We introduce you the new album of Mtu, 97 a darker work than the previous one.
It harbours melancholy, memories and rage. An emotional release that pretends to be a farewell to the experienced sullen moments.
Experimentation in sound manipulation in order to convey these feelings is present through the five songs offered in the album.
andrea pensado works with sound as a performer, composer and teacher. she has been using digital media and live interactive musical systems since 1995. she studied in argentina and poland. at first she composed mainly for acoustic instruments, however, she gradually felt more attracted by different sound realms. today, the abrasive digital noise of her improvisations is far away from her earlier pieces. harsh dense layers of sounds, often interwoven with her voice, combine hybrid synthesis and sampling techniques to create a highly personal sound language, which reflects an intuitive, emotional and paradoxically also logical approach to music making. she currently lives in the united states.
teraz, tak!, her first album for pan y rosas, begins with a solo performance by andrea and is followed by a series of duets between andrea and the musicians: walter wright, davindar singh, adriana de los santos and alexei borisov who provide additional electronics, saxophone, piano and guitar respectively.
Obsolète Broadcast Système
Bris de Concept [0kbps027]
01 – Ihgt
02 – Tor
03 – N
04 – Lti
05 – Nvk
MAV [0kbps027] Records, March 2013
cover by CHDesign
isteronproject – smells like teen pussy [DLR027]
01 – un mollusco tentativo
02 – isteronproject’s top summer hits
Ingredients:
BENT: tape recorder, casio sa65, barbie bontempi keyboard, yamaha pss6, casio sk1, toy farm
NOT BENT: sw radio, monotron, metronome
Deep Lake Records
Rete del Disagio
Almost (a)live [0kbps025]
01 – sabotati dai bambini
02 – il parco
03 – la ventola del mistero
04 – una bella giornata
Giovanni Nembrini, Stefano Balice, Tommaso Busatto: electronics
Celeste: photo & video
Special guests: two random children
Recorded in Milan, 03-03-2013, using a microcassette recorder.
You can see the video of this performance here:
Rete del Disagio (the uneasiness network) is not a band, and has no stable line-up.
Rete del Disagio was born when followers and supporters from different web communities as upupachan, vaporized art movement, deep lake records and mav [0kbps] records, start to physically meet to bring the noise from the net to the streets.
La Rete del Disagio non è una band, e non ha una formazione stabile.
La Rete del Disagio è nata quando frequentatori e sostenitori di diverse comunità del web come upupachan, movimento arte vaporizzata, deep lake records e mav [0kbps] records, hanno cominciato ad incontrarsi fisicamente per portare il rumore dalla rete alle strade.
MAV [0kbps] Records, March 2013
–
■ EPV_121
–
■ bonus item
wallpaper for iPhone5 (lock & home screen) & PDF BOOK
–
all tracks & artwork & visual by Leedin
–
■ Leedin
Coming from Toon, a small Japanese town which belongs to the Ehime province, Hitoshi Asaumi delivers very unexpected sounds when compared to contemporary beat culture. Leedian disguise has been around for two years now and listening through his work one can find it difficult to categorize his music. From extreme noise, he switches fast to melodic pop backed by organic beat, then quickly back to the extreme noise .
There is an inevitable innocence deriving from his tracks, mainly with regards to their length. His music feels like an “arranged marriage” of the punk approach to composition with experimental electronic sounds. The result is rewarding and raw sounding. Jazz and electronic influences melting together in a chaotic doom-sounding noise.
(Byron Chris)
soundcloud.com/knarfnaideel
–
–
■ EPV_120
–
track by Saito Koji
artwork by ono (elementperspective)
–
■ Saito Koji
Saito Koji, born December 25, 1978, is a musician currently
living in Fukushima city, Fukushima prefecture. He played in
several bands, then went solo in 2003 after being influenced
by Otomo Yoshihide’s live performances, Derek Bailey’s CDs,
and Kaoru Abe’s videos. Saito is engaged in the pursuit of
an original kind of minimalism / improvisation.
www.discogs.com/artist/Saito+Koji
–
:: other release ::
EPV_109”Helplessness Loop_01”
elementperspective04.bandcamp.com/album/helplessness-loop-01
–
EPV_112”hope loop_01”
elementperspective04.bandcamp.com/album/hope-loop-01
–
EPV_116”Helplessness Loop_02”
elementperspective04.bandcamp.com/album/helplessness-loop-02
–
EPV_117”hope loop_02”
elementperspective04.bandcamp.com/album/hope-loop-02
–
EPV_119”Helplessness Loop_03”
elementperspective04.bandcamp.com/album/helplessness-loop-03
–
–
■ EPV_119
–
track by Saito Koji
artwork by ono (elementperspective)
–
■ Saito Koji
Saito Koji, born December 25, 1978, is a musician currently
living in Fukushima city, Fukushima prefecture. He played in
several bands, then went solo in 2003 after being influenced
by Otomo Yoshihide’s live performances, Derek Bailey’s CDs,
and Kaoru Abe’s videos. Saito is engaged in the pursuit of
an original kind of minimalism / improvisation.
www.discogs.com/artist/Saito+Koji
–
:: other release ::
EPV_109”Helplessness Loop_01”
elementperspective04.bandcamp.com/album/helplessness-loop-01
–
EPV_112”hope loop_01”
elementperspective04.bandcamp.com/album/hope-loop-01
–
EPV_116”Helplessness Loop_02”
elementperspective04.bandcamp.com/album/helplessness-loop-02
–
EPV_117”hope loop_02”
elementperspective04.bandcamp.com/album/hope-loop-02
–
