[wp_bandcamp_player type=”album” id=”3886173769″ size=”grande” bg_color=”#FFFFFF” link_color=”#CC00CC”]
Ephesians 3:17 That Christ may dwell in your hearts by faith; that ye, being rooted and grounded in love, 18 May be able to comprehend with all saints what is the breadth, and length, and depth, and height; 19 And to know the love of Christ, which passeth knowledge, that ye might be filled with all the fulness of God.
Kenya children’s chant in English= Jesus Loves Me
Behind the Concept
“I have and always will be a dreamer which is maybe why every once in a while I wake up after a remarkable one and I actually remember it. The dream that inspired this piece occurred in the waking hours of 30th July 2012 and made me realise it was a story I’d been writing, through my more downtempo tracks, for many months. So it was just a case of picking up the pieces, putting them together in the right order and filling in a few missing gaps (as well as putting it into a context, verbally).
Dreams don’t have to make sense but sometimes they’re so real they nearly do…this was one of those dreams (with a few temporal anomalies to gloss over).
The album, conceptually telling Christina Mancini’s story and hence the essence of the dream, is available as separate tracks or as a mixed version for free download.”
Rotorro, August, 2012
Deus est Lux I is the first track of what should become, God willing, a series of tracks, perhaps similar to the peacemaker series. Deus est Lux I is a peaceful journey through a sonic soundscape, filled with calm rivers of changing harmonies. This track is a result of an eager desire to create sounds that journey to the edge of unchanging, peaceful solitude.
1 John 1:5 “This then is the message which we have heard of him, and declare unto you, that God is light, and in him is no darkness at all.”
Soli Deo Gloria
Label: Electronica 4 God
Release Number: e4g020
Copyright: Creative Commons CC0 1.0 Universal
Follow Us At:
The noise accompanying their anguished melodies creating landscapes closer to the subconscious that in real life, opting for a sound that mixes the new/dark/cold wave, with its obvious post-punk will.
His first album with us is the same name and contains 13 songs full of abyss and sulfur. A prodigy.
Linear Obsessional’s first release of synthesizer music (but our second of music related to the work of JG Ballard see LOR010), Paul Wady’s haunting and austere work took something like 30 years to reach fruition. Finally recorded in 2009 “The Terminal Beach” is as strange, emotionally void and as powerfully compulsive as its subject matter
“I found many ways out of this nihilistic world of the early 80s. But it left me with a great deal to express, and for me the only way to do it was with musical instruments cold and mechanical enough to do it” – Paul Wady (from the accompanying notes)
Release comes with detailed 18 page A5 PDF booklet of notes and photographs by the composer.
for dancers in france is an exploration of the tibetan bowl, balinese cymbals, tam-tam, temple blocks, the forest, rain and the interaction of dancers. four long pieces stretch out over two hours, an exercise in listening and feeling. says corner “the flat gong gives a spectrum of Dense Vibrations which would be called dissonant if they were not the essence of harmony. all you need to do is listen.”
00:00 Ostensibly Ossified – Contemporary Coma
00:47 Aerosyn – First Kill (Dawn of Predation)
03:14 Speculativism – Future Poem (text)
05:04 Baskyl – Oh, nothing, just a blurred Vision…
08:50 Korin VG – Last Mirage 5
13:22 Exit To Exist – Daybreak’s Lament
36:02 Richard There – Black birds can live forever
39:27 Subterrestrial – Madness at the Edge of a Black Hole
46:56 Muser – End of Days
55:09 SFIAS – Lord, We Come Before Thee Now
01:00:11 Speculativism – Solitude (Duke Ellington cover)
