photo and design by EMERGE
Surak has been a fixture within the experimental community for many years, curating the sonic circuits festival, programming for Rhizome DC, and running his own zeromoon label. His own work manifests non-linear narratives through lo-fi techniques and archaic technologies. Strange Lives was recorded live in Hamburg and Berlin in the summer of 2022.
BONUS TRACKS
Min 71-8 Takes 4, 11 and unnumbered
Fragment-Gateway-Test-12.2-Declassified
Mod 8c XP
Three years after BERG 7, The Committee For Sonic Research are pleased to present another volume of archival recordings from the British Experimental Rocket Group.
It would have been naive to assume that the global Covid pandemic and subsequent geopolitical and socio-economic events would not have impacted on the BERG audio publication project. As a noted physicist once said, “When b + b/1+b2 < = 1{5r9} You’re bound to have delays.”
Over the past year, individuals have continued to contact the Committee offices with hard media or potential sources or leads where BERG material from the various research branches were once located. We thank everyone who has contributed material that has been incorporated into this latest edition. Much has been kindly donated from private collections whilst other finds have been acquired via more clandestine methods and so we have agreed to protect the anonymity of these donors. Of particular note however, we must thank and acknowledge the meticulous investigative work of staff from a research establishment near Oppdal who’s work authenticating BERG recordings has been critical to the project.
The recordings within this latest collection represent a pivotal moment in the BERG story representing as they do, a sizeable collection of sonic experiments we believe to be associated with the long abandoned ‘Project Echo-Hammer’ which, post schism, was sadly developed for military applications. Much controversy exists today about the alleged consequences of the testing that took place at a purported remote arctic research facility, but we feel that the inclusion of a sample of these recordings which have been rendered safe for human hearing ranges, is justified for it’s historic significance and will be of interest to the casual listener as well as those engaged in serious academic research.
With more material yet to be assessed, cleaned and compiled, we expect that there will be more fascinating BERG releases to come in this series.
credits
released April 1, 2023
没有什么比起糟糕的声音更有意思了
Track Listing:
01. ハヤトムラカミ – 糸波 4
02. LieDeeDonk – CCCC Gate
03. DJハルウララ(アニメ版) – AMEN MARCH♪
04. Fukka – We will kick you
05. GoldenEggs – 黒猫「セックスとReizoko」発言
06. exnoiz – Ephemeral existence
07. λμκικαζε – 失敗 お前
08. pencil – Rare Hunter
09. SGHAL – Last Light
10. Uroko – Zen
11. Aquestion – ナッシュ生活
Prompted by λμκικαζε
Artwork by Occupied Territories
Chinese Translation by 望月真白
Adriano Cava is an artist based in Turin, Italy. He is part of the New Weird Italia collective and co-founder of the “screw wave” label Riforma. Adriano plays with tape, electricity and various sonic masses to explore sounding environments.
Adriano Cava’s debut on Mahorka was finalized under the name “Lineology” after a few iterations of the sonic contents, names, sides order and design in discussions with the label.
“These tracks originated from a basic approach to sounds. Focusing only on the frequencies’ “mass”, I warped and sculpted it following irregular imaginary lines.
When some granular samplers, a digital delay and a synth got stuck in a circular resampling chain, they started generating feedbacks, saturation and clipping. Listening to and contemplating this “sonic stalemate” I began to deepen it by stretching and pitching down each texture and each note.
The “magnetic” side replays the same game using an old magnetophone (a Castelli tape recorder borrowed from a friend). Each “digital” track is overdubbed in a singular reel loop and then expanded again, adding few new elements.
Both processes were dark and unconscious. The eight (4+4) tracks, split in two sides of a tape, are still open, intentionally released without a final edit.”
Released March 25, 2023 as free (cc) digital download and limited cassette edition.
SIDE A: Digital Lines I – IV
SIDE B: Magnetic Lines I-IV
Recording, mixing, mastering: Adriano Cava
Cover Artwork: Adriano Cava and Ivo Petrov
I†† – Pentagrammaton /// ▲░░░ I†† (eyedoublecross) 2023 ALBUM ░░░▲
I†† (eyedoublecross) is a witch house, industrial ghost drone project from Richmond, Kentucky US.
For more music by this artist visit:
– https://eyedoublecross.bandcamp.com/
– http://www.eyedoublecross.com/
– https://www.facebook.com/eyedoublecross
videos:
– https://vimeo.com/user4580516
– https://www.youtube.com/user/eyedoublecross
Full discography info:
– https://www.discogs.com/es/artist/9467677-Eyedoublecross
All music composed by I††.
Mastered by Martin Bowes at The Cages Studios.
Recorded from 2016-2022.
Mastered in summer 2022.
Guten Tag! Das Tape beginnt mit einer „wahren Geschichte“: in Füssen gibt es jedenfalls nur eine Disco. Serge Eijn sind Serge Eijn; vielleicht muß man an Gott denken, wenn man Serge Eijn sagt. Zu Harald „Sack“ Ziegler steht an anderer Stelle mehr; sein erstes Tape kam so gegen ’85 übrigens. Zu dem Erdmann, dem Jan, und seinen Liedern muß man nichts mehr sagen, außer vieleleicht, daß zunächst dieses Stück auf die Platte sollte. Dr. Proll sind zwei im Afri-Cola-Rausch: Frank Mittendorf, der große Bruder von Jens, und der Knusti, der auch bei der Krone was zu sagen hat. 1/8 Japanese hießen früher Start Stop; Frank’s kleiner Bruder spielt Bass und Adelheid Schlagzeug. Das Stück von Phantom Payn stammt von einer Aufnahme-Session bei Silke Arp-Bricht, die wohl zunächst nicht weiter verwertet wird… Aber von Willi mit viel Liebe und Hall aufgenommen und gemischt. Sollten wir das Geheimnis von Milford T. lüften? Das Rauschen unterdrücken? Und wer besorgt ihr einen 4Spur-Recorder? Schnell? Das Stück von Gott ist ganz neu und während der Session aufgenommen, die dann ja zur Split-LP mit der Krone geführt hat. Vielleicht kommt da ja nochmal Gesang drauf? Das weiß nur der Herr… Loucious Lydia & The Silent biscuit Experience haben Computer, aber weder Pippi Langstrumpf-Zöpfe noch weiße Handschuhe. Weiße Handschuhe bitte an Sonic Bum. CultureCrash II: The Big-baenders ist die Bigband vom alten Wilhelm Dammeier und wurde am 16.11.1953 im Café Glocksee mitgeschnitten. Zu den Unmasked Muscle Marvels auch mehr an anderer Stelle, nur noch: In Wendthagen fing dieses Licht an zu leuchten. Kommen wir von Stefans erster Band zu dem neuen Projekt seines Bruders Olaf: Um Die Unheilige Allianz zu hören, machen wir uns ein paar warme Winde, drehen die Cassete um und lehnen uns zurück. Die nächsten 45 Minuten verlaufen nun doch etwas anders: Die Krone der Gastlichkeit z.B., jene sozialistische Arbeitercombo, zeigen mit ihrem Stück, daß auch in der DDR der 70er Jahre bewußtseinserweiternde Drogen ausprobiert wurden. „Womit hat er das gemacht?“, fragt der Haus- und Hofproduzent. Die Rede ist von Frank, dem Kopf hinter Echa Deha. Hier zeigt er etwas anderes (mehr?) als bei Dr. Proll. Eine Bassgitarre und moderne Elektronik setzt Bassoli ein – und hier vielleicht zum letzten Mal Overdubs. Wer weiß schon, was in diesem Kopf vorgeht? Hey Baby machten sich vielleicht Gedanken darüber, was im Kopf der inhaftierten Frau vorgeht, als sie die Szene im Knast vortonen durften. Echa Deha bringt dann das Ding noch einmal zu Fliegen, bis Start Stop mit diversen Gitarren, Bässen und Verstärkern kommen und große Schwierigkeiten haben, diese verdammte Drehbewegung in den Griff zu bekommen.
released November 27, 1993
Gemastert am 24.11.93 von DIGITAL DROPOUTS GmH Langenhagen. Assistiert haben Willi D. und René Bleep Sonic bum.
Remastering / Digitalisierung von Frank Mittendorf und E.T.
n.UR-Kult 010
Der Text wurde vom Original genau so wie er da stand abgetippt.
▼∆∆∆▲░░░†░░░†░░░†░░░†▼∆∆∆▲░░░†░░░†░░░†░░░†
Compiled, cover collage: Sábila Orbe.
Released by Internet Daemon (ex-Witch Spectra):
https://new-age-vapor-witch.bandcamp.com/
https://archive.org/details/fav-witch_spectra
co-released with Skull Triangle Skull Netlabel:
https://skulltriangleskull.bandcamp.com/
https://www.instagram.com/skull.triangle.skull/
Each track composed by the respective artist. Links:
– ACITYASLEEP: https://acityasleepnfk.bandcamp.com/
– Topaz Cult: https://soundcloud.com/user-869544298
– urbain grandier: https://burnet207.bandcamp.com/
– I††: https://eyedoublecross.bandcamp.com/
– noxpox: https://noxpox.bandcamp.com/
– Humanfobia: https://humanfobia-official.bandcamp.com/
– DEVTHCVLT: https://www.instagram.com/xdevthcvlt/
– среди: https://soundcloud.com/mehynotyourmusic
– Primitive Gold: https://soundcloud.com/primitive-gold
– 7lobo: https://soundcloud.com/l3vario/tracks
– Tyler and Mac’s Sports Extravaganza: –
– GoatDriver: https://soundcloud.com/goatdriver
– Mach-Man Mini: https://archive.org/details/mach-man-mini
– Hitrison: https://soundcloud.com/hitrison/tracks
– KR Seward: https://krseward.bandcamp.com/
– junklight: https://soundcloud.com/junklight
– Filmy Ghost: https://open.spotify.com/artist/0POUvA4r7hzETPMnrn59My
GigaMashcore unit by DJKurara and Kyou1110.
Track Listing:
01. Temnjy Mir Demonov
02. Xolodilnik
Music by IllegallyEmbezzleMp3
Artwork by 無た。
Design by Occupied Territories
This EP was conceived during the recording sessions for the soundtrack to the short film “Струиндол” (“Struindol”) of the director Zornitsa Georgieva. The recordings are, again, completely spontaneous, following the ideas from Teeth of Divine’s previous album “Act I – Genesis” regarding the “presence-happening-reflection” process.
Recording artists:
Boyan Avramov – vocals, noises, dvoyanka, bells
Alexey Nikolov – electric cello
Asya Andonova – vocals
Yasen Penchev – guitar, drones, mastering
Released March 18, 2023
P.S. “The immediate primal feeling in one present is lost or renewed, disappears or reappears after nothing is the same again.” M. Cenov
Libre Albedrío / Free Will is the first installment of a series that the artist has conceived from the resistance to the algorithm of the system and programmed obsolescence, in a hyperconnected world surrounded by noise and saturated with options in a rarefied highly complex environment, this album proposes that the ability to decision continues to be a ray of light, both personal and collective, where we are effectively able to continue choosing what to listen to and when to do it. Highly emotional and contemplative, Libre Albedrío / Free Will is a journey through the hive mind where all of us are connected, taking us from the cyberpunk sky of “Balloons Flying in White Noise” to imaginary landscapes fueled by science on our own planet. As part of the author’s creative axis, this album continues to tell us about the relationship between human beings and the important balance that must be restored with their environment, in this path “Forest of Souls” is based on the swarm behavior observed in the visit of the Monarch Butterfly in Mexico during its great migration. In contrast, “Stochastic Horizon” presents us with the manifestation of the complexity reached by the economic relations of current, highly technified and globalized markets, which, despite being artificial, are extraordinarily similar to the behavior of those swarms of insects. Libre Albedrío / Free Will is also a continuous sonification a work in process, it take us to celebrate life but also to commemorate death, “Little seed star” is the final piece of the album but the beginning of a new stage that for the author represents resurgence and rebirth, not only of the beautiful mountain flower on which it is based (Eryngium proteiflorum, documentary film on whose soundtrack this composition is found) but the possibility of deeply assimilating a cyber spatial form in which he is immersed for the permanent dialogue that he maintains with his audience. Libre Albedrío / Free Will integrates 1Z4K, a cyborg with the same name as its creator who, through the use of artificial intelligence systems and the appropriation of the biosensors of the human that compliments him, generates his own aesthetic experience, the first in a cyborg entity, and who as a result sings for all of us throughout the album in a mysterious way and totally integrated into the total soundscape of the complete work, quite a feat to discover each cyborg chant.
Technically speaking, Libre Albedrío / Free Will is an album composed through modular analog synthesis, avoiding the intervention of notes as a human-machine interface and working much more on the concept of frequencies, a foundation that the author takes to its limit by using sub frequencies, binaural sound, ambisonics and ultrasound for the generation of induced states of consciousness referring to the expressive forms of the complete work additionally enriched with visual artwork and immersive installation available in virtual reality. He uses a lot of analog elements with just a few digital nuances for advanced synthesis techniques like granular and impulse convolution processing.
The album has been recorded completely live and there is an available version in multichannel virtual reality that the author occasionally presents as part of his live sound interventions.
▲ HUMANFOBIA 2023 EP ▲ Inspired in the horror movie classic: “THE BROOD” (1979) directed by David Cronenberg.
Humanfobia is a witch house, ghostly experimental music duo from Rancagua, Chile. Members: Mist Spectra (lead female vocalist) & Sábila Orbe (sound mixer, male vocals)
– https://humanfobia-official.bandcamp.com/
– https://open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
– https://archive.org/details/fav-mist_spectra
– https://hearthis.at/humanfobia/
Model in the artwork, vocals in tracks: 1,2,3 & 6.
All tracks mixed, cover collage by Sábila Orbe.
background vocals track 2.
Vigilance” is the second album on Mahorka of the prolific Japanese electronic music composer Takahiro Mukai, known for his unique DIY and circuit-bent machines sound-sculpturing approaches and quite active involvement in the resurgence of cassette culture and physical format.
Comes out as free (cc) digital download and, of course, a beautiful limited edition cassette, again complemented by amazing artwork courtesy of Angel Draganov and Ivan Ivanov, just as with his debut on Mahorka “Gently close the mouth” from 2019.
Released March 11, 2023
Instrumentation, Production & Recording: Takahiro Mukai
Artwork photos: Ivan Ivanov (posledenzalez)
Artwork design: Angel Draganov
Tenth and last Anniversary Compilation with 8 unreleased tracks.
Entrano a far parte della famiglia Nostress due novità musicali che si presentano con brevi ed efficaci parole: WIRES ON MOON è un duo livornese di musica elettronica composto da Isabella Mentessi e Massimo Ruberti. Dreampop, synthpop, psichedelia:
“…ci piaceva l’immagine dei cavi sulla Luna intesi come il groviglio di cavi audio ed elettrici che invadono ogni studio di musica, che strisciano sul suolo lunare e alla Luna si collegano; c’e’ quindi l’ elemento moderno che si interfaccia con l’elemento arcaico (la Luna) e con tutti i suoi miti, inclusi quelli della fantascienza moderna”;
e FANGU ovvero l’alterego, produttore di musica elettronica sperimentale, di Leonardo Vetrano (già chitarrista di: The Brilliants At Breakfast / Cinema noir / dasES):
“…l‘idea si è sviluppata a cavallo tra il 2020 e il 2021, quando in pieno lockdown, vietato qualunque tipo di aggregazione, ferme prove e concerti con la band, non si fermò la necessità di creare e soprattutto la voglia di farlo con gli amici, anche a distanza. Per questo FanGu, anche se nasce come progetto solista non lo è mai stato, sono così nate le collaborazioni con: Il mio Giardino Prensile (Varcocu); Ottica Siluraro Project (A Tia Taliu); Less (Lù RE); Roof Size (IOCU); Mammut nel Caos (Mantra). Il singolo incluso nel decimo volume della Compilation, “Beddu Cottu e Cataliatu” è stato ideato insieme a Mauro Maniscalco “Maniscalco”, fondatore ed attuale bassista dei dasEs. Infatti la linea di basso elettrico è protagonista del brano, con il suo insistente incalzare, che ne caratterizza la melodia;
“Beddu Cottu e Cataliatu” è un brano che potrebbe essere definito “electro etno rock alternativo” , in parole povere ad una base di musica elettronica sperimentale, con un ritmo incalzante e rimbombante, si è aggiunto il basso di Mauro, che con la sua presenza ed intensità, crea la melodia del brano, il tutto assecondato da un cantato distorto in dialetto siciliano, con un testo che esprime, lo stato di “immobilità” della nostra gente, che vuole tutto già bello pronto ed in cui nessuno o quasi, fa nulla per cambiare lo stato delle cose. Il titolo e ritornello del brano è tratto da una poesia tradizionale natalizia siciliana *”.
†▼†▼†▼†▼†▼†▼†▼†▼†▼†▼
Compiled. cover collage by Sábila Orbe.
model: Mist Spectra.
released by Internet Daemon (ex-Cian Orbe/Witch Spectra) netlabel.
https://new-age-vapor-witch.bandcamp.com/
https://witchspectra.bandcamp.com/
https://archive.org/details/fav-witch_spectra
Old school & new witch house experimental artists are part of this worldwide mp3 compilation. 100 tracks of witch haus, screwgaze, haunted house dark electronic music.
†△†△†△†△†△†△†△†△†△†△†△†△†△†△†△†△
Each track composed by the respective artist. Links to each music project website:
▼track 1: …Glowfl∆me…: https://soundcloud.com/glowflame
▼track2: 209 SINS: https://209sins.bandcamp.com/
▼track3: 6klop: https://6klop-electronix.bandcamp.com/
▼track4: ADH.Dreaming: https://soundcloud.com/adh-dreaming/tracks
▼track5: AGNAR: https://agnar.bandcamp.com/
▼track6: Afterdeath: https://afterdeath0.bandcamp.com/
▼track7: Anastasia Vronski: https://anastasiavronski.bandcamp.com/
▼track8: Aokigahara: https://aokigaharaa.bandcamp.com/
▼track9: Aura en el espejo: https://auraenelespejo.bandcamp.com/
▼track10: Axis Project: https://www.axisproject.net/
▼track11: BEDBΩ¥: –
▼track12: BIRCH CΔVΞZ: https://birchcaves.bandcamp.com
▼track13: BL▲K.:P▲N3L:.SKR↑P†: https://blackpanelskript.bandcamp.com/
▼track14: Cagey House: https://bandcamp.com/search?q=Cagey+House&item_type=a&from=results
▼track15: Cosmic Shock Absorber: https://cosmicshockabsorber23.bandcamp.com/
▼track16: Creature – Ooze: https://soundcloud.com/creature-ooze/
▼track17: DJ Frankenstone: https://archive.org/details/ThomasParkBenchmarkHub
▼track18: DJ Poo: https://archive.org/search?query=creator%3A%22DJ+Poo%22
▼track19: DR▲G ME TO HELL: https://dragmetohell.bandcamp.com/
▼track20: Danny Wolfers: https://legowelt.bandcamp.com/
▼track21: Dariusz Jackowski: https://dariuszjackowski.bandcamp.com/
▼track22: ENIX INRI: https://enix-inri.bandcamp.com/
▼track23: Filmy Ghost: https://open.spotify.com/artist/0POUvA4r7hzETPMnrn59My
▼track24: GHØS†BØY: https://ghostboy666.bandcamp.com/
▼track25: Ghent: https://ghent.bandcamp.com/
▼track26: Guattari: https://angsthotep.bandcamp.com/
▼track27: Hatemagick: https://www.jamendo.com/artist/368905/hatemagick/album
▼track28: Humanfobia: https://humanfobia-official.bandcamp.com/ //
Audiobake: https://audiobake.bandcamp.com/
▼track29: IDTAL: https://5kyeeidtal.bandcamp.com/
▼track30: IMMNNC: https://immnnc.bandcamp.com/
▼track31: INTIFVDA: https://soundcloud.com/intifvda
▼track32: Indu Mezu: https://indumezu.bandcamp.com/
▼track33: Insatiable Void: https://insatiablevoid.bandcamp.com/
▼track34: KACH: https://kachpromo.bandcamp.com/
▼track35: LUVCRAFT: –
▼track36: Lui-Mp3: https://archive.org/details/jamendo-000177
▼track37: Maple Leaf: –
▼track38: Mental Express: https://www.jamendo.com/artist/354117/mental-express
▼track39: Mobiu$: https://www.jamendo.com/artist/540802/mobiuusd
▼track40: Murdered Dream: https://soundcloud.com/murderedindream/tracks
▼track41: NAVIN: https://archive.org/details/MNMN272
▼track42: Nina Kardec: https://ninakardecofficial.bandcamp.com/
▼track43: Noclip Mode: https://noclipmode.bandcamp.com/
▼track44: Order 0v Thee Octopi: https://soundcloud.com/jameshootman
▼track45: PINDAR: https://pindar.bandcamp.com/
▼track46: PLΛGΛ: –
▼track47: PORTVLS: https://schroederart1369.bandcamp.com
▼track48: Pad: https://lhcrecords.bandcamp.com/
▼track49: Plomqvist: https://soundcloud.com/onkvlo
▼track50: Polus:
https://archive.org/search?query=creator%3A%22Polus%22&and%5B%5D=mediatype%3A%22audio%22&and%5B%5D=collection%3A%22netlabels%22
▼track51: pouleserg: https://soundcloud.com/pouleserg
▼track52: Pray for Triangle Zero: https://pray4trianglezero.bandcamp.com/
▼track53: Prigat*/Smeayt*say: https://archive.org/details/MNMN229/
▼track54: Project Mahlen Goscht:
https://www.jamendo.com/artist/337393/project-mahlen-goscht
▼track55: Reshinarax: https://reshinarax.bandcamp.com/
▼track56: SORC3RY: https://sorc3ry.bandcamp.com/
▼track57: Sanguine: https://archive.org/details/DKR308/
▼track58: SeriousSamson: https://soundcloud.com/serioussamson
▼track59: Seven Daggers: https://soundcloud.com/seven-daggers
▼track60: Soft and Furious: https://chezmonplaisir.bandcamp.com/
▼track61: Sypha Nadon: https://archive.org/search?query=creator%3A%22Sypha+Nadon%22
▼track62: TRETTS: https://soundcloud.com/tr3tt5
▼track63: Tchornavidma: https://tchornavidma.bandcamp.com/
▼track64: The Carisita Sect:
https://ceremonialsundown.bandcamp.com/album/the-carisista-sect
▼track65: The Implicit Order: https://theimplicitorder.bandcamp.com/
▼track66: Tom Fahy/Zhang Li: https://archive.org/details/PRNT-ALBUM
▼track67: Tripnectar: https://archive.org/details/MNMN485/
▼track68:Unhealthy Fantasies: https://unhealthyfantasi3s.bandcamp.com/
Uunslit: https://archive.org/search?query=creator%3A%22Uunslit%22
▼track69: V L A D: https://soundcloud.com/user-138107546
▼track70: Vivid Tribe Of Psychics: https://vividtribeofpsychics.bandcamp.com/
▼track71: Witchbeat: https://archive.org/search?query=creator%3A%22Witchbeat%22
▼track72: Yoshiro: –
▼track73: Yaka-anima: https://humanfobia.jimdofree.com/yaka-anima/
▼track74: Yikii: https://yikii.bandcamp.com/
▼track75: ako: https://ako0.bandcamp.com/
▼track76: blVirvvitch: https://soundcloud.com/blvirvvitch/tracks
▼track77: defteros: https://soundcloud.com/deutepoc
▼track78: Drunkwithtears: https://soundcloud.com/drunkwithtears
▼track79: GRMMSK: https://totstellen-grmmsk.bandcamp.com/
▼track80: la Chose Maeng: https://lachosemaeng.bandcamp.com/
▼track81: melcom: https://melcom.bandcamp.com/ //
Filmy Ghost: https://hearthis.at/filmy-ghost/
▼track82: rotten space: https://rottenspace.bandcamp.com/
▼track83: yunghannibal: https://yunghannibal.bandcamp.com/
▼track84: ¥¥¥: https://soundcloud.com/xcvkkk/tracks
▼track85: Éveil: https://eveil.bandcamp.com/
▼track86: ÍÍN†Í†ÍÍ: https://soundcloud.com/iintitii
▼track87: ʚgɐʚgɐィァ: https://archive.org/details/MNMN260
▼track88: α Ori: https://apsu.neocities.org/alpha_ori/
▼track89: ангел – Catalyst aka ╬ sh sh zombie mamba ╬: https://soundcloud.com/user-20316104-649672009
▼track90: ангел – Catalyst / https://soundcloud.com/user-20316104-649672009
▼track91: капитан Trip: https://archive.org/details/MNMN295
▼track92: †ATMOS†PHERE † OF GOD AND † DEVIL†: https://soundcloud.com/atmosphereofgodanddevil
▼track93: †ΣBL∆Ņ†: –
▼track94: ∆GU∆TECK∆: https://mayaw-records.bandcamp.com/
▼track95: ▲DΣ†∐NΣD▲ᗸ△S†△RD▲: https://detunedbastard.bandcamp.com/
▼track96: ▲▲ΣϟQUIϟ0MBIΣ▲▲: https://soundcloud.com/esquisombie/tracks
▼track97: ☒: https://archive.org/details/new-age-yappi/
▼track98: Tragic Shields: https://tragicshields.bandcamp.com/
▼track99: ツイン・ピークス: https://usgolf95.bandcamp.com/album/twin-peaks-diaries-2
▼track100: ＭＥＰＩＫＡＥＬＸＯＲＯ: –
somber jazz | a shelter | voices under a glass;
hymns ‘ dyscordia’/ orphans within a womb[
their sorrow / a prayer \ of winter darkness / the sun
heartbeat drummers || their shadows || the beauty \ of
[rays of light in abandoned buildings]
*use this in dreams*
Released February 25, 2023
Music and artwork by Emilian Gatsov
Composed and produced 2019-2022
The recording of this album has been realised with the financial support of National Culture Fund of Bulgaria
An album of world glitch music incorporating sitar with circuit bent tabla/tambura machines & various synths & circuit bent devices.
Made with Sitar, circuit bent tabla, tambura, ethnics, electronics.
Finished in an attic in Birchanger…….a word with trees, anger, change, hamger…..
credits
Recorded, mixed & mastered by Psychiceyeclix
https://doubledgescissor.bandcamp.com/track/evil-runs-free
The Beacon EP is a hark back to Bolus’s 2014 EP “perceived redness of an evening sky” and the track “Pump”, utilizing rhythmic drones and sequenced soundscapes and culminating in a more percussive departure from his usual sound in the final track “Gottingen”.
Once again, these compositions represent Bolus’s take on soundtrack work but this time with actual films in mind:
“Martyrs” was perceived for the 2008 film of the same name, “Black Light” for the “Leviathan Configuration” of the LeMarchand box as it rotates above the labyrinth in Hellraiser II, and “Gottingen” for “A Beautiful Mind”, channelling Bernhard Riemann, a 19th century mathematician and alma mater of the University of Gottingen, Germany.
