mechanism of disciplining, shaping and cultivating. The trans.fail chapter xenotopic.network relies on the concepts of foreign (xeno), space (topic/topos) and network as the primary sources of inspiration. These concepts can be understood and read in various ways, thus presenting the grounds for a critical reading of the world as a patchwork of possibilities:
“Technology isn’t inherently progressive. Its uses are fused with culture in a positive feedback loop that makes linear sequencing, prediction, and absolute caution impossible. Technoscientific innovation must be linked to a collective theoretical and political thinking in which women, queers, and the gender non-conforming play an unparalleled role. The real emancipatory potential of technology remains unrealized. Fed by the market, its rapid growth is offset by bloat, and elegant innovation is surrendered to the buyer, whose stagnant world it decorates.” (Laboria Cuboniks)
“… what is at stake is nothing less than a global redefinition of the relationship between territory and networks. There are major geopolitical rearrangements taking place right now across the entire stack, from physical infrastructure to information, financial and monetary networks. These are attempts at determining ‘digital territories’ and grappling with how to define and assert some sort of ‘digital sovereignty’ in network space. And cryptographic techniques are at the core of such emerging arrangements.” (Jaya Klara Brekke)
posted 08 June 2022
Various Artist – An Introduction to Believe in Billy Records
Various Artist
“An Introduction to Believe in Billy Records”
This sampler serves as a fitting introduction to some of the artists, genres and aesthetic of Believe in Billy Records. Since 2008, Believe in Billy Records has been releasing eclectic, well-produced, emotionally-charged electronic, ambient, and experimental music from artists including: Advances in Obsolete Technology (AVID), Down Team Up, ESCALE, Jiri Blazek & Brian Ruskin, Gears in the Rain, and Mental Health Consumer, among others. A curated selection from these artists is featured in this 11-track album, just in time for Netlabel Day 2022!
posted 06 June 2022
Various Artist – Vulpiano Records Sampler EP: Vol. 16
Various Artist
“Vulpiano Records Sampler EP: Vol. 16”
With this sampler, we present artists who have made Vulpiano across the span of 2021 and into early 2022. We find both continuity and renewal of the recurring themes solidified at our core over 12 years.
There are long-time pillars of the label: Richey Hackett’s tremendous growth branching into emotionally vital electronic compositions; the ever-versatile, 90s alternative-saturated introspections of King Elizabeth (furiously prolific since 2020 after a long absence since the early years of Vulpiano); the lush and transcendent playfulness of Brevyn’s synth work, with influences that distill how online music defies generational stereotyping.
And as ever newer artists arrived, like tributaries at the conflux of a river: a celestially noisy instrumental from Torre di Fine abstracts from the vast post-rock sound of his first Vulpiano release; immortal ebt returns triumphant with a new, crushingly hypnagogic sound after an 8-year absence; Lhas Fawn stirs a psychedelic whirlpool of aleatory ritual; Fabio Keiner’s meditative, microtonal opus adds to Vulpiano’s canon of masterful drone records; and Wood Ship’s subtly dissonant gaze at a winter horizon soothes, but begs contemplation.
posted 05 June 2022
