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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Leonardo Barbierato – ]ex(s)it(u)[

Leonardo Barbierato – ]ex(s)it(u)[

Leonardo Barbierato

“]ex(s)it(u)[“

Leonardo Barbierato – ]ex(s)it(u)[
]ex(s)it(u)[ emerges from a gesture of displacement. The album gathers excerpts from [in situ], a series of site-specific, improvised music performances carried out between 2023 and 2025 within ecosystems marked by various forms of tension and precarity. During [in situ], performative and environmental sounds meet and overlap, generating space-times of cohabitation, not necessarily reconciliatory, between human and other-than-human elements.
posted 06 August 2026

Vitor Rua – Where The Sound Learns To Breath

Vitor Rua – Where The Sound Learns To Breath

Vitor Rua

“Where The Sound Learns To Breath”

Vitor Rua – Where The Sound Learns To Breath

Some music occupies time. This album attempts to return it.
Where The Sound Learns To Breathe emerged from a single, uninterrupted real-time performance, without edits or overdubs.

A Steinberger guitar, transformed through the Mood, Tensor, Hologram and Cosmos pedals, becomes more than an instrument: it unfolds into an ecosystem where every resonance gives birth to the next, as though sound itself were slowly learning how to breathe.

The three pieces tell no story and seek no destination. Instead, they open a place. A place where duration regains its depth, where listening steps away from urgency, and where silence becomes part of the music’s living substance rather than the space between events.

The music unfolds at an almost geological pace, allowing subtle shifts of timbre, texture and resonance to reveal landscapes that exist only for as long as they are being heard.

This record is an invitation to suspend, for a while, the accelerating rhythm of contemporary life, and to allow the air to keep listening long after the final sound has faded.

posted 03 August 2026

Charles Rice Goff III – III For Phinney

Charles Rice Goff III – III For Phinney

Charles Rice Goff III

“III For Phinney”

Charles Rice Goff III – III For Phinney

III For Phinney

by Charles Rice Goff III

1 The Coiled Cottonmouth
2 Big Muddy Memphis Distortion Blues
3 Southern Fried Anguish

INSTRUMENTS:

Korg R3 Vocoder/Synthesizer
Fender Hello Kitty Stratocaster Electronic Guitar
Various Analog Foot Pedal Sound Effects
Boss RC 20X Loop Station Loop Duplicator

FROM THE AUTHOR:

Chris Phinney and Charles Goff III began a friendship and artistic collaborative relationship during the middle 1980s, which continued to the very end of Chris’s life in the summer of 2026. Goff was informed of Chris’s passing on July 3, 2026, which turned out to be a challenging day in many ways for Goff. Chris himself was challenged by life’s unexpected disasters many times, resulting in tremendous physical and economic strains over the years. Chris never went down easy though, and his recordings often artistically channeled his frustrations. For Goff, Chris’s passing was one challenge that ate into his own soul so deeply that he cleared his schedule for that July 3 day and put his Taped Rugs Studio through a frustration-releasing improv session. Goff genuinely felt that Chris’s essence was there in the studio with him as he created the recordings.

The three recordings presented here are the end result of the session. A lot more material was recorded, but Goff specifically chose these three choicest bits to share with the general public as his respectful tribute to his late friend and associate. No materials that did not originate from the July 3 session were added to the final mixes. No artificial intelligence ( AI ) was employed in molding this presentation. These recordings are enhanced by Goff’s electric guitar playing, which, due to his own physical issues, have been absent from most of Goff’s productions for the last few years. This challenge was met and executed with the knowledge that Goff likely would physically pay for it later, which he did. (Challenge accepted!)

In the summer of 2006, during Goff’s 06/06 Tour Of The Southeast USA, Chris generously hosted Goff for a stay at his home in Memphis, Tennessee. The cover photo for this presentation was taken on Beale Street in Memphis during the visit. More information, recordings, and video from this visit can be found at this Taped Rugs site:

https://tapedrugs.com/TapedRugs0606TourArchive.html

Chris worked with hundreds of artists over the years. He initially shared his work and the work of several other artists on his Harsh Reality Music cassette label, which is well documented at the website below:

http://www.haltapes.com/harsh-reality-music.html

Chris later created an online Harsh Reality presence, was a co-founder of the Tapegerm interactive music collective, and produced a number of CDs and CDRs. Much of what is still currently offered to the public from these sources can be accessed at the websites below:

harshrealitymusic.bandcamp.com
tapegerm.org/chris-phinney/

A FEW COLLABORATIVE PHINNEY-GOFF PRODUCTIONS AVAILABLE FOR FREE STREAMING AND DOWNLOADING:

https://archive.org/details/MaestrosOfTheMagneticAge
https://archive.org/details/TapedRugsTourTennesseeOne
https://archive.org/details/TapedRugsTourTennesseeTwo
https://archive.org/details/TapedRugsTourVideo

copyright 2026 by Taped Rugs Productions
www.tapedrugs.com

posted 29 July 2026

AllGrimace&Flush – AllGrimace&Flush

AllGrimace&Flush – AllGrimace&Flush

AllGrimace&Flush

“AllGrimace&Flush”

AllGrimace&Flush – AllGrimace&Flush

Andrew Leslie Hooker: No-input Mixing Board, Microphone Feedback, Vinyl Samples
MKLord: Tenor & Alto Saxophones

This composition began its life as a proposed (and subsequently rejected) durational piece for a dance performance. However, as a stand-alone work, I felt that it needed some kind of dark energy buzzing away (like frying sardines) under the middle drone section…that’s where Matt came in with his fire-music sax playing. The sonics and the mentalities fused, and AllGrimace&Flush was born.

posted 28 July 2026

W+V (Wagner+Vampire) – The Red Noisegate of Ostara (live)

W+V (Wagner+Vampire) – The Red Noisegate of Ostara (live)

W+V (Wagner+Vampire)

“The Red Noisegate of Ostara (live)”

W+V (Wagner+Vampire) – The Red Noisegate of Ostara (live)

Alexander (.WAV.) Wagner – electroguitar, synths, drumpad, e-bow.
Alexey (Vampire) Vokhmyakov – soprano saxophone, percussion, drumpad, voice.

This is a recording of a live performance by musicians from the projects “Ad Lux ​​Tenebrae” and “.WAV.” each of whom is independent and original. This complete improvisation, roughly divided into sections, was performed at an INDUSTRIAL/NOISE FORUM at the Tarkus rock store in Yekaterinburg, Russia.
Recording – march 14, 2026 (3dekb studio)

posted 22 July 2026

Psyché Pelik + Valérie Bourquin + Yoshiwaku Mushotoku – The Endless Woman's Day…

Psyché Pelik + Valérie Bourquin + Yoshiwaku Mushotoku – The Endless Woman's Day…

Psyché Pelik + Valérie Bourquin + Yoshiwaku Mushotoku

“The Endless Woman’s Day…”

Psyché Pelik + Valérie Bourquin + Yoshiwaku Mushotoku – The Endless Woman's Day…

The Necrophile Hummingbird non profit netlabel presents “La Journée Sans Fin De La Femme” by Psyché Pelik + Valérie Bourquin + Yoshiwaku Mushotoku

“Antipatriarchy Music for the self-liberated women”

The Endless Woman’s Day…

Improvisation recorded the 8th March 2026 at Le Champ Du Possible (The Possibility’s Field) in Dole.

This was our first steps under our real names.
We keep it to remember from where we came.
The slightly different other part of the session is here twinrealitiesdreamers.bandcamp.com/album/bulungu-tame

This album is dedicated to all the victims of the men.

This album is part of Netlabel day 2026

posted 19 July 2026

ONO x ILLER – .D.Y.S.T.O.P.I.A.

ONO x ILLER – .D.Y.S.T.O.P.I.A.

ONO x ILLER

“.D.Y.S.T.O.P.I.A.”

ONO x ILLER – .D.Y.S.T.O.P.I.A.

■ EPV_232

artwork & vocal by ILLER (https://lit.link/illerakamaa)

■ ILLER’s latest song
Aesthetic(prod.pipebomb)
https://www.youtube.com/watch?v=DYT66AGlhZw

The Frontrooms(prod.pipebomb)
https://www.youtube.com/watch?v=FKehqVQ3kGU
—————————————–
■ Special Thanks
This release is a curated archive of tracks originally created for the vocal compilation hosted by Fukuoka Digital.

Explore the full compilation here:
music-compilation.com/archives/album/vocalsongmusic2026
posted 17 July 2026

Various Artist – 👽 I want to Believe (X-files Tribute)🔍

Various Artist – 👽 I want to Believe (X-files Tribute)🔍

Various Artist

” I want to Believe (X-files Tribute)”

Various Artist – 👽 I want to Believe (X-files Tribute)🔍

Compiled, artwork collage by Sábila Orbe.

Each track composed by respective artists. Links:
– Innocent Darkness: soundcloud.com/innocentdarkness
– el_masmore: elmasmore.bandcamp.com/
– Zazie Productions: zazieproductions.bandcamp.com/
– Pizzabox: soundcloud.com/pizzabox92
– PressureWorks: soundcloud.com/pressureworks6/tracks
– UFO Sighting: ufosighting.bandcamp.com/
– Cafec: cafec.bandcamp.com/
– Double C: soundcloud.com/double-c-77891164
– Delsocks: open.spotify.com/intl-es/artist/4Da0og3qSCtXRVpfV2ol4W
– gon pulvo: soundcloud.com/poruvo/tracks
– Kleinhirnkammer: archive.org/details/@kontakt_kleinhirnkammer_de
– Humanfobia: humanfobia-official.bandcamp.com/

posted 17 July 2026

René Muñoz Córdova – KOM

René Muñoz Córdova – KOM

René Muñoz Córdova

“KOM”

René Muñoz Córdova – KOM
KOM constitutes one of the most condensed realizations within the artistic trajectory of René Muñoz Córdova. Far from representing a rupture with his previous investigations, the work condenses decades of research into a single sonic piece.
Endowed with a strong physical force, KOM unfolds as a ritual of musique concrète and acousmatic practice, where materials possess density and weight, and the acoustic space acquires a three-dimensional dimension. The instrumental ensemble emerges as a presence that is simultaneously solid and spectral: industrial debris, resonances of metallic strings, voice, electronic synthesis, and the structural role of the bansuri converge in the configuration of a complex and deeply corporeal sonic architecture.
posted 15 July 2026

Christophe Bailleau O'Farrell – Romantic, Visceral

Christophe Bailleau O'Farrell – Romantic, Visceral

Christophe Bailleau O’Farrell

“Romantic, Visceral”

Christophe Bailleau O'Farrell – Romantic, Visceral

Released July 3, 2026 as free (cc) digital download and in beautiful limited CD edition.

“Rare Moments … There are times when a musician seems possessed by an extraordinary creative energy. Christophe Bailleau O’Farrell is undeniably going through one of these periods. His albums follow one another at a steady pace, yet this abundance is never accompanied by any loss of momentum: each new release enriches a constantly expanding universe.

With “Romantic, Visceral”, Bailleau O’Farrell continues this inspired dynamic. A composer, programmer, pianist, guitarist, flutist, and soundscape artist, the musician from the Liège province also knows how to surround himself with the most relevant collaborators: Julien Ash, A Limb, Kozik, or Jordane Prestrot.

“My vision of Romantism: a quest of beauty and mystery, truth…” specifies Christophe.

“Romantic, Visceral” approaches its subject with a discreetly brilliant touch. Here, the displayed romanticism has nothing to do with outdated nostalgia. It is a permanent quest for mystery, infatuated with that murky, Baudelairean, exhilarating beauty!

Christophe Bailleau O’Farrell is a musician in a state of absolute grace!”
–Ilian Mirov, June 2026

“My friend, my mentor is dead. The universe has split in two, me in the middle.
How to find your way back to dreams, to yourself?
Romanticism (and the internal transformations it brings about) is a necessity in a world parched with age.
Fall into darkness. Get up. Recover, leave, hope, continue.
Romantism, visceral.
>From the manure comes the rose.”
–Christophe Bailleau O’Farrell, June 2026

Christophe Bailleau O’Farrell : production, programming, piano, guitar, flute, synths.

with
Julien Ash : sax, violin, synths on tracks 10 & 11
A Limb : sounds and madness on track 6
Kozik : charango on track 6
Jordane Prestrot : keyboards on track 4

Artwork : Christophe Bailleau (bummy style)
Mastering : Julien Ash

My vision of Romantism : a quest of beauty and mystery, truth, a way to calm down never found but approaching / too old to die.

PLEASE RESET THE WORLD

Thanks to Philippe Franck, my family, Ivo, Zorg…

posted 13 July 2026

alcyon – Selected Works 2000-2026

alcyon – Selected Works 2000-2026

alcyon

“Selected Works 2000-2026”

alcyon – Selected Works 2000-2026

Another new addition to the MiMi Records catalogue.
Selected Works 2000–2026 brings together more than two decades of Alcyon’s musical output, tracing a journey where ambient music intersects with memory, stillness, and emotion.

Inspired by feelings of familiarity, nostalgia, romance, and “saudade”, the album invites listeners into a contemplative experience, unfolding delicate and timeless sonic landscapes.

More than a retrospective, Selected Works 2000–2026 stands as a testament to Alcyon’s artistic evolution between 2000 and 2026.

posted 07 July 2026

Jazzaria – All the Things to Say

Jazzaria – All the Things to Say

Jazzaria

“All the Things to Say”

Jazzaria – All the Things to Say

Journeys through familiar places can proceed in strange ways. It is difficult to capture how, as we either fall back on tropes or into noise. Despite the distance between these extremes, their bounding lines are thin – porous.

Featuring clarinet.

posted 05 July 2026

Jazzaria – Forked Lightning

Jazzaria – Forked Lightning

Jazzaria

“Forked Lightning”

Jazzaria – Forked Lightning

Triumphantly approaching, from either side – diving and dodging, far and wide. Success is at hand, but not yet here – the drive to continue is strikingly clear.

Based on the concluding fanfare from Liszt’s Les Préludes, as featured in the 1940s Flash Gordon Conquers the Universe. Featuring orchestra and improvised overdubbed clarinet.

posted 28 June 2026

Mauro Sambo & George Cartwright – Posso solo mostrare i denti

Mauro Sambo & George Cartwright – Posso solo mostrare i denti

Mauro Sambo & George Cartwright

“Posso solo mostrare i denti”

Mauro Sambo & George Cartwright – Posso solo mostrare i denti

Mauro Sambo – electronics, zither, bass and contra-alto clarinets, flute, percussion, gong
George Cartwright – alto and tenor saxs, acoustic and electric guitar, “deer call”
The titles of the CD and the songs are taken from the book “Flussi” by Matilde Sambo

cover art – Mauro Sambo
from the series “myodesopsie”

posted 28 June 2026

Kircher Elettrodomestici – Dottori

Kircher Elettrodomestici – Dottori

Kircher Elettrodomestici

“Dottori”

Kircher Elettrodomestici – Dottori

“Dottori” is a list of doctors’ addresses, captured on a minicassette by an unknown person for unknown reasons.
In this session for harmonium and modified tape recorders, Maria Valentina Kircher, descendant of Athanasius Kircher, and Stefano Elettrodomestici, a sales representative, give voice to something they cannot know.

Limited edition of 23 hand-inked floppy disks

posted 24 June 2026

Andy Nechaevsky – Vu iz dos gesele (as an echo)

Andy Nechaevsky – Vu iz dos gesele (as an echo)

Andy Nechaevsky

“Vu iz dos gesele (as an echo)”

Andy Nechaevsky – Vu iz dos gesele (as an echo)

When I lived in a tiny godforsaken fishing village in Crimea, I had a collection of antique glass fishing floats, picked up on the shores of the Sea of ​​Azov – just like the ones they collect in Japan. Only photographs remain now, because I no longer know where that home of mine is.

And a street that no longer exists for me. A window with erased coordinates. Blue glass floats in a digital media only. Not too much for recollection, I can’t help not to recollect.


■ Vu iz dos gesele (as an echo) // Crimean Memoir
A 5-minute raw hauntological document captured accidentally during a Zoom H2 field test.

An enharmonic intersection of the Japanese C In Sen scale and F Harmonic Minor, where the ghost of a traditional melody involuntarily bleeds through a rigid modal space. Left unedited with all the room tones and industrial rumble from an open window.

Video: Shifting light on the original archival photographs of my lost glass floats.

posted 17 June 2026