Recorded in Berkeley, California and Portland, Oregon.
Written by Dominic and Madeline Francisco.
Ana Paula Santana González
(Guadalajara, Jalisco, México b.1985)
Sobre Ana Paula, en sus palabras:
Me interesan los sonidos constantes, maquinales, abrumadores. Me interesa la relación del sonido y el cuerpo humano, el cual entiendo como un material absorbente que incesantemente admite y reacciona a frecuencias del exterior. Me interesa la voz, la experimentación con los límites de nuestra voz y el fenómeno simpático entre la voz propia y las voces que nos apropiamos. Mi creación artística se sitúa en medio del campo del performance y la instalación y con frecuencia es motivada por ideas y fundamentos de índole antropológico.
My interest is based in constant sounds, machinelike , overwhelming. I’m interested in the relationship between sound and the human body , which I understand as an absorbent material that constantly receives and reacts to frequencies from outside. I’m interested in the voice , in experimenting with the limits of our voice and the sympathetic phenomenon between the own voice and the voices that we appropriate . My artistic creation is in the middle of the performance and installation and is often motivated by ideas and foundations of anthropological nature .
Enlaces:
https://soundcloud.com/anapaulasantana
www.anapaulasantana.net
twitter.com/Fanafauna
https://www.instagram.com/anafauna/
The Cherry Blues Project
Arte sonoro – música experimental – Dark ambient
Argentina, desde el año 2001
www.tcbp.blogspot.com
Miguel Jauregui (aka Basstk)
(Valparaíso, Chile. Agosto / August 2016)
%20-%20CD%20COVER%20ART.jpg "Øystein Jørgensen & Chris Silver T. – DOORS")
Desolate mountains with a philistine angel on top
The heavens’ pale lights terminally wielding;
White scapular with odorous jasmine wings,
Must undress of
Lush glimmering fire.
Innumerable blazing hallucinations;
The grey earth with its fathomless midnights
Forsaken and drunken of the blues
With a white philistine angel expiring above lesser fields – – –
Reality is the biggest enemy we’ve ever had.
A ten track album with a large array of different styles, deep basses and airy beats in Brightly lit shores to the muted and subtle Sixty Dragons. Listening carefully you could understand a few influences such as Tangerine Dream and Air but also some of the classic electronic work from the 90s.
Heck, there may even be a touch of some older Chemical Brothers in here somewhere, so listen for some pretty serious beats and tight basslines!
Tracks of choice for me are: Brightly Lit Shores, Sixty Dragons and Ganymedean Factory Visit with its cool lounge feel. #
Cover artwork by India-Lee
Mastering by Mnemonic
Un album genialmente experimental que suena a ciencia ficcion, creadas a partir de instrumentos analogos, grabaciones de campo en diferentes lugares de la ciudad, sintetizadores que proyectan sonidos de lo mas escalofriante, mil millones de capas sonoras que se van interconectando entre todo ese universo del sonido de Gartner.
Producido por Juan Esteban Ceballos Gartner
Colaboraciones de:
snk.1 con Juan C. Gutiérrez y el Metro de Medellín
snk.2 con Juan Sebastián Gartner en el bajo eléctrico
snk.11 con Lucero Pineda en el moog y teclados
Masterizado por PHEEK – https://audioservices.studio
Producido para Monofónicos Netlabel 2016
Este material está bajo licencia de Creative Commons 2.5
Medellín, Colombia – 2016
Instruments used on this record: acoustic guitar, human voice, music box, piano.
Instruments used on this record: acoustic guitar, Elka Consolette organ.
La casa del Drago è dove il potere ha la sua dimora, dove la musica diventa materia e respira suonando. Il nuovo lavoro dei Phobos 3 è un viaggio secondo antiche coordinate per ritrovare ciò che abbiamo perso. La Casa Del Drago è il secondo lavoro di un trittico che avrà come culmine il dispiegarsi di una grande energia. Una musica delicatissima e totalmente fuori dalla nostra dimensione.
In alto come in basso, in un legno come in un quanto.
Home is where the power of the Dragon has its place, where the music becomes material and breathes playing. The new work of Phobos 3 is a journey from old coordinates to regain what we have lost. La Casa Del Drago is the second work of a triptych that will unfold as the culmination of a great power. A very delicate music and totally out of our dimension.
40106 Schmitttrigger / 4093 Quad NAND / 4006 18-stage Shift Register / 555 Timer IC
The recordings are experiments with DIY tone and noise generators, with Svann working systematically, exploring the unique features of the specific circuits of his lunchboxes on a track-by-track basis.
Track titles should be understood according to this classification, and consequently also the separation into part A and B. A number of rhythmical and enriched Bass’n’Noise tracks are mixed in between pure complementary metal–oxide–semiconductor tracks.
The release is conceived as a classic double album, with two covers, two titles and two chronologies regarding the tracks on the respective album. Please consider these chronologies.
Several months ago we put out a call to the netlabel community for submissions for a new compilation. And, we were stunned by the number of people and group that chose to support this effort. Initially, we hoped to create a solid, single-disc length release (about an hour in length). However, this release grew and grew until it became a three disc (3.5 hours) length release. By then end of the submissions thirty artists form around the world submitted works for Into The Rift: Volume One, and have made it into a diverse and eclectic listening experience.
In “Hypnotique”, the vast landscapes we were used to, here enlarge their borders, thanx to the artist’s skill in depicting sonic panoramas with his guitar, effects and looping.
In these five long tracks you will experience relaxed arpeggios and harmonies chasing eachother through textures of guitar pads that dilate our senses. And more, reversed phrases, roaring distant low-pitched notes as rumbling distant thunders, powerful reverbed and distorted riffs and chords.
There’s much stuff in this five steps that are simply titled I, II, III, IV, V, a magic digit sequence of a time-warped pendulum…
So sit back in your favorite armchair in front of a sunset, raise the volume, or take your full range headphones, click “play” and listen loud, relax, take a deep breath and count slowly from one to five and soon you’ll be…
– Gaetano Fontanazza
Music For Corridors magnificently renders that sense of waiting. Each track infact shows the multifaceted aspects of a waiting in a hospital corridor, whether it is you waiting for your own fate or one of your loved ones is.
A waiting which sometime is trustful, powerless, serene, hopeless, heroic, hopeful. It’s a music that’s plenty of intense feeling and emotion, it’s a music that empowers the listener to understand further dimensions starting from lucidly observating details, common objects, views, as the songs’ titles suggest.
The album is mainly piano based, melody and harmony of each track develops accompained with light synths sounds and textures, quirky noises and low distant voices. The sensation is just like if our thoughts were focused on their own, barely distracted by what comes around.
We’re very happy to present a release of a great artist like Yan Terrien for the Netlabel Day 2016 special event, wishing him to present us more and more music in the future.
– Gaetano Fontanazza
Igloomag describes Start with the River ‘Collecting tranquil interludes gone astray, broken childhood samples, psychedelic undertones and kaleidoscopic colors colliding in blissful accord, this is where Faex Optim resides. A place where corroded percussion, fragmented melodies and disjointed harmonies swirl in cohesive unity.’
Faex Optim once again gives us an amazing release drawing of strong influences from Boards of Canada, and every fan of Mike Sandison and Marcus Eoin will be blown away by these tracks, Ennet House and Moscow School being two favourites for this fan.
