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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: ambient

Iliaque – Re View

Iliaque – Re View

Iliaque

“Re View”

Iliaque is a project of one of the co-founders of Ziklibrenbib (www.ziklibrenbib.fr a French project to promote Creative Commons (CC) music in library) from Normandy (France). After having played in different noisy pop, industrial, electro and math rock groups, fascinated by netlabels and musicians working under CC, he decided to try his hand at an electronic music project based on CC material. The Iliaque project, that has matured for several years now, seeks to exploit the potential of CC music and explores this world through choice of sources and samples.

iliaque.bandcamp.com

This selection are all tracks based on samples of TCFSR releases. Our label was founded on the principle of DIY so we are pleased to support the work of Iliaque and Ziklibrenbib in promoting the use of Creative Commons licensing.

Proceeds from this release will be donated to the charity PHONE CREDIT FOR REFUGEES AND DISPLACED PEOPLE www.pc4r.org whose aim is to support asylum seekers and refugees to stay safe, in touch with loved ones and on contact with agencies that support them.

The charity strives for a world where it is possible for refugees to feel safe and to be connected to the people that matter to them – their families, their supporters and the agencies that help them.

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posted 05 August 2021

Blacky Daylight – The Noon Era

Blacky Daylight – The Noon Era
[USC-RM-2107.0057]

Blacky Daylight

“The Noon Era”

The path to truth is thorny, passing through the palisade of mistakes and dead ends. In the old days, the people themselves became an obstacle in the way of scientific knowledge – the conservative blinkered masses, led by the blinded by religion mighty of this world. Teachings questioning God’s spark and giving a natural scientific interpretation had a high chance of being declared heresy with fatal consequences for the founders. Wandering dissolutely in the labyrinth of thoughts, scientists of the past moved by touch, mixing the scientific worldview with the occult in search of true meanings. The Church then possessed full power and law, thus the theological view of the essence of being was the defining criterion of Universal acceptance. For any phenomenon and confluence of circumstances, basically, should be interpreted as a divine plan. So, born in gloomy palaces, the Science of the Name of the Lord God revealed the impossible alchemy of holy faith and exact sciences, determining for a millennium ahead the fate of the Civilization of Noon.

1 • 2:57 • Noon of the Man
2 • 5:34 • Sacral Vision
3 • 6:24 • Ceremony of Science
4 • 4:10 • A Slight Relief
5 • 5:45 • Obscurantism
6 • 6:00 • Born from Chaos
7 • 4:00 • Faith and Reason
8 • 3:50 • Condemned to Grace

Composition, keyboards, synthesizers, sampler, programming, effects, writing, arrangement, recording, mixing – Blacky Daylight
Photography – Min An, Craig Adderley, Pixabay
Musical and visual concept, mastering, design, artwork – USC-Team

You are free to playback, copy, distribute, broadcast, adapt and use this work otherwise. Creating a derivative work, you must state the author of original work and provide the source of material any possible way. Publishing a derivative work, you must use the same license. You are not allowed to state that author endorses your use prior to his approval. The licensor cannot revoke these freedoms, while you fulfill the license terms. Some rights reserved.

Visit official USC release page for more information.
unitedstudios.ru/rm/blacky-daylight-the-noon-era

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posted 03 August 2021

4T Thieves – Fame Is An Addiction

4T Thieves – Fame Is An Addiction
[mhrk280]

4T Thieves

“Fame Is An Addiction”

“Fame is an Addiction” sounds like a cassette you found while walking on the beach, half burried in the sand, case slightly warped by the heat of the sun, little pebbles and bits of seashells embedded inside, tape loose and almost melted. You rescue it, clean it up, spool it in, and when you play it you discover that the noise of the sea waves somehow got imprinted onto it and melded with the music.

Every tune is deep within its own comfortable bed of noise, each sound treading through thick viscous aural quicksand, beats pop in from behind lush canopies of strings and pads, flocks of melodies swirl above, clouds of frequencies cast their shadows on top of everything else and the place becomes that bit cooler. Every tune does paint a scenery indeed, each is really alike a place you inhabit for a few minutes. They all feel tangible and expansive, they welcome roaming and exploration, so much is happening there, so much to see/hear/feel, so much to discover each time you return.

It all sounds old and fresh, damaged yet fully contained, at the verge of collapse yet tightly controlled. There is certainly a story being told in this music, but it’s a different story for each different listener. It’s the kind of music that burrows in and pulls out of you as much as it brings and it’s that mix of the internal and the external, right here and right now, that makes it an entirely personal experience.

4T Thieves is a magician at the top of his game! — Angel Draganov

released July 31, 2021

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posted 01 August 2021

Amplidyne Effect & Toni Dimitrov – Live at ToBeContinued​.​.​. 2021

Amplidyne Effect & Toni Dimitrov – Live at ToBeContinued​.​.​. 2021
[ACP 1322]

Amplidyne Effect & Toni Dimitrov

“Live at ToBeContinued​.​.​. 2021”

photo by Toni Dimitrov
design by EMERGE

Performance done for the 12th edition of ToBeContinued… 2021, original concert lasting 24 hours (from 00 to 24 of March 24th, Central Europe Time), during which musicians from many countries world-wide are connected to broadcast their live music.

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posted 30 July 2021

GOZNE – MCMLXX

GOZNE – MCMLXX
[pn193]

GOZNE

“MCMLXX”

01000001 01001100 01000010 01010101 01001101 00100000 01000011 01010010 01000101 01000001 01010100 01000101 01000100 00100000 01010101 01001110 01000100 01000101 01010010 00100000 01010100 01001000 01000101 00100000 01000011 01001111 01001110 01000011 01000101 01010000 01010100 00100000 01001111 01000110 00100000 01010101 01001110 01001001 01011000 00100000 01001111 01010010 00100000 01010000 01001111 01010011 01001001 01011000 00100000 01010100 01001001 01001101 01000101 00101100 00100000 01001110 01001111 01001110 00101101 01001100 01001001 01001110 01000101 01000001 01010010 00100000 01001111 01010010 00100000 01010100 01010010 01010101 01000101 00100000 01010100 01001000 01000001 01010100 00100000 01010011 01010100 01000001 01010010 01010100 01000101 01000100 00100000 01001111 01001110 00100000 01001010 01000001 01001110 01010101 01000001 01010010 01011001 00100000 00110001 00101100 00100000 00110001 00111001 00110111 00110000 00100000 01010101 01001110 01010100 01001001 01001100 00100000 01011001 01001111 01010101 00100000 01010010 01000101 01000001 01000100 00101110 00100000 01001011 01000101 01000101 01010000 00100000 01001001 01001110 00100000 01001101 01001001 01001110 01000100 00100000 01010100 01001000 01000001 01010100 00100000 01010100 01001000 01000101 00100000 01010000 01010010 01000101 01010011 01000101 01001110 01010100 00100000 01010100 01000101 01001110 01010011 01000101 00100000 01000100 01001111 01000101 01010011 00100000 01001110 01001111 01010100 00100000 01000101 01011000 01001001 01010011 01010100 00101110

REVIEW IN ENGLISH:
ALBUM CREATED UNDER THE CONCEPT OF UNIX OR POSIX TIME, NON-LINEAR OR TRUE THAT STARTED ON JANUARY 1, 1970 UNTIL YOU READ. KEEP IN MIND THAT THE PRESENT TENSE DOES NOT EXIST.

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posted 26 July 2021

Callejas – Páramo

Callejas – Páramo
[MNF041]

Callejas

“Páramo”

Monofónicos Netlabel presenta orgullosamente el lanzamiento de Callejas con un brillante disco de texturas modernas, beats suaves acercándonos a la música Dub Techno con su toque futurista y emocional.

Mateo Callejas presenta una exploración espacial continua hasta el más allá. Alcanzando un lugar de máxima actividad con música cargada de Techno hipnótico, que se impone oscuro e imparable, con melodías que envuelven al oyente en una temática esencial: hipnótico, atemporal y potente.

Su concepto de la música trasciende lo habitual y brinda una experiencia única cargada de personalidad, fruto de una pasión y dedicación que siempre lleva al límite, re-codificando ideas y formando la música Techno como un elemento de peso, ordenado, poderoso, sólido y oscuro. Callejas es un artista local de esos completos que siempre logran crear un sonido muy personal.

Un disco que viene acompañado de 4 super estelares remixes, con el productor estadounidense Brendon Moeller, también conocido por sus alias de Echologist y Beat Pharmacy, tener en Monofónicos Netlabel a un artista como Brendon es un orgullo de primera clase por su sonido innovador, marcado por la estela del Techno rápido y planeador, que seguramente te llevará a lo más profundo del particular universo musical de Brendon Moeller.

El talento local llega con Magdalena y Archaic Revival, dos artistas locales con una respetada y admirada trayectoria por su sonidos futurista de Techno y experimentación por los sonidos densos, con una escencia que va creando atmósferas oscuras y siniestras. Mucha experiencia y dedicación se evidencia en estos dos remixes, demostrando toda la personalidad con una afinidad de ritmos vanguardistas, que marcan el talento exclusivo que posee Magdalena y Archaic Revival.

Por último tenemos el remix de Eviru Dibad, amigo de esta casa radicado en Estados Unidos y que lleva su propio sello Backdoor Records. Dsum nos lleva por su alias más experimental donde su maestría musical nos propone un sonido más ácido, vibrante, moderno y pistero para deleitar a todo el mundo con mucha clase.

Un disco muy bonito de Callejas destinado a mentes abiertas hacia un viaje sideral, que evita caer en cualquier clase de convencionalidad, para mantenerse fiel a la vertiente más ensoñadora y evocadora del sonido que nació hace casi 40 años en Detroit. Larga vida al Dub Techno.!

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posted 26 July 2021

Tomoroh Hidari – The Reinterpretation Of Dreams (小さな夢達 Remixed)

Tomoroh Hidari – The Reinterpretation Of Dreams (小さな夢達 Remixed)
[mhrk278]

Tomoroh Hidari

“The Reinterpretation Of Dreams (小さな夢達 Remixed)”

“Do dreams have a past or a future? Are they forever intrinsically linked with our consciousness? What happens if we share them? Do they take hold in our larger narratives and become stories in their own right?

Last year I released an album named 小さな夢達 (which reads as Chiisana Yumetachi) – Small Dreams. Today, just days after the first anniversary of its release I find myself listening to 10 remixes of those dreams. The Reinterpretation of Dreams, if you will. It is thanks to Ivo Petrov, label head of Mahorka, who envisioned this album as a great way to celebrate netlabel day 2021. He invited an amazing group of artists to contribute their remixes and share their own reinterpretations.

There isn’t a single track on there that isn’t amazing – I find that on repeated listening different tracks stand out each time, sometimes the softer ones speak more to me, sometimes the weirder ones, then again, on another listen, it’s the more energetic ones. But every time it sounds like a coherent whole. A world appears, held together by the threads woven into the fabric of the original tracks, but expanded into a multi-faceted sonic cosmos, a wider world for the original narrow story to expand into. And after the final remix, you’re invited to wake up again to the meditative meta-verse of the Small Dreams: Where all the remixes expand on the original theme, my contribution – an afterthought of sorts – is there to take you into a meditative state build around the ambiances and field-recordings that lie at the core of 小さな夢達.

My gratitude to all the artists who were kind enough to put in their work and creativity to contribute these remixes! To Ivo for making it all happen, to Zach Bridier for mastering and to dfkt for creating the cover.” –Tomoroh Hidari, London 09.07.2021

released July 14, 2021, Netlabel Day 2021

All tracks are remixes/interpretations of original tracks of original music by Tomoroh Hidari
Except The Clear Sound of Jewels by Tomoroh Hidari

Mastered by Zach Bridier

Cover artwork: dfkt.

tomoroh hidari / ivorybunkerrecordings @ bandcamp
tomoroh hidari @ twitter

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posted 17 July 2021

Celeste Betancur – Secretos del viento

Celeste Betancur – Secretos del viento
[pn192]

Celeste Betancur

“Secretos del viento”

El viento susurra secretos al oído de los habitantes del bosque y de aquellos que se acercan con el ritual adecuado.

Una noche mágica, oscuridad completa e invocaciones místicas rodean la danza de los árboles que ocultan con su follaje, antiguos sortilegios capaces de estremecer las raíces del ser.

“Secretos del viento” es una serie de live sets (Secretos del viento – set completo) y extractos de sets en vivo realizados por Celeste Betancur a lo largo de un año entre julio de 2020 y mayo de 2021 donde es la voz humana la protagonista. Cada corte es una nueva configuración y procesos digitales que se diseñan e implementan en vivo usando técnicas del live coding pero poniendo énfasis en el lenguaje, en el sonido mismo de las palabras y el poder mágico escondido en ellas.

The wind whispers secrets in the ears of the forest inhabitants and of those who come with the proper ritual.

A magic night, total darkness and mystical invocations surround the dance of the trees that hide, with their foliage, ancient spells capable of shaking the roots of being.

“Secretos del viento” (“Secrets of the wind”) is a series of live sets (Secretos del viento – set completo) and excerpts of live acts by Celeste Betancur performed between July 2020 and May 2021 with human voice as protagonist. Each track is a new configuration and digital processes that are designed and implemented using live coding techniques but with emphasis on language, on the very sound of words and the magical power hidden within them.

Celeste Betancur
(Medellín. Colombia. Julio / July 2021)

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posted 14 July 2021

Emilian Gatsov – MFPWNWFOI

Emilian Gatsov – MFPWNWFOI
[mhrk277]

Emilian Gatsov

“MFPWNWFOI”

MUSIC FOR PEOPLE WITH NO WORK, FAMILY OR INTERNET

“A collection of pieces from the last 10 years gathered around the idea of listening as a state of trance. Listening without distraction, without measuring time, without hurry. Clearing the mind, a bit of melancholy, an endless loop, a hovering thought, urban meditation somewhere in the suburbs. Instead of TV, instead of a smartphone: “I have to do something, I have to be somewhere”. Slow listening, room for feelings.”

released July 12, 2021 as free download and limited edition cassette.

Composed and produced by Emilian Gatsov

Artwork design by Ivo Petrov and Emilian Gatsov

Photography by Yomex Owo (fennec Photo) and Emilian Gatsov

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posted 12 July 2021

Iñaki Barrocal – Submarine

Iñaki Barrocal – Submarine
[khmst0067]

Iñaki Barrocal

“Submarine”

“Submarine” is the first single off Iñaki’s 4th album “Océanide”. The title song itself is a cover of Icelandic singer Björk’s song “Submarine” from her 2004 album “Medúlla”.

NOT to be sold!

All vocals, recording, editing, remixing: Iñaki Barrocal Castro

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posted 05 July 2021

Lotech/Hijack – Astral Dubs

Lotech/Hijack – Astral Dubs
[Insectorama106]

Lotech/Hijack

“Astral Dubs”

now the new Release on Insectorama.

Lotech/Hijack – Astral Dubs (Insectorama106)

Canada’s master of dubtechno is back on Insectorama. Lotech/Hijack once again shows its definition of dubtechno with its new 5-track ep. A unique sound that embarks on a 40-minute journey into the deepest abysses full of delays, echoes and reverbs. An unbelievably dense sound that ranges from ambient to soundscapes to the deepest dubtechno. An absolute masterpiece from the other end of the world. Enjoy this journey and let yourself fall into a sound that is out of this world.

Tracklist:
astral dub 1.5 (enter the yoruba)
astral dub 2
astral dub 3
astral dub 4
astral dub 5 (exit stage left)

insectorama106
all tracks by lotech/hijack

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posted 02 July 2021

singularity observatory – Songs from the Event Horizon

singularity observatory – Songs from the Event Horizon

singularity observatory

“Songs from the Event Horizon”

Welcome to the fictional journey of “singularity observatory” by Doc.AtmosfearCrush.
It is set at the near edge of the Event Horizon of the supermassive black hole: “Saggitarius – A”, at the heart of our very own galaxy home.

This album is the first part of a diary-storytelling, collections of emotions and observations. A deep look inside the heart and mind, under the influence of that gigantic gravity experience.

From indietronic, noise, industrial, dark ambient to electronica – enjoy the ride!

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posted 02 July 2021

Kirill Shirokov feat. Tonino Guerra and Laura Guerra – …and the days when it snowed

Kirill Shirokov feat. Tonino Guerra and Laura Guerra – …and the days when it snowed
[ACP 1319]

Kirill Shirokov feat. Tonino Guerra and Laura Guerra

“…and the days when it snowed”

Calendar, 12-part suite
…and the days when it snowed, music for speaking voices, music boxes, children’s glockenspiel, keyboards, objects and electronics

…and the days when it snowed is a 4 channel sound installation for the exhibition which took place in Lenfilm foyer (St.Petersburg). Here is a 2 channel version of the piece.

The exhibition art made by Polina Zaslavskaia, curated by Xeniya Zernina, timed to the Tonino Guerra’s 100th anniversary.

Texts by Tonino Guerra;
Voices by Laura Guerra and Tonino Guerra;
Music composed, performed (music boxes, children’s glockenspiel, keyboards, objects, electronics) and recorded by Kirill Shirokov.

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posted 22 June 2021

STRöHM – Chromosome

STRöHM – Chromosome
[zen232]

STRöHM

“Chromosome”

avantgarde in electrics

STRöHM combine experimental music (avant-garde ambient drone) with free improvisation and create imaginative sound structures from it. Novel sounds, rhythmically underlaid, expressive, dynamic, then again impulsive with romantic elements, are the musical result of the mutual interplay.

www.zenapolae.com/releases/zen232/zen232__Stroehm__Chromosome__01_Mentions_in_our_Name.mp3

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posted 21 June 2021

Thet Liturgiske Owäsendet – Selected Sleep Sudies

Thet Liturgiske Owäsendet – Selected Sleep Sudies
[mhrk273]

Thet Liturgiske Owäsendet

“Selected Sleep Sudies”

‘Sleep Studies’ was a creative process spanning over 100 days from August 13th to November 21st, 2020. Inspired by themes like sleep, dreams and nightmares, one track per day was produced and uploaded to YouTube with an accompanying video.

“Working on this project we strived to find our way back to a means of production based on spontaneity and also allowed us to distance ourselves from the final product by removing afterthought and overproduction anxiety.”

‘Selected Sleep Studies’ is a collection of 11 tracks, which represent a morsel of the 10 hours of music that is ‘Sleep Studies’. A long rest awaits.

Released June 15, 2021 as free (cc) download and limited edition cassette.

Composed and produced by: Johan Fotmeijer and Linus Schrab

Mastering by: Anatoly Tokee Grinberg

Cover artwork: Ivo Petrov

Photography: Linus Schrab

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posted 19 June 2021

air protection office – Hantica

air protection office – Hantica

air protection office

“Hantica”

Made in Lavanderia art factory in Berlin. (on insta & youtube)

to accompany the trip in the absence of visual stimuli there is a video on YouTube Lavanderia channel.
credits
released June 18, 2021

Music and cover artwork is by Enrico Bozzato
Visuals, images and AI is by Marco Chinello

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posted 18 June 2021

Data Domain – Exploration Images

Data Domain – Exploration Images
[ST032]

Data Domain

“Exploration Images”

This phonograms is a protected intellectual work in favor of its producer. Rights protected. ℗ & © 2021 Secuencias Temporales. The rights of this phonogram are recognized by the Federal Copyright Law. Its production, reproduction, import, storage, transport, distribution, commercialization, sale or lease is prohibited, as well as its adaptation, transformation and direct communication to the public without the prior written authorization of the owner. The violation of this prohibition constitutes a crime and an infraction that are sanctioned according to articles 424 bis, 424 ter, of the Federal Penal Code; 232 section III and 232 section I of the Federal Copyright Law and other applicable regulations in force.

Written and Produced by Javier Martin & Guillermo Arroyo in Madrid, Spain.
Mastering by Secuencias Temporales Studio in México City.
Secuencias Temporales ℗ & © 2021 – All Rights Reserved
credits
released June 7, 2021

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posted 08 June 2021