about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: ambient

Various Artist – Halloween 2024

Various Artist

“Halloween 2024”

Compiled, cover collage artwork: Sábila Orbe / Released under Dawn of Darkness non-profit mp3 netlabel.
– Filmy Ghost: https://humanfobia.jimdo.com/filmy-ghost/
– Backyard Ghost: https://backyardghost.bandcamp.com/
– Lunar Eclipse: https://soundcloud.com/lunar_eclipse5150
– Morpheus Project: https://morpheusproject.bandcamp.com/
– Humanfobia: https://open.spotify.com/intl-es/artist/04WVEhq4UDRTKpWEfMSeZT
– Invisible Illusion: https://soundcloud.com/invisibleillusion
– The Implicit Order: https://theimplicitorder.bandcamp.com/
– Cosmic Disruption Orchestra: https://cosmicdisruptionorchestra.bandcamp.com
– Death by Biafra: –
– Black Market Brains: https://soundcloud.com/blackmarketbrains
– KR_Seward: https://krseward.bandcamp.com/
– Prometheus Risen: https://prometheusrisen666.bandcamp.com/
– Mean Flow: https://meanflow.bandcamp.com/
– el_masmore: https://elmasmore.bandcamp.com/
– Wilfried Hanrath: https://wilfriedhanrath.bandcamp.com/
– Yoshiwaku: https://yoshiwaku.bandcamp.com/
– Gothwitch: https://insatiablevoid.bandcamp.com/
– Bohdan Stupak: https://tilde.town/~wkalmar/sound.html
– Erntegang: https://erntegang.bandcamp.com/music
– Lezet: https://lezet.blogspot.com/
– Topi Reta: https://archive.org/search?query=kermesse+records
– LR Friberg: https://www.discogs.com/artist/7201192-Linn-Friberg
– Lord Cernunnos: https://lordcernunnos.bandcamp.com/
– RDKPL: https://rdkpl.bandcamp.com/
– REfugEEs From Beyond: https://unclassable.tumblr.com/
all rights reserved
posted 31 October 2024

Niclas Tamas – Roads Through the Mirror – 1. Spirituality: Climbing the Light

[zen298]

Niclas Tamas

“Roads Through the Mirror – 1. Spirituality: Climbing the Light”

Roads Through the Mirror is a conceptual music project spanning 11 orchestral pieces, each approximately an hour long, with a completion timeline of 4-5 years.

Inspired by Andrei Tarkovsky’s films and Marcel Proust’s exploration of time, the series aims to musically articulate themes like spirituality, nostalgia, dreams, and nature.

The project delves into the Time-Space-Thought Theorem, utilizing Sonic Archetypes to explore the interconnectedness of human existence through music.

Theme 1: Spirituality – Climbing the Light
Exploring ascension and enlightenment through sound

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posted 22 October 2024

Humanfobia – Carrie White Burns in Hell (B​-​sides​)

Humanfobia

“Carrie White Burns in Hell (B​-​sides​)”

This release is a compilation of past tracks on v/a compilations-
/// This compilation was inspired on “Carrie” Movies Saga. Especially on Carrie (1976) & Carrie 2: The Rage (1999)
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posted 20 October 2024

Saishō 最小 – Camomille

[VSS158]

Saishō 最小

“Camomille”

Welcoming french ambient / drone producer Saishō 最小 to Virtual Soundsystem Records. 💜
L’Abeille Cool owner and minimal synth artist Saishō 最小 creates minimalist soundscapes to help us chill, sleep, focus and/or travel to other dimensions. Enjoy! 👽
credits
released October 4, 2024

Music and artwork by Saishō 最小

saisho.bandcamp.com
labeillecool.bandcamp.com
dlcm.app/labeille-cool

[VSS_158] Virtual Soundsystem Records – 2024

all rights reserved
posted 05 October 2024

Kecap Tuyul – Silent Returns

[Eg0_263]

Kecap Tuyul

“Silent Returns”

After years spent focusing on his side-project Failure Circle, Kecap Tuyul delivers his first solo album since 2020. Silent Returns comprises 2 electronic soundscapes based on minimalist improvisations with analog synthesizers and no-input mixer.
Release page on eg0cide.com : https://wp.me/pcVRA-34G
Recorded and mixed may-june 2024,
using analog synthesizer and no-input mixer, effects
https://kecaptuyul.com/
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posted 11 September 2024

Takuyoshi Fujiyama – Sound Diaries

[[mi319]]

Takuyoshi Fujiyama

“Sound Diaries”

Based in Munich, Germany, Takuyoshi Fujiyama is a composer and sound designer. This is his first work on MiMi Records.

“Sound Diiaries” is a beautiful journey through Europe (we’ve Lisbon and Porto on the map) and Japan capturing the sounds of various places and improvising with them.

Fujiyama’s music is known for its evocative blend of electronic and acoustic elements, creating sonic landscapes that captivate audiences and enhance visual storytelling.

Now it’s time to relax and enjoy the ride!!!

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posted 09 September 2024

kardaver – Funeral para todo régimen de creencias

kardaver

“Funeral para todo régimen de creencias”

“[…] Donde a nosotros se nos manifiesta una cadena de datos, él ve una catástrofe única que amontona incansablemente ruina sobre ruina, arrojándolas a sus pies. Bien quisiera él detenerse, despertar a los muertos y recomponer lo despedazado. Pero desde el paraíso sopla un huracán que se ha enredado en sus alas y que es tan fuerte que el ángel ya no puede cerrarlas. Este huracán le empuja irreteniblemente hacia el futuro, al cual da la espalda, mientras que los montones de ruinas crecen ante él hasta el cielo. Ese huracán es lo que nosotros llamamos progreso. “
9na Tesis, Tesis de Filosofía de la Historia, Walter Benjamin

En “Funeral para todo régimen de creencias” exploro conceptualmente la conexión entre las pequeñas tragedias del día a día, y las grandes tragedias que afectan a naciones por siglos, en un proceso que integra interdisciplinariamente la respiración meditativa, la escucha profunda, la producción sonora, el dibujo y la voz expandida. Mi objetivo es honrar los sacrificios del pasado y reavivar un sentido de compromiso con él.

El proyecto sigue una metodología experimental de producción de hondo carácter interdisciplinar que retoma prácticas e influencias de las pioneras de la música electrónica y digital como Pauline Oliveros y Daphne Oram, y metodologías de creación de artistas argentinas enfocadas en la exploración vocal, como Constanza Pellicci. Además, se basa en la idea de la tesis número 9 que Walter Benjamin escribe en su “Tesis sobre la Filosofía de la Historia”, donde describe al ángel de la historia observando la historia como una gran catástrofe continua.

Sonoramente, habita en la intersección de géneros como la electrónica experimental, música neomedieval, noise, black ambient y dungeon synth. A nivel discursivo, se sitúa en los debates actuales sobre el papel de la memoria en Argentina, un país donde los debates sobre cómo se escribe la historia y el rol del estado en las tragedias cotidianas e históricas están reabiertos. Este proyecto busca contribuir a estos debates desde un compromiso cultural en la creación de sentidos ciudadanos.

El proceso de esta exploración implicó una indagación en técnicas de respiración y movimiento buscando encontrar los lugares del cuerpo en donde habita la voz para producir diferentes gritos y ruidos, entendiendo a la voz como un fluido que emerge del cuerpo en movimientos de contracción y relajamiento. Buscando no ignorar el significado de las palabras que se enuncian, realicé estas exploraciones vocales mientras improvisaba poesía declamada, al mismo tiempo que contemplaba dibujos y grabados medievales.
A través de varias sesiones, identifiqué conceptos recurrentes en las poesías, que luego traté digitalmente para tejer una narrativa sonora. Este trabajo dio lugar a un EP de 17 minutos compuesto por cinco escenas sonoro-poéticas. A nivel sonoro, el proyecto busca hacer dialogar transcripciones modificadas de música medieval y renacentista, marchas militares argentinas, sintetizadores, instrumentos digitales, música electrónica y ruidismo.

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posted 01 September 2024

Philippe Neau – Terres Sonores

[mhrk407]

Philippe Neau

“Terres Sonores”

released August 29, 2024

“Ideas
between dreams and reality
concrete sounds and head in the clouds
look with eyes closed
listen inside/outside (mental/sight)

I wanted to mix field recordings and more “melodic” sounds, coming from instruments or atmospheres captured here and there
Play on passages, links between exterior and interiority
The sounds from outside: the landscape; the others being like words in the head, “inner melodies”
I tried to mix all this to create an imaginary place
The images came a little later, the tracks just finished, these spaces seemed obvious to me to clarify my feelings” –Philippe Neau

Music, master and pictures by Philippe Neau.

linktr.ee/philippe.neau

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posted 01 September 2024

Orghanon – Future in Motion

[mhrk406]

Orghanon

“Future in Motion”

Orghanon is the solo venture of Sergio Calzoni, producer and musician active since the nineties in various musical outfits (Act Noir, Colloquio, ILUITEQ).

His 2015 debut “Figures In Slow Motion” (Eibon Records) seamlessly fused trip-hop sonorities with jazz, ambient and glitch elements. It was followed by soundtrack for the theatre performance “F_rankenstein” (2016), the sophomore “Retrospectre” on the cult-boutique Time Released Sound and, after a little hiatus, “Droneworks I-V” (2022) on the Italian label St.An.Da.

While 2023 and early 2024 saw some spectacular output of ILUITEQ (Sergio Calzoni & Andrea Bellucci), August 2024 sees the return of Orghanon with a debut on Mahorka, “Future in Motion”, an album which reconnects with the multifaceted sound that distinguished the first album of Orghanon, but in which the concept of motion becomes more dynamic and accelerated, compared to the static nature and slow movements of “Figures In Slow Motion”

Released August 22, 2024 as free (cc) digital download and beautiful limited edition Digipak CD.

All tracks composed and produced by Sergio Calzoni

Mix and mastering by Sergio Calzoni
orghanon.bandcamp.com
sergiocalzoni@gmail.com

Cover picture courtesy of Lukáš Krása (www.lukaskrasa.com)
Design and layout by Ivo Petrov & Angel Draganov

Executive production by Mahorka
mahorka.org

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posted 27 August 2024

Silver Koast – Around here

[mi318]

Silver Koast

“Around here”

It’s another debut on MiMi Records, Alexandre Gamela is Silver Koast and brings us this beautiful EP.

Around Here” delves into the mystical interplay between light and darkness, exploring the cyclical phases of the day. Inspired by the Hindu concept of Muhurta, each track is named after a specific moment that reflects the subtle shades of light and shadow, shaping our perception of time.

Silver Koast captures this illusion with experimental and ambient compositions, blending elements of drone, electronic, and noise music. This project is a profound exploration of the unseen energies that define the day.

A must listen!!!

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posted 22 August 2024

{AN} EeL & My Hidden Agenda – Higher Standards

{AN} EeL & My Hidden Agenda

“Higher Standards”

My solo track “Higher Standards” reflected the desire to rise above challenges. It was truly wonderful to see how sharing the stems of this track with the Canadian artist Neal D. Retke a.k.a. {AN} EeL evolved into an entire album filled with beautiful ambient soundscapes inspired by Pauline Oliveros’ deep listening philosophy.

Interestingly, it also echoed Dawn Landes’ approach of turning Rachel Carson’s birdsong notation into music. Carson, a marine biologist and the author of “Silent Spring”, sparked massive changes in the US environmental laws after the book’s publication in 1962, which ultimately led to the ban of DDT. She had documented bird calls and transcribed a melody of birdsong on a piece of railway stationery from the now-defunct Portland Rose train line. Landes took that melody from Carson’s notes and turned it into music. The album cover of “Higher Standards”, photographed by Neal, complements the music on our collaborative album beautifully and draws yet another obvious parallel to Landes’ creative approach. You might wonder if birds have higher standards than humans. It seems possible – after all, they certainly know how to reach great heights.

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posted 07 August 2024

Origin_Blueprint – Echoes Through Time

Origin_Blueprint

“Echoes Through Time”

This archive includes past projects that document my activity as a music producer over the years. It offers a glimpse into my earlier music endeavors (2004-2019) and includes the collection of works as Nova Beat Estate (2019-2022), a production alias that evolved from the eponymous label. Also, the archive includes work from Nierika Productions, a successor to Nova Beat Estate. The previews showcase subjective highlights from both Nova Beat Estate and Nierika Productions, featuring collaborations with various artists, all of whom I appreciate for their contribution to my artistic growth.
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posted 07 August 2024