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music tagged with: jazz

Lavoura – Ayizan

Lavoura – Ayizan
[foot282]

Lavoura

“Ayizan”

Formed 16 years ago, Lavoura is a reference in future jazz made in Brazil. The group debuted two more songs, after a series of singles started in 2018. “Ayizan” is the first single. Climatic, the track brings in its DNA the Brazilian rhythm and the psychedelia, amplified by the arrangements and the accurate production, that confer a certain epic tone to the sonority, without losing the characteristic groove. The other single, “Bossa Exploitation”, refers to the anthropophagic research involving African music. It is the result of impromptu sessions that the group held between 2017 and 2018. Integrated by composers, producers, arrangers, beatmakers, musicians, visual artists and inventors, Lavoura makes a cinematic sound, referenced by the rhythm science and inspired by the concepts of phusion (fusion of the 21st century) and psychogeography, transform spaces in sensory experiences).

Caleb Mascarenhas (synths, beats)
Fabiano Alcântara (bass)
Fernando TRZ Falcoski (synths, electric piano, beats)
Junião (percussion, beats)
Marcelo Monteiro (sax, flute)
Thiago Duar (guitar, beats)
Paulo Pires (drums, drum machine, beats)
Carlos Pedreanez and Rodrigo ZoomB (visual artists)

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posted 24 November 2019

Diego Lorenzini – De Algo Hay Que Morir (feat. Simón Campusano)

Diego Lorenzini – De Algo Hay Que Morir (feat. Simón Campusano)

Diego Lorenzini

“De Algo Hay Que Morir (feat. Simón Campusano)”

All songs composed and arranged by Diego Lorenzini, but “Valparaisito”, composed by Diego Lorenzini and arranged by Javier Bobbert.

All the lyrics written by Diego Lorenzini but “Introduction to Viva Chillán, Una Crueldad Unnecesaria” written by Diego Lorenzini along with Cristóbal León, and “Viva Chillán, Una Crueldad Unnecesaria”, compiled from different fragments written by anonymous authors and reorganized by Diego Lorenzini.

“Soy Un Corpóreo y Dentro De Mí Hay Una Actriz Recién Titulada Llorando” is based on a true story of the actrees and theater director Nicole Waak.

Diego Lorenzini: Vocals, guitars, ukulele, bass, keyboards, percussions, drums, “trumpets” and programming.

Guest musicians:

Erlend Øye: vocals and “trumpets” in “Me Voy a Valparaíso”
Tiare Galaz (Storm Girl): vocals in “Chao Mi Niño”, “Billete de Luca” and “Pony”
Chini Ayarza (Chini.png): voices in “Mierda”, “Pony”, “Billete de Luca”
Rosario Alfonso: vocals in “Sin Otro particular Se Despide”, “Me Voy a Valparaíso”, “Pony” and “Billete de Luca”
Simón Campusano (Niños del Cerro): vocals in “Estamos Fritos”, “Sí Po'”, “Billete de Luca” and “Pony”
Nicolás Lorenzini (The Rapin Brothers): vocals in “Pony” and “Billete de Luca”
Martín Perez Roa (Merci): keyboard in “Me Voy a Valparaíso” and vocals in “Billete de Luca”
Javier Bobbert: guitar solo in “Valparaisito” and in “Me Voy a Valparaíso”
Juan Celofán: vocals in “Billete de Luca”
Juan Manuel Daza: vocals in “Billete de Luca”
Maite Pizarro: vocals in “Billete de Luca”
Alejandro Pino: Flugelhorn in “Spoiler”, “Mierda” and “Soy Un Corpóreo y Dentro De Mí Hay Una Actriz Recién Titulada Llorando”

Produced by Diego Lorenzini along with Martín Perez Roa (a.k.a. Merci) in Estudios Niebla.

Mastered on analog tape by Arturo Zegers in Estudios Triana

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posted 02 November 2019

Zen in a Nightclub – The Mass Pursuit of Nothingness

Zen in a Nightclub – The Mass Pursuit of Nothingness
[SLNT115]

Zen in a Nightclub

“The Mass Pursuit of Nothingness”

This is the debut release of the international mix-media/cross-genre collaboration project called, ‘Zen in a Nightclub’. This release features improvisations with musical saw, free-form vocals and poetry, saxophone, knee violin, gadulka and more.
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posted 27 October 2019

Pk Jazz Collective – Analog

Pk Jazz Collective – Analog
[SCL203]

Pk Jazz Collective

“Analog”

Этот сборник песен готовился на протяжении последних двух лет. Как всегда Pk jazz Collective обращается к классике музыкального и поэтического наследия 20-го века. В этом альбоме вы услышите новое прочтение творчества мистиков The Doors и не так давно преставившегося легендарного русского поэта Евгения Евтушенко. Пластинка получила название “Аналог”, потому что ее запись сопровождалась использованием кассетной деки, вполне определившей качество звучания в стилистике домашних проектов 80-90-х годов прошлого столетия.


This is [SCL203]
www.southerncitylab.net
credits
released September 15, 2019

Cover photo by Lucas Pezeta

All music and lyrics by Pk jazz Collective

except:
«The Spy» — lyrics by The Doors
«Someone’s Calling» — lyrics by Modern English
«Со мною вот что происходит» — lyrics by Evgeny Evtushenko
«Я никто» — lyrics by Alexey Rybin
«Ask Me Why» — lyrics by Lennon-McCartney

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posted 16 September 2019

Artem Bemba – Agalma

Artem Bemba – Agalma
[SCL202]

Artem Bemba

“Agalma”

У: Гоплит, Коттаб, Пифос. Что это за названия такие?
А.Б.: Это тоже античные термины.
У: Античные, говоришь? Как и «агальма»?
А.Б.: Именно. Такую я выбрал концепцию.
У: Значит, говоришь, в альбоме есть какая то концепция?
А.Б.: Есть, но не четкая. Я её привязал к названиям песен и к самой музыке.
У: Но все таки она есть! Я внимательно слушаю!
А.Б.: Ну в общем как то так. Гоплит – античный пехотинец. Трек звучит грозно. Он о человеке на войне. Коттаб – античная алкогольная игра. Человек возвращается с войны и окунается в мир развлечений и алкоголя. Пифос – античная посуда. Диоген жил в пифосе. Развлечения не приносят человеку радости, и он, подобно Диогену, начинает жить в пифосе и стает кем то вроде мудреца. Что то типа того.

— Из материалов допроса Артема Бембы, проведенного 31.10.2018 уполномоченным Управления Синглов И Альбомов При Министерстве Звука и Музыки по поводу выхода его нового альбома AGALMA.

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posted 11 September 2019

Gussoni / Magliocchi / Northover – The Sea Of Frogs

Gussoni / Magliocchi / Northover – The Sea Of Frogs
[PT092]

Gussoni / Magliocchi / Northover

“The Sea Of Frogs”

Bruno Gussoni/Flutes
Adrian Northover/Soprano saxophone
Marcello Magliocchi/Drums

Recorded at Bogliasco-Genova/IT
2019, June 12th
All music by Gussoni/Magliocchi/Northover
Photo & cover design by Adrian Northover

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posted 01 September 2019

MELA – Mela Two

MELA – Mela Two

MELA

“Mela Two”

Arranged and recorded on January 2nd and 3rd 2019 in room 1075 at Fredonia University.

“Mela” means to gather. We are a collective of musicians from Buffalo, Chicago and NYC that meet for the purposes of originality in a world of imposed forms.

We’re just happy to share our music. Thanks for your support! Enjoy “Mela Two”!

released June 1, 2019

“Mela Two”

Produced by Paul Sottnik, Frank Valente and Taylor Ford

album art by
Haley Flight

featuring
Paul Sottnik on Piano, Celeste, Vocals and Acoustic Guitar
Frank Valente on Vibraphone, Shaker and Electric Piano
Taylor Ford on Electric Bass and Electric Guitar
Jake Payne on Drumset

recording engineers
Tyler Will and Jaden Zhang
**They built the whole studio from scratch!**

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posted 27 June 2019

Martin Rach – Unfinished Loops

Martin Rach – Unfinished Loops
[enrmp435]

Martin Rach

“Unfinished Loops”

Latest album from long term Enough Records collaborator Martin Rach from Lithuania, exploring some Unfinished Loops in his usual tripstep jazz influenced way. Expect eerie settings, deep wobbling bass sounds, cinematic constructs and strong silences dominating the structure of the tracks. Artwork by Martin Rach and ps.
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posted 15 February 2019

Giuseppe Pascucci, Vito Pesce – Humasaurs

Giuseppe Pascucci, Vito Pesce – Humasaurs
[PT084]

Giuseppe Pascucci, Vito Pesce

“Humasaurs”

“Humasaurs”, sounds from a dystopic World of corrupt and luxurious reptile-humans.

Personnel: Giuseppe Pascucci – Vito Pesce : Electric Guitars, effects.
Live recorded by V. Pesce, G. Pascucci, between September 2016 and February 2017.
Sound Design, Mixing and Mastering: Enrico L’Insalata, ChiralityAudio.
Graphic Illustration : TACHY147

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posted 03 February 2019

Giuseppe Pascucci, Vito Pesce – Nikola, Was Right !

Giuseppe Pascucci, Vito Pesce – Nikola, Was Right !
[PT083]

Giuseppe Pascucci, Vito Pesce

“Nikola, Was Right !”

“Nikola, Was Right!”, has been freely inspired by Nikola Tesla’s works and Life.

Personnel: Giuseppe Pascucci – Vito Pesce : Electric Guitars, effects.
Live recorded by V. Pesce, G. Pascucci, between September 2016 and February 2017.
Sound Design, Mixing and Mastering: Enrico L’Insalata, ChiralityAudio.
Graphic Illustration : Vito Battista

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posted 03 February 2019

Melinda & Maciek – Jazz Frit

Melinda & Maciek – Jazz Frit
[LBN043]

Melinda & Maciek

“Jazz Frit”

Melinda & Maciek is a project started in February 2018 thanks to an accidental Instagram connection between 2 musicians. Melinda Ligeti is a composer/singer/multiinstrumentalist/arranger/producer from Serbia, living in Italy, while Maciek Cieslak is a drummer from Poland, living in France. It all started with Melinda’s old wish to write music based on a bare drum track. Maciek happened to have some ready, recorded drumparts that he sent to her, and she used them to build music upon it, using piano, synth and bass. It was an experimental approach to composition Melinda always wanted to try, and it finally happened. The result is 4 songs, mixing jazz, prog, fusion, chillout, contemporary… imagined as a mini album, giving the taste of what this project might become if developed further. 3 of them are instrumental, and one is also involving Maciek’s vocals that got caught on microphones while recording the drumpart, a selfironic song that makes fun of the hardship of singing and playing at the same time, in his native Polish language. Jazz Frit is a symbolic title for this album, for the fact that musicians involved are living in (Fr)ance and (It)aly, but also, and so much more, for the meaning of frit word, which by Oxford dictionary definition is the mixture of silica and fluxes which is fused at high temperature to make glass, plus – according to urban dictionary means intoxicating/exciting, as well as ligthly fried.
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posted 13 January 2019