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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: idm

Valance Drakes – Not Taking This Gratitude For Granted

Valance Drakes – Not Taking This Gratitude For Granted

Valance Drakes

“Not Taking This Gratitude For Granted”

This EP was entirely written and recorded in the cable kingdom of bleeps and bloops in the city of Sofia, Bulgaria during their tradition of Martenitsa. While Ivan Shopov was working on his project Kanatitsa with Avigeya, Valance Drakes was into a rookie year for Amek, working on the collab LP with Ivan and working on his debut album for the label (An Angel In Alliance With Falsehood).

“Much love goes out to my brother Ivan Shopov for the art piece, mastering and doing a remix for the project” – Valance Drakes
credits
released June 30, 2020

Original tracks by Valance Drakes
Artwork by Ivan Shopov
Mastering by Ivan Shopov

Button: by-nc-nd
posted 01 July 2020

Pandacetamol – A Different Place

Pandacetamol – A Different Place

Pandacetamol

“A Different Place”

Pandacetamol is turning into a regular feature on Kahvi in recent times, this time he’s back with a twelve track album of minimal beats, dark factory atmospheres and a tasting of Autechre influences.

Off key leads, glitchy, shifting direction constantly. Something to chillout to in the summer sun with an ice cold beer or two.

Watch out for Pandacetamol’s retro sound of choice – classic acid.
credits
released June 23, 2020

Button: by-nc-nd
posted 27 June 2020

TNKS – Coming Out

TNKS – Coming Out
[SCM-2001]

TNKS

“Coming Out”

TNKS (thanks) is an electronic music project born in 2011 created by Erik Cinà and Francesco Palermo, with two releases under its belt: “Gate one” (2014) and “Nostalgic Happiness (2017), both published by SUCU MUSIC.
The sound of TNKS, contaminated by various musical currents, has evolved through the years, blending different electronic music forms: ambient-glitch-idm-synthpop, all with the main purpose of musical research and experimentation during production. An intimate sound, in the end, achieved through passion and love for music and life in general.
“Coming out” is TNKS’s latest work which will be released in July 2020.
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posted 27 June 2020

Various Artist – Mad Hop vol​.​9

Various Artist – Mad Hop vol​.​9

Various Artist

“Mad Hop vol​.​9”

“Sometimes life takes us to the point when nothing seems to make sense, and everything you do turns against you.Burning Rain Forests in the Amazon, vast bush fires in Australia, Oceans drowning in plastic… devastating disasters across the planet. Until all of a sudden everything seems to stand still. An unprecedented crisis, another unexpected threat makes us freeze, takes away basic human rights, locks us up in our homes. Everything and everyone is connected and all is happening for a reason. If things don’t work the way we have planned its time to let go And still- it is a chance. A chance to rethink our values, to profoundly question our ways of life. To meditate, to transcend. The right moment will come again to reach out and spread positive energy. We invite you to dissolve into our music. Meet you on the other side.”
Kris Kolanus CEO Mad-Hop Records

During the current global pandemic, one of the worst hit industries is
unquestionably music performance and all of its various expressive forms that include singer-songwriters, bands, DJs, producers, sound engineers, not to mention the plethora of crew and staff intrinsically linked to the success of a show. There is no denying that this is a trying time for all. However, Mad-Hop… more
credits
released June 26, 2020

Artwork: Thomas Gutts (www.thomasgutts.com)
Mastring: Pruski (miniature-records.com)

Button: no
posted 26 June 2020

Various Artists – PERIHELION 2134

Various Artists – PERIHELION 2134

Various Artists

“PERIHELION 2134”

released June 5, 2020

artwork by Sagana Squale
sagana-squale.blogspot.com

typesetting by MACHINE™
machine.myportfolio.com

all tracks mastered by Robert Galbraith unless otherwise indicated

videos
www.youtube.com/ohmresistancemusic

compilation executive producer: Kurt Glück-Aeg
dedicated to my daughter, Bilinda
producer: George Liam Flett

Button: no
posted 07 June 2020

kol9remesez – leelya

kol9remesez – leelya
[EEM005]

kol9remesez

“leelya”

The overcomplexity of drums, reaching levels of spaceflight through curved spacetime. Together with the overmixture of styles with ever-changing moods from easy-going to harsh and active, but always in perpetual motion. Which lead to overabstraction of mind and space resulting in rotating mindspace.
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posted 29 May 2020

Lokom – Sunday Break Storming

Lokom – Sunday Break Storming
[AR_098]

Lokom

“Sunday Break Storming”

Binaural symphony in clouds. Planets are to be swallowed, Jesus your lactated tar. The universe is a gigantic ball pool filled with kneeling cosmic giants. Chiseled cor-pustules and rubber sides. Watch out for humans, shrillness for the tendons, the robots shall prevail. Narrow but flexible galaxies, a good omen.
credits
released May 26, 2020

Original tracks by Lokom
Mastering by Stazma The Junglechrist
Artwork by Haedre

Button: by-nc-nd
posted 26 May 2020

Brioskj – When new feelings come

Brioskj – When new feelings come

Brioskj

“When new feelings come”

Brioskj has been appearing on Kahvi for many years, usually a track here or there on the annual VA, but this time, due to having plenty of time on his hands due to the current situation, an entire EP arrived in the Kahvi mailbox. Cheerful, bouncy, and perhaps the beginning of summer, ‘When new feelings come’ is a delightful, easy to listen to six track, that sparkles in the sun.
credits
released May 21, 2020
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posted 21 May 2020

Humanfobia – Letargo Sumergido

Humanfobia – Letargo Sumergido
[CIOR-H89]

Humanfobia

“Letargo Sumergido”

Humanfobia is a dark experimental music duo from Rancagua, Chile.

All tracks composed by Sábila Orbe.
vocals, lyrics, model in the cover: Mist Spectra.
vocals in track 5, secondary vocals in track 1: Sábila Orbe.
In track 6: some synthesizer samples provided by Alpha Ori.

Humanfobia websites:
https://humanfobia-official.bandcamp.com/
https://archive.org/details/fav-mist_spectra
https://hearthis.at/humanfobia/
Updates:
https://www.facebook.com/humanfobia
https://youpic.com/photographer/humanfobia/

Button: by-nc-nd
posted 13 May 2020

Pablo Gomez Bate – Conflicto Belico

Pablo Gomez Bate – Conflicto Belico
[pn154]

Pablo Gomez Bate

“Conflicto Belico”

When listening to “Conflicto Bélico” (War Conflict) we can immediately contextualize the situation
of the country in the album’s first track, a track that evolves and begins to distance itself from
external discourse, while unveiling its own story through noise, tension and depth.

Over the course of the LP, we are offered ambiences of constant sounds achieved through low
frequencies, generating a contrast with the high and rhythmic frequencies present through much of
this work. The rhythm develops in an imprecise way, with the beginning marked by the absence of
a beat, and when it appears it is not repetitive, it is only used as a gesture that disappears
among other elements. The lack of beat generates uncertainty for us as we wait for possible
cinematographic elements, suspenseful ambience and sound landscapes that produce a feeling of
hoping for something, while generating an anxious tension in the environment set forth.

As we approach the middle of the disc, the first melodic elements appear, allowing the sound
developed by Pablo Gómez Bate to approach a dreamlike state. The calm after the storm with an
ascent to the hopeful, demonstrating an excellent handling of the intensities that appear.

At the listening’s end, the same timbres and protaganistic frequencies from the first compositions
remain present, hinting that the total work can be considered as chapters telling us a complete
story that leads us either by reason or consequence to reflective and meditative states.

This creation shows an exhaustive exploration of timbres and various sound sources, including
samples, synthesizers, acoustic and organic sounds. Compositions made over low heat, allowing
the author to test and polish each track until everything was in its right place.

M4u (René Roco + Polwor)
(Santiago, Chile, mayo / May 2020)

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posted 10 May 2020

Y-DRA – Kidung Wahyu Kolosebo (ft. Silir Pujiwati)

Y-DRA – Kidung Wahyu Kolosebo (ft. Silir Pujiwati)

Y-DRA

“Kidung Wahyu Kolosebo (ft. Silir Pujiwati)”

Kidung, means a prayer song in Javanese language is an effort to achieve the perfection and happiness of life by relying on a request to god. Kidung Wahyu Kolosebo was created by a young culturalist, Sri Narendra Kalaseba, in a period of nine years.

Y-DRA, with the magical voice of singer Silir Pujiwati, recomposed the song to commemorate Ramadhan month and also as a prayer to protect us from the disaster, the COVID-19 pandemic.

Button: by-nc
posted 24 April 2020

entropija – genealogija A: 2017-2018

entropija – genealogija A: 2017-2018
[EEM054]

entropija

“genealogija A: 2017-2018”

The first part of a retrospective collection, documenting live concert excerpts and private experiments between October 2017 and June 2018. Dynamic, rhythmically active, contrasting motifs dominate the album, emanating shades of IDM, glich, and post-industrial music. Beats and tonalities assemble, clash together and disintegrate, giving way to the next cycle of entropic interactions. The album attempts to construct a sonic narrative from disparate recordings, recontextualizing them into a new whole, but retaining the eclectic nature of entropija‘s live performance.
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posted 23 April 2020

Various Artists – Nevrosia

Various Artists – Nevrosia
[CR120]

Various Artists

“Nevrosia”

The diabolical force known as Nevrosia has been unleashed upon a quarantined world to inflict a mutated and distorted blend of breakcore contagion. This album represents an audio pandemic of terror. Breathe deeply and descend.

Crivellator hails from Latina, Italy and is the founder of the Musica Bella netlabel.

Cover artwork by SEKI.

DISCLAIMER: “Hell is empty and all the devils are here.”

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posted 22 April 2020

Soul Flask – The Cassandra Complex

Soul Flask – The Cassandra Complex
[mhrk240]

Soul Flask

“The Cassandra Complex”

“Basically the project came into being from the job I do. I work in the waste/recycling industry and have done for 3 years. When I first started I was absolutely mortified at how wasteful we are in this country and likely most of the developed world. There is so much food waste (tins, dried goods that get thrown away even though they are perfectly fine). I eat what I think is OKay. Me and others also find gold, silver, rolex watches etc. I found a bottle of whiskey valued at 1400 pounds. So i was seeing all this waste and then seeing homeless people in the street asking me for money. I would buy them a sandwich and a drink. I sank into a place of strange but thoughtful depression and anxiety. Then we had this idea that you could look inside a skip and come up with a quality band name. I came up with ‘Half eaten loaf’, The rotten carpets, Then I saw a broken thermos flask with all these old photos next to it. Peoples memories… Soul Flask just popped in my head. I then set about taking inspiration for a musical project with influences taken directly from rubbish. Some musical instruments and old vhs tapes provided a catalyst of at least creating a musical message to this madness.

The flask appeared empty, but it wasn’t. It triggered a thought.. That our bodies are vessels. Our Soul can either be damaged or enlightened throughout life. We boil down our whole life’s experience, knowledge and thought, then we carry forward that knowledge and information within ourselves. Within our Flasks, keeping that liquid warm. It’s important that when the liquid overflows out of our Flask, that it does so in a positive way. A helpful and responsible way that can only promote good, so as that other peoples flasks don’t get contaminated. It’s only by following that lifestyle that we can truly transform and then together, we can all go into the future.

With a clarity of soul.

Most tracks have a direct message to them. Usually just questioning our accepted culture as normal without challenging it. But when looking at the bigger picture of which society does its very best to hide. You can’t help but wonder just how long we can sustain ourselves like this. I mean, we all need things to survive. But when these things come to their expiry. We cannot just bury them in landfill. That behaviour is the equivalent to the whole of the human race burying its head in the sand.”

released April 22, 2020

on the occasion of Earth Day

Recorded between July 2019 and March 2020

Artwork by Remona Poortman De Roos

“Much love to Jeffers, Sandie, Ivo, Pietro (IglooMag), WastedCake, Alec & Clay, Steven (LFM), All the Andyʼs, Jared (Gabbermaster 2000), Esa Juhani Ruoho and of course my family”

Special thanks to Babs Graham (for the additional artwork circa 1930)

“Civilisation is in a race between education and catastrophe.” – H.G Wells

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posted 22 April 2020