Humanfobia is a dark experimental, haunted house music duo from Chile.
Sound Mixer, cover artwork collage: Sábila Orbe.
vocals in all tracks, model in the cover: Mist Spectra.
for more music of this project visit:
– humanfobia-official.bandcamp.com/
– archive.org/details/fav-mist_spectra
– https://open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
– hearthis.at/humanfobia/
– https://soundcloud.com/humanfobia
all music by Noxpox. additional mixes and sound effects by Sábila Orbe
vocals in all tracks: Mist Spectra
artwork by Andre Hindenburg
– Noxpox is an industrial, experimental music project from Orsoy (am Niederrhein), Germany.
Created by Andre Hindenburg.
– Humanfobia is a witch house, experimental duo from Rancagua, Chile.
members: Sábila Orbe (sound mixer) & Mist Spectra (lead vocalist)
released April 30, 2022
written and produced by Luka Prinčič
sample on track 1 from La Fille du Régiment: “Il faut partir” sung by Pretty Yende
finalized at StudioSP3
cover graphics by Pawel Czerwinski (unsplash.com/photos/x0EANu5-ymY)
thanks to Maja Delak, dancers from her choreography that nons supported, and A.P., who left us too early.
XION2∞
credits
released September 3, 2021
Mix for Matyx by Title
Mastering by Ans / Krmelec Studio
Cover by Honza Čermák
snarewaves（@snarewaves） / Twitter twitter.com/snarewaves
Remix
hallycore（@hallycore_） / Twitter twitter.com/hallycore_
credits
released April 29, 2022
OMOIDE 243 odds & ends instance2
Marking a 13 year milestone for S27 with this two part showcase mix, digging deep into the archives of the many sounds and artists that make up the label discography.
All tracks written & produced by the respective artists. Check the track pages for ID’s.
credits
released April 25, 2022
Showcase compiled and released by S27
Cat No. [S27-189]
второй EP электронного проекта из Минска: коллаж, собранный из воспоминаний о Голубых озёрах и Нарочи.
альбом посвящён прекрасному белорусскому северу.
холодная музыка роботов – IDM и Glitch – резко контрастирует с красотой живой природы, но где-то есть точка соприкосновения.
«Poŭnač» – это попытка её обнаружить.
credits
released April 22, 2022
обложка – Blood Burner
released April 25, 2022
Music by BedouinDrone
Cover artwork by BedouinDrone and Angel Draganov
TAR150
@iamxato
More from TAR at:
instagram.com/wearetar
twitter.com/wearetar
facebook.com/wearetar
@wearetar
credits
released April 22, 2022
Compiled, cover artwork collage by Sábila Orbe.
Released by Internet Daemon Netlabel.
internetdaemon.bandcamp.com/
archive.org/details/fav-obscvre_triangle_compilations
ello.co/creativecommonsmusic
Each track composed by the respective artist. Links:
– Filmy Ghost: archive.org/details/fav-sabila_orbe02
– Humanfobia: humanfobia.jimdofree.com/discography-ii/
– tone tone: archive.org/search.php?query=creator%3A%22Tone+Tone%22
– Tribe Of Astronauts: archive.org/search.php?query=creator%3A%22Tribe+of+Astronauts%22
– Cult Of Parallax: ghostskull.bandcamp.com/
– Persefone: https://soundcloud.com/user-928550581
– Lezet: lezet.blogspot.com/
– Mayhem Lettuce: mayhemlettuce.bandcamp.com/
– Terbeschikkingstelling: sturmunddrang.bandcamp.com/
– Cuntboi: bandcamp.com/search?from=autocomplete&q=Cuntboi
– Origin of Styx: https://soundcloud.com/originofstyx
– Saint De L’Abime: saint-de-l-abime.bandcamp.com/
– Mean Flow: meanflow.bandcamp.com/
– Timmy the Tapeworm: timmythetapeworm.bandcamp.com/
– VICTOR HEADRICK: –
The Necrophile Hummingbird Netlabel presents Thee Mystery Unveiled by Invisible Illusion.
“Esoteric Music for Illuminated People”.
About the surface of this album :
“What the caterpillar calls the end, the rest of the world calls a butterfly.” (Fake Lao Tzu quote, which might come from Chuang Tzu talking about the transformation of things )
Unthinkable, like in the psychedelic experience when you touch something and are unable to be bring it back in human consciousness, letting us with the question : from where this is coming ?
Indeed, the trademark of this netlabel…
Really the fruit of many changes. Another Invisible Illusion’s album more noise was planned to be release first but it’s now in standby, maybe because it’s too long for my actual tastes. Also, because despite there is a plan I try my best to learn and it seems the split form of the two first albums is not so relevant. Finally, I prefer the form we used with the two sides of Beyond Magick Dreams A-Side & B-Side by Multiple Personality 3 for example. This record could sounds like the right next after OVER CAN, but in fact it’s the opposite, we achieved it just before to worked out OVER CAN.
So, don’t be surprise if the borderline between Invisible Illusion and Pirate Tapes is actually very thin : it’s a collaboration with Studio 112.
About the depths of this album :
Perhaps I could talk about the super ego in Isis Unveiled by H.P Blavatsky. And so explain that the mysterious signal, that many sensitive persons or precogs, like would say Philip K. Dick, is only coming from another part of each one hidden beyond a veil. Because of the latency, some do not understand that it creates a kind of reflection of our acts. So if instead to use it like any feedback system, we try to follow these orders we just get insane, the same way that someone looking into the mirror will fall into a mise en abîme…
I could…
But I may already talked about it in the presentation of the Necktar 2017 v2 related to this book… or somewhere else. And it’s definitively better to understand it by yourself than to read it from someone else.
If not, at that point you could feel close to face a magician showing his tricks…
What’s the point to live, if we can’t experiment by ourself ?
Good listen & thanks a lot for the support.
Love+Share+DIY
ed end
Video Art Clip
Soon or later here https://www.bitchute.com/channel/mixuptv/
Special thoughts to someone very dear to my friend Studio 112.
Dedicated to everyone aware that despite trying to live without any veils, behind each one there is another one, only invisible at this point. May the sūtra of the diamond be a blessing to advance in your quest.
Most scientists today believe in reductionism, a principle that says all phenomena in nature can ultimately be reduced to just two physical theories: general relativity and the standard model.
Another way of saying this, perhaps more interestingly, is that all phenomena we see in the macro world around us are derived from uncountable (but finite) numbers of fundamental interactions that together add up to results of amazing complexity and intricacy — results that seem impossible given how elementary are the fundamental interactions.
Scientists call this sort of thing “emergent phenomena”, the situation when an entity has properties its component parts do not have on their own. Everything we see around us, including life and consciousness, happens as a side effect from vast numbers of fundamental interactions, all taking place simultaneously and purely by accident. I’m no deist, but this state of affairs feels to me uncomfortably like magic. My thoughts as I write these words are just physical accidents derived from all the known physics churning inside me? Untenable. There has to be more to the story than that.
For this reason, emergence in nature has always fascinated me. I’ve long felt there is something profound lurking in emergence that our science and philosopy today do not yet understand. Why does the random statistical behavior of a sea of particles add up to life and sentience, and not just some bland featureless noise? And where did music come from in all this miraculous emergence?
This is precisely what I am studying in the method for this album. What happens when I stochastically combine musical phrases and ideas that are themselves self-generated? Will emergence occur? Or will I end up with bland featureless noise?
The rules for the method are simple: 1). constrain myself to (virtual) analog modular synthesis; 2). construct generative musical phrases in isolation of each other that share only a few basic properties; 3) combine these phrases stochastically; and finally 4). orchestrate the results so there is a human element involved and the results feel intentional. The hope is that with this method I can construct music that is only partially of my own creation, that somehow enlists the help of emergence, so that nature itself is also helping to construct the music.
That’s the idea, anyway.
Did I succeed in causing emergence to spontaneously occur? Well, I don’t know about all that, but I can say that I enjoyed the method and will certainly continue to explore the world of generative music. I find the results worthwhile, and so I thought I should share the music with you, the listener, so you can form your own opinions about whether nature intervened to create listenable music.
So I am happy to unveil my latest release, called “Aliquid Ex Nihilo”, which is Latin for “something out of nothing”. Did I create something or did I create nothing? You be the judge. I’m just here having fun and loving the process.
Dance and music since prehistoric times have developed hand in hand as a form of ritual, and it is from this bodily connection that music becomes so decisive in many dance works. Jorge Grela from Argentina, is the musician who scored part of the dance work “Manada” by Julieta Rodríguez Grumberg, which premiered virtually in 2021 in Buenos Aires. The sound result is compiled in the 4 track EP “SCRUM”, composed completely for corporal movement, with ambient rhythms that will delight us, making us participants in a flock, in a very profound auditory experience that proceeds from evolution to resistance, with musical arrangements of voices, guitars, bass, drums and synthesizers, passing through instrumental music to electronic music, which will undoubtedly make us feel the dance in our ears.
Felipe Baradit
(Concón, Chile. Abril / April 2022)
archive.org/download/pn204/pn204_04_jorge-grela_scrum.mp3
a hardware-based EP unfolding the story of ambiguity and becoming, wrapped into analogue sounding cuddling waves.
cover by Jan Burian.
credits
released April 16, 2022
Various Artists – one hundred thirty „episode 3“ (Insectorama130)
The 130 release on insectorama. We’re celebrating this with a large dubtechno Compilation. This is episode 3 of 3 with the last 20 tracks by dubtechno artists from all over the world. Thank you very much to all the artists who make this compilation something very special with their track. 2,5 hours full of echoes and delays that will take you on a journey into the deepest dub valleys. Relax and enjoy these timeless tracks suitable for the cold season.
Tracklist:
01.moodeep – Dark Horizon
02.Nawa – Strange Weather
03.The Open Circle – Contact
04.Markus Masuhr – On The Contrary
05.Stereo Split – 11th Floor
06.Monopsia – Current Capacity
07.LutchamaK – Krtagyata
08.Remote Guest List – Diplopia
09.Gregi – Bifurcation
10.lotech/hijack – snow crunching underfoot
11.mA – Drifter
12.Bethelina – What Do You Want to Be
13.Cbdubs – Deep Souls
14.sleep architecture – cell growth
15.Ocralab – Psithurism
16.LoFi Astronauts – Danger
17.Asphalt Layer – Parameter Depth
18.773b – Morning Frost
19.Highdub – Introspection
20.Spigl – 07072020
insectorama 130 / episode 3
Mastering and Artwork by Markus Masuhr
Various Artists – one hundred thirty „episode 2“ (Insectorama130)
The 130 release on insectorama. We’re celebrating this with a large dubtechno Compilation. This is episode 2 of 3 with the next 22 tracks by dubtechno artists from all over the world. Thank you very much to all the artists who make this compilation something very special with their track. 2,5 hours full of echoes and delays that will take you on a journey into the deepest dub valleys. Relax and enjoy these timeless tracks suitable for the cold season.
Tracklist:
01.Dmytro Bobryk – Goverla
02.Post Apocalyptic – Spirit Of The Mountain
03.Altone – Nostalgia
04.Deemkeyne – Vzmah
05.Markus Masuhr – Cosmotronic
06.Ajnkana – 0 49
07.Phil Baenz – Orca
08.Rick Fox – Growing Idea aka Unblocked
09.Davor Tosovic – Deeper Simplicity
10.George Kostopoulos – Scapes
11.Dub Portrait – Siren’s Lure
12.R.Hz – Lighthouse
13.Eterna – Iomante
14.Ekodust – Serac
15.AND 16. – Color Patterns
16.A-MAG – Winter Moods
17.Luca Fontanesi – Flatness Project
18.Infinitedub – Transcend
19.Peter aka Bakker – Insectorama Dub
20.Phonaut – Progress Dub
21.Mindbender & Steve Knots – In Dub We Trust
22.Spigl -11052020
Mastering and Artwork by Markus Masuhr
insectorama 130 *episode 2
Various Artists – one hundred thirty „episode 1“ (Insectorama130)
The 130 release on insectorama. We’re celebrating this with a large dubtechno Compilation. This is episode 1 of 3 with the first 19 tracks by dubtechno artists from all over the world. Thank you very much to all the artists who make this compilation something very special with their track. 2,5 hours full of echoes and delays that will take you on a journey into the deepest dub valleys. Relax and enjoy these timeless tracks suitable for the cold season.
Tracklist:
01.Alexander Bogdanov – Mind Detox
02.am.tape – Crato
03.echOnOmic – Catatonic
04.Francisco Aguado – Smooth Dub
05.Markus Masuhr – The Light of the Night
06.Ian Oskadev – Equinox
07.Adam Carling and Nick De Voost – Dub Elixir
08.Faestos – There Is Absolutely Nothing To Worry About
09.INTRIP – Zorgons
10.Subliminal – Forbidden Teachings
11.Frank Hellmond – Northern Lights
12.Schulz Audio – Volatile
13.Matt Schulz – Wake Up
14.Mime – Old Dub Tape
15.Roman Ridder – Spacetrain
16.The Venusian – Gray Dimension
17.上-JYOUGE-下 – Winter Blue
18.Kettenreaktion – Placide
19.Pyrmont – Pinaceae
Mastering and Artwork by Markus Masuhr
insectorama 130 *episode 1
When the fog slowly rises in the valley at the beginning of the day and covers you like a gentle layer of relaxation and then the clarity of the day appears, then you are already in the middle of a journey full of mystical stories. This is exactly where the new album by The Open Circle from Belgium takes you and shows you the perfection of rhythm and melody in harmony with never-ending echoes and timbres.
Tracklist:
1.Signs
2.Contact
3.Incoming
4.Religion
5.Second Life
6.Time
7.Visuals
Insectorama129
all Tracks by The Open Circle
Mastering by The Open Circle
Artwork by Markus Masuhr
Picture by Wojciech Bulman
Un registro de catársis a través del noise.
leonardosacul.bandcamp.com
credits
released April 10, 2022
Leonardo Sacul – TidalCycles, livecoding.
Ismael Verde – Mezcla y Mastering.
Muchas gracias a Karen Palacio por su inmenso apoyo.
![Retouched – Untitled Dat Aa5 [Love & Peace]](https://f4.bcbits.com/img/a3386279910_10.jpg)
released April 13, 2022
Ca5 is the newest artist to join the MiMi Records family, but since 2001 he has been released many music on the Internet.
Ca5’s hobby is create a unique system with gadgets such as iPad and arduino. He use controllers at max / msp to reconstruct songs mainly centering on breaks beat, chiptunes and 8bit music.
Pastel Tones is a 4 instrumental tracks EP that will make you feel like you are playing a video game. This was the music we was raised on in a way. We grew up playing video games on the original Nintendo and then Sega Genesis.
We advise you to listen to this EP in loop, leaving the warning that it is very likely that you will get addicted.
This album explores different aspects of the manipulation of time. I have been asking myself how the digital results of manipulating time relate to my perception of time in the physical world. Having become comfortable watching videos at 2x speed, I recently found myself wanting to 2x a video call. In that moment, getting the information in real-time seemed inefficient. I wondered if I saw efficiency as simply squashing as much as possible into as little time as possible, and what does that mean for making and experiencing music.
I chop up the sounds as I chop up my time – squashing some meaningful moments and escaping from time through rituals of repetition. I enjoy the frantic sound of fighting time, but I am equally interested in the moments of surrender.
I wanted to create and experience music in different time scales. While there is no auditory container for sound, there is a time frame. We have physical limitations to how we can perceive music as the perception of sound is directly linked to time.
The artefacts that are produced from extended time-stretching are processed further to create textures and glitches. The results appear to me as fragments that suggest something lost or something found. Through a collapsing, expanding and ravelling of information, something new is created. It is not simply the same thing played fast or slow, but a new ‘thing’ that is very different to the original source, though still connected to it.
All these tracks began as improvisations. There are no restrictions to the processing and production, except that nothing gets redone. There is some quality in the spontaneity that I want to preserve. Though the material is shaped and transformed in many ways, it has an origin that is connected to a time, place and emotion.
Album artwork by Daryl Feehely.
Full album available for free download here: www.panyrosasdiscos.org/pyr315-jenn-kirby-ravel/
Any proceeds from this album will be donated to Women’s Aid. www.womensaid.ie
credits
released March 18, 2022
